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Interjection

An interjection is a part of speech comprising conventionalized words, phrases, or non-words that stand alone as utterances to express a speaker's mental state, attitude, reaction, or intention toward a situation, often conveying emotions such as surprise, pain, joy, or disgust.^[1] These linguistic forms, such as "ouch!", "wow!", or "alas!", function as relatively independent vocal gestures that interrupt or punctuate discourse without integrating grammatically into the sentence structure.^[2] Interjections exhibit distinct syntactic, phonological, and morphological properties that set them apart from other word classes. Syntactically, they are typically paratactic, occurring outside the main clause and often marked by intonation, pauses, or punctuation like exclamation points, with no dependency on surrounding syntax.^[1] Phonologically, they may include anomalous sounds, such as clicks in "tut-tut" or elongated vowels in "ohhh," and morphologically, they rarely inflect or derive new forms, though some secondary interjections like "damn!" retain independent lexical meanings.^[1] Primary interjections, like "psst!" for attention, are more formulaic and less tied to propositional content, while secondary ones draw from other parts of speech but shift to exclamatory use.^[2] Functionally, interjections serve multiple pragmatic roles beyond pure emotional expression, including expressive (revealing the speaker's emotive or cognitive state), conative (eliciting action or attention from others), and phatic (maintaining social contact) purposes.^[1] For instance, they can index situational objects (e.g., "yuck!" for disgust at something loathsome), discursive elements (e.g., "aha!" for realization), or social relations (e.g., "shh!" to enforce silence).^[2] Their meanings are highly context-dependent, activating attitudinal inferences that aid communication without explicit propositional structure.^[2] Despite their prevalence in spoken language across cultures, interjections have been historically neglected in linguistic theory, often dismissed as peripheral or non-linguistic due to their instinctive quality and lack of semantic independence.^[1] Ancient grammarians, such as the Latin Priscian, defined them as "unformed words" signifying emotions, recognizing them as a distinct category separate from adverbs or nouns.^[2] Modern scholars emphasize their universality, noting that every known language possesses interjections, which may even persist in aphasia patients when other speech is impaired, underscoring their fundamental role in human communication.^[1]

Definition and Characteristics

Meaning and Primary Uses

An interjection is a part of speech that conveys a speaker's attitudes, emotions, or reactions to a situation, functioning independently of the sentence structure in which it may appear.^[3] These expressions, often classified as primary interjections, are little words or non-words that can constitute complete utterances on their own, without entering into syntactic constructions with other word classes.^[3] Unlike propositional elements, interjections encode non-referential meanings, such as the speaker's mental state or response to an event, through a combination of semantic primitives and sound symbolism.^[4] The primary uses of interjections center on expressing immediate emotional or reactive responses in communication. For instance, they signal surprise with forms like wow!, pain with ouch!, joy with yay!, or imperative commands to quieten with shh!.^[3] These functions allow interjections to highlight the speaker's affective stance, such as compassion, acknowledgment, or exclamation, often serving as turn-holding devices or markers of interactional alignment in conversation.^[5] In this way, interjections facilitate the flow of dialogue by conveying attitudes that are context-bound and speaker-oriented, rather than descriptive of external states. Interjections exhibit a high degree of syntactic independence, frequently standing alone as utterances or attaching loosely to sentences without requiring grammatical integration.^[3] This autonomy distinguishes them from other word classes, as they do not depend on verbs or other elements for completion and can occur at utterance edges or in isolation.^[5] Such flexibility underscores their role as peripheral yet essential components of language, enabling spontaneous reactions outside propositional frameworks.^[4] Phonetically, interjections often feature reduction, exclamatory intonation, or unconventional forms that deviate from the core phonological system of a language.^[3] They may include anomalous sounds, such as vowel-less consonants in sh! or dental clicks in tut-tut, and in written representations, they typically employ non-standard spelling or punctuation to mimic prosodic emphasis, like elongated vowels or exclamation marks.^[3] These traits enhance their expressive immediacy, adapting to the interactive demands of speech.^[5]

Grammatical and Syntactic Features

Interjections exhibit a high degree of syntactic independence, functioning as extrasyntactic elements that do not integrate into the grammatical structure of sentences but can appear before, within, or after clauses without affecting their core syntax. This autonomy allows interjections to stand alone as complete utterances, such as Ouch! in response to pain, or to interrupt ongoing speech, as in Hey—watch out!, where the interjection does not modify the verb phrase or noun structure. Linguists recognize this independence as a defining trait, distinguishing interjections from other parts of speech that require syntactic embedding.^[6]^[5] Morphologically, interjections are characterized by their simplicity, typically consisting of monomorphemic forms or short phrases that undergo little to no inflection, derivation, or agreement with other elements in the sentence. For instance, words like wow or shh remain unchanged across contexts, lacking the tense, number, or case markings common in verbs or nouns, which underscores their peripheral role in morphological paradigms. This lack of complexity facilitates their rapid deployment in spontaneous communication, though some secondary interjections derived from other classes may retain frozen morphological features. In spoken language, interjections are often distinguished by distinctive prosodic features, including specific intonation contours that convey their pragmatic intent, such as rising pitch in Huh? to signal repair initiation or heightened intensity in exclamations like Oh no! for emphasis. These prosodic patterns, which may involve elongated vowels, stress shifts, or non-standard phonation, help interjections stand out from surrounding discourse without relying on syntactic cues. Such features enhance their role in real-time interaction, adapting to emotional or contextual nuances.^[5]^[6] In written representation, interjections follow conventions that mirror their spoken autonomy and prosody, commonly employing exclamation marks to denote strong emotion (Yikes!), dashes for interruptions (Well—actually...), or standalone placement with periods for milder expressions (Hmm.). These punctuation choices isolate interjections from adjacent text, preserving their syntactic detachment and aiding readability in transcribed or literary contexts.^[6]^[5]

Historical Classification

Ancient and Medieval Views

In ancient Greek grammar, Dionysius Thrax, in his treatise Techne Grammatike (Art of Grammar) from the 2nd century BCE, included interjections within the category of adverbs rather than as a distinct part of speech among the traditional eight. He described them as indeclinable words expressing emotions such as horror or surprise, exemplified by terms like papai, iou, and pheu, emphasizing their exclamatory nature without inflection for case, number, or gender.^[8]^[9] Roman grammarians built on this foundation but elevated interjections to a separate class. Priscian, in his Institutiones Grammaticae (early 6th century CE), defined interjections as an independent part of speech consisting of unformed sounds (voce incondita) that signify passions of the soul, comparable to the cries of animals or irrational beings, such as hahahae for laughter or au for pain. This view highlighted their role in conveying raw emotion without contributing to syntactic structure or meaningful propositions, marking them as marginal to logical discourse.^[9] During medieval scholasticism, grammarians like Peter Helias (12th century) in his Summa super Priscianum further distinguished interjections as adverbia adsignificativa, words that signify by social convention (ad placitum) rather than by inherent meaning or reference to substances, setting them apart from nouns, verbs, and other substantive classes. They were seen as expressive tools for affect rather than elements of reasoned argumentation, often dismissed as primitive utterances unfit for the rigorous analysis of logic or metaphysics prevalent in scholastic thought. This marginalization persisted, viewing interjections as illogical outbursts beyond the scope of systematic grammar.^[10]

Developments in Modern Linguistics

In the 19th century, comparative philology advanced the understanding of interjections by viewing them as primitive, onomatopoeic elements at the origins of language. This perspective aligned with broader philological efforts to trace Indo-European roots, positioning interjections as foundational yet rudimentary components rather than marginal anomalies. Early 20th-century structuralism, as articulated by Ferdinand de Saussure in Course in General Linguistics (1916), marginalized interjections by treating them as peripheral to the core linguistic system of arbitrary signs. Saussure acknowledged their partial motivation from emotional or instinctive sources but emphasized their variability across languages and secondary status, arguing they lacked the systematic signified-signifier bond essential to langue, thus rendering them non-signifying in the structural paradigm.^[11] Similarly, Leonard Bloomfield's behaviorist approach in Language (1933) framed interjections as direct emotional responses or "symptoms" elicited by stimuli, excluding them from formal syntactic structures and viewing them as paralinguistic reactions rather than integral linguistic units.^[12] Otto Jespersen's The Philosophy of Grammar (1924) highlighted their communicative efficacy, portraying interjections as versatile tools for expressing attitudes and managing discourse flow, thereby integrating them into a broader functional grammar that prioritized practical language use over rigid classification.^[13] Shifts toward functionalism continued to elevate interjections' status in subsequent decades. By the late 20th century, pragmatic approaches brought interjections into the forefront of discourse analysis. Felix Ameka's seminal article "Interjections: The Universal Yet Neglected Part of Speech" (1992) addressed their integration into pragmatics, defining them as context-sensitive utterances that convey speaker attitudes, social relations, and interactional signals, thus filling gaps in prior theories by emphasizing their systematic role beyond mere emotional outbursts.^[14]

Modern Distinctions and Taxonomy

Primary versus Secondary Interjections

Primary interjections are a class of standalone, non-derived forms that function exclusively as exclamations, lacking counterparts in other grammatical categories. These include phonetically specialized utterances such as "uh," "hey," and "psst," which are designed primarily for immediate, emotive expression without propositional content.^[14]^[15] In contrast, secondary interjections are borrowed from other word classes, such as adjectives, verbs, or nouns, and adapted for interjective use while retaining traces of their original semantic or syntactic properties. Examples encompass single words like "damn" (derived from an adjective or verb denoting condemnation) and phrasal constructions like "good grief" (drawn from nominal expressions of sorrow). This derivation allows secondary interjections to carry more layered meanings tied to their source categories.^[14]^[15] The distinction between primary and secondary interjections hinges on criteria of phonological independence and semantic borrowing. Primary interjections exhibit complete autonomy, functioning as non-elliptical utterances with no alternative lexical roles, as outlined in Ameka's framework for identifying their universal yet overlooked status in language systems.^[14] Secondary interjections, however, involve semantic transfer from propositional elements, enabling them to integrate into sentences while signaling affect. Wharton extends this by positioning primaries closer to "showing" (instinctive, non-coded signals) on a showing-saying continuum, whereas secondaries lean toward "saying" through their coded, derived nature.^[14]^[15] This classification carries implications for understanding interjections' roles in communication: primary forms act as purer conduits for raw emotional or attentional signals, unencumbered by referential ties, whereas secondary interjections blend exclamatory force with propositional undertones, enriching discourse but complicating their syntactic isolation.^[14]^[15]

Boundaries with Other Word Classes

Interjections often exhibit overlap with adverbs, particularly in forms that can function both exclamatorily and adverbially within clauses. For instance, "alas" serves as an interjection to express sorrow or regret in standalone exclamations, such as "Alas!", but can also operate adverbially to indicate misfortune, as in "Alas, the plan failed," modifying the clause without altering its syntactic structure.^[16] This dual role highlights the syntactic flexibility of certain interjections, which integrate into sentences in ways typical of adverbs while retaining their emotive core.^[17] Interjections share resemblances with discourse particles, especially in facilitating turn-taking and interactional flow in conversation. Discourse particles like "well" can initiate responses or signal hesitation, much like interjections such as "oh" or "um," which manage speaker transitions and relate to prior talk.^[18] Deborah Schiffrin's analysis in Discourse Markers (1987) treats these elements as pragmatic markers that bridge coherence in ongoing discourse, with interjections often performing similar roles in expressing surprise or acknowledgment without propositional content.^[19] However, interjections differ from particles in their greater independence from sentence grammar, frequently standing alone as complete utterances. Many secondary interjections derive from nouns or verbs, blurring boundaries with these major word classes through semantic shift to exclamatory use. The noun "hell," originally denoting a place of punishment, evolves into a secondary interjection like "Hell!" to convey anger or frustration, retaining its lexical source but adopting interjectional prosody and independence.^[20] This derivation process involves transferring words from contentful categories to emotive ones, often via conventionalization in idiomatic expressions.^[21] Similar patterns occur with verbs, such as "damn" shifting from a transitive verb to an exclamatory "Damn it!" expressing irritation. Theoretical debates underscore the fuzzy boundaries of interjections with other word classes, challenging rigid part-of-speech categorizations. David Crystal describes interjections as having an "unclear boundary" with surrounding linguistic elements, emphasizing their marginal yet integral status in grammar.^[22] In cognitive linguistics, Ronald Langacker's prototype theory (1987) applies to interjections by viewing them as peripheral members of categories, with core prototypes centered on prototypical nouns and verbs, while interjections occupy fuzzy edges due to their non-referential, expressive nature.^[23] This prototypical approach, as extended in Cognitive Grammar, accounts for interjections' gradient membership across classes, avoiding binary distinctions in favor of experiential continua.^[24]

Functional Roles

Deictic Functions

Interjections serve deictic functions by indexing elements of the situational context, such as the speaker's location, time, or immediate surroundings, thereby anchoring the utterance to the here-and-now of the speech event. Unlike purely referential expressions, these interjections act as shifters or indexicals, drawing attention to contextual coordinates without embedding in larger syntactic structures. For instance, the exclamation "Here!" points to the speaker's spatial position, directing the addressee's attention to the immediate environment.^[25] This deictic capacity stems from foundational theories in linguistics, notably Karl Bühler's concept of the origo, the deictic origin point encompassing the speaker (I), place (here), and time (now), which forms the coordinate system for language use. Bühler (1934) posited that deictic expressions originate from this subjective field, and interjections adapt this framework by embodying primitive deictic elements that neutralize the distinction between word and sentence. Building on this, Konrad Ehlich (1986) described interjections as deictic primitives—basic linguistic units like spatial markers (hereP, thereP), temporal indicators (nowT), and demonstratives (thisI)—that directly reference the utterance context without propositional content. These primitives enable interjections to function holophrastically, conveying illocutionary force tied to the speech situation.^[25] Specific types illustrate these functions: spatial deictics like "There!" highlight a distant location, often accompanying pointing gestures to reinforce the indexical link; temporal deictics such as "Now!" signal the immediacy of an event; and demonstrative forms like exclamatory "This!" draw attention to a proximate object or phenomenon. Even interjections like "Oops!" can index a recent past error, deictically tying back to the moment of mishap within the ongoing interaction. These uses often integrate with non-verbal cues, such as gestures, to enhance contextual pointing and ensure shared understanding of the referenced elements.^[25]

Expressive and Interactional Roles

Interjections serve a primary expressive role by signaling speakers' internal emotional or cognitive states, often conveying feelings such as relief, surprise, pain, or hesitation without integrating into the syntactic structure of sentences. For instance, "phew" typically expresses relief after escaping a difficult situation, while "um" indicates hesitation or a pause in thought, allowing speakers to manage their cognitive processing during speech production. This semantic content can be explicated using natural semantic metalanguage, which decomposes interjections into universal primes to reveal their precise emotional meanings across languages.^[26]^[26]^[26] In interactional contexts, interjections facilitate discourse management by regulating turn-taking, providing backchannel feedback, and enacting politeness strategies. Forms like "uh-huh" function as continuers in conversations, signaling agreement or acknowledgment to encourage the speaker to proceed without yielding the floor. Backchanneling interjections, such as minimal responses like "mm-hmm," support ongoing talk by demonstrating attentiveness and fostering rapport, thereby smoothing the flow of interaction.^[27] The usage of interjections is shaped by social factors, including gender and cultural norms, which influence their frequency and selection in conversational settings. In German interactions, particles like "ach" and "ach so" serve as change-of-state markers, adapting to contextual cues in conversation analysis to signal shifts in understanding or receipt of information, with variations tied to cultural conversational styles. Gender differences appear in digital platforms like YouTube, where women tend to employ more emotive interjections to build relational connections, while men favor neutral or assertive forms, reflecting broader sociolinguistic patterns.^[28]^[29] Recent sociolinguistic research highlights interjections' adaptation to digital communication, where traditional forms blend with visual analogs like emojis to convey emotions in text-based exchanges. Studies post-2010 show that affixed interjections (e.g., "ohmygod") proliferate in online emotional talk, serving similar expressive roles as standalone ones in face-to-face discourse. Emojis function as modern interjection equivalents, acting as digital gestures that encode surprise or agreement, thus bridging gaps in nonverbal cues during mediated interactions.^[30]^[31]

Cross-Linguistic Variations

Interjections in Major Language Families

In the Indo-European language family, interjections often serve to convey surprise, emotion, or emphasis, with variations across branches reflecting historical and cultural nuances. For instance, in English, "oh" functions as a primary interjection expressing sudden realization or mild surprise, as analyzed in studies of conversational pragmatics. In French, a Romance language within the family, "oh là là" extends this to nuanced expressions of surprise, disappointment, or annoyance, often lengthening the phrase for emphasis in spoken discourse. Turning to older branches, Sanskrit from the Indo-Aryan subgroup features "aho" as an exclamatory particle in Vedic texts, denoting wonder, joy, or lament, frequently appearing in poetic and ritual contexts to heighten emotional intensity.^[32]^[33]^[34] Sino-Tibetan languages exhibit interjections that integrate tonal systems, where pitch contours modulate meanings beyond lexical form. In Mandarin Chinese, "aiya" (哎呀) acts as an expressive particle signaling distress, surprise, or mild frustration, such as in response to misfortune, with its falling-rising tone (third tone on ai, neutral on ya) contributing to its exclamatory force. Tonal variations are crucial; altering the pitch can shift "aiya" from sympathetic concern to sarcastic dismissal, underscoring how prosody in this family amplifies interjective functions in everyday interaction. This tonal sensitivity highlights the family's departure from non-tonal Indo-European patterns, emphasizing sound symbolism in emotional conveyance.^[35] Within the Niger-Congo family, interjections in languages like Yoruba frequently overlap with ideophones—vivid, sound-imitating expressions that depict sensory or emotional states—adding a performative layer to communication. Forms such as "káì" function conatively to halt ongoing behavior, blending ideophonic qualities like sharp phonetics with pragmatic intent to influence interlocutors. This ideophonic tendency, common across Niger-Congo, distinguishes the family's interjections by their sensory evocativeness, differing from the more abstract exclamations in Indo-European.^[36] Austronesian languages demonstrate interjections that can derive secondarily from lexical items, adapting nouns or verbs for exclamatory use to contextualize environmental or social complaints. This repurposing illustrates the family's flexibility, where everyday vocabulary shifts to interjective roles without morphological change, contrasting with primary interjections in other families. Such adaptations underscore cultural attunement to tropical climates.^[32] Linguistic surveys reveal interjections as a near-universal feature across families, present in descriptive grammars of over 2,600 languages, though documentation remains sparser for non-Western traditions compared to Indo-European. Dryer and Haspelmath's World Atlas of Language Structures (2013) supports this by mapping structural properties implying interjective slots in syntax, affirming their role in all sampled genera despite typological diversity.^[32]^[37]

Universal Patterns and Typological Insights

Interjections demonstrate remarkable universality in their functional roles across languages, serving as essential tools for expressing emotions and managing interaction. All languages feature emotive exclamations, such as cries of pain or surprise, which function as primary interjections independent of syntactic structure.^[1] This universality extends to a typology of response cries, where interjections are categorized into emotive (expressing speaker's feelings), conative (aimed at others), and phatic types (maintaining social bonds), as outlined in foundational typological work. Recent cross-linguistic analyses confirm that interjections occur in approximately 14% of conversational turns across 18 languages from 9 phyla, appearing once every 12 seconds on average in extended speech corpora, underscoring their core role in streamlining communication.^[38] Phonological patterns in interjections also reveal universal tendencies shaped by interactional and iconic pressures. For instance, repair-initiating interjections like "huh?" exhibit convergent forms worldwide, typically consisting of a short central or back vowel preceded by a glottal or aspirated consonant, facilitating quick clarification in conversation regardless of language family.^[39] While interjections are generally indexical rather than strictly iconic, elements of sound symbolism appear in emotive forms, where phonological choices mimic sensory or affective experiences; this aligns with broader principles of iconicity observed in expressive language.^[40] Such patterns highlight how interjections resist the arbitrariness of lexical items, prioritizing ease of production and recognition in spontaneous speech. Typologically, interjections share core functions—like continuers (e.g., "mm-hmm" for acknowledgment), repair initiators, and change-of-state tokens (e.g., "oh" for realization)—while varying in form across morphological language types. In isolating languages, interjections may incorporate phrasal elements to convey nuance without inflection, contrasting with more compact, single-word forms in fusional languages where morphology integrates expressive elements.^[38] These variations reflect adaptation to grammatical structure, yet the underlying interactional purposes remain consistent, as evidenced in comparative studies spanning spoken and signed modalities. Key insights from typological linguistics position interjections as a "universal yet neglected" word class, often treated as peripheral despite their prevalence.^[1] In field linguistics, particularly for endangered languages, interjections are frequently omitted from descriptive grammars, with only a minority of recent works (e.g., on Nepalese languages) dedicating sections to them, risking loss of cultural expressive systems.^[41] This neglect contrasts with their status as a lexical residue—simple, non-inflecting forms capturing raw affect and interaction—emphasized in semantic typology approaches.^[42] Contemporary studies from the 2020s, drawing on large corpora and fieldwork, advocate integrating interjections into core grammatical descriptions to capture their pivotal role in language vitality.^[38]

English-Specific Examples

Common Forms and Meanings

English interjections encompass a range of conventionalized forms that express greetings, responses, and emotions, often functioning independently of sentence structure. Greetings such as "hi" and "hey" serve to initiate social interaction or attract attention, typically uttered with a friendly tone to acknowledge presence. Responses like exclamatory "yes!" and "no!" convey immediate agreement or denial, emphasizing the speaker's stance in dialogue.^[43] Emotional interjections include "wow" to denote amazement or admiration, as in reaction to an impressive sight, and "ugh" to signal disgust or frustration toward an unpleasant stimulus.^[44] A notable example of semantic polysemy is the interjection "oh," which varies in meaning based on prosody and context: a rising intonation may indicate realization or surprise, while a falling tone can express sympathy or disappointment.^[45] This versatility highlights how intonation shapes the interpretive range of interjections.^[46] Phonetic variants among English interjections include "huh?," a monosyllabic form with a glottal onset and rising intonation, functioning as a universal query to initiate repair in conversation by signaling trouble in hearing or understanding.^[47] Corpus-based inventories, such as those in Quirk et al. (1985), identify a closed set of common forms like "ah," "oh," "ouch," and "wow," reflecting their frequent occurrence in spoken English. Cultural borrowings enrich English interjections, exemplified by "oy vey," a Yiddish phrase meaning "oh woe" or expressing dismay and frustration, derived from Hebrew "oy" (woe) and entering English usage in the early 20th century.^[48] Post-2010 contemporary slang includes secondary interjections like "lit!," used exclamatorily to denote something exciting or excellent, evolving from earlier slang for intoxication.^[49]

Contextual Usage Patterns

Interjections in English discourse exhibit distinct positional patterns that influence their pragmatic impact. They frequently occur in initial position to capture attention or set the tone, as in "Hey, stop that immediately!" where "hey" serves as a vocative opener. Medial placements integrate interjections into ongoing clauses for emphasis or emotional interruption, such as "I was, like, totally shocked by the news," with "like" functioning as a discourse marker. Terminal positions often mark closure or reaction, exemplified by "That hurt—ouch!" following a physical stimulus. These patterns are well-documented in conversational analysis, highlighting how positionality aligns interjections with prosodic features like intonation for heightened expressivity. Modifications through repetition and combination further adapt interjections to contextual nuances. Repetition intensifies emotional valence, as seen in "ha ha ha" for prolonged laughter or "oh no no no" to underscore dismay, amplifying the interjection's duration and rhythm in spoken interaction. Combinations blend forms for idiomatic strength, such as "oh my god" (often abbreviated as "OMG") to convey surprise or exasperation, which has evolved into a versatile exclamatory unit across registers. These modifications are prevalent in informal speech, where they mimic natural vocalizations and enhance social bonding. In discourse roles, interjections fulfill narrative and conversational functions tailored to genre. In literary narratives, archaic forms like "alas" punctuate dramatic reflection, as in "Alas, poor Yorick!" from Shakespeare's Hamlet, evoking pathos within storytelling. Conversationally, fillers such as "um" or "uh" manage turn-taking and hesitation, facilitating smoother dialogue flow in everyday talk. Interjections are far more frequent in spoken English than in written forms, underscoring their orality and role in real-time interaction; this disparity persists across academic and fiction writing. Contemporary digital communication has extended these patterns into texting and social media, where interjections adapt to brevity and multimodality. Forms like "lol" (laughing out loud) function as reactive interjections in asynchronous exchanges, often placed terminally after humorous content, while emojis (e.g., 😂) serve as visual analogs. Recent corpus analyses of platforms like Twitter and WhatsApp from the early 2020s indicate a surge in abbreviated and hybridized interjections, reflecting shifts toward phatic expressivity in online discourse. By 2025, trends continue with integrations like AI-generated responses incorporating interjections such as "sus" for suspicion in gaming contexts.^[50] This evolution addresses gaps in traditional grammars by incorporating multimodal data.

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For example, there are interjections (as opposed to formulae) for greeting, farewelling and welcoming people (see Ameka 1992 on the use of atliti! in the ...
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Using the French Expression 'Oh là là' - ThoughtCo
May 18, 2025 · The French phrase oh là là isn't so much an expression as an interjection. It can indicate surprise, disappointment, commiseration, distress, or annoyance.
[32]
Aho, Āho: 20 definitions - Wisdom Library
Oct 28, 2025 · 1) Aho (अहो):——ind. Ah! Oh! ho! 2) Āho (आहो):—ind. An interjection of doubt. Source: Cologne Digital Sanskrit ...
[33]
Morpho-lexical Issues in Chinese (Part Two)
Aug 4, 2022 · Interjections, Expressing an emotion or used as a response when being called, Functioning as an independent sentence, 哎呀 aiya 'wow' 哎哟 aiyo ...
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Full article: Oríkì and trending hype performance in Nigeria
“The Thematic Relevance of Yorùbá Oral Literature in Tunde Kelani's Film–Agogo Eewo.” Akungba Journal of Linguistics and Literatures 9 (Special Issue): 312–323.
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(PDF) On the pragmatics of interjections in Yoruba - ResearchGate
Aug 4, 2023 · This paper aims at stressing the importance of interjections in foreign language learning and teaching. It defines the concept of interjection ...
[36]
WALS Online - Home
WALS Online is a publication of the Max Planck Institute for Evolutionary Anthropology. It is a separate publication, edited by Dryer, Matthew S. & Haspelmath, ...Languages · Features · Chapters · DownloadMissing: interjections | Show results with:interjections
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https://wals.info/
[38]
Is “Huh?” a Universal Word? Conversational Infrastructure and the ...
Nov 8, 2013 · Huh? is a universal word not because it is innate but because it is shaped by selective pressures in an interactional environment that all languages share.
[39]
[PDF] Ideophones, interjections and other iconic things
Jan 29, 2020 · Ideophones are iconic, Interjections are indexical (e.g. Dingemanse, 2009). • ... • Dingemanse (2012, p 664) [my focus] ”Why would the narrative ...
[40]
None
### Summary of Key Insights on Interjections in Endangered Languages Grammars
[41]
Interjections and Emotion (with Special Reference to "Surprise" and ...
This article provides an overview of the functions, meanings, and cross-linguistic variability of interjections, concentrating on non-word-based ones such as ...Missing: residue | Show results with:residue
[42]
A List of Exclamations and Interjections in English - ThoughtCo
May 18, 2024 · Please: Would you help me, please? Poof: Poof! She just ... exclamation point in writing), it functions as an interjection: Boy ...Missing: politeness | Show results with:politeness
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What Is an Interjection? | Examples, Definition & Types - Scribbr
Sep 29, 2022 · An interjection is a word or phrase used to express a feeling or to request or demand something. While interjections are a part of speech, they ...
[44]
https://www.scribbr.com/parts-of-speech/interjections/
[45]
Interjections and Emotion (with Special Reference to “Surprise” and ...
Sep 13, 2013 · This article provides an overview of the functions, meanings, and cross-linguistic variability of interjections, concentrating on non-word-based ...<|control11|><|separator|>
[46]
https://journals.sagepub.com/doi/10.1177/1754073913491843
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The Story of "Oy Vey" - My Jewish Learning
Oy! is an iconic Jewish expression that conveys the weariness of a people overly familiar with hardship and oppression.
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What Does Lit Mean | Slang Definition of Lit | Merriam-Webster
Jun 3, 2025 · 'Lit' has been a slang term meaning "intoxicated" for over a century. More recently, it has acquired the meaning "exciting," as well as a broader meaning along ...Missing: interjection | Show results with:interjection