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Delacey

Delacey (born Brittany Marie Amaradio; 1993) is an American singer, songwriter, and record producer based in , . Born in to a non-musical family originally from , she began performing in local musicals at age three and started playing piano and writing songs by age seven. After leaving high school early, she moved to , where she worked at a photography agency while performing at nights, before relocating to to pursue songwriting professionally. Over her more than 12-year career, Delacey has co-written several chart-topping hits for other artists, including Halsey's number-one single "Without Me," Dove Cameron's Platinum "Boyfriend," and Lisa's "Rockstar," which won Best K-Pop at the 2024 . She has also contributed to soundtracks, such as the 2024 film The Wild . As a solo artist, Delacey has released albums including (2020), The Girl Has a Dream (2023), (2024), Crying Over Beauty (2025), and Christmas Angel (2025), often blending with emotional, introspective lyrics. Now in her early 30s and married to musician Valley Boy, she continues to perform and produce music that explores themes of vulnerability and beauty.

Early life

Childhood and family

Brittany Marie Amaradio, known professionally as Delacey, was born in 1993 in , a coastal town in near Laguna Beach. She grew up in a close-knit, non-musical family of Michigan transplants, who fostered a supportive environment for her creative pursuits despite not sharing her artistic passions. Her parents served as her earliest and most enthusiastic advocates, encouraging her interests from a young age. As a child in this mellow suburban setting, Amaradio explored various hobbies that shaped her expressive side, including , , and script-writing, often carrying a camera to capture and create stories around her. These activities preceded her deeper immersion in music, reflecting a broad curiosity in the arts during her formative years. At age 7, she began lessons, marking an early foray into musical expression. After being expelled from high school twice and completing her education online, Amaradio relocated to , , with a close friend to pursue opportunities in , securing a job at an agency that allowed her to immerse herself in the city's vibrant creative scene. Living modestly in the bustling metropolis, she balanced daytime work with evening performances, using the experience to fuel her personal growth and artistic exploration.

Musical beginnings and education

Delacey, born Brittany Marie Amaradio, began her musical journey at the age of seven, when she started playing and writing her own songs in . She drew early inspiration from her father's extensive vinyl collection, which exposed her to artists like and . This period marked the foundation of her creative development, blending classical piano exercises with original compositions that reflected her budding emotional depth. Supported by her family, Amaradio continued honing her skills through piano lessons, where teachers encouraged her to compose and perform original pieces, transitioning from instrumental work to vocal expression by her pre-teen years. She developed a passion for musical theater during high school, participating in performances that shaped her stage presence, though she rejected traditional college paths as a self-described "rebel." After being expelled from high school twice and completing her education online, she relocated to , immersing herself in the city's creative scene while balancing music with other artistic pursuits. In , Amaradio adopted her childhood nickname "Delacey" as her professional stage name, formalizing her artistic identity amid the hustle of urban life. She performed regularly at nights, using a guitar she taught herself to play, which allowed her to refine her songwriting in raw, intimate settings. Concurrently, she worked as an assistant at a agency—securing the role by exaggerating her credentials but leveraging her genuine interest in —which influenced her multifaceted approach to creativity, blending sonic and visual storytelling in her emerging work. These experiences in solidified her commitment to music before she returned to to pursue professional opportunities.

Career

Songwriting career

Delacey entered the professional songwriting scene in the mid-2010s after relocating to to pursue music full-time. She signed a publishing deal with around 2015, which facilitated her initial opportunities in the industry. Her early collaborations included co-writing and providing vocals for "Destiny" with electronic producer Markus Schulz, released in 2015 on Coldharbour Recordings. The track, a trance-infused piece exploring themes of fate and connection, marked one of her first high-profile credits. In 2016, she contributed vocals to a cover of ' "" with DJ Alex Midi, released via Aftercluv Dancelab, showcasing her interpretive vocal style in an electronic remix format. Delacey's breakthrough as a songwriter occurred between 2017 and 2019, during which she co-wrote tracks for several emerging pop artists, including , , and . These sessions, often held in studios, helped establish her reputation for crafting emotionally resonant lyrics suited to alternative pop and R&B contexts. Her rising profile culminated in her first Grammy nomination in 2022 for , earned through songwriting contributions to Justin Bieber's 2021 album Justice, highlighting her growing impact in major pop production.

Transition to solo artist

Following her successful tenure as a songwriter for artists including and , Delacey transitioned to a performing career, leveraging her established reputation to launch her own material. This shift allowed her to step into the spotlight as an artist in her own right, blending her signature emotive songwriting with personal performances. Delacey made her debut as a solo artist with the single "My Man" on March 8, 2019, a bluesy track co-written and produced by that explored themes of relationship insecurity and vulnerability. The song gained traction on radio, reaching the top 40 on Billboard's chart. Building on this momentum, she released her debut album on March 27, 2020, via HITCO Entertainment. The record, featuring introspective tracks like the title song and "The Song," was praised for its raw honesty and lush dark-pop production, capturing Delacey's unfiltered emotional depth amid the challenges of the early era. Critics highlighted its cohesive blend of pain, love, and resilience, marking a strong entry into her solo discography. In the years following, Delacey continued to develop her sound with follow-up singles, including the ethereal "Boy With The Blues" released on March 26, 2021, which previewed her evolving style of introspective '90s-inspired pop. Her second album, The Girl Has a Dream, arrived on June 30, 2023, through Photo Finish Records, with Delacey co-writing and co-producing every track alongside collaborators like Zmishlany. The project delved into themes of grief, desire, anxiety, and self-reconnection, framed as a journey to rediscover her inner dreamer amid personal hardships, earning acclaim for its lush, unapologetically dark yet empowering narratives. Delacey's third album, Crying Over Beauty, was released on July 18, 2025, via an independent setup under her Delicate Flower imprint, showcasing a thematic evolution toward deeper wisdom and emotional intensity. Co-produced with a focus on moody alt-pop soundscapes, the record intensified explorations of beauty in and personal growth, with tracks emphasizing raw energy and that built on her prior works' foundations of resilience and . Mastered by at Sterling Sound, it reflected her maturation as a performer, prioritizing authentic expression over commercial polish.

Film and media contributions

Delacey expanded her presence in film soundtracks in 2024 by co-writing two original songs for the feature The Wild Robot: "Kiss the Sky" and "Even When I'm Not," both performed by . "Kiss the Sky," co-authored with Morris, , Michael Pollack, Jordan Johnson, and Stefan Johnson, accompanies a climactic sequence where the film's aids a young goose in learning to fly, underscoring themes of nurturing and release. The end-credits track "Even When I'm Not" shares a similar collaborative core, with additional writing by Isaiah Tejada, evoking the emotional bonds formed in the story. The song "Kiss the Sky" garnered critical acclaim and awards recognition, earning a nomination for Best Original Song at the 82nd in 2025. It was subsequently shortlisted for the in the Best Original Song category, highlighting Delacey's growing influence in cinematic music. In the television realm, Delacey's collaborative album Honeymooners with Valley Boy, released on May 17, 2024, secured notable media placement. The track "How's My Honey?" appeared in episode 6 of the fifth and final season of Netflix's thriller series You, enhancing the album's exposure within popular streaming content. This sync opportunity underscored the project's intimate, whimsical aesthetic, conceived during Delacey's honeymoon, and contributed to broader visibility for her multimedia songwriting. These film and television endeavors marked a pivotal expansion for Delacey beyond traditional album releases, amplifying her profile through high-profile placements and accolades that positioned her as a key voice in contemporary media composition.

Musical style and influences

Genre and themes

Delacey is primarily classified within the genres of contemporary R&B, pop, and indie singer-songwriter music, characterized by her smoky, yearning vocals and a moody alt-pop sensibility. Her work recurrently explores themes of vulnerability, relationships, self-discovery, and emotional , often drawing from personal experiences of heartbreak, anxiety, and . In her debut album (2020), these elements manifest through confessional storytelling about anxious love, jealousy, seduction, and unrequited desire, as seen in tracks that blend raw with unapologetic . Similarly, Crying Over Beauty (2025) continues this introspective focus, emphasizing emotional depth in narratives of loss and . Over time, Delacey's lyrical approach has evolved from the raw, confessional intensity of her early work to more mature, wisdom-infused narratives by 2025, reflecting a journey toward healing and self-improvement. This progression is evident in The Girl Has a Dream (2023), where themes of , , and anxiety give way to reconnection with her younger self and broader self-discovery. Her production style fuses piano-driven ballads with electronic elements, creating intimate, spacious soundscapes that balance acoustic warmth and ethereal synths. In , this is achieved through rich acoustic instrumentals, cool percussion, and occasional upbeat electronic flourishes, enhancing the album's sultry, bittersweet tone.

Key influences

Delacey's early musical inspirations were deeply rooted in the classic recordings of and , which she encountered through her father's vinyl collection during childhood in . These artists captivated her with their emotional depth and authenticity, influencing her approach to vocal expression and songwriting from a young age; for instance, she has cited Nicks' and Holiday's raw vulnerability as key to shaping her own confessional style. Her broader influences encompass a range of genres and artists, including alternative rock acts like Led Zeppelin and , as well as dreamier, introspective voices such as Mazzy Star's and alternative R&B singer Banks. These elements contributed to her hazy, post-pop sound, blending rock's intensity with R&B's emotive phrasing and pop's accessibility, often drawing from the collaborative pop songwriting circles she entered later in her career, such as those surrounding . Life experiences have profoundly informed Delacey's artistic voice, particularly her brief residency in after high school, where she grappled with and wrote songs as a mechanism, directly inspiring tracks like "" for . Personal hardships, including relational challenges and emotional struggles, further channeled into her lyrics, emphasizing vulnerability as a core theme; she has noted that "hardships in life have had the most influence on me as a and ." Following 2020, Delacey's sound evolved through industry collaborations and personal maturity, evident in albums like The Girl Has a Dream (2023) and CRYING OVER BEAUTY (2025), where she confronted fears of aging in her 30s and integrated influences from joint projects, such as her marriage to Valley Boy and contributions to the The Wild Robot soundtrack. This period marked a shift toward greater independence and thematic depth, building on earlier inspirations while embracing alt-pop experimentation.

Personal life

Relationships and privacy

Delacey has consistently prioritized her in matters of personal relationships, sharing limited details with the public while channeling intimate emotions into her songwriting. In a 2023 , she noted that although her serves as an outlet for expressing deep feelings about and , she prefers not to discuss her personal relationships in depth, stating, "In my personal relationships, I don't like to talk about my feelings that much." Her most publicly acknowledged romantic partnership is with musician James Alan Ghaleb, professionally known as Valley Boy, which began as a whirlwind romance around 2019 and heavily influenced her early work. By 2020, the couple was engaged, with Delacey describing in an how their relationship inspired the themes of her debut Black Coffee, including tracks that captured the intensity of falling in love. They married prior to 2025 and have since incorporated elements of their union into collaborative releases, such as the 2024 single "Let's Get Married." Earlier in her career, Delacey drew from a previous heartbreak to fuel her compositions, particularly the "Without Me" co-written for , which originated from a personal experience of relational betrayal and emotional turmoil. This approach underscores her strategy of using as a medium while shielding the specifics of her off-stage life from widespread exposure, a stance she has upheld through 2025.

Advocacy and interests

Delacey has been vocal about using her music as a tool for awareness, often drawing from personal experiences with anxiety, , and ineffective sessions in her songwriting process. In interviews, she has described songwriting as a form of that helps her process complex emotions, stating that she turns to music "for every different kind of mood" and as a means to cope with during challenging periods, such as her early years in . Her sophomore album, The Girl Has a Dream (2023), incorporates themes of and emotional healing, with tracks inspired by real-life struggles like poor therapeutic experiences, which she has discussed as a way to connect with listeners facing similar issues. From an early age, Delacey nurtured interests in photography and visual arts, which influenced her creative development before fully committing to music. As a child, she engaged in script-writing, videography, and , pursuits that reflected her multifaceted artistic inclinations. After high school, she relocated to for a job at a agency, where the abundance of free time unexpectedly fueled her songwriting hobby, leading her to perform at open mics and eventually pivot back to to pursue music professionally. She has since advised aspiring artists to cultivate diverse hobbies, noting that "other interests... that fulfill and inspire you" enhance creative output. In terms of charitable involvement, Delacey contributed to gun violence prevention efforts in 2024 by reimagining Third Eye Blind's "Losing a Whole Year" for the Every Possible Way, organized by 3Sirens Music Group. All proceeds from the project support the nonprofit , aiming to raise awareness and funds for against . On , she occasionally shares posts promoting emotional openness and artistic expression, aligning with her broader themes of , though she maintains a focus on her independent career without extensive public by 2025. Delacey's lifestyle emphasizes creative independence as a solo artist and songwriter, having built her career through self-directed projects after initial co-writing successes with artists like and . Based in , she describes herself as a "multi-hyphenate" who prioritizes walking her own path, managing early deals independently before scaling up, and balancing collaborations with personal alt-pop releases like crying over beauty (2025). This approach underscores her commitment to artistic autonomy, allowing her to infuse raw emotional energy into her work without compromising her vision.

Discography

Studio albums

Delacey's debut studio album, Black Coffee, was released on March 27, 2020, via HITCO Entertainment in partnership with Delicate Flower, featuring 12 tracks that explore themes of introspection and emotional vulnerability through dark pop arrangements. The record, co-produced by Delacey alongside collaborators like Mikey Reaves and Valley Boy, draws on influences from artists like Stevie Nicks and Lana Del Rey, blending raw lyricism with lush instrumentation to depict personal struggles and relationships. Critically, it received praise for its honest songcraft and intimate production, with Atwood Magazine highlighting its "grungy, emotional, messy" quality as a standout debut in pop music. The album achieved streaming success, amassing tens of millions of plays across platforms, though it did not enter major Billboard charts. Her sophomore effort, The Girl Has a Dream, arrived on June 30, 2023, through Photo Finish Records, comprising 14 tracks that narrate personal growth amid grief and desire in an unapologetically dark yet lush sonic landscape. Delacey co-wrote and co-produced the album with contributors including Sofia Ribalta and Mikey Reaves, emphasizing iridescent pop elements that reflect redemption from profound sadness. Reviewers commended its emotive depth and modern pop sensibility, with noting how it captures the artist's exploration of inner turmoil as a defining moment in her catalog. The project built on her debut's momentum, earning acclaim for its cohesive vulnerability without significant commercial chart placements. Delacey's third studio album, Crying Over Beauty, was released on July 18, 2025, under her own Delicate Flower imprint, containing 11 tracks that delve into emotional depth through introspective ballads and atmospheric production. Co-produced by JT Daly and Nate Campany, the album maintains her signature moody songcraft while amplifying themes of beauty in pain and . Early has focused on its raw honesty and sonic polish, positioning it as a mature evolution in , though detailed critical consensus remains emerging given its recency. Delacey's holiday album, Christmas Angel, was released on November 7, 2025, via Delicate Flower, featuring 9 tracks of festive covers and originals blending indie pop with holiday themes. The project includes reinterpretations like "Santa Tell Me" and "Silent Night," emphasizing warmth and introspection during the season.

Collaborative albums

Delacey released her first collaborative album, Honeymooners, with her husband and fellow musician Valley Boy (James Alan Ghaleb Amaradio) on May 17, 2024, via the independent label Honeymooners. The project emerged as a spontaneous duo effort, blending Delacey's introspective lyricism with Valley Boy's raw emotional delivery in a rock-pop fusion. Available in digital download, streaming, and vinyl formats, the 10-track album clocks in at 23 minutes and captures the intimacy of their partnership. Conceived and largely written during the couple's in , Honeymooners reflects a creative process rooted in personal vulnerability and marital bliss, marking a departure from Delacey's solo work by emphasizing shared songwriting and production. Valley Boy described the as a balancing act, where Delacey's confident, intuitive approach grounded his more uncertain style, allowing them to produce the in relative without the chaos of external influences. This dynamic fostered a thematic exploration of , commitment, and fleeting romance, with the honeymoon setting infusing the record with an air of immediacy and joy. Key tracks highlight the duo's chemistry, such as the upbeat opener "Welcome to the Wedding," which sets a celebratory tone, and "Drive Baby," a standout indie-rock praised for its energetic drive and harmonious vocals. Other notable moments include "Guts!" for its bold emotional core and "Same Song Forever," a reflective closer that underscores enduring partnership. The album's concise structure and playful motifs, like wedding vows in "His Vows" and affectionate queries in "How's My Honey?," exemplify their ability to weave humor and depth into accessible pop-rock arrangements. As a debut joint full-length release, Honeymooners has been noted for its authentic portrayal of artistic matrimony, earning positive user acclaim for its fresh, heartfelt sound within circles, with an average rating of 75 on . The project solidified the couple's creative synergy, influencing subsequent singles like "Same Song Forever" while avoiding overlap with Delacey's solo endeavors.

Singles as lead artist

Delacey's debut single as a lead artist, "My Man," was released on March 8, 2019, through HITCO Entertainment, marking her transition from songwriter to performing artist. The track, a soulful pop co-written and produced by Delacey alongside collaborators, showcased her emotive vocals and personal storytelling, drawing from her experiences in relationships. It achieved moderate radio success, reaching the Top 40 on Billboard's chart and establishing her presence in the pop landscape. In 2021, Delacey released "Boy with the Blues" on March 26, serving as the lead single for her sophomore The Girl Has a Dream. Co-written and produced with , the song features ethereal indie-folk elements with introspective lyrics about emotional vulnerability, blending with atmospheric production. It garnered streaming success, accumulating over 5.6 million plays on , reflecting strong digital engagement among listeners. "Drive Baby," a collaboration with Valley Boy released on September 26, 2024, highlighted Delacey's evolving sound with its upbeat, road-trip-inspired vibe. Featured on the collaborative Honeymooners, the track served a key promotional role, emphasizing themes of freedom and romance through harmonious vocals and driving rhythms. It reached approximately 2.4 million streams on , contributing to the project's visibility. From her third studio album Crying Over Beauty, released on July 18, 2025, Delacey issued "Star Eyes" as a on April 11, 2025. The introspective track, produced under her Delicate Flower imprint, explores themes of longing and with minimalist production and haunting melodies, positioning it as a thematic precursor to the album's emotional depth.

Singles as featured artist

Delacey's featured appearances as a vocalist have primarily occurred in the electronic and dance music spheres during the mid-2010s, highlighting her ability to adapt her soulful tone to collaborative productions. One of her earliest collaborations was on "Destiny," a trance single by Markus Schulz released in February 2015 via Coldharbour Recordings. The extended 10-minute original mix, clocking in at 130 BPM in E-flat minor, features Delacey's ethereal vocals over uplifting synths and builds, with lyrics contemplating eternal bonds and predestined encounters across lifetimes. Schulz described the track as a personal revelation of his inner world, and it received remixes including versions by Solid Stone and Perrelli & Mankoff, contributing to its presence on compilations like A State of Trance Episode 800. In 2016, Delacey lent her voice to Alex Midi's electronic cover of 1981 hit "," released as a by Aftercluv in February. The runs approximately 4 minutes, transforming the rock into a brooding track with pulsing beats and atmospheric production while preserving the song's tension-building drum fill and themes of impending confrontation. The release included an extended mix and garnered streams on platforms like , marking an early showcase of Delacey's interpretive range in cover material. Delacey's featured work continued into 2017 with "Feel Love" by , from their Testify EP released that year. This indie dance track incorporates her co-written and vocals into a upbeat, synth-driven sound, exploring romantic vulnerability. That same year, she appeared on "Walls" by Wingtip, an single issued in June via . Delacey's harmonies complement the track's themes of emotional barriers and introspection, with the 3:41 runtime featuring layered production that earned it over 650,000 views shortly after release. No additional featured singles by Delacey have been released through 2025, as her career shifted toward lead releases and behind-the-scenes songwriting.

Guest appearances

Delacey has contributed to select compilations and collaborative projects beyond her lead releases. In 2024, she reimagined Third Eye Blind's "Losing a Whole Year" for the charity album Every Possible Way, a 10-track collection of '90s covers curated by 3Sirens Music Group to support gun violence prevention efforts, with all proceeds donated to Everytown for Gun Safety's Support Fund. Her rendition emphasizes introspective, acoustic elements, highlighting themes of loss and emotional turmoil in a stripped-down arrangement. Additionally, Delacey provided background vocals on the electronic track "You Don't Even Know Me" by SLANDER and RIOT, included on the 2018 Monstercat Uncaged Vol. 1 compilation, marking an early collaborative venture in the EDM space. This appearance underscores her versatility in supporting production-heavy genres without taking a lead vocal role.

Songwriting credits

Notable co-writes for other artists

Delacey co-wrote "New York City" for The Chainsmokers, released in 2015 on their Bouquet EP, collaborating with Andrew Taggart to craft a track reflecting urban longing and electronic pop energy. The song marked an early breakthrough in her songwriting career, showcasing her ability to blend introspective lyrics with dance-oriented production. In 2017, Delacey contributed to Demi Lovato's "Ruin the Friendship," a bold pop track exploring the shift from to romantic tension, co-written with Lovato, , and for the album Tell Me You Love Me. The track highlighted Delacey's skill in capturing emotional vulnerability within mainstream pop structures. Delacey's most prominent pre-2020 co-write came in with Halsey's "Without Me," which she penned alongside Halsey (Ashley Frangipane), , , and others for the album Manic. The breakup anthem, addressing themes of self-worth and toxic relationships, topped the chart for two non-consecutive weeks and became a global streaming hit, underscoring Delacey's impact on chart-topping pop narratives. Among other notable pre-2020 efforts, Delacey co-wrote "" for in 2019, a single that peaked at number 9 on the and exemplified her versatility in crafting empowering, radio-ready hooks for international artists. In 2020, Delacey co-wrote "Boyfriend" for , a playful yet introspective pop track from Cameron's debut EP Bloodshot / Slow Down, which explores fluid relationship dynamics and earned 2× Platinum in the United States by the RIAA as of 2022.) Delacey co-wrote "Rockstar" for LISA in 2024, a high-energy hip-hop track that debuted at number one on the Billboard World Digital Song Sales chart and won Best K-Pop at the 2024 MTV Video Music Awards.)

Contributions to albums and soundtracks

Delacey co-wrote the track "Unstable," a collaboration featuring The Kid Laroi that explores themes of personal vulnerability, on Justin Bieber's sixth studio album Justice, released in March 2021 by Def Jam Recordings. These efforts helped propel Justice to debut at number one on the Billboard 200, selling 154,000 units in its first week, and earned the album nominations for Album of the Year and Best Pop Vocal Album at the 2022 Grammy Awards. In 2024, Delacey expanded into film scoring by contributing to the soundtrack for Animation's The Wild Robot, directed by . She co-wrote two original songs performed by : "Kiss the Sky," an uplifting anthem that underscores a pivotal emotional scene in the film, and "Even When I'm Not," which complements the story's themes of and . Both tracks were crafted in collaboration with songwriters , Michael Pollack, Jordan Johnson, and Stefan Johnson, marking Delacey's first major soundtrack project and highlighting her versatility in blending pop sensibilities with narrative-driven music.

Tours and live performances

Early shows

Delacey's earliest live performances took place during her brief residence in after leaving high school early around age 18, where she balanced a day job as a with evening appearances at nights. These informal gigs, spanning roughly 2012 to 2015, served as a primary outlet for her original songwriting, often featuring accompaniment as she navigated personal struggles including . Throughout this period, the open mics provided intimate venues for Delacey to refine her vocal style and connect with fellow emerging artists in 's vibrant music scene, though specific locations remain undocumented in public records. She described the experience as therapeutic, stating, "The whole time I was in , I was writing music and doing nights – writing and writing and playing guitar to deal with my fucking ." Prior to 2020, Delacey's live engagements expanded to include small-scale club shows and her first festival slot at the in , on October 4–6, 2019, marking a pivotal step beyond informal settings. These appearances highlighted her transition from songwriter to performer, often incorporating acoustic elements in songwriter-focused showcases that emphasized her narrative-driven compositions.

Headlining and supporting tours

Delacey's promotional efforts for her debut album Black Coffee in 2020 were severely impacted by the , leading to the cancellation of planned tours and live performances. Despite these setbacks, Delacey shifted to performances to connect with fans during the album's release period. Following the 2023 release of The Girl Has a Dream, Delacey undertook smaller-scale promotional tours featuring intimate venues. Key stops included a headlining show at in on July 18, 2023, where she performed tracks from the album, and a full captured live from on September 18, 2023, highlighting songs like "Playing House" with emotional delivery. These outings received positive for their vulnerability and lush production, though no large-scale tour materialized due to lingering industry recovery from the pandemic. In 2024, Delacey and collaborator Valley Boy promoted their joint Honeymooners through select live appearances, blending their indie-pop styles in shared sets. While specific dates were limited, the effort focused on celebrating the spontaneously created , with performances emphasizing tracks like "Let's Get Married" and "How's My Honey?" to showcase their personal and musical partnership. She also supported at the Festival at Sandpoint in on July 31, 2024, drawing crowds with co-written material. The 2025 tour supporting Crying Over Beauty, released on July 18, 2025, marked Delacey's most ambitious outing to date, combining headlining elements with high-profile supporting slots. She joined as a supporting act on their (X) North American Tour, including a show on September 5, 2025, at the Wiltern Theatre, and a New York City-area performance at in on September 23, 2025. Collaborations with featured prominently, such as an acoustic rendition of "Lipstick" during tour stops, adding emotional depth to setlists that highlighted album standouts like "Her Apartment." Additionally, Delacey supported BANKS on the Off With Her Head Tour, with a notable date at The in on October 15, 2025. The tour garnered acclaim for its energetic reception and Delacey's dynamic stage presence, with fans describing it as "a dream" on .

Accolades

Awards won

Delacey has received several accolades for her songwriting contributions, particularly in the realms of and original songs for film. In , she co-wrote Halsey's hit "Without Me," which earned the Pop Song of the Year award at the 67th Annual Pop Awards, recognizing its massive and streaming success as one of the year's most performed pop songs. In 2024, Delacey co-wrote LISA's "Rockstar," which won Best at the . For her work on "Kiss the Sky," featured in the 2024 animated The Wild Robot and performed by , Delacey shared in multiple wins for Best . These include the Hollywood Music in Media Award (HMMA) in the Animated category, honoring the song's emotional depth and integration with the film's narrative. The song also won at the Iowa Critics Association Awards, where it was praised for elevating the film's themes of resilience and freedom. Additionally, it secured victories at the New Mexico Critics Awards (December 2024) and the Music City Critics Association Awards in 2025, with the latter highlighting its lyrical uplift and melodic innovation in animation.

Nominations

Delacey has received several high-profile nominations for her songwriting contributions, particularly for the track "Kiss the Sky" from the 2024 animated film The Wild Robot, co-written with Jordan Johnson, Stefan Johnson, , Michael Pollack, and . The song earned a for Best Original Song at the 82nd in 2025, though it did not win, with the award going to "El Mal" from Emilia Pérez. "Kiss the Sky" also secured a nomination for Best Song at the 30th Critics' Choice Awards in 2025, where it competed against other film originals but ultimately lost to "El Mal". The track was further nominated in the Best Original Song category at the 2024 Astra Film Awards, recognizing its impact in the animated feature, but it did not take home the honor, which went to "Mi Camino" from Emilia Pérez. In addition, "Kiss the Sky" advanced to the shortlist for Best Original Song at the 97th in 2025, highlighting its eligibility among 15 initial contenders, but it did not receive a full . The song was also nominated for Best Song Written and/or Recorded for a Film at the 15th in 2025, further underscoring Delacey's recognition in supervision circles, but it did not secure the win. Earlier in her career, Delacey (credited as Brittany Amaradio) earned a nomination for at the 64th Grammy Awards in 2022 for her contributions to Justin Bieber's Justice (Triple Chucks Deluxe), which included songwriting and production on multiple tracks; the album did not win, with the award going to Olivia Rodrigo's Sour. Beyond these, Delacey has garnered additional nominations for her solo work and collaborations.

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