Delicate Steve
Delicate Steve is the stage name and primary musical project of American multi-instrumentalist and songwriter Steve Marion, a New Jersey native known for his instrumental recordings that fuse elements of progressive rock, surf rock, folk, African rhythms, and 1970s pop into a distinctive, guitar-driven sound.[1][2] Born around 1988 in Fredon, New Jersey, Marion began recording music in his bedroom as a child, using a four-track setup by age 12, and developed a perfectionist approach influenced by artists ranging from Yes and Ravi Shankar to Vampire Weekend and The Fall.[2] His debut album, Wondervisions (2011), released on Luaka Bop after a serendipitous signing encounter, introduced his experimental style through 12 tracks originally conceived as a concept album about skyjacker D.B. Cooper but stripped to instrumentals for broader appeal.[2][3] Marion followed with Positive Force (2012, also on Luaka Bop), expanding his hand-crafted sound, before transitioning to Anti- Records for a series of releases including This Is Steve (2017), Till I Burn Up (2019), The Christmas Album (2018), After Hours (2022), Delicate Steve Sings (2024)—inspired by Willie Nelson's Stardust and featuring guitar interpretations of iconic vocalists—and the most recent Luke's Garage (2025).[3][4][5] Throughout his career, Marion has collaborated with high-profile artists such as Paul Simon, Miley Cyrus, Amen Dunes, and [The Black Keys](/page/The Black Keys), while his work has been sampled by Kanye West, solidifying his reputation as a versatile guitarist with a recognizable "voice" in indie and experimental rock.[4] He also fronts the side project Saint Rich and performs live with a backing band drawn from friends to bring his solo recordings to the stage.[6] As of 2025, Delicate Steve continues to tour actively, with dates across the U.S. West Coast and New York.[7]Early life and education
Childhood and influences
Steve Marion, known professionally as Delicate Steve, was born and raised in Fredon Township, a rural area in northern New Jersey. Growing up in his family's home there, he experienced a relatively isolated environment that allowed for early creative exploration, including shifting from childhood sports to music as a primary pursuit. By eighth grade, Marion had largely set aside basketball, a hobby he enjoyed until then, to focus on musical experimentation in his bedroom.[8][9][2] Marion's early exposure to music came through a diverse array of genres, shaped by his self-directed listening in New Jersey's suburban landscape. He drew inspiration from folk and rock staples like The Beatles and Yes, as well as global sounds including African rhythms via Fela Kuti and jazz elements from Alice Coltrane. These influences, encountered through records and radio, introduced him to soulful, rhythmic structures and psychedelic experimentation, fostering an appreciation for music that conveyed emotion without lyrics. Additional touchstones included Stevie Wonder's melodic innovation, 10cc's quirky progressions, and instrumental acts like Ratatat, blending old-man rock with tropical grooves.[8][9] At age 12, Marion began learning guitar and other instruments through self-taught trial and error, using a four-track recorder to capture his initial compositions in his parents' house. His early recordings were raw and derivative, echoing indie rock like Pavement's lo-fi aesthetic, but revealed a budding perfectionism as he obsessively studied techniques, such as spending an entire summer dissecting a single Jandek guitar riff. This period of solitary tinkering sparked his interest in wordless, evocative music, where layered sounds could evoke vivid narratives, laying the groundwork for his instrumental style before transitioning to structured high school band activities.[2][9][8]High school and early music pursuits
During his high school years at Pope John XXIII Regional High School in Sparta, New Jersey, Steve Marion actively pursued music through local performances and band involvement, building on earlier interests in guitar and recording. He graduated from the school in 2005. As a teenager, Marion joined the North Jersey progressive rock band Baller Banks, where he contributed as a guitarist and began experimenting with multi-instrumental arrangements, playing bass, keyboards, and other instruments to layer sounds in rehearsals and early demos. The band frequently gigged at local venues, honing their eclectic style through shows that blended rock with experimental elements, which helped Marion develop his production skills using basic home recording setups.[10][11] Baller Banks gained early industry attention while Marion was still in high school, attracting interest from major labels including Warner Bros. Records, which led to a signing for a recording deal. However, the experience proved frustrating, as the band faced delays and creative pressures that ultimately contributed to its dissolution shortly after graduation, prompting Marion to reflect deeply on his musical motivations. This pivotal encounter with the label world, marked by meetings and contract negotiations, exposed him to professional challenges but reinforced his commitment to independent experimentation over commercial expectations.[12][11]Musical career
Formation and debut releases (2010–2012)
Delicate Steve emerged as the solo project of Steve Marion, a multi-instrumentalist and guitarist from Fredon, New Jersey, serving as an instrumental outlet for his experimental compositions rooted in tropical groove-based guitar pop. Marion began developing the project during his high school years, collaborating with friends on early recordings, which eventually drew attention from the indie music scene. In summer 2010, the project gained significant buzz after opening for Yeasayer at a performance on Governors Island in New York City, leading to a pivotal discovery by Luaka Bop A&R representative Wills Glasspiegel.[13][2] Glasspiegel encountered Marion and his associates in a Newton, New Jersey, strip mall parking lot, where their insightful discussion about music prompted Luaka Bop—David Byrne's label known for iconoclastic artists—to sign Delicate Steve that year without first hearing any recordings.[2] To amplify early promotion, Luaka Bop commissioned a fictional press release from writer Chuck Klosterman, which exaggerated the band's backstory and circulated widely in indie circles, generating intrigue among music writers and venues.[2] The project's debut album, Wondervisions, was initially self-recorded by Marion in his bedroom studio at his parents' house around 2009, capturing a concise, lyrical instrumental rock sound during a particularly inspired period influenced by bands like Ponytail and Dirty Projectors. Marion handled most of the instrumentation and production himself, with minimal contributions from friends such as Christian and a member of Ponytail, resulting in a 26-minute collection that blends soulful, old-man rock elements with pop sensibilities and nods to artists like The Beatles, Alice Coltrane, and Fela Kuti. Key tracks like "Butterfly" exemplify the album's themes of wonder, joy, and emotional adventure, evoking a sense of timeless fusion between future, present, and past sounds without relying on vocals. Luaka Bop reissued Wondervisions on January 25, 2011, marking Delicate Steve's official full-length debut, accompanied by a limited 7-inch single covering Peter Green's "Albatross." Early live performances amplified the project's buzz, including a month-long residency at Brooklyn's Union Pool that attracted indie artists like members of Dirty Projectors and TV on the Radio; Marion performed with a rotating band of high school friends, launching an East Coast tour in February 2011 and later joining Akron/Family on the road through the year's seasons.[8][13][8] Building on this foundation, Delicate Steve's second album, Positive Force, represented an evolution toward more upbeat and structured compositions, exorcising any lingering ambiguity from the debut with vivid, sun-dappled energy and crystalline guitar tones. Released on July 10, 2012, via Luaka Bop, the record was again produced entirely by Marion, who mic'd his Telecaster's strings and amp to create a futuristic blend of George Harrison-esque melodies, 1980s sitcom vibes, and fairground organ flourishes, all while maintaining an instrumental focus where the guitar serves as the primary "voice." Tracks like "Wally Wilder" and the title song highlight this shift to unqualified sweetness and warmhearted provocation, challenging listeners to embrace positivity amid quick-bursting, oceanic riffs. The album received strong critical acclaim, with Pitchfork awarding it a 7.6/10 for its lively playing and improved song resolution, though noting its potential as engaging background music; it solidified Delicate Steve's reputation in the indie scene for joyous, heartfelt experimentation. Early tours in support of Positive Force continued to build on the project's live energy, featuring Marion's high school collaborators and fostering further buzz through intimate performances.[14][15][14]Mid-period developments (2013–2018)
Following the foundational instrumental style established in his debut albums, Delicate Steve entered a phase of heightened live activity and independent experimentation in 2014. On September 3, the band released the free digital EP Multiple Moods Sampler via Bandcamp, featuring curated tracks that served as an accessible entry point for fans and reinforced engagement through direct artist-to-audience distribution.[16][17] The release of the live album Live in Las Vegas on March 3, 2015, documented a residency performance recorded on November 13, 2014, at the Brooklyn Bowl in Las Vegas during a slot as special guest for Tame Impala. Capturing the band's high-energy delivery of complex arrangements in a faithful yet amplified form, the album underscored Delicate Steve's growing reputation for vibrant, crowd-energizing shows.[18][19][20] This period also involved extensive touring, including support slots for acts like Mac DeMarco, Dirty Projectors, Tune-Yards, and Yeasayer, alongside a 2016 run with Cass McCombs, which broadened his visibility in the indie circuit while he began incorporating session guitar contributions for live ensembles.[21][22] In 2017, after navigating independent releases and a shift away from prior label affiliations with Luaka Bop, Delicate Steve signed with ANTI- Records, marking a pivotal transition toward greater creative autonomy. The resulting album This Is Steve, released on January 27 and self-produced by Steve Marion over 11 days with him handling all instruments, introduced stylistic evolutions like southern-rock grooves and new-wave elements, emphasizing guitar as a vehicle for personal, wordless expression. Critics praised its concise 28-minute runtime for blending irreverent playfulness with emotional depth, rating it 7.3 out of 10 for its studio craftsmanship and melodic generosity.[23][24][25][26] Complementing the album later that year, the Cowboy Stories EP arrived on September 26, comprising four mellow instrumental tracks that contrasted the prior record's bombast with soothing, jazz-bar-like slow-jams. This release highlighted Marion's versatility in stripping back rhythms for introspective textures, tying into the personal themes of This Is Steve while affirming his adaptability amid ongoing tour demands and label adjustments.[27][28] In October 2018, Delicate Steve released The Christmas Album on Anti- Records, a nine-track instrumental collection of holiday standards featuring collaborations with musicians including Joe Russo on drums, Dave Dreiwitz on bass, Marco Benevento on keys, and Dan Iead on pedal steel. The limited-edition translucent green vinyl emphasized festive, warm interpretations without vocals, further showcasing Marion's guitar-driven arrangements.[29][30]Recent releases and label changes (2019–present)
In 2019, Delicate Steve released Till I Burn Up on Anti- Records, marking a shift toward more experimental electronic elements and intense, groove-oriented instrumentals produced entirely by Steve Marion in studios in Woodstock and Woodridge, New York.[31][32] The album explored fiery, pulsating themes through synth-heavy tracks, diverging from earlier guitar-focused works while maintaining Marion's signature wordless melodies.[33] The COVID-19 pandemic significantly disrupted live performances and production schedules, leading to a period of introspection that influenced subsequent releases, including the January 2020 live EP Three Live Ones, which captured earlier tour performances of tracks like "Positive Force" and "Afria Talks to You" amid growing tour cancellations. Marion's relocation to Los Angeles around 2020, where he began recording in home setups, provided a new creative environment in areas like Echo Park and Silver Lake, fostering a return to organic guitar sounds post-lockdown.[34][35][36][37][38] After Hours, released on July 8, 2022, via Anti-, captured nocturnal, soul-infused vibes with vintage grooves and wordless hooks, recorded primarily on a 1966 Fender Stratocaster and reflecting post-pandemic renewal.[39][40][41] The album's reflective tone aligned with the resumption of touring later that year, including shows at venues like Johnny Brenda's in Philadelphia. Building on this momentum, Delicate Steve Sings arrived on August 16, 2024, also on Anti-, introducing guitar lines that emulate vocal styles of artists like Sly Stone and Nina Simone without Marion singing, creating an illusion of emotional depth through instrumental covers and originals.[42][4][43] The release was promoted via a Reddit AMA, where Marion discussed the album's focus on channeling iconic voices via guitar.[43] Critics noted its lounge-like intimacy, though reception was mixed for its restrained execution.[44] In a label shift, Marion self-released Luke's Garage on August 22, 2025, through the indie imprint Have Fun Thinking, recorded in his Los Angeles home and emphasizing introspective, collage-style instrumentals with subtle guitar explorations.[37][45][3] The album's themes of personal reflection and present-moment improvisation drew from mid-period live experiences, supporting a 2025 tour including dates at Moe's Alley in Santa Cruz on November 19 and Little Saint in Healdsburg on November 20.[46][47]Musical style and equipment
Core elements and influences
Delicate Steve's music is characterized by its predominant instrumental format, where the guitar serves as the primary vehicle for emotional storytelling, conveying narratives without the need for lyrics. This approach allows the instrument to "sing" through melodic lines and textures, creating vivid, evocative soundscapes that resonate on an intuitive level. As described by the artist's label, this wordless structure emphasizes a hand-crafted quality, drawing listeners into personal and universal experiences via the guitar's expressive range.[1][25] The core sound blends elements of progressive rock, folk, African rhythms, surf rock, and 1970s pop, resulting in a genre-defying style that fuses rhythmic propulsion with melodic whimsy. Influences from global guitar traditions are evident, including Afrobeat-inspired grooves akin to those of Nigerian funk pioneer William Onyeabor, whose work on the shared Luaka Bop label highlighted synthesized rhythms and epic scopes that parallel Delicate Steve's layered arrangements. Additionally, nods to artists like Jimi Hendrix infuse psychedelic flair, while associations with Tame Impala reflect shared explorations of expansive, riff-driven psychedelia. These elements combine to produce a distinctive palette that prioritizes rhythmic vitality and harmonic invention over conventional song structures.[1][48][8][49] Thematically, Delicate Steve's work maintains consistency in its evocativeness, blending joy and introspection to evoke a sense of wonder and emotional depth. Early releases like Wondervisions capture an upbeat, tropical exuberance that radiates playful energy, while later albums shift toward more personal tones, incorporating melancholy and reflective introspection without sacrificing rhythmic drive. This evolution continues in recent works, such as the 2024 album Delicate Steve Sings, which features guitar-led reinterpretations of classic vocal songs inspired by artists like Bill Withers and Stevie Wonder, and the 2025 release Luke's Garage, which introduces rockabilly influences and surreal, collage-like structures while preserving the project's instrumental core.[50][8][51][52][53]Guitar techniques and production
Delicate Steve, the project of multi-instrumentalist Steve Marion, employs a signature guitar style characterized by clean tones and vocal-like phrasing that draws from soulful influences to convey melody and emotion through instrumental lines.[54] His playing often features reverb-heavy leads, achieved via pedals like the Strymon BlueSky, which add atmospheric depth without overwhelming the core guitar sound.[54] Innovative slide techniques, inspired primarily by Duane Allman, incorporate unmuted strings for a brittle, noisy texture and involve muting the strings or amp to produce unique timbres that extend beyond traditional blues applications, as heard in tracks like "Together."[54] Marion emphasizes high-volume playing to enhance dynamic range and expressiveness, simulating the breathing and phrasing of horn players through techniques such as percussive attacks, soft swells, and vibrato.[54] A key aspect of his sound involves effects pedals, which Marion has collected and refined since his teenage years to create layered, wordless compositions. The Mu-Tron Phasor II serves as a staple, used extensively for phasing effects on albums recorded at venues like The Outlier Inn and in live performances to build swirling textures.[55] Delay pedals, including the Strymon TimeLine and a Little Moog analogue delay, contribute to echoing leads, while fuzz and distortion come from the Electro-Harmonix Big Muff and Boss DS-1, owned since age 16, for gritty accents.[55][54] The DigiTech Whammy, also a long-time favorite, employs octave-up and harmony settings to add harmonic richness, and the Dunlop 535Q wah provides expressive sweeps; these are managed via an RJM Mastermind PBC controller for seamless switching.[55] The Boss AC-2 Acoustic Simulator occasionally mimics acoustic tones, broadening his palette beyond electric grit.[55] For live recreation of direct-injection (DI) recordings, he uses the JHS Colour Box to emulate studio distortions.[56] Marion's production relies heavily on multi-tracking to simulate full-band arrangements as a solo artist, layering guitar parts with bass, percussion, and synths to construct dense, textural soundscapes. In his early work, he recorded ideas linearly in a bedroom studio in New Jersey, exploring riffs and drum machine speeds before overdubbing elements like octave guitar lines. This one-man approach allowed for experimental builds, such as speeding up drum machines and adding lead melodies in sequence. Synths like Freddie Mercury's Oberheim contribute ambient swells, while bass and percussion lines—often self-performed—provide rhythmic foundations that complement the guitar's melodic focus.[57][58][59] His production has evolved from home setups to professional studios, marking a shift toward collaborative environments while retaining a DIY ethos. Initial recordings utilized simple gear like a Panasonic RS-280 cassette player as an unconventional amplifier, capturing raw, lo-fi vibes. Later projects, such as the 2019 album Till I Burn Up, were tracked in a Woodstock studio using vintage equipment including Robbie Robertson's amplifier, preserving unaltered tones for organic character. For After Hours (2022), Marion exclusively used a 1966 white Fender Stratocaster, miked with a Beyer ribbon into small amps like the Fender Super Champ, prioritizing clean captures over heavy processing. His primary guitars include a modified 1966 Gibson Melody Maker SG in Pelham Blue with PAF humbuckers for its versatile bite, alongside occasional use of an Epiphone Flying V live. This progression reflects a balance between intimate solo experimentation and studio polish, always centered on the guitar's expressive potential.[56][59][54]Collaborations and session work
Band and live collaborations
Delicate Steve, led by Steve Marion, has consistently performed with a rotating ensemble of supporting musicians to bring his intricate, multi-layered compositions to the stage. Over the years, the live band has typically operated as a four-piece or quintet, with Marion on lead guitar and vocals in recent years. Notable drummers have included Max Jaffe for the 2017 NPR Tiny Desk Concert, Rosie Slater during a 2021 performance at The Sultan Room, and David Christian for 2024 shows such as the sold-out set at Songbyrd Music House. Bassists have varied as well, with Jessica Pavone providing the low end for the Tiny Desk session and Martin Bonventre contributing on bass and keys for multiple tours, including elements of the After Hours era lineup that also featured Shahzad Ismaily on bass.[60][61][62][63] Live collaborations have been a hallmark of Marion's touring career, often featuring shared bills with like-minded acts that amplify the psychedelic and instrumental energy of his sets. In 2014, Delicate Steve served as special guest for Tame Impala's North American tour, culminating in a standout performance at Brooklyn Bowl Las Vegas that was later released as the live EP Live in Las Vegas, capturing the band's raw translation of studio tracks like "Afria Talks to You" into a high-energy venue atmosphere. The group also toured with Mac DeMarco in 2017, where informal moments like joint encores of covers such as "Smoke on the Water" highlighted the camaraderie, with DeMarco even joining their van after his own broke down mid-tour. Additional shared performances include dates with Dr. Dog and Built to Spill, fostering a dynamic exchange of alt-rock and psych influences during live outings. Marion has also performed live as a guitarist with Dirty Projectors, including on their 2013 Swing Lo Magellan tour and a 2025 benefit show. He served as touring guitarist for The Black Keys during their Let's Rock tour from 2019 to 2020.[18][64][63][65] Residencies and festival slots have allowed Delicate Steve to refine performance dynamics in intimate and expansive settings alike. In 2022, Marion hosted a weekly residency at Brooklyn's Union Pool, experimenting with set variations in a home-base environment. This was followed by a 2023 stint at The Sultan Room, where the trio configuration emphasized original instrumental pop-rock grooves. More recently, a Los Angeles residency at Gold-Diggers in 2024 provided a West Coast platform for blending eras of material. Festival appearances, such as the upcoming North to Shore Festival in Asbury Park in 2025, continue to showcase the band's ability to engage diverse crowds with high-impact sets.[66][67][68] The 2025 tour, focused on the West Coast, builds on this foundation with venues tailored to intimate energy, including Moe's Alley in Santa Cruz on November 19, Little Saint in Healdsburg on November 20, The Chapel in San Francisco on November 21, and Ojai Deer Lodge on November 22. Setlists have evolved to incorporate vocal-driven tracks from the 2024 album Delicate Steve Sings alongside staples like "Positive Force" and "Butterfly," reflecting a shift toward fuller band arrangements that sustain momentum across 90-minute shows. Translating Marion's solo-recorded, loop-heavy instrumentals to the stage involves strategic layering by the ensemble to preserve the originals' buoyant drive while amplifying communal improvisation, as seen in tight renditions that front-load newer material for crowd engagement.[46][36][62]Studio contributions to other artists
Steve Marion, performing under the moniker Delicate Steve, has established himself as a sought-after session guitarist, contributing his unique, melodic style to albums by a range of indie and established artists. His work often emphasizes layered, atmospheric guitar tones that complement the host recordings without overpowering them, drawing on his background in experimental pop and multi-instrumentalism.[69] Marion's collaborations with Amen Dunes span multiple projects, beginning with guitar contributions to their 2011 album Through Donkey Jaw, an early showcase of his ability to blend psychedelic and folk elements. He returned for their 2018 release Freedom, where his guitar work provided the foundational structure for much of the record, helping to craft its critically acclaimed, introspective soundscapes.[21][69] A highlight of Marion's session career came in his work with Paul Simon on the 2016 album Stranger to Stranger. Marion played slide guitar on the opening track "The Werewolf," recording the part in a single day at Simon's home studio; the performance, largely a first take with minor adjustments, captured a haunting, ethereal quality that Simon praised for its precision and whimsy. This collaboration underscored Marion's adaptability in high-profile settings.[69][70] In the indie sphere, Marion has supported emerging and experimental acts, including guitar on Yeasayer's 2012 album Fragrant World, where his contributions added vibrant, textural depth to their eclectic productions. More recently, he provided guitar for Deradoorian's 2025 album Ready for Heaven, notably on the single "Digital Gravestone," enhancing its synth-driven, otherworldly atmosphere with subtle, weaving leads. Marion also contributed guitar to Miley Cyrus's 2023 album Endless Summer Vacation, including on the track "Used to Be Young." Additionally, his 2012 track "Wally Wilder" from Positive Force was sampled by Kanye West on the unreleased song "Slave Name" (originally intended for Yandhi, 2018).[69][71][72][21][73][74]Discography
Studio albums
Delicate Steve's studio albums showcase the evolution of Steve Marion's instrumental guitar-driven sound, blending psychedelic pop, funk, and experimental elements across a series of concise releases. His debut efforts on Luaka Bop emphasized vibrant, jam-like structures, while later works on Anti- explored more introspective and production-heavy textures. The most recent album marks a shift to a boutique label, reflecting Marion's independent ethos. No albums have achieved notable Billboard chart positions or sales certifications, consistent with his niche indie status.| Album | Release Date | Label | Tracks | Runtime | Key Reception |
|---|---|---|---|---|---|
| Wondervisions | January 25, 2011 | Luaka Bop | 12 | 30:00 | Earned praise for its eclectic, instrumental energy, with Consequence describing it as a "confident" blend of controlled songs and unrestrained jams drawing from diverse influences; aggregate critic score of 79/100.[75][76] The artwork features a surreal, colorful illustration evoking psychedelic wonder, aligning with the album's exploratory vibe.[77] |
| Positive Force | July 10, 2012 | Luaka Bop | 10 | 37:00 | Pitchfork awarded 7.6/10, highlighting improved song structures and vivid guitar playing over the debut; noted for its oceanic riffs and quick-bursting compositions that exorcise negativity.[14] Luaka Bop's association with David Byrne's world-music curation provided a fitting platform for Marion's genre-blending style. The cover art depicts a whimsical, positive-force motif with bright, uplifting visuals.[78] |
| This Is Steve | January 27, 2017 | Anti- | 10 | 25:19 | Pitchfork gave 7.3/10, commending its overstuffed yet generous mix of melodies, quirks, and rock'n'roll animation through studio savvy; described as a defining statement blending southern-rock and new-wave.[26] Anti-, an indie imprint of Epitaph Records, supported Marion's shift toward more personal, guitar-led expression. Artwork features a simple, introspective portrait emphasizing the "Steve" identity.[24] |
| The Christmas Album | October 19, 2018 | Anti- | 9 | 27:39 | Instrumental guitar reinterpretations of holiday standards; appreciated for melodic depth and lounge-like vibes, with Jambands noting the songs' beautiful melodies and chord progressions.[79] The seasonal cover art evokes festive warmth.[29] |
| Till I Burn Up | March 1, 2019 | Anti- | 12 | 35:18 | Aggregate critic score of 75/100, appreciated for trippy, danceable tracks like "Freedom" that balance retro and futuristic sounds; Under the Radar rated 8/10 for its emotional depth without vocals.[80] The album's fiery, abstract cover art underscores its intense, burning themes. Marion handled most production, enhancing Anti-'s reputation for experimental indie releases.[32] |
| After Hours | July 8, 2022 | Anti- | 10 | 29:27 | AllMusic rated 3/5, praising its breezy soul grooves and subtle production but noting a dreamy softness; tracks like "I Can Fly Away" evoke simple joys of plugging in.[81] The nocturnal, relaxed artwork captures the album's easygoing, after-hours mood. Anti- continued to back Marion's wordless, mesmerizing style.[40] |
| Delicate Steve Sings | August 16, 2024 | Anti- | 10 | 30:00 | Pitchfork scored 5.8/10, critiquing its lounge-act covers (e.g., Otis Redding's "These Arms of Mine") as tenderly executed but bland; focuses on guitar channeling iconic voices.[44] Artwork playfully nods to vocal imitation with stylized, singing-figure imagery. This release experimented with cover concepts under Anti-'s supportive indie framework.[42] |
| Luke's Garage | August 22, 2025 | Have Fun Thinking | 15 | 27:00 | Early user reception averages 62/100, with Bandcamp Daily lauding its loosened-up guitar pop and ideas like the mellow "I'm So Tired"; described as a short, sweet blast of brightly rendered tracks.[82][83] The garage-themed cover art evokes DIY creativity, tying into the label's fun, thinking-oriented ethos for Marion's self-played instrumentation.[37] |
Live albums and EPs
Delicate Steve's live album Live in Las Vegas, released on March 3, 2015, captures a performance from November 13, 2014, at the Brooklyn Bowl in Las Vegas during the artist's tour as a special guest for Tame Impala's North American dates.[18] The self-released recording emphasizes the band's energetic stage presence, featuring extended improvisations and raw interpretations of material from earlier studio albums like Positive Force (2012), with tracks showcasing Marion's signature guitar loops and rhythms adapted for live dynamics.[84] The album includes 11 tracks, highlighting the transitional phase in Delicate Steve's mid-period output.| No. | Title | Duration |
|---|---|---|
| 1 | Intro | 0:39 |
| 2 | Afria Talks to You | 3:45 |
| 3 | Many Moods | 3:32 |
| 4 | Don't Get Stuck (Proud Elephants) | 3:48 |
| 5 | Butterfly | 4:38 |
| 6 | Tallest Heights | 4:52 |
| 7 | The Ballad of Harry Angstrom | 3:15 |
| 8 | Flyin' High | 3:22 |
| 9 | Positive Force | 4:37 |
| 10 | Happy | 3:10 |
| 11 | Sugar | 4:05 |
| No. | Title | Duration |
|---|---|---|
| 1 | Cowboy Stories | 2:11 |
| 2 | Tattered | 3:15 |
| 3 | Friends | 4:06 |
| 4 | Peaches | 3:21 |
| No. | Title | Duration |
|---|---|---|
| 1 | Positive Force | 4:37 |
| 2 | Tallest Heights | 5:08 |
| 3 | Afria Talks to You | 3:03 |