Despicable Me
Despicable Me is an American computer-animated comedy media franchise produced by Illumination and distributed by Universal Pictures.[1] It revolves around Felonious Gru, a bald, supervillain-turned-family man who adopts three orphaned girls as part of an initial scheme but grows to love them, alongside his chaotic army of yellow, pill-shaped Minions who serve as his henchmen.[2] The series blends humor, action, and heartwarming family themes, featuring voice talents like Steve Carell as Gru and Pierre Coffin as the Minions.[3] Launched with the 2010 film Despicable Me, directed by Chris Renaud and Pierre Coffin and written by Cinco Paul and Ken Daurio based on a concept by Sergio Pablos, the franchise has grown into the highest-grossing animated series in history, surpassing $5.6 billion in global box office revenue across its films.[4][5] The franchise originated from Sergio Pablos' 2006 pitch "Evil Me" at DreamWorks, which evolved into Illumination's inaugural feature after Chris Meledandri founded the studio in 2007 with Universal's backing.[4] The first film follows Gru's plan to steal the moon thwarted by his bond with the girls Margo, Edith, and Agnes, introducing the Minions' slapstick antics.[2] Sequels expand the universe: Despicable Me 2 (2013) sees Gru recruited by the Anti-Villain League and falling for agent Lucy Wilde; Minions (2015), a prequel spin-off, traces the creatures' quest for a master from prehistoric times to the 1960s; Despicable Me 3 (2017) reunites Gru with his twin brother Dru; Minions: The Rise of Gru (2022) depicts young Gru's origin in the 1970s; and Despicable Me 4 (2024) pits Gru against a new foe while introducing his son Gru Jr.[3][6] Each entry has been a box office success, with Minions becoming one of the top-grossing animated films ever at over $1.1 billion worldwide, driven by the Minions' global merchandising phenomenon and theme park attractions like Despicable Me Minion Mayhem at Universal Studios.[7] Beyond films, the franchise encompasses short films, video games such as Despicable Me: Minion Rush, and extensive consumer products, cementing its cultural impact with the Minions' gibberish language and banana obsession resonating across generations.[3] A seventh installment, Minions 3, is slated for release on July 1, 2026, ensuring the series' continued dominance in family entertainment.[3][8]Feature films
Despicable Me (2010)
Despicable Me is a 2010 American computer-animated comedy film produced by Illumination Entertainment as its inaugural feature-length project.[2] The story centers on Felonious Gru, a diminutive supervillain voiced with a distinctive Eastern European accent, who resides in a labyrinthine underground lair with his army of mischievous yellow Minions and elderly assistant Dr. Nefario.[9] Motivated by a desire to surpass his rival Vector—who recently stole the Great Pyramid of Giza—Gru devises an audacious plan to shrink and steal the Moon using a stolen shrink ray.[9] To execute this scheme, he adopts three orphaned sisters—Margo, Edith, and Agnes—from the cruel Miss Hattie's Home for Girls, intending to use them as unwitting pawns to infiltrate Vector's heavily guarded fortress.[9] However, as the girls integrate into his life through shared activities like cookie sales and bedtime stories, Gru experiences an unforeseen emotional bond, ultimately leading him to abandon his villainous ambitions, confront Vector in a high-stakes battle atop a rocket, and embrace his role as a devoted father figure.[9] The film's concept originated from a mid-2000s pitch by Spanish animator Sergio Pablos, who envisioned a story about a supervillain adopting children, drawing from his experience as a Disney animator on films like Hercules and Tarzan. Development began in the late 2000s under Illumination founder Chris Meledandri, with the screenplay written by Cinco Paul and Ken Daurio, who infused the narrative with humor inspired by classic villains and family dynamics.[10] Directed by Pierre Coffin, who also provided Minion voices, and Chris Renaud, the production emphasized vibrant 3D animation and a score by Heitor Pereira that blended orchestral elements with whimsical motifs.[10] The principal voice cast included Steve Carell as Gru, Jason Segel as the gadget-obsessed Vector, Russell Brand as the bumbling Dr. Nefario, Miranda Cosgrove as the responsible Margo, Dana Gaier as the adventurous Edith, and Elsie Fisher as the unicorn-obsessed Agnes.[10] Released theatrically by Universal Pictures on July 9, 2010, following a premiere at the Annecy International Animation Film Festival on June 9, the film ran for 95 minutes and was rated PG for mild rude humor.[11] Marketing efforts featured multiple trailers highlighting the Minions' antics and Gru's villainy, distributed via TV spots and online platforms, alongside promotional tie-ins such as McDonald's Happy Meal toys featuring character figurines and a "Minion Rush" mobile game precursor.[12] Produced on a budget of $69 million, Despicable Me achieved significant commercial success, grossing $251.7 million domestically and $292.5 million internationally for a worldwide total of $544.2 million.[13] Critics praised the film's blend of heartfelt storytelling, visual gags, and strong voice performances, particularly Carell's charismatic portrayal of Gru.[14] On Rotten Tomatoes, it holds an 80% approval rating based on 203 reviews, with the consensus noting it as a "surprisingly thoughtful, family-friendly treat" that borrows intelligently from Pixar and Looney Tunes traditions.[14] Reviews highlighted the humor derived from the Minions' chaotic energy and the emotional depth of Gru's transformation, though some critiqued the predictable plot beats.[15] The film received nominations for Best Animated Feature at the Golden Globe Awards and several Annie Awards, underscoring its impact on family animation.[16]Despicable Me 2 (2013)
Despicable Me 2 is a 2013 American computer-animated comedy film produced by Illumination Entertainment for Universal Pictures, serving as the sequel to Despicable Me (2010).[17] The story follows former supervillain Gru, who has embraced a life of domesticity with his adopted daughters Margo, Edith, and Agnes, and his Minions, after abandoning his criminal past. When a powerful new villain emerges, Gru is recruited by the Anti-Villain League (AVL), leading to an undercover partnership with agent Lucy Wilde that blossoms into romance while investigating a global threat. The film expands on themes of redemption and family, introducing espionage elements and Gru's evolving relationships. The plot centers on Gru being approached by AVL director Silas Ramsbottom following the theft of a secret laboratory containing the mutagen PX-41, which turns creatures into indestructible monsters.[18] Assigned to partner with the enthusiastic Lucy Wilde, Gru disguises himself as the owner of a yogurt shop called Bake My Day to stake out suspects, including the flamboyant restaurateur Eduardo Perez, aka El Macho. As Gru and Lucy's investigation uncovers El Macho's plan to unleash PX-41-mutated Minions on the world, Gru grapples with rekindling his villainous instincts while deepening his bond with Lucy and supporting Agnes's unicorn obsession during a school event. The narrative culminates in a high-stakes confrontation at El Macho's hidden lair in Mexico, resolving with Gru's family uniting against the threat and his adoption of a more heroic life.[18] Directed by Pierre Coffin and Chris Renaud, the film builds on the original's visual style with enhanced animation for action sequences, including dynamic chase scenes and the Minions' chaotic antics in a salsa club setting.[19] Returning screenwriters Cinco Paul and Ken Daurio crafted the script, emphasizing Gru's romantic subplot and the AVL's gadget-filled world, while producer Chris Meledandri oversaw the production at Illumination's Paris and Santa Monica studios.[20] The animation team focused on expressive character designs, particularly Lucy's acrobatic movements and the Minions' slapstick humor, to heighten the film's energetic pace.[21] The voice cast features returning performers Steve Carell as Gru, Miranda Cosgrove as Margo, Dana Gaier as Edith, Elsie Fisher as Agnes, and Pierre Coffin as the Minions, alongside new additions including Kristen Wiig as the quirky AVL agent Lucy Wilde and Ken Jeong as the suspicious wig shop owner Floyd Eagle-san.[19] Wiig's portrayal brings a blend of competence and clumsiness to Lucy, complementing Gru's deadpan demeanor, while Jeong's over-the-top performance adds comedic suspicion to the investigation. Benjamin Bratt voices the villainous El Macho, providing a charismatic foil with a flair for dramatic reveals.[22] Despicable Me 2 premiered in Australia on June 5, 2013, and was released theatrically in the United States on July 3, 2013, with an international rollout spanning over 80 countries that summer. Promotional tie-ins included McDonald's Happy Meals featuring collectible Minions toys and Lucy Wilde figures, available from July 5 to August 1, 2013, in the U.S., enhancing the film's family-oriented marketing.[23] Produced on a budget of $76 million, the film grossed $970.8 million worldwide, becoming one of the highest-grossing animated films of 2013 and Illumination's biggest success at the time.[24] It earned $368.1 million domestically and $602.7 million internationally, driven by strong family audiences and the Minions' appeal.[25] Critics gave Despicable Me 2 a 75% approval rating on Rotten Tomatoes based on 184 reviews, praising its eye-popping visual inventiveness, heartfelt humor, and the chemistry between Gru and Lucy, though some noted the plot's formulaic structure and reliance on Minion gags.[26] Reviewers highlighted the improved animation in action sequences and the film's sweet expansion of Gru's family dynamics, with The Hollywood Reporter calling it "visually inventive and very fast with the repartee."[27] Despite criticisms of predictability, outlets like Roger Ebert commended its engaging first act and overall playfulness, rating it 3 out of 4 stars.[18]Despicable Me 3 (2017)
Despicable Me 3 is a 2017 American computer-animated comedy film produced by Illumination Entertainment for Universal Pictures. It serves as the third installment in the main Despicable Me series and the fourth entry overall in the franchise, following Despicable Me 2 (2013). The film was directed by Pierre Coffin, Kyle Balda, and Eric Guillon, with a screenplay written by Cinco Paul and Ken Daurio, who had previously collaborated on the earlier films in the series. The story centers on Gru, now married to Lucy Wilde from his Anti-Villain League (AVL) days, as he grapples with professional setbacks and family discoveries while facing a flamboyant new adversary. The production emphasized vibrant animation and humor derived from family dynamics and villainy, grossing over $1 billion worldwide and marking another commercial success for the franchise.[28][29] The plot follows Gru after he is fired from the AVL for failing to apprehend the villainous Balthazar Bratt, a former 1980s child star turned international criminal seeking revenge on Hollywood. Struggling with unemployment, Gru learns from a lawyer that he has a long-lost twin brother named Dru, a wealthy and charismatic aspiring supervillain who invites him to his lavish estate in Freedonia. Dru convinces Gru to join him in a heist to steal a massive diamond from Bratt, reigniting Gru's interest in villainy, while Lucy remains determined to track down the elusive thief. Meanwhile, the family embarks on a chaotic vacation to a theme park, where Gru's adopted daughters—Margo, Edith, and Agnes—encounter their own mishaps, including Margo's budding crush on a lifeguard, amid escalating Minion antics that involve a banana-fueled rebellion. The narrative intertwines Gru's sibling rivalry with Dru, the high-stakes pursuit of Bratt's scheme, and domestic turmoil, culminating in a battle to thwart global catastrophe.[30][29] Production on Despicable Me 3 began in 2014, building on the established visual style of the series with an emphasis on dynamic action sequences and character-driven comedy. Directors Coffin, Balda, and Guillon aimed to explore themes of heritage and redemption through the introduction of Dru, while incorporating a distinctive 1980s aesthetic inspired by retro pop culture, evident in Bratt's wardrobe, dance moves, and soundtrack cues referencing era-specific music and films. The screenplay by Paul and Daurio balanced multiple plotlines, including the brotherly heist and family vacation, to maintain the franchise's blend of heart and slapstick. Animation was handled at Illumination Mac Guff in Paris, with a focus on exaggerated expressions for the Minions and detailed environments like Dru's opulent mansion and Bratt's high-tech lair. The film features original songs and a score by Heitor Pereira, enhancing the nostalgic elements. The budget was reported at $80 million.[31][32][33] Joining the returning voice cast of Steve Carell as Gru, Kristen Wiig as Lucy, and Pierre Coffin as the Minions were new additions that brought fresh energy to the ensemble. Carell took on a dual role, voicing both Gru and his twin brother Dru, differentiating the characters through contrasting accents and mannerisms—Gru's gruff demeanor versus Dru's exuberant flair. Trey Parker, co-creator of South Park, provided the voice for the villain Balthazar Bratt, infusing the role with over-the-top 1980s bravado and musical flair. Jenny Slate joined as Valerie Da Vinci, the ambitious new head of the AVL who fires Gru, adding a layer of bureaucratic tension. Other notable voices include Miranda Cosgrove as Margo, Dana Gaier as Edith, and Nev Scharrel as Agnes, with Andy Richter as the estate lawyer.[34][35][36] Despicable Me 3 had its world premiere at the Annecy International Animated Film Festival on June 14, 2017, followed by a Los Angeles premiere on June 24, 2017, and a wide theatrical release in the United States on June 30, 2017. The film rolled out globally throughout June and July, reaching over 50 countries by mid-July. Marketing campaigns highlighted the 1980s theme through trailers featuring Bratt's groovy villainy, set to synth-pop tracks and homages to 80s icons like MC Hammer and Michael Jackson, alongside tie-in merchandise, Minion promotions, and partnerships with brands like Banana Boat for the vacation subplot. Universal's strategy targeted families with summer vacation tie-ins and digital campaigns emphasizing the sibling duo.[37][38][33] At the box office, Despicable Me 3 was a major hit, opening to $72.4 million in North America and earning $247.8 million domestically. Internationally, it performed strongly in markets like China ($109 million) and Europe, contributing to a worldwide gross of $1.034 billion against its $80 million budget, making it the fourth-highest-grossing film of 2017. The success was driven by strong family attendance and the enduring appeal of the Minions, with the film surpassing $1 billion in just seven weeks.[39][32] Critically, Despicable Me 3 received mixed reviews, holding a 58% approval rating on Rotten Tomatoes based on 194 reviews, with the consensus noting it "should keep fans of the franchise consistently entertained with another round of Minion mayhem, even if it doesn't quite reach the heights of its predecessors." Critics praised the film's vibrant visual style, energetic animation, and the 1980s-inspired humor from Bratt's antics, but faulted the split focus between Gru's family story and Dru's heist subplot, which some felt diluted the narrative cohesion compared to earlier entries. Audience reception was more positive, with a 7.2/10 average on IMDb from over 174,000 users, appreciating the lighthearted fun and voice performances.[40][28][31]Despicable Me 4 (2024)
Despicable Me 4 is a 2024 American computer-animated comedy film produced by Illumination and distributed by Universal Pictures. The story follows Gru, his wife Lucy Wilde, and their three adopted daughters—Margo, Edith, and Agnes—as they welcome a new baby boy, Gru Jr., into the family. Gru's life becomes more chaotic when his former school rival, Maxime Le Mal, escapes from prison and targets him for revenge, forcing the family to enter witness protection under new suburban identities while Gru continues Anti-Villain League (AVL) missions. Along the way, several Minions gain superpowers in a breakout sequence, leading to comedic adventures involving the mischievous infant Gru Jr. and confrontations with Maxime and his accomplice Valentina.[41] The film was directed by Chris Renaud, who previously helmed the first three Despicable Me entries and the Minions spin-offs, with co-direction by Patrick Delage. The screenplay was written by Ken Daurio and Mike White, building on the franchise's blend of family dynamics and slapstick villainy. Production emphasized technical advancements, particularly in animating the realistic movements and expressions of baby Gru Jr., which required detailed motion capture and simulation for his crawling and chaotic interactions. Crowd scenes featuring hordes of Minions were enhanced with improved rendering techniques to handle larger-scale mayhem efficiently.[42][43] Returning voice actors include Steve Carell as Gru, Kristen Wiig as Lucy, Miranda Cosgrove as Margo, Dana Gaier as Edith, and Pierre Coffin as the Minions, with Steve Coogan reprising Silas Ramsbottom. New to the cast, Joey King voiced a slightly older Agnes, succeeding Elsie Fisher from prior films; Will Ferrell provided the voice for the cockroach-human hybrid villain Maxime Le Mal; and Sofia Vergara voiced his glamorous partner Valentina. These additions brought fresh energy to the ensemble, with Ferrell's over-the-top performance highlighting Maxime's flamboyant schemes.[44][45] Despicable Me 4 premiered at the Annecy International Animation Film Festival on June 14, 2024, where it received an enthusiastic reception from animation professionals. It was theatrically released in the United States on July 3, 2024, coinciding with the Independence Day holiday weekend. The marketing campaign featured extensive Minions merchandising tie-ins, including LEGO playsets with vehicles like Maxime's lab and the family's disguise van, apparel lines from Loungefly, themed popcorn buckets at Regal Cinemas, and promotional partnerships with brands such as Volkswagen for the Atlas SUV and Mr. Kipling for banana-flavored snacks.[46][47][48] With a production budget of $100 million, the film grossed $972 million worldwide as of 2025.[49] It earned $361 million domestically and $611 million internationally, driven by strong family audiences during the summer season.[50][51] Critics gave Despicable Me 4 a mixed reception, with a 55% approval rating on Rotten Tomatoes based on 166 reviews. Reviewers praised its heartfelt exploration of family themes, particularly Gru's struggles with fatherhood amid relocation stresses, and the enduring charm of the Minions' antics. However, many critiqued the repetitive humor, formulaic plot, and overstuffed narrative as signs of franchise fatigue, though it was noted for providing lighthearted entertainment for younger viewers.[52][53][54]Minions (2015)
Minions is a 2015 American computer-animated comedy film that serves as a spin-off prequel to the Despicable Me series, focusing on the titular characters' origins and quest for a new master. The plot begins with the Minions evolving from single-celled yellow organisms in prehistoric times, instinctively serving the most despicable bosses throughout history, including a T. rex, an Egyptian pharaoh, a caveman tribe leader, a medieval knight, and Napoleon Bonaparte.[55] Despite their loyalty, the Minions repeatedly cause the accidental demise of each master, leaving them without purpose in the modern era. Depressed and aimless in a hidden cave, the Minions rally when Kevin proposes finding a new evil leader; joined by the one-eyed Stuart and the childlike Bob, they embark on a global journey from Antarctica to 1968 New York City, where they attend the villainous convention Villain-Con and catch the eye of Scarlet Overkill, a glamorous super-villain aiming to steal the Crown Jewels.[56] The film was directed by Pierre Coffin and Kyle Balda, who previously helmed shorts and segments in the Despicable Me franchise, with a screenplay written by Brian Lynch, known for his work on Despicable Me 2.[57] Produced by Illumination Entertainment, Minions adopts a retro animation style that evokes 1960s aesthetics, incorporating mod fashion, groovy set designs, and a soundtrack featuring period hits like "You Really Got Me" by The Kinks and original spy-pop compositions to immerse viewers in the Swinging Sixties era.[58] This visual and auditory approach contrasts the Minions' chaotic antics with the era's stylized optimism, enhancing the comedic historical romp. The voice cast includes Sandra Bullock as the ambitious Scarlet Overkill, Jon Hamm as her inventor husband Herb Overkill, and Pierre Coffin providing the distinctive gibberish voices for the ensemble of Minions, particularly the leads Kevin, Stuart, and Bob.[59] Minions had its world premiere on June 11, 2015, at the Odeon Leicester Square in London, followed by a wide theatrical release on July 10, 2015, in the United States by Universal Pictures.[60] The campaign marked Universal's largest promotional push to date, featuring extensive partnerships such as McDonald's Happy Meals with Minion toys and a global rollout of plush dolls that became instant collectibles, capitalizing on the characters' burgeoning pop culture appeal.[61] With a production budget of $74 million, the film achieved extraordinary commercial success, earning $1.159 billion worldwide and surpassing Toy Story 3 to become the highest-grossing animated feature film upon its theatrical run's conclusion. This performance underscored the Minions' standalone draw, grossing over $336 million domestically and nearly $823 million internationally.[62] Critically, Minions received mixed reviews, holding a 55% approval rating on Rotten Tomatoes based on 222 critic scores, with an average rating of 5.7/10.[55] Reviewers praised its energetic visual gags, slapstick humor, and broad appeal to young audiences, with Odie Henderson of RogerEbert.com noting its suitability for the youngest viewers through relentless, uncomplicated mischief.[63] However, it faced criticism for a thin, episodic plot that prioritized Minion chaos over narrative depth, often described as a string of sketches rather than a cohesive story.[64] Despite the divided response, the film's box office dominance highlighted its cultural impact and the Minions' enduring charm as comic relief.[65]Minions: The Rise of Gru (2022)
Minions: The Rise of Gru is a 2022 American computer-animated comedy film serving as a prequel to the Despicable Me series and a sequel to Minions (2015). Set in 1976 San Francisco, the film follows 12-year-old Gru as he pursues his dream of becoming a supervillain, enlisting his loyal Minions in schemes against the notorious group known as the Vicious 6. Directed by Kyle Balda with co-directors Brad Ableson and Jonathan del Val, it emphasizes a vibrant 1970s aesthetic, incorporating disco-era fashion, music, and cultural references to enhance its nostalgic appeal.[66][67] The plot centers on young Gru, who idolizes the Vicious 6—a quintet of supervillains led by the groovy Belle Bottom—after they steal the powerful Zodiac Stone during a daring heist. Eager to join their ranks, Gru and his Minions, including the enthusiastic newcomer Otto, infiltrate the group's lair, but chaos ensues when Wild Knuckles, the aging strongman of the Vicious 6, is betrayed and seemingly killed by his cohorts. Gru unexpectedly rescues Knuckles, forging a mentorship bond as they team up to retrieve the stone from Belle Bottom and her disco-dancing henchmen. Along the way, the Minions train in kung fu under Master Chow to aid in the battle, leading to a climactic confrontation that solidifies Gru's villainous origins.[68][69] Production began as a follow-up to Minions, with Illumination Entertainment aiming to bridge the gap to Gru's adult persona by exploring his formative years. The screenplay was written by Matthew Fogel, based on a story by Fogel, Brian Lynch, and Cinco Paul, who drew inspiration from 1970s blaxploitation films and kung fu classics to infuse the animation with period-specific flair. The film's visual style features exaggerated disco lighting, bell-bottom outfits, and groovy set designs, while the soundtrack includes contemporary covers of 1970s hits like "You Really Got Me" by Phoebe Cates and a new track "Turn Up the Sunshine" by Diana Ross and Tame Impala, capturing the era's funky vibe. Balda, returning from Minions and Despicable Me 3, focused on balancing the Minions' slapstick humor with Gru's emotional growth, ensuring the animation highlighted their chaotic loyalty.[70][71] The voice cast features Steve Carell reprising his role as the young Gru, delivering the character with a high-pitched, childlike inflection to reflect his ambitious yet awkward youth. Taraji P. Henson voices the flamboyant Belle Bottom, bringing charisma to the Vicious 6's leader with her soulful, disco-infused performance. Michelle Yeoh lends her voice to Master Chow, the no-nonsense kung fu instructor who trains the Minions in martial arts, adding a layer of action-hero gravitas. Additional notable voices include Alan Arkin as the gruff Wild Knuckles, RZA as the motorcycle-riding biker Biker, and Pierre Coffin as the ensemble of Minions, whose gibberish dialogue and physical comedy drive much of the film's energy.[72][73] Originally slated for a July 2020 release, the film's premiere was delayed twice due to the COVID-19 pandemic, first to July 2021 and then to July 1, 2022, allowing extra time for post-production polish. It debuted theatrically worldwide, with a hybrid model in the U.S. that included simultaneous streaming on Peacock starting September 23, 2022, as part of NBCUniversal's distribution strategy. Marketing leaned heavily into 1970s nostalgia, featuring promotions like a Levi's collaboration with retro Minion apparel, TikTok challenges such as #Gentleminions where fans dressed in bell-bottoms and afros, and soundtrack tie-ins with era-spanning artists to evoke the film's groovy theme.[74][75][76] With a production budget of $80 million, Minions: The Rise of Gru grossed $940.5 million worldwide, including $370.5 million domestically, making it one of the highest-grossing films of 2022 and a major box office success post-pandemic. Its strong performance was bolstered by family audiences and the enduring popularity of the Minions, contributing significantly to the franchise's cumulative earnings exceeding $4.6 billion at the time.[77][78][79] Critics gave the film a mixed but generally positive reception, earning a 70% approval rating on Rotten Tomatoes based on 185 reviews, with praise centered on its vibrant homage to 1970s pop culture, energetic action sequences, and the Minions' irrepressible charm. Reviewers highlighted the nostalgic disco soundtrack and visual gags, such as the Vicious 6's heist and the Minions' kung fu antics, as standout elements that refreshed the franchise formula. However, some noted criticisms regarding the occasionally chaotic pacing and overreliance on slapstick, which could overwhelm quieter character moments, though it was seen as a fun, lighthearted return to form compared to prior entries.[68][80][81]Minions 3 (2026)
Minions 3 is an upcoming American computer-animated comedy film produced by Illumination and distributed by Universal Pictures, serving as the third installment in the Minions spin-off series and the eighth overall entry in the Despicable Me franchise.[82] The film was officially announced on July 11, 2024, as a continuation of the Minions' adventures in a prequel era before their service to Gru.[82] Directed by Pierre Coffin, who has helmed all previous Minions films, it promises to extend the yellow henchmen's chaotic escapades following the events of Minions: The Rise of Gru (2022).[82] As of November 2025, detailed plot elements remain under wraps, with Illumination teasing further mischievous antics in the franchise's signature style.[8] Production on Minions 3 is overseen by Illumination founder Chris Meledandri and producer Bill Ryan, with Brian Lynch returning as screenwriter after his work on Minions (2015) and Minions: The Rise of Gru (2022).[82] Coffin is also confirmed to voice the titular Minions, delivering their iconic gibberish dialogue as in prior entries.[83] No additional voice cast members have been officially announced, though speculation persists about potential returns from the broader franchise ensemble.[82] The project entered active development shortly after the announcement, with filming and post-production progressing at Illumination Studios Paris.[84] Originally slated for release on June 30, 2027, the film's theatrical debut was advanced to July 1, 2026, as part of Universal's 2025 scheduling adjustments to capitalize on the franchise's momentum.[85] Marketing efforts are expected to include tie-in shorts and promotional materials building on the Minions' global popularity, similar to previous releases.[8] Early anticipation for Minions 3 stems from the franchise's consistent box office dominance, with prior Minions films grossing over $1.5 billion worldwide combined, though no critical or financial data exists yet for this unreleased entry.[82] Fans and industry observers express excitement for another dose of the series' humor, bolstered by the positive reception to Despicable Me 4 (2024).[84]Short films
Accompanying the main Despicable Me series (2010–2013)
The short films accompanying the main Despicable Me series from 2010 to 2013 were produced by Illumination Entertainment as bonus features for the home video releases of Despicable Me (2010) and Despicable Me 2 (2013), showcasing the chaotic humor of the Minions and interactions within Gru's household. These computer-animated mini-movies, each running approximately 3 to 5 minutes, mirror the vibrant, 3D animation style of their parent features while expanding on early franchise lore through slapstick comedy focused on Minion antics and family dynamics. Released exclusively on DVD and Blu-ray, they collectively form part of the "Minion Madness" collection, emphasizing the Minions' mischievous personalities without advancing the main plotlines.[86] Home Makeover (2010) depicts the frenzy when a social worker visits Gru's home to assess its suitability for children, prompting the Minions, Margo, Edith, and Agnes to hastily renovate the chaotic lair into a child-friendly space, resulting in comedic disasters like exploding furniture and misguided decorations. This 4-minute short highlights the Minions' well-intentioned but destructive efforts to help Gru retain custody of the girls.[87][86] Orientation Day (2010) follows three new Minions undergoing training in Gru's laboratory, where their inattention to safety protocols leads to explosive mishaps with weapons and gadgets, underscoring the creatures' enthusiastic incompetence. Clocking in at about 4 minutes, the short comically illustrates the onboarding process for Gru's henchmen.[88][86] Banana (2010), a 3-minute abstract piece, captures the Minions' obsessive pursuit of a single banana across their factory, escalating into a frenzied chase that reveals their primal fixation on the fruit as a symbol of joy and chaos. The short playfully explores the Minions' banana-centric culture through nonstop physical comedy.[89] Puppy (2013) centers on Agnes's longing for a pet, fulfilled when Minion Dave brings home a multi-eyed alien creature disguised as a puppy, leading to tender yet absurd bonding moments that test the limits of Gru's family life. This 5-minute film blends heartwarming elements with Minion silliness, released as part of Despicable Me 2's home media extras.[90][91] Panic in the Mailroom (2013) portrays two Minions sorting packages in Gru's underground mailroom, where a potion mishap transforms one into a rampaging monster, sparking a delivery frenzy amid crumbling infrastructure and escaped critters. Running 4 minutes, it amplifies the franchise's theme of lab-induced pandemonium.[92] Training Wheels (2013), also 5 minutes long, shows Agnes struggling to ride a bike until the Minions outfit it with high-tech modifications, turning a simple lesson into a high-speed pursuit of an ice cream truck thief and showcasing her unexpected heroism. The short emphasizes supportive family interactions through inventive Minion engineering.[93]Accompanying the Minions prequels and spin-offs (2015–2024)
The short films accompanying the Minions prequels and spin-offs from 2015 to 2024 emphasized the Minions' independent antics, often blending slapstick humor with ties to the franchise's lore, and were typically released as theatrical openers, home video extras, or digital promotions to extend the appeal of the spin-off features. In 2015, Cro Minion portrayed two Minions, named Clark and Ted, struggling to babysit a Neanderthal infant while its parents hunt for food, resulting in a series of prehistoric mishaps that highlight the characters' bungling nature.[94] The short served as a promotional tie-in to the Minions film's origin story, premiering at the Annecy International Animation Film Festival before inclusion on home video releases. Also that year, Competition depicted two Minions engaging in absurd, escalating contests within a secret bomb laboratory, showcasing their competitive rivalry and penchant for chaos. It debuted online as a mini-movie to promote the Minions Blu-ray and DVD launch.[95] Binky Nelson Unpacified followed baby criminal Binky Nelson, from the Nelson family in Minions, as he embarks on a nighttime quest to recover his dropped pacifier from a museum heist site, narrowly avoiding security and a unicorn-obsessed Agnes along the way. The short was bundled exclusively with the Minions Blu-ray edition. Mower Minions (2016) illustrated two Minions attempting a suburban lawn-mowing service after seeing a blender ad, only for their modified mowers to unleash widespread destruction on the neighborhood. It premiered in theaters ahead of The Secret Life of Pets and earned an Academy Award nomination for Best Animated Short Film, underscoring Illumination's growing short-form acclaim.[96] In 2017, The Secret Life of Kyle explored the mischievous escapades of Gru's pet, the monstrous Kyle, during a family outing, revealing his hidden destructive side in a nod to The Secret Life of Pets. Released with the Despicable Me 3 home video, it bridged the main series and spin-off humor. Yellow is the New Black (2018) chronicled two Minions chained to a fleeing convict during a desert prison break, turning their captivity into a frantic escape attempt filled with improvised gadgets and pursuits. It debuted theatrically with The Grinch, emphasizing the Minions' resilience in adversarial settings. The following year, Santa's Little Helpers (2019) showed Minions Kevin, Stuart, and Bob, accidentally marooned at the North Pole, clumsily assuming roles as Santa's elves and wreaking havoc on holiday preparations. Released with The Grinch on home video, it captured seasonal absurdity tied to the franchise's whimsical tone. Also in 2019, Minion Scouts followed three Minions inspired by the girls' Badger Scout badges, joining a campout that devolves into comedic survival fails like building unstable tents and wildlife encounters. Included as an extra on the The Secret Life of Pets 2 Blu-ray. Minions & Monsters (2021) parodied tabletop role-playing games like Dungeons & Dragons, with a novice Minion donning a costume and joining expert gamers, only to become an unwitting hero amid fantasy battles and laundry-day mishaps. It aired on NBC as a television exclusive, promoting the upcoming Minions: The Rise of Gru. In 2022, Post Modern Minion featured Minion Claude gaining accidental fame as an abstract artist after a gallery spill, then desperately recreating chaos to reclaim attention when trends shift. Bundled with the Minions: The Rise of Gru digital and home video releases. Mooned (2023) revisited antagonist Vector, stranded on the moon since Despicable Me (2010), as he builds a makeshift rocket for escape, only to face interference from a Minion pod crash-landing nearby, leading to a high-stakes lunar chase. The short premiered in theaters with Migration, briefly referencing Vector's original defeat for nostalgic continuity.[97] In 2024, Midnight Mission saw the Minions trying various antics, including a space adventure, to help Agnes overcome her fear of the dark. Released with the Migration home video. Also in 2024, two new shorts tied directly to Despicable Me 4 via digital platforms: Game Over and Over, depicting mischievous Minions discovering a super-powered game controller in Gru's lair that warps reality into arcade-style perils; and Benny's Birthday, trapping Minion Benny in a repeating time-loop birthday party filled with escalating disasters until he breaks the cycle. Both debuted exclusively with the Despicable Me 4 digital release on August 6, 2024, focusing on gaming and party-themed chaos to extend the film's family dynamics.[98]Other media
Television productions
The Minions Holiday Special, officially titled Illumination Presents: Minions Holiday Special, is a 24-minute animated television special produced by Illumination and aired on NBC on November 27, 2020.[99] The special features four interconnected mini-movie escapades centered on the Minions engaging in holiday-themed mischief, including attempts to assist at Santa's workshop and other festive disruptions, with guest appearances from characters across the Illumination universe such as Max from The Secret Life of Pets.[100] It highlights the Minions' chaotic personalities through slapstick humor, tying into themes of family bonding during the holidays as they navigate global holiday scenarios to surprise Gru.[101] Following its broadcast premiere, the special became available for streaming on Peacock, NBCUniversal's platform, expanding its reach to digital audiences.[102] In addition to broadcast specials, the franchise has ventured into digital and streaming content through short-form series and compilations. The Saturday Morning Minions web series, launched by Illumination on YouTube in June 2021, consists of 40 episodes, each approximately 40 seconds long, depicting the Minions in everyday comedic predicaments inspired by classic Saturday morning cartoon styles.[103] This series represents an early expansion into episodic digital content, with no major ongoing TV series developed beyond promotional clips and viral YouTube shorts from the 2010s.[104] Complementing this, Illumination partnered with Netflix to release Minions & More Volume 1 in September 2022 and Volume 2 in October 2022, each a 48-minute compilation of existing Minions shorts like "Training Wheels" and "Minion Scouts," curated for streaming viewers without new narrative arcs.[105] These volumes reuse the core voice cast, including Pierre Coffin as the Minions, to maintain continuity with the films.[106] Illumination's foray into television productions underscores its strategy to extend the franchise beyond theatrical releases, leveraging streaming partnerships with platforms like Peacock and Netflix to deliver bite-sized content.[107] The reuse of established voice talent and animation techniques from the feature films ensures brand consistency, while focusing on holiday and episodic formats allows for targeted seasonal engagement without committing to full series development.[108] As of 2025, no additional broadcast specials or major series have been announced, though digital shorts continue to support promotional efforts.[109]Video games
The Despicable Me franchise has spawned several video games across various platforms, primarily developed by Gameloft and other studios in collaboration with Universal Pictures and Illumination Entertainment. These titles typically feature action-platforming, endless running, and simulation gameplay centered on Gru, his family, and the Minions, often tying into the films' plots and characters. Most games emphasize controlling Minions to complete missions, collect items, and battle villains using gadgets and banana-themed power-ups.| Title | Release Year | Developer | Publisher | Platforms | Gameplay Style |
|---|---|---|---|---|---|
| Despicable Me: The Game | 2010 | Vicious Cycle Software (consoles); WayForward (DS) | D3 Publisher | Wii, PlayStation 2, PSP, Nintendo DS | Puzzle-platformer with Gru-led missions; players command Minions to solve puzzles, navigate levels, and use gadgets like the freeze ray to complete heists and objectives. |
| Despicable Me: Minion Rush | 2013 | Gameloft | Gameloft | iOS, Android | Endless runner where players control Minions or other characters to dash through film-inspired locations, dodge obstacles, collect bananas, and unlock costumes and power-ups; includes special missions tied to Despicable Me 2, such as levels in El Macho's lair. |
| Minions Paradise | 2015 | EA Mobile | Electronic Arts | iOS, Android | Village-builder simulation; players construct and manage a tropical paradise for Minions, completing quests, customizing habitats, and interacting with a new Minion character named Phil, following elements of the Minions film plot. |
Theme park attractions
Despicable Me attractions at Universal parks primarily feature the Minions in interactive, family-oriented experiences developed in partnership with Universal Creative, the design and production arm of Universal Destinations & Experiences. These rides and lands leverage the franchise's chaotic humor, drawing significant crowds and contributing to attendance growth at host parks, such as a 4% increase at Universal Orlando in 2014 following the debut of key Minion experiences.[110] The flagship attraction, Despicable Me Minion Mayhem, is a motion simulator ride where guests are recruited by Gru to train as Minions in his laboratory; the simulation spirals into mayhem with explosive antics before culminating in a celebratory dance party.[7][111] It debuted at Universal Studios Florida on July 2, 2012, replacing the Jaws ride and anchoring the Illumination Avenue area.[7] The ride opened at Universal Studios Hollywood on April 12, 2014, transforming the former Sound Stages area into Super Silly Fun Land with additional Minion-themed play elements.[111] Subsequent installations include Universal Studios Japan on April 21, 2017, as part of the dedicated Minion Park; opened at Universal Studios Singapore on February 14, 2025, within the new Minion Land, which includes Despicable Me Minion Mayhem and exclusive attractions such as the Buggie Boogie ride and a Minion-themed carousel; and Universal Beijing Resort on September 20, 2021, integrated into the park's opening lineup.[112][113] Illumination's Villain-Con Minion Blast, an interactive dark ride, places riders as Minions competing in a villain convention contest against the Vicious 6, using handheld blasters to zap targets amid custom animation and immersive sets.[114] It opened at Universal Studios Florida on August 11, 2023, replacing the former Despicable Me Minion Mayhem queue space and expanding the Minion Land footprint with a new café and villain-themed snacks.[115] A version also operates at Universal Studios Japan, enhancing the Minion Park's offerings. In July 2025, Universal Studios Japan's Minion Park expanded by 40%, opening on July 11 with an enhanced version of Illumination's Villain-Con Minion Blast and additional Minion-themed experiences.[116] Minion meet-and-greets provide opportunities for character interactions, particularly at Universal Studios Japan, where costumed Minions appear seasonally in Minion Park and during events like Halloween, allowing families to pose with the yellow chaos-makers.[117] These encounters tie into broader park programming but remain distinct from core ride experiences. Looking ahead, Illumination's Minions vs. Minions: Bello Bay Club will debut in 2026 at Universal Kids Resort in Frisco, Texas, as a water-themed land pitting Yellow Minions against wild Purple Minions in splash battles, featuring interactive play areas, rides, and live shows designed for young children.[118][119] This development underscores Universal's ongoing investment in Minion-centric expansions to attract family audiences.[120]Merchandise
The Despicable Me franchise has generated extensive merchandise through licensing agreements managed by Universal Products & Experiences, encompassing toys, apparel, books, and various consumer collaborations that capitalize on the characters' appeal, particularly the Minions.[121] Toy lines form a core component of the franchise's merchandising, beginning with Hasbro's master licensing agreement in 2010 for products tied to the original film, including action figures, board games like Operation Despicable Me, and The Game of Life variant featuring Minions.[122] In 2023, Moose Toys assumed the role of global master toy licensee, launching lines such as the Despicable Me 4 Mega Minions action figures, transformation playsets, and collectible Mineez series, which include spinning, launching, and fart-blaster mechanisms inspired by film antics.[123] Plush toys, depicting characters like Kevin and Dave, have been produced across both eras, often bundled in multi-packs for retail distribution. Mattel holds licensing for card games, notably the UNO Despicable Me editions with custom rules like "Mega Minions Power" cards, released alongside films starting from Despicable Me 3.[124] These toy lines have collectively exceeded $3 billion in sales, driven by high demand during film releases. Apparel licensing, handled directly by Universal and partners like Hybrid Apparel for domestic markets, includes t-shirts, hoodies, and accessories featuring Gru, Lucy, and Minion motifs, often with playful slogans such as "Minion Made."[125] International deals, such as Mattel's 2019 multi-year agreement, extend to global clothing lines for children and adults.[126] Children's books, published by Simon & Schuster under Universal's license, adapt film stories into novelizations, sticker activity books, and deluxe coloring sets, with titles like Despicable Me 4 Movie Novelization incorporating full-color photos from the production.[127] Key collaborations have broadened the franchise's reach into everyday consumer products. McDonald's has partnered with Universal for Happy Meal promotions since the 2010 Despicable Me release, offering collectible toys like banana launchers and transformation figures across all films through 2024, with the [Despicable Me 4](/page/Despicable Me 4) set featuring interchangeable Minion parts. Banana Boat, through themed sunscreen packaging, tied into Minion motifs for family-oriented sun protection lines, emphasizing the characters' playful banana obsession. Universal operates dedicated Despicable Me retail stores, such as Super Silly Stuff outlets, stocking exclusive apparel, gadgets, and plush items beyond theme park boundaries.[128] Licensing has driven over $6 billion in global retail sales for the Minions brand as of 2022, with continued growth into 2025 fueled by Despicable Me 4's success and partnerships with major retailers like Walmart and Target, where toy lines and apparel dominate aisles during promotional windows.[129][130] Merchandising evolved from Gru-centric products in the early films to Minion-dominated lines following the 2015 Minions spin-off, reflecting the characters' breakout popularity and accounting for the majority of subsequent sales.[125]Characters
Gru and his family
Gru serves as the central protagonist of the Despicable Me franchise, initially portrayed as a reformed supervillain who transitions into a devoted family man and Anti-Villain League (AVL) agent.[2][131] In the first film, he is depicted as an ambitious criminal mastermind plotting to steal the moon to cement his legacy as the world's greatest villain, but his adoption of three orphaned girls fundamentally alters his path, shifting his ambitions from world domination to protecting his newfound family.[2] By the second installment, Gru has embraced a legitimate life as an AVL operative, using his villainous ingenuity for heroic purposes, though he grapples with balancing fatherhood and espionage.[132] His character arc continues to evolve in subsequent films, including a temporary identity crisis in the third entry upon discovering his twin brother, ultimately reinforcing his role as a steadfast protector.[29] Throughout the series, Gru is consistently voiced by Steve Carell, whose performance captures the character's gravelly Eastern European accent and emotional depth.[131] Gru's adopted daughters—Margo, Edith, and Agnes—form the emotional core of his family, each bringing distinct personalities that contribute to his personal growth across the franchise. Margo, the eldest and most responsible, often acts as a surrogate parent to her sisters, displaying maturity and skepticism toward Gru's initial villainous schemes while gradually warming to his paternal role.[133] Edith, the middle child and a tomboyish daredevil, embodies mischief and independence, frequently engaging in adventurous antics that test Gru's parenting skills and highlight her resourceful spirit.[133] Agnes, the youngest, is characterized by her wide-eyed innocence, unwavering optimism, and obsession with unicorns, serving as the family's heart and the one who most readily accepts Gru's affections from the outset.[132] Over the series, the sisters' bonds with Gru deepen, evolving from wary orphans to a cohesive unit that motivates his redemption and heroism, with their individual traits providing comic relief and heartfelt moments.[2] Lucy Wilde, introduced in the second film as Gru's AVL partner, becomes his wife and a key family member, infusing the household with her enthusiastic yet clumsy expertise in spy work. Voiced by Kristen Wiig, Lucy is skilled in gadgets and combat but often approaches tasks with overzealous energy, contrasting Gru's more calculated demeanor and adding dynamic tension to their partnership.[132][131] Her integration into the family enhances the spy elements of the narrative, as she supports Gru in missions while embracing motherhood to the girls, ultimately solidifying their union as a pillar of stability amid escalating threats.[29] Dru, Gru's long-lost twin brother, debuts in the third film as a wealthy, charismatic playboy with lingering villainous tendencies, representing an alternate version of Gru's potential life unburdened by redemption. Armed with inherited family fortune, Dru pursues criminal exploits with boyish enthusiasm, prompting Gru to confront their shared heritage and ultimately strengthening their fraternal bond.[29] His presence explores themes of nature versus nurture within the family dynamic, though he remains a peripheral figure in later entries.[131] The family expands further with the birth of Gru Jr. in the fourth film, a mischievous infant who idolizes villains and delights in tormenting his father, introducing new layers of chaos to the household.[131] Additionally, Dr. Nefario, Gru's loyal and eccentric scientist associate, functions as an extended family member through his inventive support, creating gadgets that aid the group's endeavors despite his forgetful nature.[2][132]The Minions
The Minions are a fictional species of small, yellow, pill-shaped creatures that first appeared in the 2010 animated film Despicable Me. According to the franchise's lore, their story begins at the dawn of time as single-celled yellow organisms dwelling in the ocean, evolving over hundreds of millions of years into bipedal beings perpetually driven to serve the most despicable masters they can find.[6] This evolutionary history spans from prehistoric eras—where they assisted a T. rex in hunting—to ancient civilizations like serving a pharaoh in building pyramids, and through medieval and modern times with figures such as a vampire count and Napoleon Bonaparte.[6] The species exhibits remarkable resilience, with large hordes suggesting rapid reproduction to maintain their numbers despite frequent mishaps, though they suffer depression and aimlessness without a villainous leader to follow.[6] The Minions' design was developed by French character designer Eric Guillon in collaboration with directors Pierre Coffin and Chris Renaud at Illumination Entertainment, evolving from initial concepts of short human factory workers to robotic figures before settling on an organic, childlike form blending both for comedic durability and expressiveness.[134] Their signature yellow coloration, capsule-like bodies, and variations—such as one or two eyes, bald heads, and occasional goggles or overalls—emphasize simplicity and toy-like appeal, allowing for exaggerated physical comedy.[134] Pierre Coffin, who also voices the ensemble, crafted their communication through Minionese, a constructed gibberish language drawing from global influences including ancient Egyptian basics, high-society French, Transylvanian accents, early human grunts, and elements from Spanish, Italian, Indonesian, and Japanese to reflect their nomadic history of serving diverse masters.[135] This melodic, improvised dialect prioritizes vocal inflections and context over literal meaning, enhancing their non-verbal expressiveness inspired by silent film comedians like Buster Keaton.[135] Within the Despicable Me franchise, the Minions serve as loyal henchmen providing comic relief through their bungled schemes and unwavering devotion, often amplifying Gru's villainous plans with chaotic enthusiasm.[136] Their signature gags include an obsessive love for bananas—symbolizing simple joys amid servitude—and occasional mutinies born of frustration without a worthy leader, as depicted in the prequel Minions (2015), where they embark on a quest for a new evil boss after prolonged idleness.[6] This blend of slapstick loyalty and mischief positions them as the franchise's humorous backbone, contrasting Gru's more calculated schemes while endearing them to audiences as inept yet endearing sidekicks.[137] The Minions have evolved into a major cultural phenomenon, spawning widespread memes that pair their expressive faces with humorous captions to represent everyday frustrations or absurdities, particularly popular among parents and on social platforms.[138] Their gibberish language, Minionese, has attracted academic interest in plurilingualism studies for illustrating how blended, non-standard speech can convey meaning through context and prosody, mirroring real-world language acquisition in multilingual environments.[139] This viral appeal, rooted in their abstract, adaptable design, has propelled the franchise's merchandise and spin-offs while cementing their status as icons of lighthearted villainy.[140]Antagonists and supporting villains
In the Despicable Me franchise, antagonists are typically flamboyant supervillains driven by ambitions for world domination or personal revenge, often employing high-tech gadgets, serums, or themed henchmen in their plots. These characters contrast with Gru's evolving heroism by embodying unrepentant evil, with designs inspired by pop culture eras or animal motifs, and their defeats usually involve Minion chaos or Anti-Villain League intervention. Vector, the main antagonist of the 2010 film Despicable Me, is a cocky, gadget-obsessed thief motivated by a desire to surpass Gru as the world's greatest villain, using his father's wealth to fund elaborate heists. His iconic orange tracksuit, squid launcher, and pyramid-shaped vehicle reflect a sleek, modern design, while his pyramid scheme mastermind persona underscores his cunning thefts, such as stealing the shrink ray from a museum. Vector is ultimately defeated when Gru retrieves the shrink ray and shrinks his getaway boat, leading to his arrest by authorities.[2] El Macho, real name Eduardo Pérez, serves as the primary villain in Despicable Me 2 (2013), a retired luchador wrestler who faked his death to plot global conquest using a mutagenic serum called PX-41. Voiced by Benjamin Bratt, his burly, mustachioed design and purple minion-transforming experiments evoke a macho, monstrous persona, with motivations rooted in reclaiming his status as the toughest villain after years in hiding at a Mexican restaurant. He transforms the Minions into purple, aggressive mutants to unleash on the world but is defeated by Gru and Lucy Wilde, who use the antidote serum against him in a final showdown.[17] Balthazar Bratt, the antagonist of Despicable Me 3 (2017), is a former 1980s child star turned vengeful dancer-spy, obsessed with retro pop culture after his career ended abruptly. His mullet hairstyle, shiny wardrobe, and keytar-shaped weapon that shoots bubble gum explosives define his flamboyant, era-specific design, while his motivation stems from bitterness toward Hollywood, leading him to steal the AVL's Diamond Despicaball for revenge. Voiced by Trey Parker, Bratt dances through heists with robotic henchmen but is thwarted by Gru and the Minions, who trap him in a giant bubble gum bubble during a Hollywood chase.[29][28] Maxime Le Mal, introduced in Despicable Me 4 (2024), is a cockroach-human hybrid supervillain with a French accent, seeking revenge on Gru from their school days by targeting AVL secrets. His insectoid design features enhanced climbing abilities, mechanical claws, and a roach motif, reflecting his motivation to prove superiority through bio-engineered villainy and alliance with his girlfriend Valentina. Voiced by Will Ferrell, Maxime's scheme involves kidnapping Gru's family but ends in defeat when the Minions and AVL outmaneuver his climbing assaults at a high-security facility.[42] Scarlet Overkill is the main antagonist of the 2015 prequel Minions, depicted as a glamorous 1960s-style diva supervillain motivated by her ambition to become queen of England. Voiced by Sandra Bullock, she wears signature red gowns and orchestrates a scheme to steal the Crown Jewels during Queen Elizabeth II's coronation, employing elaborate gadgets and henchmen in her pursuit of global fame and power. Her plans are ultimately foiled by the Minions during a chaotic confrontation at Buckingham Palace.[6] The Vicious 6, featured in the prequel Minions: The Rise of Gru (2022), is a 1970s supervillain syndicate that young Gru aspires to join, comprising members with era-themed designs and global theft ambitions. Belle Bottom, the disco-inspired leader of the Vicious 6, wears flared pants and uses roller-skate gadgets for jewel heists, driven by team dominance. Wild Knuckles, an elderly strongman founding member, sports a grizzled beard and circus strongman attire, seeking to reclaim his leadership after betrayal. The group is ultimately dismantled by Gru and the Minions' interference during a zodiac stone robbery.[68][78] Supporting villains include Mr. Perkins, the stern president of the Bank of Evil in Despicable Me, who finances villain schemes like Vector's with cold pragmatism, his suit-and-tie design emphasizing corporate malice. In Minions (2015), a flight attendant acts as a minor antagonist, rudely assaulting the Minions on a plane with her shoe, her uniform and aggressive demeanor highlighting everyday hostility toward their chaos.Production
Development and creative team
The Despicable Me franchise originated from a pitch titled "Evil Me" developed by Spanish animator Sergio Pablos in the mid-2000s through his studio Animagic (now SPA Studios), during a time of financial hardship following his work on Disney films like Tarzan and Treasure Planet.[4] Pablos' concept centered on a villainous protagonist reformed by adopting three orphaned girls, which he presented to Chris Meledandri, former president of 20th Century Fox Animation. Meledandri, who founded Illumination Entertainment in early 2007 as a Universal Pictures division, acquired the rights and retooled it into Despicable Me as the studio's debut feature, with Pablos serving as an executive producer on the first film.[141][142] Directorial duties for the main series have primarily been handled by Chris Renaud and Pierre Coffin, who co-directed the original Despicable Me (2010) and its sequel Despicable Me 2 (2013), with Renaud also directing Despicable Me 4 (2024).[143] Coffin, a French animator and the voice of the Minions across all entries,[44] co-directed Despicable Me (2010), Despicable Me 2 (2013), Minions (2015), and Despicable Me 3 (2017), emphasizing the characters' chaotic energy. Kyle Balda, an Illumination veteran, co-directed the prequel Minions (2015), Despicable Me 3 (2017), and Minions: The Rise of Gru (2022), contributing to the series' expansion into backstory-focused narratives.[144] The writing team has been anchored by Cinco Paul and Ken Daurio, who penned the screenplays for the four main Despicable Me films, blending humor with themes of family redemption.[145] For the Minions spin-offs, Brian Lynch took the lead, crafting scripts that highlight the henchmen's historical antics while tying into the broader lore.[146] Voice direction evolved under the directors' oversight, with Coffin leading Minions sessions to capture their nonsensical language. Following the commercial success of Despicable Me, which grossed over $540 million worldwide, Illumination greenlit a sequel and Minions spin-off in 2010, with the latter formalized in 2012 amid rising popularity from the Despicable Me Minion Mayhem theme park ride.[142][147] The franchise's growth into multiple sequels and prequels was temporarily halted by COVID-19, which delayed Minions: The Rise of Gru from 2020 to 2022 due to production shutdowns in Europe.[148]Animation techniques
The animation for the Despicable Me franchise is primarily handled by Illumination Studios Paris, formerly known as Illumination Mac Guff, a Paris-based facility established in 2011 through Universal Pictures' acquisition of the French studio Mac Guff's animation division. This studio has animated all entries in the series starting with the original Despicable Me (2010), utilizing a pipeline that integrates commercial software like Autodesk Maya for modeling, rigging, layout, and keyframe animation, alongside Nuke for compositing and an in-house rendering engine called MGLR (Mac Guff Ligne Render).[149][150] The process begins with storyboarding and animatics to establish timing, followed by asset creation in modeling and surfacing departments, where characters and environments are built with proprietary plugins to enhance efficiency in Maya. Animation and layout stages then position and pose elements, with cloth and fur simulations (CFX) applied for dynamic elements like Gru's hair or fabric details in later films such as Despicable Me 4 (2024). Lighting and final compositing refine the output, supported by research and development teams that create custom tools for asset management and rendering optimization. This workflow facilitates collaboration between the Paris studio and Illumination's headquarters in Santa Monica, California, where creative oversight occurs, ensuring seamless global coordination across time zones.[149][151][1] The visual style of the Despicable Me films has evolved from a stylized 3D approach influenced by 2D animation in the 2010 original, featuring bold colors and exaggerated proportions, to increasingly detailed and dynamic rendering in subsequent releases. By Despicable Me 2 (2013), enhancements in texturing and lighting added depth to character interactions, while crowd-heavy sequences in spin-offs like Minions (2015) introduced more intricate simulations for mass movement. This progression culminated in hyper-detailed environments and character groups by Minions: The Rise of Gru (2022) and Despicable Me 4 (2024), where thousands of Minions populate scenes with varied animations to maintain visual interest.[152][153] Key innovations include the development of in-house pose and animation libraries specifically for the Minions, allowing animators to efficiently vary movements in large crowds while preserving their signature stiff, comedic gait derived from body language rather than facial expressions. Hair and fur simulations have advanced to handle detailed strands, as seen in the nuanced rendering of character hair in Despicable Me 4, using CFX tools integrated into the pipeline for realistic dynamics without excessive computational cost. For Minions: The Rise of Gru, the team incorporated a retro 1970s-inspired aesthetic with funky color palettes and stylized lighting to evoke the era's animation vibe, blending 3D models with period-appropriate visual flair. Additionally, assets from the films are adapted for theme park attractions, such as Despicable Me Minion Mayhem, where pre-visualization and animation rigs inform simulator experiences and interactive elements.[153][149][154] Challenges in the production include animating vast crowds of up to thousands of Minions, which requires hand-keyframing variations on library-based cycles to avoid repetition and ensure each feels unique, a labor-intensive process mitigated by custom caching tools for performance playback. The Minions' design—lacking eyebrows and with short limbs—demands innovative reliance on exaggerated poses and environmental interactions to convey emotion and humor. Global collaboration between Paris and Santa Monica introduces logistical hurdles like data syncing and creative alignment, addressed through proprietary asset management systems that streamline file sharing across the teams.[153][155][151]Music and sound design
The music for the Despicable Me franchise has primarily been composed by Heitor Pereira, who scored the original 2010 film in collaboration with Pharrell Williams and continued as the lead composer through Despicable Me 4 in 2024.[156][157] Pereira's orchestral scores, often recorded with ensembles like the Hollywood Studio Symphony, emphasize whimsical and adventurous themes that underscore Gru's villainous exploits and family dynamics.[156] Pharrell Williams contributed original songs and thematic elements starting with the first film, including the playful title track "Despicable Me," and expanded his role in Despicable Me 2 with hits like "Happy," which became a defining auditory motif for the series.[158] Sound design plays a crucial role in the franchise's comedic tone, particularly through the Minions' distinctive vocalizations in Minionese, a constructed gibberish language blending elements from various global tongues for rhythmic, expressive effect.[159] Pierre Coffin, co-director of the early films, provides the primary voices for hundreds of Minions, layering unique inflections to differentiate characters like Kevin, Stuart, and Bob while maintaining their chaotic energy.[159][160] Foley artistry enhances the physical comedy, with custom sounds for gadget malfunctions, Minion slaps, and slapstick sequences created in post-production studios to amplify the films' exaggerated, cartoonish antics.[157] The soundtracks incorporate era-specific pop and licensed songs to evoke the Minions' historical adventures, such as 1960s hits like The Turtles' "Happy Together" and The Kinks' "You Really Got Me" in Minions (2015), capturing a spy-thriller vibe.[161] Similarly, Minions: The Rise of Gru (2022) features 1970s funk and disco tracks, including covers like Diana Ross and Tame Impala's "Turn Up the Sunshine" and Earth, Wind & Fire's "Shining Star," to match the film's 1970s setting.[162] These musical choices, alongside Pereira's scores, have earned recognition, including a Grammy Award for Best Pop Solo Performance for "Happy" in 2015 and an Academy Award nomination for Best Original Song in 2014.[163]Reception
Box office performance
The Despicable Me franchise has generated substantial box office revenue, amassing a cumulative worldwide total of $5.62 billion across its six films as of late 2024. This figure marks it as the highest-grossing animated franchise in history, surpassing previous leaders like Shrek. The Minions spin-offs—Minions (2015) and Minions: The Rise of Gru (2022)—have driven approximately 37% of the overall earnings, highlighting their outsized contribution to the series' financial dominance.[5][164][5] Box office performance has trended upward since the franchise's inception, with the original Despicable Me earning $545 million globally in 2010, followed by escalating figures that peaked above $1 billion for Minions ($1.16 billion) and Despicable Me 3 ($1.03 billion). Despicable Me 4 (2024) earned $973 million worldwide, representing a decline from those recent highs but still ranking among the series' stronger performers. These results underscore the franchise's consistent profitability, with each installment returning multiples of its production budget.[5]| Film | Release Year | Production Budget | Domestic Gross | International Gross | Worldwide Gross |
|---|---|---|---|---|---|
| Despicable Me | 2010 | $69 million | $253 million | $292 million | $545 million |
| Despicable Me 2 | 2013 | $76 million | $368 million | $607 million | $975 million |
| Minions | 2015 | $74 million | $336 million | $821 million | $1.16 billion |
| Despicable Me 3 | 2017 | $75 million | $265 million | $768 million | $1.03 billion |
| Minions: The Rise of Gru | 2022 | $100 million | $371 million | $567 million | $938 million |
| Despicable Me 4 | 2024 | $100 million | $361 million | $612 million | $973 million |