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Doomtree

Doomtree is an hip hop and based in , , comprising seven core members who collaborate on music blending , , , and pop elements through a DIY . Founded in the early by a group of friends who met in high school and began experimenting with music after college, Doomtree started with informal live shows at local venues and self-produced CDs sold at performances, using simple promotion like flyers from Kinko's. Over the years, the collective evolved into a fully operational label, releasing over 50 projects in its first decade alone and building an international fanbase through explosive live performances and genre-defying recordings that emphasize creative collaboration among its members. The seven members—Cecil Otter, , Lazerbeak, Mike Mictlan, P.O.S., , and —include five emcees and two primary producers, though many contribute across roles, with the group managing its own business operations, including merchandise from a garage warehouse and webstore fulfillment from a basement. Notable achievements include acclaimed collaborative albums like All Hands (2015) and the single "Five Alive" (2020), as well as individual member successes such as 's orchestral collaborations and P.O.S.'s influential solo releases. Members continue to release solo projects, including 's Tough Call, EP (November 2025) and Lazerbeak's Seeing Friends EP (October 2025), while maintaining fierce fan loyalty and ongoing activity with shows scheduled for December 2025.

History

Formation and early years

Doomtree originated in as a loose of friends in the early , rooted in the city's vibrant scene. The group took shape around 2001 when P.O.S. (Stefon Alexander) and producer/DJ MK Larada (Marshall Larada) began collaborating on beats and rhymes, initially envisioning a and production crew. This core soon expanded to include producers Lazerbeak (Aaron Mader) and (David Olson), who shared studio space and experimented with blending , , and elements in informal sessions after school or in home setups. Their early activities emphasized a DIY ethos, with members self-recording tracks in basements and garages while navigating the ' indie rap landscape. By 2004–2005, the collective had grown to incorporate rappers (Andrew Sims) and Mictlan, solidifying its lineup and fostering a collaborative environment where members supported each other's solo endeavors. The name "Doomtree," a made-up term initially proposed for a P.O.S. and Cecil Otter project, evolved to symbolize the group's tight-knit family dynamic and resilience amid creative challenges. Early live performances took place at small local venues in , such as the Hexagon Bar, where the crew honed their high-energy shows and built a following through word-of-mouth and self-promoted gigs. These outings highlighted their punk-infused style, drawing from the area's alternative scene without relying on mainstream promotion. The collective's first formal releases came in 2005 with the "False Hopes" series, a collaborative tape featuring contributions from P.O.S., Lazerbeak, , , Mike Mictlan, and others, which captured their raw, experimental sound on low-budget recordings. Operating without major label support, Doomtree members developed self-taught skills in booking tours, managing distribution via burned CDs and flyers printed at local shops like Kinkos, and handling merchandise from makeshift spaces like Lazerbeak's garage. This period established their independent business model, prioritizing artistic control and community over commercial viability in the competitive indie hip-hop world.

Rise to prominence

Doomtree's ascent from an underground collective to a notable force in indie gained momentum with the release of their self-titled debut in 2008. Self-released on CD and digital formats through their own Doomtree Records label, the 21-track project featured contributions from core members including P.O.S, , , Mike Mictlan, Cecil Otter, Lazerbeak, and , emphasizing the group's collaborative dynamics and raw energy. Tracks like "Gonna Be Your Year," which closes the with an uplifting group anthem, exemplified their ability to blend individual styles into cohesive, motivational . Dessa's addition to the in , following a chance encounter with P.O.S in their shared neighborhood, further solidified Doomtree's creative foundation and broadened its appeal. Her integration fostered deeper collaborations, such as the 2009 EP False Hopes XV, a of tracks from multiple members that highlighted their experimental edge and DIY ethos while building anticipation for larger projects. The 2011 release of No Kings marked a pivotal milestone, with all seven members contributing to and that tackled social and political themes through anthemic, high-energy tracks. Critically praised for its bold and thematic depth—earning an 8.0 from for its "allegorical stress-rap"—the album included standout music videos like "" and supported extensive national tours that amplified their visibility. This era's growth extended to heightened media coverage and live expansions, with features in outlets like and underscoring Doomtree's transition to national prominence through innovative videos and festival appearances. Their annual Doomtree events, evolving into larger productions during this time, further cemented their role as a hub for innovation.

Recent developments

Following the release of their final full-length collective album All Hands on January 27, 2015, Doomtree entered a period of reduced group output as members shifted focus to individual projects. The album, featuring all seven core members, marked the end of regular collaborative releases, with the collective prioritizing solo endeavors amid personal and creative demands. For instance, P.O.S. returned with his solo album Chill, dummy on January 27, 2017, via Doomtree Records, addressing themes of health struggles and social issues through introspective rap. Former associate Lizzo, who had collaborated with Doomtree members during her early career, achieved mainstream breakthrough after departing the scene around 2015, crediting the collective's environment for fostering her development. Lazerbeak, a key Doomtree producer, contributed to her debut album in 2013, influencing her blend of and , which propelled hits like "Truth Hurts" to No. 1 on the in 2019. This success highlighted the nurturing role of Doomtree's ecosystem in launching independent artists to broader audiences. Doomtree announced a from full-crew activities around 2017, extending through 2020 due to members' personal projects and the disruptions of the , which canceled live events and tours. Despite this, Doomtree Records continued operations, releasing sporadic singles and maintaining the label's independence. In February 2020, the collective broke the five-year gap with the track "," signaling ongoing ties without a new group album. Signs of revival emerged in 2023–2024 through increased member collaborations, including Dessa's album Bury the Lede in September 2023 and joint tracks like P.O.S. and Dwynell Roland's singles in 2024. This momentum culminated in 2025 with a flurry of releases: Lazerbeak's Seeing Friends EP on October 22, Dessa's Tough Call, Camelot EP on November 4, and P.O.S. x Dwynell Roland's RELAY RELAY!! EP on November 21. These projects featured production from core members like Lazerbeak, emphasizing renewed creative synergy. Doomtree Records has sustained operations by reissuing its back catalog digitally on platforms like and , making older albums such as No Kings accessible to streaming audiences and introducing the to new listeners. This strategy supports longevity while members balance solo pursuits with occasional group ties.

Members

Current members

Doomtree's current roster consists of seven core members who continue to drive the 's creative output and operational sustainability as of 2025: Cecil Otter, , Lazerbeak, Mike Mictlan, P.O.S., , and . These artists, primarily based in , blend roles as rappers, producers, and performers, fostering a collaborative where production credits are often shared across projects and live sets rotate members to highlight individual strengths within the group's DIY ethos. Their integration emphasizes mutual support, with producers like Lazerbeak and handling beats for rappers such as and , while founders like P.O.S. oversee broader decisions. Cecil Otter, a founding member and /DJ, is renowned for his intricate, sample-heavy beats that shaped Doomtree's early sound, including key contributions to the collective's self-titled 2008 album. As a rapper, he brings lyrical precision and thematic depth, drawing from personal introspection in tracks that blend with electronic elements. His solo work, such as the 2015 album Rebel Yellow on Strange Famous Records, showcases experimental production techniques honed through collective collaborations. Within Doomtree, Otter participates in shared production sessions and live rotations, contributing to the group's dense, layered aesthetic while maintaining an active role in the co-op's business model. Dessa, a versatile rapper and singer, serves as one of the collective's primary vocalists and lyricists, infusing with poetic nuance and emotional resonance. Her contributions to Doomtree albums like No Kings (2011) highlight narrative-driven verses that explore personal and social themes, often layered over group-produced beats. In 2025, she released the EP Tough Call, on Doomtree Records, emphasizing introspective tales of decision-making and resilience, with production assistance from collaborators like Andy Harris. Dessa integrates deeply into the group's dynamics by co-writing shared tracks and performing in rotating lineups that amplify the collective's live energy. Lazerbeak, the producer and CEO/General Manager of Doomtree Records, crafts anthemic, beat-driven instrumentals that underpin much of the collective's output, including hooks for albums like All Hands (2014). His role extends to operational leadership, managing distribution and merchandise from his home setup, which supports the group's independent model. In 2025, Lazerbeak issued the EP Seeing Friends on Doomtree, focusing on dreamy, instrumental tracks that evoke communal vibes, alongside earlier releases like A Bridge Under The Alley. He frequently collaborates on production credits with rappers like P.O.S. and , ensuring seamless integration in both studio and live settings. Mike Mictlan, a rapper known for his aggressive, technically adept flows addressing social issues and personal grit, has been a staple in Doomtree since its inception. His verses on All Hands, such as those tackling inequality, deliver rapid patterns with performative flair, often over beats from Lazerbeak or . Mictlan's contributions emphasize high-energy delivery in group tracks, and he shares production input during collective sessions, rotating into live performances to maintain the crew's dynamic stage presence. As a co-owner, he helps sustain the label's collaborative business structure. P.O.S., born Stefon Alexander, is a co-founder, rapper, and whose punk-infused —marked by grinding beats and radical lyrics—defined Doomtree's rebellious core. He led early projects like Never Better (2009) while producing for the group, and remains deeply involved in label operations, including webstore management. In 2025, P.O.S. announced the upcoming RELAY RELAY!! EP with Dwynell Roland and released the single "Mud Tires," blending his signature style with external partners under Doomtree's banner. His role fosters group integration through shared instrumentation and live rotations that incorporate guitar elements into sets. Paper Tiger, a and DJ with leanings, brought innovative to Doomtree's early mixtapes and remains a key beatmaker for crowd favorites like "Game of Throat" from Mike Mictlan's work. His productions incorporate glitchy, atmospheric elements that enhance the collective's eclectic sound. Following his 2024 album All Over The Place, Paper Tiger continues contributing to group projects in 2025, sharing credits on instrumental layers and participating in live DJ rotations that energize performances. As a founding member, he supports the co-op's hands-on approach to recording and distribution. , a rapper celebrated for his conceptual lyricism and introspective bars, delivers thought-provoking content on tracks like "Burn It Down" from No Kings, often exploring identity and critique over producer-driven backings. His style integrates seamlessly with Doomtree's roster through co-writing sessions and live versatility, where he rotates with other MCs to vary setlists. Sims' solo catalog, including Bad Time Zoo (2011), reflects the collective's influence, and he upholds the group's ethos by contributing to shared business decisions.

Former members

Doomtree's original lineup in the early included several artists who contributed to its formation as a loose of Minneapolis-based performers but later departed as the group solidified its core roster of seven members. Among the early contributors were DJ/producer MK Larada (Marshall Larada), rapper Beautiful Bobby Gorgeous (Robert Kipping), rapper Mr. Gene Poole (formerly known as ), Turbo Nemesis, and , who were part of the initial creative circle alongside founders like P.O.S. and Cecil Otter. These individuals helped shape Doomtree's raw, DIY aesthetic through live shows, mixtapes, and collaborative recordings in the mid-, but they transitioned out as the focused on a more defined structure around 2006–2008. MK Larada, a high school friend of P.O.S., served as a key DJ and producer during Doomtree's formative years, contributing beats and scratches to early projects and even designing the collective's iconic "Wings and Teeth" logo. His tenure aligned with the group's punk-infused experiments, including appearances on live recordings like the 2003 UW-Stout set, but he left to pursue independent production and collaborations outside the collective by the late 2000s. Post-departure, Larada released solo work on Doomtree Records, such as his self-titled album, while remixing tracks for members like Sims and contributing to side projects; he remains connected through occasional features and the label's extended network. Beautiful Bobby Gorgeous was an early rapper in the collective, featured on foundational releases like the 2003 live recording and providing vocals on tracks that highlighted Doomtree's eclectic, aggressive style. His involvement ended around the mid-2000s as the group streamlined its membership, likely due to evolving artistic directions and personal pursuits. After leaving, Gorgeous (also known under aliases like Divine) collaborated on underground EPs such as Falsehopes 2 with Mr. Gene Poole in 2002, but shifted toward less prominent solo endeavors, maintaining loose ties through shared Minneapolis hip-hop scenes. Mr. Gene Poole, a veteran of the rap scene, joined as a rapper during Doomtree's inception around 2002, contributing to early efforts like Falsehopes 2 and live performances that blended raw lyricism with the collective's experimental beats. He departed in the mid-2000s, possibly to focus on broader local projects including his prior work with groups like Headshots Crew. Following his exit, Poole continued performing in venues and releasing independent material, with occasional nods in Doomtree events, such as a 2015 bill appearance, underscoring enduring regional connections. Other early former members included Turbo Nemesis and , who contributed to the collective's initial experimental sound and live shows in the early before departing as the lineup stabilized. Doomtree also collaborated with short-term external affiliates for live performances and project contributions in the early , most notably rapper (Melissa Viviane Jefferson), who was not a formal member. , who relocated to in 2011, connected with the collective around 2012 for guest appearances on shows and freestyles with members, adding her soulful, body-positive energy to their sets during the rise of her indie career. She parted ways by 2013 to prioritize her solo trajectory, shifting toward pop and R&B influences that better suited her individual branding and broader appeal. This separation allowed her to release her debut album (produced by Doomtree's Lazerbeak) and later achieve mainstream success with hits like "Truth Hurts" in 2017, culminating in multiple in 2020. Lingering ties persist through production collaborations, such as Lazerbeak's work on her early records, and acknowledgments in interviews where members credit her role in energizing the local scene.

Musical style

Core characteristics

Doomtree's music is characterized by a distinctive fusion of indie with energy, electronic beats, and live instrumentation, resulting in high-energy, anthemic tracks that push genre boundaries. This blend incorporates elements of , , , , metal, and R&B, often featuring gnarled bass lines, catastrophic drum patterns, and controlled chaos that evolves song to song. The collective's sound draws from diverse influences, creating a dynamic palette that distinguishes it from mainstream while maintaining an aggressively earnest delivery. Lyrically, Doomtree emphasizes themes of social justice, personal resilience, and Midwest identity, with content addressing inequality, community bonds, pain, grief, and sociopolitical issues. Members like Sims deliver introspective and communal narratives, often referencing Minneapolis as a subtle nod to local roots and collective impact. This focus on metaphorical storytelling and dense wordplay underscores a commitment to lyrical complexity over simplistic radio fare. The group's DIY production ethos is central, with members handling recording, mixing, and artwork in-house using accessible tools such as laptops, , , hardware synths like the MS-20 mini, and plug-ins including Soundtoys and Kramer Master Tape. This self-reliant approach, often conducted at their studio The Hideaway, fosters a homegrown aesthetic that prioritizes creative control. Doomtree's group interplay sets it apart, featuring rotating verses, shared choruses, and seamless producer-rapper collaborations that highlight the collective's seven individualistic artists working in tandem. Producers like Lazerbeak and circulate beats for rappers including P.O.S., , Mike Mictlan, , and Cecil Otter to select and build upon, resulting in over 100 tracks per song in some cases and a unified yet diverse output. Over time, Doomtree has evolved from raw, sample-based mixtapes and drum loops in the early to more polished albums incorporating synthetic sounds, while preserving the raw emotional intensity that defines their work.

Influences and evolution

Doomtree's musical influences draw heavily from the hip-hop scene, particularly the and DIY ethos of groups like Atmosphere and the collective, which emphasized introspective lyrics and atmospheric production during the early . Nationally, members have cited inspirations from producers like for gritty, experimental beats and rappers like for dense, abstract wordplay, shaping the collective's approach to lyrical complexity. Beyond , the group incorporates punk rock's raw energy, rock's melodic structures, and pop's catchy hooks, reflecting the diverse tastes of its members who blend these elements into their sound. In the early , Doomtree's style emerged from lo-fi, sample-heavy beats rooted in club DJing and sessions among friends in , prioritizing collaborative experimentation over polished production. This period laid the foundation for their DIY philosophy, with informal tracks featuring raw flows layered over eclectic samples, influenced by the local underground's emphasis on authenticity and community-driven music-making. By the 2010s, Doomtree shifted toward broader sonic palettes, incorporating live instrumentation, sweeping synths, and distorted guitars on albums like No Kings (2011), which expanded their moody, jazz-inflected backdrops into more dynamic, anthemic arrangements for wider accessibility. Guest features and glitchy electronic elements further diversified their sound on All Hands (2015), marking their most cohesive collective effort with populist beats that maintained edge while appealing to larger audiences. Post-2014, individual member developments have influenced the collective's trajectory, with Dessa's solo work evolving toward literary prose and introspective storytelling in releases like Bury the Lede (2023), enriching group lyricism with nuanced emotional depth. Lazerbeak's production has leaned into anthemic, high-energy instrumentals, as seen in Lava Bangers II (2022), reinvigorating Doomtree's beats with triumphant, rock-infused vigor, and continuing with the dreamy, summery instrumentals of Seeing Friends EP (October 2025). Dessa's Tough Call, Camelot EP (November 2025) incorporates global influences like South African guitar lines, while P.O.S.'s collaborative RELAY RELAY!! EP with Dwynell Roland (November 2025) adds dynamic elements. In adapting to the streaming era, the collective has blended cores with pop-adjacent elements like soulful hooks and R&B influences, ensuring their genre-defying approach remains relevant without diluting its underground intensity.

Business operations

Doomtree Records

Doomtree Records was founded in 2001 as an based in , . It gained prominence with the release of the Doomtree collective's self-titled debut album in 2008 and serving as a primary vehicle for self-releasing both group projects and individual member works. The label maintains in-house operations centered around a in , where producers like Lazerbeak, Cecil Otter, and Paper Tiger collaborate using tools such as , , and hardware like the series to handle production for collective and solo releases. Doomtree Records also oversees vinyl pressing via external partnerships, digital distribution through platforms like and , and merchandise production including apparel and accessories sold directly through their online store. Among its key releases are all of the collective's albums, alongside solo projects from members, such as ' Bad Time Zoo in 2011, which exemplifies the label's support for individual artistic output within the group dynamic. Doomtree Records employs a rooted in direct-to-fan engagement, including initiatives like the official launched in 2020 to fund creative endeavors and tours, alongside sales of physical and digital media through their webstore and strategic partnerships for broader physical distribution. By 2025, the label's sustainability efforts have increasingly focused on streaming royalties from services like , supplemented by integrations such as the "Tuesdays With Lazerbeak" series, which fosters community interaction and additional revenue streams beyond traditional album sales. Recent outputs include Dessa's Tough Call, Camelot EP (November 4, 2025) and Lazerbeak's Seeing Friends EP (October 22, 2025).

Distribution and collaborations

Doomtree initially handled distribution through self-managed channels, including direct sales on and performances at local house shows and DIY venues in , allowing the collective to maintain close control over their early releases like the 2008 self-titled album. This grassroots approach emphasized community engagement and direct fan interaction, reflecting the collective's DIY ethos rooted in the local scene. Doomtree has partnered with distributors like for broader digital and physical reach on various releases. Subsequent releases, including Dessa's solo projects under the Doomtree banner, continued to leverage such partnerships for , expanding access beyond regional markets. Collaborations extended Doomtree's reach through cross-label partnerships, notably with , where member P.O.S. released albums like Never Better (2009) and reissues, blending Doomtree's experimental style with Rhymesayers' established underground network. These alliances allowed shared touring and promotional opportunities, such as joint Midwest shows, without compromising Doomtree's core operations. International expansion in the 2010s included extensive European tours, starting with the 2012 No Kings promotional run across the , , , and the , which introduced the collective to overseas audiences through high-energy live performances. The official label site notes the establishment of international distribution by this period, supporting physical and digital exports to European markets and beyond. In recent years, including 2025 releases such as Dessa's Tough Call, Camelot EP and Lazerbeak's Seeing Friends EP, Doomtree has adapted to digital platforms for promotion, maintaining a presence on Spotify with curated playlists and streams for albums like All Hands (2015). Sync licensing opportunities have been explored for media placements, aligning with the collective's versatile sound, but details on major deals are sparse. Navigating indie constraints has presented ongoing challenges, including limited budgets for compared to labels, yet Doomtree prioritizes artistic and collaborative to avoid external pressures that could dilute their vision. Members have emphasized the value of this , built on long-term friendships, over potential label temptations, allowing sustained output over two decades without compromising their experimental .

Discography

Studio albums

Doomtree's self-titled debut studio , Doomtree, was released on July 29, 2008, through their independent label Doomtree Records. The 15-track project featured contributions from all core members, emphasizing themes of collective unity and shared artistic vision amid the group's early DIY ethos. It achieved modest chart success, peaking at number 7 on Billboard's Heatseekers West North Central regional chart. Critics praised its energetic ensemble dynamics, though awarded it a 6.0, noting its blend of left-wing political frustration and golden-era rap influences. The collective's second studio album, No Kings, arrived on November 22, 2011, again via Doomtree Records, marking a more polished full-group effort with 12 tracks. Standout single "Bangarang" highlighted the album's anthemic style, while broader themes addressed , , and against authority, reflecting the group's Midwestern roots. Production involved co-credits from members like Lazerbeak and Cecil Otter, recorded primarily at the collective's headquarters using in-house DIY methods. lauded its triumphant camaraderie, giving it a 7.9 rating for evolving the group's stress-rap sound. It peaked at number 130 on the and number 3 on the Heatseekers Albums chart.) All Hands, released January 27, 2015, on , served as the third and final full collective studio , comprising 13 tracks that underscored ensemble vocals and group interplay. Created in a secluded cabin setting but finalized at Doomtree HQ with member-led production, it captured a sense of renewal and forward momentum for the aging collective. scored it 7.1, appreciating its insular energy and nods to local traditions amid global aspirations. It peaked at number 95 on the Billboard 200.) Across all three releases, commercial performance remained modest, prioritizing critical acclaim and fan loyalty over mainstream sales.

EPs and other releases

Doomtree's EPs often serve as collaborative snapshots of the collective's evolving sound, blending with experimental production. The 2009 EP XV (also known as False Hopes XV), released on Doomtree Records, features eight tracks showcasing contributions from all members, including emcees and producers in a posse-cut format that highlights their interconnected creative process. This release, available in format, marked a milestone in the group's False Hopes series, emphasizing dense lyricism and innovative beats without the structure of a full album. Later singles continued this tradition of brevity and intensity. In 2014, Doomtree issued ".38 Airweight", a that captures the collective's raw energy, distributed digitally. Similarly, "Spill Me Up" (2016) followed as a digital , focusing on thematic unity among members' vocals over Lazerbeak and Paper Tiger's beats, reinforcing the group's DIY ethos. Mixtapes and compilations provide supplementary outlets for Doomtree's output, often tying into live events or archival material. The Doomtree Standards Mixtape (2010), released via Doomtree Records, compiles remixes and unreleased cuts, offering fans a deeper dive into the collective's early influences and experimental side. Compilations like Doomtree Blowout / False Hopes 13 (2008), a /DVD set documenting live performances from the annual event, blend bootleg-style recordings with formal tracks, available in physical formats to commemorate the collective's community gatherings. The Best Of False Hopes 2001-2014 (2014), a limited edition, curates highlights from the long-running series, underscoring Doomtree's foundational releases without overlapping full-length albums. Instrumental collections and live recordings further expand the catalog. Lazerbeak's Lava Bangers II (2022), a 20-track project on Doomtree Records, showcases beats-for-sale style production with polyrhythmic elements, released digitally and on vinyl for producers and fans. Live sessions such as Doomtree on Audiotree Live (2015), an EP capturing in-studio performances, highlight the collective's dynamic interplay, available via Music. In 2025, Doomtree incorporated recent member-led EPs under its umbrella, maintaining the collective's collaborative spirit. Lazerbeak's Seeing Friends EP, released on October 22, emphasizes instrumental vibes with guest features, available digitally through Doomtree Records. Dessa's Tough Call, Camelot EP followed on November 4, featuring two new songs with production by Dessa and additional contributors, offered in signed 7-inch vinyl and digital formats. These releases, distributed via the label's channels, reflect ongoing evolution while prioritizing digital accessibility alongside limited physical editions.

Events

Doomtree Blowout

The Doomtree Blowout is an annual series of live performances organized by the Minneapolis-based collective Doomtree, originating as a one-night showcase event on December 10, 2005, at the Varsity Theater. By its second edition in 2006, the event had shifted to First Avenue, establishing a tradition of year-end celebrations that highlighted the collective's collaborative spirit. Over the years, it evolved from single-night gatherings into expansive multi-day festivals, peaking at seven consecutive nights from December 4 to 10, 2011, across First Avenue's main room and 7th Street Entry venue. The format of the centered on performances by all Doomtree members—including rappers and producers—alongside guest artists, affiliates, and collaborators from the local scene, creating a platform for both solo sets and full-group appearances. Events often incorporated special elements like album release parties, such as the 2011 edition coinciding with the launch of the 's No Kings LP, which featured themed nights dedicated to individual members and culminated in a finale. Key iterations included the 2014 , billed as the "last ever" and spanning eight days with ten shows across venues like the Turf Club, Surly Brewing, and First Avenue, directly tied to the impending release of All Hands in January 2015. Following the 2014 event, the full multi-night format went on , with the focusing on select live performances by members and occasional group appearances to reconnect with fans; as of November 2025, a Doomtree show is scheduled for December 11 at Thalia Hall in . Logistically, the Blowouts drew sold-out crowds, filling First Avenue's main room—which holds over 1,000 attendees—multiple nights in a row, with additional all-ages options at smaller venues like the Triple Rock Social Club. The events featured themed programming, such as early-evening family-friendly shows and late-night afterparties, fostering a sense of community through extended runtimes and bus tours between venues in later years. Culturally, the series functioned as a vital networking hub for Midwest , showcasing emerging talent alongside established acts and generating proceeds that supported Doomtree Records' operations and artist development.

Community initiatives

Doomtree has engaged in various community efforts beyond its musical output, emphasizing , support for underserved , and direct interaction with fans. Members of the collective, particularly , have participated in programming and mentorship initiatives, including collaborations with organizations like the Chicago Avenue Fire Arts Center, a nonprofit focused on fire training for . These efforts have involved working with homeless in and supporting niche education programs. In addition to in-person activities, Doomtree launched the Tuesdays With Lazerbeak in the late , hosted by producer Lazerbeak (Aaron Mader) and co-host Jeyca Maldonado-Medina. The monthly series covers Doomtree-related topics, including interviews with members and discussions on insights, pop culture, and bonus tracks to foster a sense of community among listeners. The has also tied charitable giving to its operations, with member initiating projects like a 2012 lipstick line collaboration with The Elixery, where proceeds supported girls' education initiatives. During the in 2020, Doomtree established an official platform to provide direct financial support to artists and fans amid disruptions to live performances and livelihoods. Fan engagement remains a core aspect of Doomtree's community building, facilitated through the Doomtree Newsletter , which delivers updates on releases, shows, and activities straight to subscribers' inboxes. Social media channels on platforms like , , and further enable real-time interaction, announcements, and exclusive content sharing with supporters worldwide. Individual members, such as , have conducted workshops through partnerships like Arts Midwest, offering performances and educational sessions on music and across the U.S.

Legacy

Awards and honors

Doomtree and its members have received several regional honors recognizing their contributions to the scene. In 2005, the collective earned three nominations at the : for Best Album, for Best Spoken Word Artist, and P.O.S. for Best Artist. The following year, P.O.S. became the most-nominated artist with six categories and won two awards at the 2006 . The collective was honored with a star on the exterior mural of First Avenue, Minneapolis's iconic music venue, in 2010, acknowledging their status as influential local performers alongside acts like and The Replacements. Doomtree has also been inducted multiple times into the Chart Show Hall of Fame at 89.3 The Current, Minnesota Public Radio's music station; notable entries include ".38 Airweight" in November 2013 and additional tracks in 2014, reflecting sustained listener support for their music. Individual members have garnered further recognition. P.O.S. has been celebrated for his innovative blend of hip-hop and punk influences, contributing to Doomtree's overall acclaim. Dessa received a GreenNotes grant from Clif Bar in 2013, awarded to touring musicians promoting sustainable practices. Lazerbeak's production work extends Doomtree's impact, including early collaboration with Lizzo on her 2013 debut album Lizzobangers, which helped launch her career leading to multiple Grammy wins, though no direct awards were tied to that project.

Cultural impact

Doomtree's pioneering adoption of a DIY model has significantly shaped the independent music landscape, emphasizing collaborative, self-taught production techniques that blend with , , and elements. By pooling resources among its seven members to record in local studios like The Hideaway and using tools such as and , the collective demonstrated how artists could create innovative, genre-defying work without major label support. This ethos not only sustained their output but also contributed to the evolution of production from sample-heavy organic sounds in the early to more synthetic, modern styles, influencing the broader movement's emphasis on experimentation and . The collective played a pivotal role in elevating the as a hub, alongside groups like Atmosphere, by fostering a vibrant scene centered on community and . As one of the most recognizable names in , Doomtree's regular touring and collaborative "" of interconnected projects helped build a supportive ecosystem for local artists, addressing issues like and promoting a sense of unity that extended beyond music into cultural expression. Their presence amplified the region's identity, drawing national attention to the Midwest's creative output and inspiring a of performers in the area. Doomtree served as a crucial launchpad for emerging talents, most notably providing early exposure for through collaborations with member Lazerbeak, who produced her debut album in 2013 after she rapped over his instrumental beats. This connection immersed in the scene, where she opened for Doomtree shows and honed her craft, laying the groundwork for her global breakthrough. Individual members have also achieved success in media, with hosting the podcast Deeply Human exploring human connections and P.O.S curating a weekly radio show on 89.3 The Current highlighting diverse musical influences, extending the collective's reach into broader cultural conversations. Thematically, Doomtree's lyrics often promote activism and introspection on mental health, with members like P.O.S delivering politically charged verses on social justice and systemic issues, resonating amid 2020s movements for racial equity and personal well-being. Tracks across their catalog, such as those on All Hands, weave narratives of human struggle and resilience, encouraging listeners to confront societal challenges through raw, poetic expression. This focus has influenced indie hip-hop's shift toward conscious, narrative-driven content that prioritizes emotional depth over commercial tropes. By 2025, Doomtree maintains an enduring fanbase, evidenced by over 28,000 monthly listeners as of November 2025 and recent releases like Dessa's Tough Call, Camelot EP (November 2025), Lazerbeak's Seeing Friends EP (October 2025), and P.O.S.'s announced collaboration EP, underscoring their lasting relevance in streaming platforms. Their model continues to inspire new acts in the Midwest, who cite the collective's community-driven approach as a blueprint for sustainable careers in .

References

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