Duckwrth
Duckwrth, born Jared Leonardo Lee (May 13, 1989), is an American singer, rapper, songwriter, record producer, and visual artist renowned for his genre-blending music that fuses hip-hop, R&B, funk, rock, and electronic elements.[1][2] Raised in South Central Los Angeles during the 1990s West Coast rap era, he draws from diverse influences including g-funk pioneers like Snoop Dogg and DJ Quik, funk legends such as Stevie Wonder and Earth, Wind & Fire, as well as rock icons like David Bowie and N.E.R.D.[1][2] Emerging in the mid-2010s, Duckwrth gained recognition through mixtapes and EPs that showcased his eclectic style and personal storytelling, often exploring themes of identity, vulnerability, and social realities.[1] His major-label debut EP, The Falling Man (2019), marked a breakthrough, blending introspective lyrics with vibrant production.[1] In 2024, his career marked a fresh start, releasing ambitious singles that highlighted his creative freedom and growth.[3] In 2025, Duckwrth released his album All American Fckboy* on April 2 via Them Hellas/The Blind Youth, an unapologetic rock-infused hip-hop project that delves into toxic behaviors, commitment issues, and generational trauma through raw, guitar-driven tracks and an alter ego named "Vice."[2][4][5] Notable collaborations include work with Childish Gambino, Syd, Shaboozey, and Billie Eilish, the latter of whom he opened for, broadening his audience.[2] His performances, such as at the 2018 BET Experience, and visual artistry further cement his role as a multifaceted cultural innovator.[1]Early life
Childhood and upbringing
Jared Leonardo Lee, professionally known as Duckwrth, was born on May 13, 1989, in South Central Los Angeles to a Christian family.[6][2] Raised primarily by his mother in a Pentecostal household—she being the daughter of a pastor—Lee experienced a strict religious environment that shaped his early years.[7] This upbringing sheltered him from much of the outside world, including secular music and unsupervised outdoor activities due to the neighborhood's dangers, such as gang violence prevalent in the 1990s.[1] The religious constraints, where music was only permissible if it centered on Jesus, created an internal tension for young Lee, fostering curiosity about forbidden sounds while limiting his creative outlets to those aligned with family values.[1] Despite these restrictions, Lee was surrounded by music from an early age, with his father's role as a pianist introducing gospel influences alongside diverse records like those of Bob Marley and Miles Davis.[2] Family vinyl collections also provided access to soul and funk artists such as Stevie Wonder and Earth, Wind & Fire, blending with the pervasive hip-hop culture of South Central, including West Coast g-funk from Snoop Dogg and DJ Quik, which he encountered surreptitiously.[1] This dual exposure—religious gospel at home and street-level hip-hop—ignited his interest in music, even as he navigated the contrasts between his sheltered life and the gritty local environment marked by drive-by shootings and survival instincts.[2] During his adolescence, Lee's creative inclinations manifested through drawing and writing, activities that offered safe avenues for expression within his constrained world.[1] These pursuits in visual art and nascent musical experimentation laid the groundwork for his multifaceted artistry, later leading him to formal studies in graphic design.[7]Education and early career
Duckwrth attended the Academy of Art University in San Francisco starting in 2006, where he studied graphic design, visual media, and web design. He dropped out after four years to explore other creative pursuits, including music.[7][8] During his time in the Bay Area, Duckwrth formed a rap group with two friends, which sparked his initial engagement with hip-hop performance and production. His Christian upbringing in a Pentecostal household imposed constraints on secular music exposure, yet he secretly immersed himself in the genre through school battles and freestyles. By around 2012, he began developing his music production skills by creating his own beats using basic tools, building on collaborations with peers who shared tracks for rapping.[9][10] Duckwrth's early career gained visibility through participation in TeamBackpack cyphers and freestyle sessions, where he performed alongside emerging artists in informal settings. These experiences, often shared on platforms like YouTube's World Emcee channel, honed his lyrical delivery and stage presence before his relocation to Los Angeles. There, he pursued initial collaborations with local talents, laying the groundwork for his independent music endeavors without formal industry backing.[10][11]Career
2012–2016: Mixtape beginnings
Duckwrth launched his independent music career in 2012 with the self-released mixtape Ducktape, which he dropped on August 16 via Bandcamp.[12] The project showcased his emerging style through tracks like "Ode to Revolution" and "HoverBoard," featuring collaborations with artists such as Rglnd and Milo Hiroshima, establishing a foundation in alternative hip-hop influences.[13] Building on this momentum, Duckwrth released Taxfree V.1 on February 19, 2014, another self-released effort that delved into experimental rap, blending hip-hop with multidimensional storytelling and vivid imagery drawn from his Bay Area experiences.[14][15] The mixtape included introspective cuts like "Time...Travel" and "Blak Buddha," highlighting his innovative approach to production and lyrics while he handled much of the creative direction himself.[16] In 2015, Duckwrth expanded his reach through a collaboration with production duo The Kickdrums on the album Nowhere, released August 21 via the Them Hellas label.[17][18] This 14-track project fused conscious hip-hop elements with electronic and soulful beats, marking one of his first formal partnerships and refining his genre-blending sound.[19] Throughout 2012–2016, Duckwrth cultivated an early fanbase by performing in Los Angeles clubs and leveraging online platforms for his mixtape distributions, gradually gaining traction in the local scene.[20][21] His background in graphic design further supported these efforts, enabling him to craft visually striking artwork that complemented the releases.[3]2017–2020: Major label debut and breakthrough
Duckwrth's debut studio album, I'm Uugly, released on September 23, 2016, through his independent label Them Hellas, showcased his eclectic blend of hip-hop, funk, and R&B, attracting significant industry attention and paving the way for a major label deal.[22] The project's introspective tracks and vibrant production highlighted his unique artistic voice, building buzz from earlier mixtapes and leading to interest from Republic Records.[23] In 2017, Duckwrth signed with Republic Records, marking his transition to a major label. His first release under the imprint was the mixtape An XTRA UUGLY Mixtape on November 3, 2017, which expanded on the themes of self-acceptance and genre experimentation from his prior work, featuring collaborations with producers like Alexander Spit and Channel Tres.[24] The 13-track project, distributed via Republic and Them Hellas, solidified his growing reputation for innovative soundscapes.[25] Duckwrth gained further mainstream exposure in 2018 with his contribution to the Spider-Man: Into the Spider-Verse soundtrack, co-writing and performing "Start a Riot" alongside Shaboozey. Released on December 14, 2018, by Republic Records, the track's energetic fusion of trap and electronic elements complemented the film's dynamic narrative, introducing his music to a broader audience through the blockbuster's success.[26] On May 17, 2019, Duckwrth issued the EP The Falling Man via Republic Records and Them Hellas, a concise eight-track collection exploring themes of vulnerability and resilience with guests like Rico Nasty and Tayla Parx. The project, produced by collaborators including Medasin, received praise for its bold visuals and sonic evolution, further establishing his presence in alternative hip-hop circles. Duckwrth's breakthrough culminated with the release of his second studio album, SuperGood, on August 21, 2020, through Republic Records. The 16-track effort celebrated Black culture and positivity through funk-infused grooves and features from artists like EARTHGANG and Jean Deaux, earning critical acclaim for its uplifting energy amid global challenges.[27] This major label full-length represented a pivotal moment, amplifying his influence with vibrant tracks like "Super Bounce" that resonated widely.[28]2021–present: Independent evolution and recent releases
Following the success of his major label debut, Duckwrth transitioned toward greater creative independence, aligning with smaller, artist-centric labels to explore more experimental sounds and personal narratives. In September 2021, he released the EP SG8, an eight-track project issued through SuperGood and The Blind Youth, which delved into the emotional complexities of post-pandemic life with production from collaborators like Loshendrix and WaveIQ.[29][30] The EP served as a bridge from his 2020 album SuperGood, emphasizing themes of anxiety and renewal through funky, introspective tracks.[31] Building on this momentum, Duckwrth continued his independent trajectory with the EP Chrome Bull on October 21, 2022, again via SuperGood and The Blind Youth, incorporating house-influenced beats and bold sonic shifts.[32][33] A deluxe edition followed on October 20, 2023, expanding the project to 13 tracks and further showcasing his genre-blending prowess in hip-hop and funk.[34] During this period, Duckwrth contributed to TV series soundtracks, highlighting his growing influence in visual media. In 2025, Duckwrth introduced the alter ego "Vice" to channel darker, more vulnerable explorations of toxic cycles and generational trauma, a concept integral to his creative evolution.[5] This persona debuted prominently on his album All American FckBoy*, released April 2, 2025, through Them Hellas and The Blind Youth, which fused alt-rock, R&B, and hip-hop into a raw, narrative-driven work narrated by LaKeith Stanfield.[35][36] The album earned a Grammy nomination for Best Immersive Audio Album, recognizing its innovative production and immersive storytelling.[37] To support the release, Duckwrth launched the headline All American Freak Show tour in September 2025, with key shows including performances at The Independent in San Francisco on September 29 and Observatory North Park in San Diego on September 28, alongside festival appearances that amplified his live energy and visual flair.[38][39]Artistry
Musical style and themes
Duckwrth's musical style is characterized by a genre-blending fusion of hip-hop, R&B, funk, soul, rock, and alternative influences, often rooted in West Coast funk and g-funk traditions with swung cadences and rhythmic surprises.[40] This eclectic approach draws from a broad spectrum of inspirations, including Stevie Wonder's soulful grooves, Kanye West's innovative production, and the punk energy of Bad Brains, resulting in tracks that shift seamlessly between mellow upbeats and high-energy bounces.[41] For instance, his sound frequently incorporates 1970s funk elements alongside modern hip-hop flows, creating a progressive, feel-good vibe that resists categorization.[42] His lyrics delve into themes of identity, mental health, relationships, and social issues, offering introspective and vulnerable explorations of personal and societal complexities.[41] Identity emerges as a core motif, challenging gender norms and self-perception in songs that resonate with youth navigating societal expectations.[41] Mental health and recovery are addressed through raw accounts of addiction, escapism, and human duality, as seen in tracks personifying vices like alcohol as destructive forces.[43] Relationships form a recurring focus, tackling toxicity, accountability, infidelity, and fear of commitment, often reflecting intergenerational trauma from absent father figures and unhealed family wounds.[44][2] Social issues, including Black experiences and police violence, add layers of commentary, emphasizing resilience and community amid systemic challenges.[40] Production techniques in Duckwrth's work emphasize eclectic samples, live instrumentation, and dynamic layering to enhance thematic depth. He employs vintage audio recordings, glitchy ambient guitars, and collaborative chants for a trippy, immersive texture, often refining details like reverb to evoke specific moods.[45] Swung flows behind the beat create a relaxed yet propulsive feel, paired with clean, analog-infused beats that blend hip-hop foundations with rock guitars and electronic elements.[40][2] Duckwrth's sound has evolved from the raw, ego-driven energy of early mixtapes to the polished, immersive quality of later albums like All American FckBoy*. Initial releases featured high-energy, hype-driven tracks with straightforward funk and hip-hop grooves, while subsequent works incorporate more alternative pop structures, R&B vocals over dance-infused beats, and introspective layering for a cinematic depth.[45][46] This progression reflects a shift toward vulnerability and genre experimentation, using live instrumentation and eclectic samples to craft cohesive narratives of self-discovery.[44][2]Visual and performative elements
Duckwrth, born Jared Lee, honed his skills in graphic design during a four-year college program in San Francisco, starting with rudimentary tools like Microsoft Paint and progressing to advanced software such as Adobe Illustrator and Photoshop. This foundation has profoundly shaped his artistic identity, allowing him to merge visual creativity with music in ways that extend beyond sound. He has consistently aimed to integrate graphic design into his projects since graduating, using it to craft distinctive branding that unifies his releases. For instance, Duckwrth personally designs elements for his album artwork, drawing from influences like early '90s cartoon aesthetics to create vibrant, narrative-driven covers that complement his music's eclectic energy.[47][7][48] His influence extends to music videos, where graphic design principles inform immersive storytelling and visual effects. Duckwrth envisions expanding his creative studio to include animators for video production, ensuring that visuals like dynamic animations and stylized graphics enhance the thematic depth of his work. In recent years, he has reconnected with these roots through collaborations, such as partnering with the German jewelry brand Vitaly to infuse design elements into wearable art. These efforts underscore his commitment to holistic artistry, where visuals serve as an extension of his personal narrative.[47][3][49] Duckwrth's performative style is marked by an eclectic fashion sensibility that fuses streetwear, vintage motifs, and bold color palettes, often evoking the flamboyant aesthetics of 1970s rock and funk icons like Led Zeppelin and Earth, Wind & Fire. Onstage, he amplifies this through daring choices—flare pants, platform heels, shoulder pads, and vibrant hues—that project confidence and movement, transforming performances into visual spectacles. His offstage uniform of simple, quality pieces contrasts with these explosive looks, highlighting a deliberate curation that ties into his genre-defying persona. This fashion-forward approach not only defines his stage presence but also reinforces the escapist, boundary-pushing themes in his music.[50] In live settings, Duckwrth cultivates immersive experiences through raw, self-assured energy and explosive delivery, engaging audiences with a natural charisma that feels both nostalgic and innovative. He deepens this dimension via alter egos like "Vice," a persona embodying his unfiltered, darker impulses, which he channels to explore vulnerability in performances and visuals. For the Chrome Bull EP, Duckwrth collaborated with visual artists to develop bold, sex-positive imagery, including self-designed artwork and promotional materials that capture the project's rebellious spirit. These elements create a multifaceted performative world, where visuals and fashion intertwine to amplify his artistic voice.[51][52][53][32][50]Discography
Studio albums
Duckwrth's debut studio album, I'm Uugly, was released on September 23, 2016, through the independent labels Them Hellas and The Blind Youth in partnership with Empire Distribution.[54] The 10-track project, featuring collaborations with artists like Sabrina Claudio, showcased his eclectic blend of hip-hop, funk, and soul, establishing a foundation that attracted attention from major labels including Republic Records.[3] His major label debut, SuperGood, arrived on August 21, 2020, via Republic Records.[55] This 16-track album, produced with contributions from artists such as EARTHGANG and G.L.A.M., celebrated Black musical influences from the 1970s and received critical acclaim for its upbeat, feel-good vibes.[56] Commercially, it has accumulated over 134 million streams on Spotify as of November 2025.[57] Duckwrth returned to independent roots with his third studio album, All American FckBoy*, released on April 2, 2025, under The Blind Youth and Them Hellas.[58] Executive produced by BLK ODYSSY and Two Fresh, the 21-track effort explores themes of self-destructive impulses and personal growth through raw, cinematic storytelling.[59] Notable for its immersive audio mastering by engineers Andrew Law and Joe Grasso, the album earned a nomination for Best Immersive Audio Album at the 2026 Grammy Awards.[60]Mixtapes
Duckwrth's mixtape era began with experimental and self-released projects that showcased his emerging style blending hip-hop, funk, and personal introspection. His debut mixtape, Ducktape, released on August 16, 2012, as a self-released digital download via Bandcamp, marked his first solo effort and featured 14 tracks exploring themes of revolution, personal struggle, and cultural identity through titles like "Ode to Revolution" and "The Ills," reflecting an early raw energy in his artistry.[12][61] Following this, Taxfree V.1, released on February 19, 2014, also self-released as an eight-track digital project, delved into a West Coast vibe with nostalgic childhood references, skateboarding imagery, and street history, combining thought-provoking wordplay, melodic elements, and complex rhymes to offer a multidimensional take on hip-hop culture free from gimmicks.[14][15] In 2015, Duckwrth collaborated with producers The Kickdrums for Nowhere, released on August 21, 2015, under the Them Hellas/The Blind Youth label as a 14-track digital album, which chronicled an emotional journey through the turmoil of young adult relationships, sociopolitical issues like police brutality affecting Black youth, and eventual personal growth toward present-moment acceptance, incorporating synth-heavy pop melodies alongside varied rap flows.[62][63] His final mixtape before transitioning to studio albums, An XTRA UUGLY Mixtape, arrived on November 3, 2017, via Republic Records and Them Hellas as a 13-track project, addressing politics, pop culture, and relatable personal struggles with a diverse sonic palette produced by artists like Alexander Spit, emphasizing his genre-defying approach.[64][25][65]Extended plays
Duckwrth's extended plays mark pivotal moments in his evolution from major-label experimentation to independent creativity, each offering concise explorations of personal and societal themes through innovative production. His debut EP under a major label, The Falling Man, was released on May 17, 2019, via Them Hellas and Republic Records.[66] Comprising eight tracks, the project delves into a metaphysical journey confronting fears of vulnerability, betrayal, and commitment in love, accompanied by a short film that visualizes these internal battles.[67] Collaborations with artists like Terrace Martin, Rico Nasty, and Allan Kingdom enhance its poetic intensity, blending hip-hop with orchestral elements to evoke emotional turmoil and self-discovery.[68] Following his 2020 album SuperGood, Duckwrth issued SG8* on September 3, 2021, through SuperGood and The Blind Youth.[69] This eight-track EP extends the album's vibrant energy, capturing bittersweet post-pandemic emotions of joy, resilience, and reconnection amid societal shifts.[29] Produced with contributions from Loshendrix and WaveIQ, it features guests like Jordan Ward, emphasizing uplifting rhythms and introspective lyrics that celebrate rising above isolation.[31] Chrome Bull, released on October 21, 2022, via SuperGood and The Blind Youth, further embraces dance influences with a deluxe edition following on October 20, 2023.[33] The initial eight tracks draw from '70s disco, funk, and house to promote "healthy escapism," featuring Syd, Shaun Ross, and Gawd in a sex-positive, high-energy narrative of liberation and rhythmic immersion.[70] The deluxe version expands to 13 songs, reinforcing Duckwrth's genre-blending approach to foster communal vitality.[71]Singles as lead artist
Duckwrth's singles as lead artist span his mixtape era through major label releases and independent projects, often blending alternative R&B, hip-hop, and funk influences. Key tracks have achieved substantial streaming success, particularly on platforms like Spotify, establishing milestones in his discography.[72] The following table lists select singles where Duckwrth is the primary artist, including release years, associated albums or projects, and notable performance details:| Title | Year | Album/Project | Notes |
|---|---|---|---|
| I'm Dead (feat. Sabrina Claudio) | 2016 | I'M UUGLY | Debut mixtape track that gained traction; over 25 million Spotify streams.[73] |
| MICHUUL | 2017 | Non-album single | Michael Jackson-inspired track; 68 million Spotify streams.[74] |
| Start a Riot (with Shaboozey) | 2018 | Spider-Man: Into the Spider-Verse (soundtrack) | Featured in the film; over 167 million Spotify streams.[72] |
| Crush | 2019 | Crush (EP) | Title track from EP; 45 million Spotify streams.[74] |
| Quick (feat. Kiana Ledé) | 2020 | SuperGood | Lead single from debut major label album.[75] |
| Kiss U Right Now | 2020 | SuperGood | Album single; 54 million Spotify streams.[72] |
| Had Enough | 2024 | Non-album single | Pre-release single ahead of All American F*ckBoy; over 2 million Spotify streams as of November 2025.[72] |
| Grey Scale | 2024 | Non-album single | Promotional single for upcoming album.[76] |
| Wyl' Out | 2025 | All American F*ckBoy | Album single from independent release.[74] |
Singles as featured artist
Duckwrth has contributed guest vocals to several notable singles across R&B, hip-hop, and electronic genres, often enhancing collaborative tracks with his distinctive falsetto and rhythmic flow. These features, particularly in soundtracks and independent releases, have boosted his visibility in multimedia projects and cross-genre partnerships post-2020.[77] Key examples include his role on the high-energy hip-hop track "Settle The Score" by Cordae, which appeared on the Space Jam: A New Legacy soundtrack and underscored themes of perseverance in a blockbuster context.[78] Similarly, his feature on "Giants" by True Damage—a virtual K-pop/hip-hop supergroup tied to League of Legends—garnered millions of streams and highlighted his adaptability in gaming soundtracks, though released just prior to 2020. More recent collaborations, such as the upbeat "High Hopes" by pluko with sad alex, exemplify his integration into electronic and alternative scenes via Red Bull Records initiatives.[79] The following table lists select singles where Duckwrth is billed as a featured artist, focusing on post-2020 releases:| Year | Primary Artist(s) | Title | Album/Soundtrack | Notes |
|---|---|---|---|---|
| 2021 | Cordae | Settle The Score | Space Jam: A New Legacy (soundtrack) | High-impact hip-hop track promoting resilience; approximately 1.9 million Spotify streams as of November 2025.[80] |
| 2021 | pluko feat. sad alex | High Hopes | Non-album single | Electronic collaboration via Red Bull's Discover Your Wiiings program.[81] |
| 2022 | Ru AREYOU | Favorite | Non-album single | Funky R&B single emphasizing self-confidence in relationships.[82] |
| 2023 | Jesse Jaxx | Highs & Lows | Non-album single | Smooth R&B exploration of emotional contrasts.[83] |
| 2024 | ESTA. feat. Joyce Wrice | too fast | Non-album single | Jazzy R&B track blending soulful vocals and production.[84] |
| 2025 | The Pocket Queen & The Royal Flush | Good Vibes | Introducing: Pocket Queen and the Royal Flush (EP single) | Disco-infused lead single promoting positive energy.[85] |
Guest appearances
Duckwrth has made select guest appearances on other artists' projects, often bringing his signature blend of alternative hip-hop, funk, and eclectic energy to collaborative tracks that align with his visually inspired and genre-blending aesthetic.[87] Prior to 2021, while signed to Republic Records, Duckwrth contributed to peer projects and international collaborations, infusing them with his playful yet introspective style. One notable appearance was on Japanese rock musician Miyavi's album Samurai Sessions Vol. 3: Worlds Collide (2018), where he featured on the track "U.G.L.Y.," a fusion of rock riffs and rap verses exploring themes of self-perception and outsider identity, echoing Duckwrth's own thematic interests in personal evolution and societal norms.[88][89] In 2020, Duckwrth appeared on the New Orleans-based group Tank and the Bangas' EP Friend Goals, delivering vocals on "Fluff" alongside trumpeter Christian Scott aTunde Adjuah. The track's soulful, improvisational vibe complemented Duckwrth's performative flair, emphasizing friendship and emotional resilience in a live-band context that mirrored his multimedia approach to music.[90][91]| Year | Artist | Album/Project | Track |
|---|---|---|---|
| 2018 | Miyavi | Samurai Sessions Vol. 3: Worlds Collide | "U.G.L.Y." |
| 2020 | Tank and the Bangas | Friend Goals | "Fluff" (with Christian Scott aTunde Adjuah) |