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Terrace Martin

Terrace Martin is an , , singer, , and renowned for blending , , and R&B into innovative, bass-heavy soundscapes that emphasize collaboration and cultural storytelling. Born on December 28, 1978, in South Central Los Angeles to a musically inclined family—his father, Ernest “Curly” Martin, was a inducted into the Omaha Hall of Fame, and his mother, Rose McKinney, a songwriter and —he began playing at age six and took up the before ninth grade, drawing early inspiration from legends like , , and . Martin's career took off in the early as a for West Coast artists, notably contributing to Snoop Dogg's 2004 R&G (Rhythm & Gangsta): The Masterpiece and later becoming a key architect of Kendrick Lamar's breakthrough works, including producing eight of the 16 tracks on the 2015 Pulitzer Prize-winning To Pimp a Butterfly and earning Grammy nominations for his roles on Lamar's good kid, m.A.A.d city (2012) and To Pimp a Butterfly. His solo discography highlights his genre-defying versatility, with Grammy-nominated such as Velvet Portraits (2016), which fused neo-soul and , and Drones (2021), alongside recent releases like Fine Tune (2023), the EP Her Thoughts (2024), Nintindo Soul (2024), Albion Files (2025), and Come As You Are with Kenyon Dixon (2025), with additional Grammy nominations for Nova (2024) and "WeMaj" (2026). A pivotal figure in ' jazz-rap renaissance, Martin co-founded the collective with childhood friends like and , and he has extended his influence through supergroups including Dinner Party (with , , and ), which earned a 2022 Grammy nomination for Best Progressive R&B Album, and R+R=NOW with and others. His collaborations span icons like , , and , often bridging generational and stylistic divides. In 2016, he launched the independent label Sounds of Crenshaw to amplify talent and community initiatives, reflecting his commitment to cultural preservation amid personal milestones as a father of five.

Early life

Upbringing in Los Angeles

Terrace Martin was born on December 28, 1978, in the Crenshaw neighborhood of , . He grew up as an in a musical household in South Central , raised by his parents, Rose McKinney—a songwriter and lawyer—and Ernest “Curly” Martin, a jazz inducted into the Omaha Black Music Hall of Fame. His parents, both accomplished but struggling musicians during an era when opportunities were scarce, exposed him to a blend of , , and R&B from an early age, fostering an environment where art and expression were central despite broader economic challenges. The Crenshaw district, part of South Central, presented a challenging urban setting during Martin's childhood, marked by the crack cocaine epidemic, gang violence, and widespread hardship that permeated the community. His was not immune to these influences; his grappled with tied to the era's drug crisis, contributing to a turbulent home dynamic amid neighborhood tensions. Despite the middle-class stability of their household, the surrounding socio-economic pressures shaped Martin's early worldview, highlighting the contrasts between his family's artistic refuge and the dangers outside. Martin gained early exposure to the vibrant local music scene in Crenshaw through radio, records, and community influences, immersing himself in West Coast hip-hop pioneers like , , , and , whose gangsta rap narratives echoed the street realities around him. At home, New Year's Eve parties and casual gatherings brought music legends such as and into his orbit, blending high-caliber performances with everyday family life in a space free of judgment. In personal reflections, Martin has recounted the precarious balance of his youth in this high-risk environment, describing how he would absorb intense on the streets but abruptly switch it off upon arriving at his mother's house to maintain a boundary against its pull. He navigated the temptations of street life—including involvement—by channeling his energies into , guided by mentors like Reggie Andrews, who urged, “Y’all wanna do art, ’cause that other s— is bulls—,” emphasizing a over a “.45” as a tool for survival and self-expression. This deliberate pivot toward helped him sidestep the and economic traps prevalent in Crenshaw, laying the foundation for his artistic path.

Introduction to music and early training

Terrace Martin, raised in the Crenshaw neighborhood of , discovered his passion for music early in life, initially exploring keyboards after years of exposure to his father's drumming and the household's constant influx of visiting musicians. At the age of six, he began playing , but it was at 13 that a pivotal moment occurred during one of his father Curly Martin's gigs, where a woman suggested he try the —a recommendation that sparked his lifelong dedication to the instrument. Largely self-taught in the basics, Martin drew inspiration from legends like , , and , while honing his skills under the guidance of local mentors, including his godfather, saxophonist Stemsy Hunter, with whom he practiced six to eight hours daily. Martin's formative education took shape through the renowned music program at , where he transferred and studied under legendary educator Reggie Andrews, whose influence extended to alumni like and Ndugu Chancler. There, he excelled in the band, earning first chair in the California All-State Honors Band and blending improvisational techniques with the rhythmic foundations he absorbed from his surroundings. As a teenager, Martin began performing locally, sharing stages with icon and contributing to informal gigs that bridged school ensembles and neighborhood scenes. His initial forays into recording occurred in basic home setups, where he captured raw tracks using available equipment to experiment with layering his over simple beats, marking the start of his hands-on engagement with music production. These early sessions emphasized conceptual exploration over polished output, reflecting his growing interest in merging live instrumentation with emerging aesthetics. Martin's acquisition of production skills during his teens centered on drum machines and sampling techniques, tools he adopted to emulate the G-funk sound pioneered by artists like and . Inspired by the genre's funky basslines and synthesized textures, he began crafting beats at home, sharing them with local figures like , who provided feedback that refined his songwriting and arrangement abilities. This period laid the groundwork for his signature style, prioritizing groove and innovation within limited resources.

Musical career

Early productions and hip-hop beginnings

Terrace Martin entered the professional music scene as a in the early 2000s, focusing on artists and drawing from the and traditions prevalent in . His earliest verifiable production credits date to , including beats for Inglewood rapper Eastwood and co-production on Kipper Jones' "Better" from the compilation Hidden Hits Vol. 1. These low-profile contributions helped him build a reputation among local talents, where he crafted gritty, funk-infused tracks that echoed the laid-back synths and heavy basslines of while incorporating 's raw edge. A pivotal early milestone came in 2004 with his co-production on "Joysticc" for the supergroup 213—comprising , , and —featured on their album . That same year, Martin provided production for tracks on Shawnna's debut album , blending Southern influences with grooves to support her aggressive flows. Having connected with as a teenager, who endorsed his skills and facilitated opportunities, Martin leveraged these credits to solidify his presence in LA's underground scene. By the mid-2000s, Martin expanded into mixtapes, releasing Locke High in 2008, hosted by and . The project showcased his production versatility with features from and , delivering street-level anthems rooted in aesthetics like booming 808s and melodic hooks. His training from youth occasionally informed these early beats, adding subtle live instrumentation to create hybrid textures that bridged and elements without overshadowing the rap focus. Through such work, Martin established himself as a go-to producer for authentic sounds, prioritizing collaborations with natives to capture the era's cultural pulse.

Breakthrough collaborations in rap and R&B

Terrace Martin's collaborations with marked a significant turning point in his career, beginning with contributions to Lamar's 2011 mixtape , including production on "HiiiPower," and extending to the 2012 album good kid, m.A.A.d city with his work and production on "The Heart Pt. 3." His role expanded dramatically on Lamar's 2015 major-label breakthrough , where he co-produced key tracks such as "Wesley's Theory" (with and ), "" (with ), "Institutionalized," and "These Walls" (with Larrance Dopson and ), blending jazz-inflected instrumentation with rhythms to create the album's signature sound. These efforts earned Martin a nomination for at the , alongside nods for Best Rap Album and Best Rap Performance for "Alright." Beyond Lamar, Martin solidified his reputation through productions for Snoop Dogg, building on their earlier partnership to deliver tracks on Bush (2015), including contributions to the Pharrell-assisted "California Roll," which showcased Martin's ability to infuse West Coast funk with contemporary rap elements. He continued this synergy on Snoop's 2018 gospel project Bible of Love, providing production support that bridged rap's raw energy with spiritual themes across multiple songs. Martin's work extended to other rap heavyweights, such as co-producing "Give 'Em Hell" (with DJ Battlecat) on Talib Kweli's 2007 album Eardrum—a track that highlighted his soulful sampling—but gaining wider acclaim post-2010 with beats for The Game, including "Out of Towner" (2011), and Busta Rhymes, notably "Master Fard Muhammad" (featuring Rick Ross) on Extinction Level Event 2: The Wrath of God (2020), where his layered synths and percussion amplified the artists' lyrical intensity. In R&B, Martin's productions emphasized emotional depth and live instrumentation, as seen in his work with Lalah Hathaway on tracks like "1 Mile" from her 2008 album Self Portrait, which he revisited in later collaborations such as "Oakland" (2016), blending neo-soul vocals with subtle hip-hop grooves. He also served as co-producer on Robert Glasper's Black Radio III (2022), contributing to songs like "Bright Lights" and overseeing the album's fusion of jazz, R&B, and hip-hop, which earned critical praise for its innovative arrangements. These R&B and rap endeavors not only elevated Martin's profile but also demonstrated his versatility in bridging genres, earning him multiple Grammy recognitions tied to To Pimp a Butterfly's cultural impact.

Jazz fusion and experimental projects

In the mid-2010s, Terrace Martin began emphasizing elements in his productions, drawing on his background to create hybrid arrangements that merged improvisational lines with rhythmic grooves. This period marked a deliberate exploration of genre boundaries, where Martin's multi-instrumental skills—particularly on and keyboards—allowed him to layer live textures over beat-driven foundations. His production experience subtly informed these arrangements by introducing structured loops and narrative flows, enabling seamless transitions between free-form solos and composed sections. Martin's involvement in Kamasi Washington's landmark 2015 album The Epic exemplified this fusion approach, where he contributed performances on tracks like "The Beyond / Where the Stars Fell to the ," integrating soaring solos into the record's expansive, framework with underlying rap-inspired pulses. The project, a three-hour odyssey recorded with the collective, highlighted Martin's role in blending improvisational horn work with rhythmic complexity, creating what critics described as jazz-rap hybrids that evoked cosmic narratives. Collaborations with jazz legend Herbie Hancock further showcased Martin's experimental leanings through live sessions and remix efforts in 2016. Martin joined Hancock for performances, including a Jazz Night in America broadcast where they explored Hancock's fusion catalog with modern twists, and participated in tribute events with Robert Glasper and Thundercat, reinterpreting classics like "Butterfly" in improvisational settings. These sessions emphasized Martin's production techniques in adapting Hancock's electric jazz innovations to contemporary contexts, though a planned full album production for Hancock remained unreleased. Martin's own 2016 album Velvet Portraits, released via his newly launched label, delved deeply into experimental territory with tracks featuring live instrumentation—such as horns, bass, and drums—overlaid on beats and synths. Standout pieces like "Valdez Off Crenshaw" and "Curly Martin" combined soulful with laid-back rhythms, while vocal features from artists like and added lyrical depth to the genre-blending soundscapes. The album's instrumental focus, spanning 14 tracks, prioritized organic ensemble interplay, marking a shift toward introspective, atmospheric compositions. The establishment of Sounds of Crenshaw Records in 2016 served as a platform for these experimental releases, aiming to foster genre-blending projects rooted in ' musical heritage. Martin's inaugural output on the label, Velvet Portraits, set the tone for subsequent efforts, emphasizing collaborative jazz-infused works that bridged , R&B, and fusion without adhering to traditional boundaries.

Recent solo and collaborative works (2018–2025)

In 2021, Terrace Martin released his instrumental album Drones, a 13-track project showcasing his multi-instrumental prowess on , keys, and drums, with guest appearances from , , Ty Dolla $ign, and on the title track. The album emphasized studio experimentation, blending beats with to explore themes of resilience and urban life. Martin's output intensified in 2024 with the EP Her Thoughts, a six-song covers collection reinterpreting hits like SZA's "Snooze" and SZA's "Kill Bill," infused with his signature soulful saxophone arrangements and harp contributions from . Later that year, he dropped Nintindo Soul, his second full-length release of 2024, featuring 11 tracks that fused neo-soul, rhythms, and guest vocals from artists like Arin Ray, , and , drawing on nostalgic video game-inspired production elements. Entering 2025, Martin issued Albion Files, a 10-track released in , highlighting groovy, laid-back R&B with features from A$AP Ferg, , and , marking a return to his production roots while incorporating live instrumentation for a relaxed, introspective vibe. That June, he collaborated with R&B singer Kenyon Dixon on the joint Come As You Are, a soul-rooted project blending , , and influences from their shared South L.A. backgrounds, including the track "Only Real Ones Survive." Additionally, the track "WeMaj" from Come As You Are, featuring Rapsody, received a 2026 Grammy nomination for Best Melodic Rap Performance, underscoring Martin's role in bridging rap and progressive R&B. While not directly featured on Drake and PARTYNEXTDOOR's collaborative album ome exy $ongs 4 U (2025), Martin's progressive R&B style was highlighted alongside their work in Grammy predictions for Best Progressive R&B Album, reflecting his influence in the genre. On the live front, Martin performed at The Black Radio Experience festival in Napa Valley in August 2025, delivering sets with Kenyon Dixon that fused jazz improvisation and hip-hop grooves amid a lineup including Jazmine Sullivan and Anthony Hamilton. He followed with a two-night residency at Yoshi's in Oakland in October 2025, where audiences experienced his versatile blend of saxophone-led performances and band collaborations. These works and appearances extended Martin's jazz fusion roots into contemporary contexts, emphasizing communal storytelling through music.

Groups and collectives

3ChordFold

3ChordFold was a short-lived musical project spearheaded by Terrace Martin, functioning as a jazz-R&B collective that emphasized collaborative improvisation and genre fusion. Formed in 2012, the project brought together Martin on saxophone and production with a rotating ensemble of musicians from the Los Angeles jazz and hip-hop scenes, allowing for experimental blending of live instrumentation and beats. Martin's extensive production background, honed through earlier hip-hop collaborations, played a key role in shaping the project's sound, providing a bridge between structured jazz arrangements and rhythmic R&B grooves. The group's primary output was the self-titled debut album 3ChordFold, released on , 2013, via AKAI Music and , with digital availability on platforms like . The album featured 14 tracks driven by Martin's signature lines, layered over soulful R&B vocals and hip-hop-infused , with notable contributions from guest artists including on "Triangle Ship," and on "I'm For Real," and on keys for several cuts. Standout -driven pieces like "Angel" and "" highlighted the project's emotional depth, exploring themes of relationships and introspection through a hazy, lens. Live performances further defined 3ChordFold's identity, with sessions capturing the ensemble's energy in blending drum patterns with spontaneous solos; a notable example is the live recording 3ChordFold Pulse, taped at venues like The Virgil in , featuring extended jams with on piano, on bass, on vocals, and Problem on rhymes. These shows underscored the project's live dynamism and foreshadowed Martin's evolving fusion style in subsequent works. By 2015, 3ChordFold disbanded as members, including Martin, shifted focus to individual pursuits—Martin toward solo albums like Velvet Portraits and larger collectives such as The West Coast Get Down—marking the end of this intimate trio-like experiment in genre-blending R&B.

The West Coast Get Down

The West Coast Get Down is an influential Los Angeles-based jazz collective co-founded by Terrace Martin in the early 2010s alongside saxophonist Kamasi Washington, bassist Miles Mosley, and other longtime collaborators, initially operating as an underground rehearsal group dedicated to intensive jam sessions and musical experimentation. Emerging from roots in South Los Angeles after-school jazz programs and informal gatherings dating back to the members' teenage years in the 1990s and 2000s, the collective formalized its cooperative structure around 2011, establishing residencies at local venues to hone a shared sound blending jazz, hip-hop, and funk. Core members include drummers Tony Austin and Ronald Bruner Jr., bassist Stephen "Thundercat" Bruner, keyboardists Cameron Graves and Brandon Coleman, trombonist Ryan Porter, vocalist Patrice Quinn, trumpeter Dontae Winslow, and multi-instrumentalist Martin himself, who contributed saxophone and production expertise to the group's dynamic rehearsals. While the collective has not released an official group album, its rigorous practice sessions—often spanning hours in backyard shacks or studios—laid the groundwork for landmark individual projects, most notably Washington's triple-disc opus The Epic (2015), which featured many members and showcased their collective's expansive, aesthetic. In a prolific 2013 studio marathon, the group recorded over 170 songs, providing foundational material for releases like Mosley's Uprising (2016) and Porter's The Optimist (2015), though these remained tied to solo endeavors rather than a unified output. Martin's improvisations and techniques were pivotal in these sessions, fostering a communal environment where ideas flowed freely and musicians pushed boundaries without commercial pressure. The played a crucial role in nurturing emerging talent within ' jazz scene, emphasizing and a "family" ethos that encouraged younger Black musicians to explore as a living, rebellious art form amid urban challenges. By hosting jam sessions that doubled as training grounds, the inspired plans for a dedicated center to pass on techniques from mentors like Reggie Andrews, prioritizing growth over individual stardom. Their impact extended to sparking the broader revival of the 2010s, revitalizing the genre through high-energy live performances that drew diverse, youthful crowds and bridged with hip-hop, including brief ties to Kendrick Lamar's circle via Martin's production bridges. This underground foundation helped position as a hub for modern jazz-rap fusion, influencing a new generation to view the as accessible and culturally vital.

Dinner Party and other ensembles

In 2020, Terrace Martin co-founded the jazz supergroup Dinner Party alongside saxophonist , pianist , and producer , drawing from their shared history in ' jazz and hip-hop scenes to create a collaborative platform blending improvisation and production. The group's self-titled debut EP, Dinner Party, released on July 10 via Martin's Sounds of Crenshaw imprint and , featured seven tracks that highlighted seamless ensemble interplay, with Martin's and keyboards weaving through Washington's tenor lines and Glasper's piano. Standout track "First Responders," featuring rapper and vocalist Bilal, exemplified this dynamic, layering Martin's knotty motifs over 9th Wonder's head-nodding beats to evoke a sense of communal urgency and reflection. The EP earned a Grammy for Best Progressive R&B Album at the in 2021, recognizing its fusion of with R&B and elements. Later that year, on , Dinner Party followed with the Dinner Party: Dessert, which reimagined the original tracks with guest contributions from artists like and , further emphasizing the group's expansive, ego-free approach to collaboration. This release also received a Grammy for Best Progressive R&B Album at the in 2022. Beyond Dinner Party, Martin co-founded the supergroup R+R=NOW in 2018 with , trumpeter Christian Scott aTunde Adjuah, bassist , vocalist , and drummer Justin Tyson. The ensemble released their debut album Live on in June 2019, earning a Grammy nomination for Best Jazz Instrumental Album, and performed live sets blending jazz, hip-hop, and electronic elements. The group continued activity with performances at venues like in October 2025. Martin also led the jazz collective The Pollyseeds in 2017, assembling a rotating ensemble of Los Angeles musicians including vocalists Chachi and Preston Harris, alongside producers Robert Glasper and Marlon Williams, for the album Sounds of Crenshaw, Vol. 1. Released on July 14 via Ropeadope Records, the project captured Crenshaw's cultural vibrancy through 13 tracks blending neo-soul, jazz, and hip-hop, with Martin's multi-instrumental production framing communal themes of intention and resilience. Additionally, Martin has participated in ad-hoc ensembles for live and recording collaborations with jazz legend Herbie Hancock, contributing saxophone and keyboards to Hancock's performances and productions since around 2016, often alongside West Coast peers like Washington and Glasper. By 2023, Dinner Party evolved with the release of the EP Enigmatic Society on April 14 via Sounds of Crenshaw/, incorporating 1980s synth textures and influences across nine tracks to expand their sound while maintaining core interplay among the members. Into 2025, Martin's ensemble work continued to influence modern discourse, with Dinner Party's innovations cited in discussions of contemporary artists redefining the genre through hybrid fusions.

Musical style and influences

Signature style and techniques

Terrace Martin's signature style centers on layering live improvisations over sampled beats, allowing for spontaneous elements to interact dynamically with structured foundations. This technique draws from his background, where he performs and records lines in real-time to infuse tracks with emotional depth and unpredictability. He also relies heavily on the drum machine to program intricate grooves, evoking the bouncy, bass-heavy rhythms of while maintaining precision in live sessions. A hallmark of Martin's genre fusion is the integration of rhythms with harmonies, creating expansive sonic landscapes that bridge street-level beats and sophisticated chord progressions. In projects like the arrangements for Kendrick Lamar's , this approach manifests through live band performances that layer modal structures beneath rap flows, emphasizing tension and release in a way that honors jazz's improvisational roots. Martin's production philosophy prioritizes organic, live-feel recordings to capture authentic energy, often achieved by engineering multi-tracked sections that build immersive textures without over-reliance on processing. This method fosters a communal , where musicians contribute iteratively to enhance the human element in otherwise beat-driven compositions. His style has evolved notably from the weed-infused grooves of his early 2000s work with , which leaned into hazy, synth-laden beats, to the progressive R&B of his albums, where soulful explorations with collaborators like Kenyon Dixon emphasize emotional introspection and genre fluidity. This progression reflects a deepening commitment to versatile, healing soundscapes that adapt to contemporary contexts while retaining core principles.

Key influences and artistic philosophy

Terrace Martin's primary musical influences draw from both and traditions. In , he cites as a pivotal figure for his innovations and for emphasizing , having first encountered Davis through Hancock's recordings. These influences instilled in Martin a deep appreciation for exploratory and boundary-pushing sounds. In , Q-Tip's innovative sampling techniques and DJ Quik's rapid-cutting production style, emblematic of pioneers, have significantly shaped his rhythmic and production sensibilities. His genre roots are firmly embedded in the cultural fabric of , particularly the Crenshaw neighborhood where he grew up. The G-funk era, exemplified by Snoop Dogg's work in the , provided a foundational blueprint for his bass-heavy, laid-back grooves, reflecting the street sounds of South Central LA during a time of gang tensions and vibrant emergence. Additionally, his mother's background as a songwriter introduced soulful undertones, elements that permeate his compositions with uplifting harmonies. Martin's artistic philosophy centers on and self-expression, encapsulated in his "I believe you should be yourself," articulated during a 2016 NPR interview. He views his role in music as a servant to the community, focused on inspiration and upliftment rather than commercial pressures, a commitment rooted in his desire to foster genuine connections through sound. Regarding genre boundaries, Martin advocates for the seamless integration of and , seeing them as united by a shared inclusive spirit that welcomes diverse influences and defies rigid categorization, as he discussed in a 2023 conversation. This perspective drives his creative process, prioritizing emotional resonance over conventional labels.

Other ventures and legacy

Sounds of Crenshaw initiative

In 2016, Terrace Martin launched Sounds of Crenshaw as an independent record label and educational platform dedicated to nurturing musical talent in the Crenshaw neighborhood of , where he grew up immersed in the area's vibrant music scene. The initiative serves as an artist-first outlet for Martin's solo and collaborative projects, emphasizing a fusion of R&B, , , and to reflect the cultural "gumbo" of . Its debut release was Martin's own album Velvet Portraits, which marked the label's entry into the music industry while highlighting his commitment to amplifying local voices. Central to Sounds of Crenshaw are its community programs aimed at youth development, including music workshops conducted in Crenshaw-area schools to teach production, performance, and songwriting skills. The initiative provides scholarships for musical instruments, enabling under-resourced students to access professional-grade equipment and training. These efforts are bolstered by partnerships with the (LAUSD), integrating into public school curricula to foster creativity and discipline among participants. Key events organized by Sounds of Crenshaw include annual block parties that bring together local , families, and residents for live performances and bonding, as well as artist residencies that offer emerging musicians hands-on and studio time. Through these programs, the initiative has mentored numerous up-and-coming talents, providing guidance on career navigation and artistic growth while contributing to broader philanthropic goals in the neighborhood.

Awards, nominations, and recognition

Terrace Martin has received eight Grammy Award nominations throughout his career, recognizing his contributions as a , , and recording artist across R&B, , and genres. His first nomination came at the in 2016 for , shared with and collaborators for the album , where Martin served as co-producer and saxophonist on key tracks like "Alright" and "King Kunta." Subsequent nominations include Best R&B Album for his solo debut Velvet Portraits at the in 2017; Best Progressive R&B Album for the collaborative project Dinner Party (with , , and ) at the in 2021; Best Progressive R&B Album for the remix album Dinner Party: Dessert at the in 2022; Best Progressive R&B Album for his conceptual album Drones at the in 2023; and Best Progressive R&B Album for (with ) at the in 2024. Most recently, at the 68th Annual Grammy Awards in 2026, Martin earned nominations for Best Progressive R&B Album for Come as You Are (with Kenyon Dixon) and Best Melodic Rap Performance for "WeMaj" (with Kenyon Dixon featuring ). Martin's work has garnered significant industry recognition, including features in major publications that highlight his innovative fusion of , , and R&B. has profiled him extensively, such as in a 2016 interview detailing his production on Kendrick Lamar's and , emphasizing his role in bridging genres. has similarly spotlighted his versatility, with a 2017 feature on his supergroup the Pollyseeds and collaborations with , and a 2021 review of Drones praising its "old-school warmth." In 2025, All About Jazz published a profile portraying Martin as a key innovator in ' jazz scene, noting his multi-instrumental skills and production for artists from to . GRAMMY.com has also highlighted his engineering and mixing credits in a 2023 article on Black professionals shaping modern pop and , crediting his technical expertise on landmark projects.

Discography

Solo studio albums

Terrace Martin's solo studio albums showcase his evolution as a and , blending , R&B, , and elements with a focus on saxophone-driven compositions and introspective themes rooted in influences. His early work, such as the street album Locke High, marked his emergence in the underground scene, while later releases like Velvet Portraits elevated his profile through critical acclaim and Grammy recognition. More recent projects, including Fine Tune, Her Thoughts, Nintindo Soul, and Albion Files, demonstrate his continued experimentation with covers, nostalgic beats, and collaborative features within a solo framework. Locke High, released in 2008 as a digital street album, was Terrace Martin's debut project highlighting his production prowess with a mix of beats and infusions, featuring guest appearances from and others but led by Martin's and keyboard work. Self-released initially as a file download, it captured the raw energy of street culture without significant commercial chart success, though it received positive nods in hip-hop circles for its innovative sound. Key tracks like "Do What I Do" exemplify Martin's early self-produced style, emphasizing smooth saxophone lines over laid-back grooves. In 2016, Martin issued Velvet Portraits via his Sounds of Crenshaw imprint in partnership with Ropeadope Records, a full-length studio album that solidified his reputation as a jazz-R&B innovator. The record peaked at No. 2 on Billboard's Jazz Albums chart and earned a Grammy nomination for Best R&B Album in 2017. Critics praised its lush, emotive soundscapes, with AllMusic awarding it 7.5 out of 10 for Martin's signature saxophone-led arrangements and contributions from guests like Robert Glasper and Lalah Hathaway. Standout tracks such as "Velvet Portraits" and "Disco Nights" highlight self-produced pieces where Martin's alto saxophone weaves through soulful beats, establishing conceptual depth tied to Crenshaw's cultural narrative. Fine Tune, released in 2023 via Sounds of Crenshaw, is a solo that continues Martin's fusion of , , and R&B, featuring introspective tracks with his signature and production. It received positive reception for its polished sound and cultural storytelling. Martin's 2024 output included Her Thoughts, a six-track studio EP billed as an of covers reinterpreted through his lens, released on Sounds of Crenshaw. It debuted without major chart placement but garnered attention for its intimate, -infused takes on classics like SZA's "Snooze," emphasizing Martin's vocal and instrumental layering. Reception was favorable among and R&B audiences, with praise for its emotional resonance and production finesse, though it remained more niche than his prior works. Tracks like "ICU" showcase his self-produced approach, blending and for a meditative vibe unique to his solo aesthetic. Later that year, Nintindo Soul arrived on September 13, 2024, as an 11-track studio under Lowly Palace, drawing on neo-soul and influences with nostalgic video game-inspired titles. It did not chart prominently on but received solid user scores, averaging around 70/100 on for its warm, analog-feeling production. Martin's features prominently in self-led compositions like "Boss Level," underscoring his ability to fuse retro gaming motifs with soulful instrumentation in a purely context. Martin's 2021 album Drones features extensive collaborations across its 13 tracks, uniting luminaries and peers under a exploring societal disconnection. Released via Sounds of Crenshaw, it includes the title track with , , Ty Dolla $ign, and delivering layered verses over Martin's atmospheric production, while other cuts spotlight on saxophone for "Dusk," on "Open Road," and YG on "Pusher Man." The project, nominated for a Grammy for Best Progressive R&B Album, underscores Martin's role in bridging rap's narrative depth with . Capping his prolific run, Albion Files was released on February 28, 2025, via Sounds of Crenshaw, a 10-track studio featuring , A$AP Ferg, and but centered on Martin's vision. It achieved moderate streaming success without top entries, earning user ratings near 70/100 on platforms like for its eclectic, file-like collection of vibes. Critical reception highlighted its experimental edge, with Martin's self-produced saxophone-led tracks like "Full Speed" standing out for their high-energy fusion of and rhythms, providing a snapshot of his ongoing artistic philosophy.

Collaborative albums and EPs

Terrace Martin's collaborative work spans supergroups, duo projects, and feature-laden releases that blend jazz, hip-hop, R&B, and soul, often emphasizing communal creativity and social themes. In 2020, Martin co-founded the supergroup Dinner Party with pianist , producer , and saxophonist , releasing their self-titled debut EP on July 10 via Sounds of Crenshaw and . The five-track project fuses improvisational with hip-hop beats and neo-soul vocals, highlighted by the protest anthem "First Responders," which features spoken-word contributions from George Floyd's brother Terrence Floyd and addresses police brutality. Additional guests include vocalists like Phoelix on "Sleepless Nights" and "Love You Bad," earning critical acclaim for its timely urgency and seamless genre fusion. Later that year, on October 9, the group issued Dinner Party: , a remix EP reworking the original tracks with high-profile collaborators. Key contributions include Herbie Hancock's piano on the "Luv U (Loose Joints)" remix, Snoop Dogg's verses on "First Responders," and Bilal's soulful reinterpretation of "From My Heart and My Soul," extending the project's exploratory spirit into more electronic and funk-infused territory. Building on his ensemble ethos, Martin partnered with R&B singer Kenyon Dixon for the collaborative album Come As You Are, released on June 20, 2025, through Sounds of Crenshaw and . The 13-track set draws from ' soulful roots, incorporating live instrumentation like Martin's and keys alongside Dixon's vocals, with guests such as on for the title track and on "WeMaj." A deluxe edition followed, adding remixes and bonus material that amplified its genre-blending introspection on , , and . In a nod to jazz legends, Martin's remix contributions extend to projects involving , such as his piano feature on Dinner Party: Dessert's remixes, reflecting ongoing production ties without a standalone dedicated solely to Hancock's catalog.

Selected production credits

Terrace Martin has earned over 100 credits across , R&B, and , blending live with beat-driven arrangements to bridge genres. His early contributions include production on Shawnna's debut album Worth tha Weight (2004), notably the track "Super Freak," marking one of his initial major placements in rap. Martin secured his breakthrough with Snoop Dogg through the 213 single "Joysticc" from The Hard Way (2004), a synth-heavy track that showcased his emerging West Coast sound. On Kendrick Lamar's landmark album (2015), Martin co-produced multiple tracks, including "Wesley's Theory" (with , Rance, and ), "Institutionalized," and "These Walls" (with Larrance Dopson), infusing jazz elements into conscious rap narratives. In 2017, Martin co-produced the standout single "" from Kendrick Lamar's DAMN., featuring , which sampled and earned Grammy nominations for its moody, synth-infused vibe. Recent works include co-production on Wiz Khalifa's "Jet Taylor" featuring (2025), a laid-back track blending beats with Martin's signature flourishes. In 2025, Martin collaborated on "WeMaj" with Kenyon Dixon featuring , a progressive R&B cut nominated for a Grammy in the Best Melodic Rap Performance category, highlighting his ongoing influence in hybrid rap-soul production.

References

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    Grammy-nominated Terrace Martin reflects on life, career and legacy
    Dec 1, 2023 · Terrace Martin, the Grammy-nominated multi-instrumentalist, rapper, singer, engineer and producer known for his genre-bending prowess rooted in hip-hop and ...
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    About — Sounds Of Crenshaw
    Terrace Martin is one of the most versatile and freely collaborative artists of his generation. A product of Los Angeles' rich music community, the multi- ...
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