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Editor-at-large

An editor-at-large is a journalist or writer who contributes articles or content to a publication such as a magazine, newspaper, or website, typically without a specific departmental assignment or fixed responsibilities, allowing them freedom to pursue topics of personal interest within the outlet's scope.^[1] The role emphasizes independence and autonomy, distinguishing it from more structured positions like managing editors or section-specific editors, and is often bestowed upon seasoned professionals recognized for their expertise and innovative contributions.^[2] Commonly viewed as an honorary or senior title, it usually involves no day-to-day operational duties.^[3] The phrase "at large" in this context derives from the Middle English term "at large," rooted in the Old French "en large" and ultimately from "enlarge," meaning to set free or release from confinement, as seen in historical uses by Chaucer in the late 1300s to describe a freed prisoner.^[4] This sense of liberation evolved in professional titles during the 19th and 20th centuries to denote unrestricted scope, applying not only to editors but also to writers, critics, or officials operating broadly without specific bounds.^[4] In journalism, the title gained prominence in magazine publishing, though it appears across various media formats today.^[2]

Definition and Role

Core Definition

An editor-at-large is a senior editorial professional employed by a publication, such as a magazine, newspaper, or online outlet, who operates without assignment to a specific department, beat, or regular column, thereby allowing contributions across a wide range of topics.^[1] This role emphasizes flexibility, enabling the editor to select subjects based on personal interest or emerging opportunities rather than fixed responsibilities.^[5] The term "at large" originates from legal and historical English usage dating back to the late 1300s, where it denoted "free" or "not confined," as in a criminal at liberty rather than in custody.^[5] Adapted to journalism, it signifies autonomy in topic selection and reporting, free from the constraints of specialized sections.^[5] Core attributes of the position include high-level expertise, typically granted to established journalists with significant experience, and a hybrid nature that combines elements of staff employment with freelance-like independence, including full editorial privileges but no routine duties.^[3] This setup positions the editor-at-large as a respected, often honorary figure within the publication.^[3] In modern usage, the role is commonly found in magazines, newspapers, and digital media, reflecting a structure that values broad intellectual contributions over departmental silos.^[1]

Key Responsibilities

Editors-at-large are responsible for pitching and developing in-depth articles on diverse subjects that align with the publication's scope, drawing on their broad expertise and personal interests without being confined to a specific beat.^[1] They often contribute original, long-form pieces that explore complex topics, such as cultural trends or investigative features. Additionally, they provide editorial oversight on special projects, including guiding the development of high-profile series or initiatives that require seasoned input.^[6] Representing the publication externally forms another core duty, where they engage in public discourse, attend industry events, and serve as a visible ambassador for the outlet's voice and values.^[6]^[2] In a strategic capacity, editors-at-large influence the publication's overall editorial direction by offering advisory perspectives on content strategy and innovation, helping to shape long-term initiatives like digital expansions or cross-platform collaborations.^[6] This may involve mentoring emerging talent through informal guidance on storytelling and career development, as well as fostering partnerships with external organizations to enhance the publication's reach.^[2] Their involvement emphasizes high-level contributions rather than routine tasks, allowing autonomy in pursuing ideas that advance the outlet's mission. The workflow for an editor-at-large is characterized by irregular but impactful output, typically focusing on a handful of major pieces annually rather than daily production.^[3] They participate in content ideation sessions and brainstorming without handling operational duties like copy editing or deadline management, enabling a roving, independent approach to their contributions.^[2] Ethical considerations are paramount, with editors-at-large upholding journalistic integrity through commitments to original reporting, thorough fact-checking, and transparency across all topics they cover. This aligns with the autonomous nature of the role, where personal accountability ensures balanced, verifiable content that builds public trust.

Variations by Publication Type

In print magazines, particularly fashion and lifestyle publications, the editor-at-large role emphasizes long-form features, in-depth trend analysis, and visual storytelling to curate cultural narratives. For instance, at Vogue, André Leon Talley served as editor-at-large from the 1980s onward, contributing authoritative pieces on fashion history and emerging designers while advising on visual layouts that integrated photography and editorial content to define seasonal trends. This adaptation builds on core content creation duties by prioritizing immersive, periodical-driven storytelling that influences reader perceptions over extended cycles.^[7]^[8] In digital outlets, the position shifts toward multimedia integration, SEO-optimized articles, and real-time social media engagement to drive online traffic and audience interaction. Editors-at-large here often produce a mix of concise op-eds on current events and expansive investigative pieces, leveraging digital tools for broader reach; Kara Swisher, as editor-at-large at Recode (a Vox Media property), exemplifies this by authoring tech analyses, moderating online panels, and amplifying content via social platforms to foster timely discussions on innovation. This focus ensures adaptability to fast-paced web environments, where content must balance depth with virality.^[9] For broadcast and hybrid media, editor-at-large responsibilities extend to on-air contributions, podcast production, and moderating live discussions, blending written expertise with performative analysis. At Bloomberg Media, Mishal Husain holds the role for Bloomberg Weekend, hosting a weekly global podcast that delivers expert commentary on news and policy while occasionally appearing in TV segments for real-time insights. Similarly, Gerard Baker, editor-at-large at The Wall Street Journal, leads the "Free Expression" opinion podcast, interviewing influencers on economic and political topics to extend print/digital content into audio formats. These adaptations emphasize verbal delivery and audience engagement in ephemeral broadcast settings.^[10]^[11] Niche adaptations appear in academic and trade publications, where the role centers on providing specialized expert commentary to inform professional audiences. For corporate media, such as business outlets, the position often involves brand-aligned advocacy, promoting strategic narratives that support organizational goals; Rich Karlgaard, editor-at-large at Forbes Media, focuses on futurist assessments of technology and economy, curating content that aligns with the publication's emphasis on entrepreneurial leadership and innovation.^[12]

Historical Development

Origins in Print Media

The role of the editor-at-large in print media originated in the early 20th century within American magazines, evolving from the concept of a "reporter at large," which denoted a journalist free to pursue stories without a fixed assignment. This format first appeared in The New Yorker as early as 1926, allowing contributors broad autonomy to explore diverse topics amid the magazine's expanding need for versatile, high-quality content.^[13]^[14] The position gained prominence during the post-World War II boom in consumer magazines, when circulation surged and publications sought to diversify content to meet growing reader demands. Editors like those at The Saturday Evening Post and Ladies’ Home Journal relied on freelance experts and contributors to fill specialized sections, formalizing flexible roles that attracted influential figures without requiring full-time office commitments.^[15] For instance, in May 1956, Michael Straight transitioned from editor to editor-at-large at The New Republic, enabling him to contribute strategically while stepping back from daily operations.^[15] By the 1950s and 1960s, the title appeared in prominent consumer and cultural magazines, where it signified outsiders with expertise shaping editorial direction on varied subjects. This reflected broader socio-cultural shifts, including rising literacy rates, intensified media competition, and the need for publications to cover diversifying topics like lifestyle, politics, and entertainment to sustain mass audiences.^[15]

Evolution in Digital and Broadcast Media

The role of the editor-at-large began adapting to digital platforms in the early 2000s as publications like The Atlantic shifted toward web-based content to counter declining print circulation. By 2010, under leadership from David G. Bradley and Justin B. Smith, The Atlantic implemented an aggressive digital strategy that increased original online stories to 100 per day, up from five, by hiring web-savvy journalists and integrating blogs and newsletters to drive traffic and engagement. This adaptation emphasized viral content strategies, such as real-time analysis and shareable opinion pieces, which helped digital advertising comprise 40% of the publication's revenue that year.^[16] In the 2010s, the editor-at-large position integrated with broadcast media, enabling cross-platform contributions in outlets like CNN and NPR. At CNN, figures such as Richard Quest served as business editor-at-large while anchoring Quest Means Business, blending written analysis with video essays and live panels to reach broader audiences through television and online streaming. Similarly, at NPR, Eric Deggans functioned as a critic-at-large, producing multimedia reports on television, film, and social issues that combined audio broadcasts with digital extensions like podcasts and web articles. These roles facilitated seamless content distribution across radio, TV, and online formats, responding to the convergence of traditional and digital broadcasting.^[17] As of 2025, contemporary trends in the editor-at-large role highlight AI-assisted research tools for faster fact-checking and content ideation, with surveys indicating that 51% of audiences perceive journalists using AI primarily for tasks like grammar editing. Global remote contributions have become standard, allowing editors to collaborate across time zones via digital platforms, as seen in remote journalism roles that produce international stories for outlets like Rest of World. In response to newspaper print advertising revenue plummeting 92% from 2000 to $6 billion in 2023, publications prioritize high-profile, shareable pieces optimized for social algorithms to boost digital subscriptions and ad clicks.^[18]^[19]^[20] These evolutions present challenges, including the heightened demand for multimedia skills such as video editing, SEO, and graphic design, which traditional editors must acquire amid resource constraints in shrinking newsrooms. Additionally, the role increasingly blurs with influencer positions in social media-driven journalism, where 37% of Americans ages 18 to 29 source news from influencers, raising ethical concerns about transparency and audience trust in non-traditional formats.^[21]^[22]

Notable Examples and Applications

Prominent Figures in Journalism

Sir Harold Evans (1928–2020) exemplified the editor-at-large role through his tenure at Reuters from 2011 until his death, where he moderated discussions with global leaders in business and politics while authoring pieces on journalistic ethics and investigative standards.^[23] His emphasis on rigorous fact-checking and ethical reporting influenced Reuters' global coverage, drawing from his earlier experience editing The Sunday Times, where he spearheaded exposés like the thalidomide scandal.^[24] Evans' work at Reuters extended to mentoring young journalists and advocating for press freedom, underscoring the position's value in bridging editorial oversight with independent commentary.^[25] Gerard Baker has served as editor-at-large at The Wall Street Journal since 2023, following his role as editor-in-chief, where he contributes columns on global politics, economics, and free expression, including his weekly "Free Expression" series that critiques media and cultural issues.^[11] His work, informed by over 30 years in journalism, includes hosting the "WSJ at Large" podcast and opinion pieces on international affairs as of 2025, highlighting the role's flexibility for senior contributors to influence discourse without daily management. Matt Purdy was named editor-at-large at The New York Times in 2022, after leading the investigations desk, where he guides ambitious reporting projects on topics like climate, health, and national security, leveraging his experience as a former Metro reporter and columnist.^[26] Purdy's contributions as of 2025 emphasize enterprise journalism, coordinating cross-desk collaborations that have earned Pulitzers, demonstrating how the position fosters innovative, high-impact stories beyond routine editing.^[27] These figures' contributions have collectively earned prestigious accolades, including multiple Pulitzer Prizes and National Magazine Awards, demonstrating how editors-at-large drive influential narratives that inform and challenge public opinion on critical issues. Their work highlights the role's prestige in fostering high-impact journalism that transcends traditional editorial boundaries.

Applications in Fashion and Lifestyle Media

In fashion and lifestyle media, the editor-at-large role often emphasizes curating trendsetting narratives, celebrity-driven content, and cultural commentary that shape public perceptions of style and luxury. A prominent example is André Leon Talley, who served as editor-at-large at Vogue from 1998 to 2013, where he crafted influential fashion stories and in-depth celebrity profiles that bridged high fashion with broader societal aesthetics.^[28]^[29] Talley's work during this period, including features on designers and cultural icons, helped define the magazine's authoritative voice on evolving beauty standards and diversity in fashion. Anna Wintour, longtime editor-in-chief of Vogue, frequently collaborated with editor-at-large figures to intersect luxury fashion with pop culture, extending this dynamic to sister publication Vanity Fair. At Vogue, Talley partnered closely with Wintour on editorial visions that elevated celebrity profiles and trend analyses from the 1990s onward.^[30]^[31] Similarly, at Vanity Fair, Graydon Carter, as editor from the 1990s to 2017, worked alongside Wintour's influence at Condé Nast to produce content blending Hollywood glamour, luxury brands, and societal commentary, such as annual Hollywood issues that spotlighted fashion's role in entertainment.^[32]^[33] These collaborations underscored the editor-at-large's flexibility in contributing high-impact pieces without daily operational duties. As of 2025, modern editor-at-large roles in lifestyle media continue to evolve, incorporating interdisciplinary voices to merge literature, culture, and style. For instance, Anna Dello Russo serves as editor-at-large at Vogue Japan, where she contributes creative editorials and street-style insights that blend high fashion with personal flair, including features on global trends and designer collaborations.^[34] This approach highlights how such figures provide thoughtful commentary on style's cultural significance, distinct from traditional editorial hierarchies. Similarly, Hamish Bowles, global editor-at-large at Vogue since 2011, curates international content on fashion history and contemporary aesthetics, including his 2024 CFDA award recognition for decades of influential contributions.^[35] Unique to fashion and lifestyle applications, editor-at-large positions frequently require hands-on involvement in high-profile events like Fashion Week, where professionals attend runway shows, network with designers, and inform visual storytelling.^[36]^[37] Unlike news-focused roles, these duties emphasize directing photo shoots, curating visual layouts, and capturing ephemeral trends to guide audience tastes in aesthetics and lifestyle.^[38]^[39]

Differences from Editor-in-Chief

The editor-in-chief serves as the highest-ranking editorial leader in a publication, overseeing the entire editorial team, operations, and strategic direction, while the editor-at-large functions with significant independence, contributing specialized content without direct supervisory duties over staff.^[2] The editor-in-chief is responsible for hiring, training, and managing editors, reporters, and writers to ensure cohesive operations and a collaborative environment.^[40] In contrast, the editor-at-large, often a seasoned journalist, selects assignments based on personal interests within the publication's scope, operating as a "roving editor" unbound by specific beats or departmental constraints.^[2] Regarding scope of work, the editor-in-chief manages key operational elements such as enforcing deadlines, upholding journalistic ethics, and setting the publication's overall tone, style, and policy to align with its vision.^[40]^[41] This role involves final decision-making on content approval, fact-checking oversight, and ensuring adherence to legal and ethical standards, often including resource allocation in larger organizations.^[40] The editor-at-large, however, emphasizes creative autonomy, producing in-depth pieces or commentary without the administrative load of coordinating teams, budgeting, or enforcing production timelines.^[2] Accountability differs markedly, with the editor-in-chief bearing ultimate responsibility for the publication's quality, integrity, and consistency, including the final say on all articles and the overall editorial output.^[2]^[40] Evaluation for an editor-at-large centers on the impact and relevance of their individual contributions, such as innovative stories that enhance the publication's reputation, rather than team performance or operational success.^[2] While roles are typically distinct in established publications, smaller outlets may see overlap where one individual assumes multiple titles, including elements of both positions, to cover essential functions.^[41]

Differences from Contributing Editor

Note that editorial titles and responsibilities can vary significantly by publication and media type.^[42] While both roles involve contributing to a publication's content, the editor-at-large and contributing editor often differ in employment structure and integration, though titles and responsibilities can vary and sometimes overlap by publication.^[43]^[44] The role of an editor-at-large can vary by publication, sometimes functioning as a full-time staff position with benefits and integration into operations, or as a part-time or contract role focused on special projects.^[42]^[43] In contrast, a contributing editor is typically a freelance or part-time role, compensated on a per-piece basis without staff benefits or formal employment ties.^[45] In terms of involvement, the editor-at-large contributes content with significant autonomy, often as a senior or innovative thinker within the publication's scope.^[2] Contributing editors focus primarily on delivering occasional articles or pieces as specialists, without authority to edit others' submissions or participate in broader editorial direction.^[45] Commitment levels also diverge significantly. Editors-at-large are anticipated to deliver consistent, high-priority output and enjoy access to internal editorial processes, fostering ongoing engagement with the publication.^[2] Contributing editors, by comparison, operate without output guarantees or internal access, submitting work sporadically based on assignments or invitations.^[45] These distinctions contribute to a prestige gradient, where the editor-at-large title denotes established seniority, trust, and autonomy, often reserved for proven veterans.^[42] The contributing editor role provides valuable expert or influential input, typically without full institutional embedding.^[45]

References

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someone who writes for a magazine, newspaper or website and has no particular area of responsibility but can write about any subject that interests them.
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