Escape from Planet Earth
Escape from Planet Earth is a 2013 Canadian-American 3D computer-animated science fiction comedy film directed by Cal Brunker in his feature directorial debut.[1] The story centers on the planet Baab, where celebrated astronaut Scorch Supernova (voiced by Brendan Fraser) embarks on a rescue mission to Earth—a planet deemed highly dangerous by his species—ignoring warnings from his cautious, computer-savvy brother Gary (voiced by Rob Corddry).[2] Captured upon arrival at Area 51 by a scheming U.S. general (voiced by James Gandolfini), Scorch's predicament forces Gary, along with Scorch's son Kip (voiced by Jonathan Morgan Heit) and other allies including Gary's wife Lena (voiced by Jessica Alba), to mount an elaborate escape plan from the secretive base.[3] Written by Brunker and Bob Barlen, the film features a voice cast that also includes Ricky Gervais as the AI computer Mr. James, Sarah Jessica Parker as the news anchor Kira, and Steve Zahn as the security officer Hawk.[4] Produced by Rainmaker Entertainment (now known as Mainframe Studios) with a budget of $40 million, it was distributed by The Weinstein Company and released theatrically in the United States on February 15, 2013.[5] The animation emphasizes vibrant visuals and family-friendly humor.[6] Upon release, Escape from Planet Earth received mixed-to-negative reviews from critics, who praised the voice performances and animation but criticized the formulaic plot and uneven pacing, resulting in a 35% approval rating on Rotten Tomatoes based on 43 reviews.[2] Commercially, it grossed $74.2 million worldwide, performing modestly at the box office amid competition from other animated features that year.[5] The film explores themes of brotherhood and heroism through its satirical take on Area 51 and extraterrestrial encounters, appealing primarily to younger audiences.[6]Synopsis
Plot
On the utopian planet Baab, where blue-skinned aliens thrive in an advanced society, celebrated astronaut Scorch Supernova embarks on high-stakes rescue missions for the Baabian Aeronautics and Space Administration (BASA), with his intelligent but cautious older brother Gary coordinating from mission control.[7][6] Despite Gary's warnings about Earth's notorious dangers—earning it the moniker "Dark Planet"—Scorch responds to an urgent SOS signal and travels there alone, landing in a remote desert. Mistaking a waving inflatable figure outside a 7-Eleven for a stranded lifeform, Scorch attempts a rescue, only to be ambushed and captured by U.S. military personnel in hazmat suits led by the ruthless General Shanker, who transports him to the secretive Area 51 facility.[8][9] The capture devastates Baab, turning Scorch's live broadcast into a national tragedy and straining family ties; Gary, already resentful of Scorch's glory-seeking ways after a prior mission fallout, quits BASA in anger. However, Gary's wife Kira—a brilliant former rocket scientist who paused her career for their family—and their 10-year-old son Kip, who idolizes his uncle Scorch as his hero, are distraught. Upset with Gary's inaction, Kip steals a spaceship to rescue Scorch, prompting Gary—motivated to save his son, earn Kip's respect, and redeem his brotherly bond—to commandeer another ship and head to Earth, navigating atmospheric entry challenges before crash-landing and being captured by Shanker's forces as well.[6][8][7] Imprisoned at Area 51 alongside other extraterrestrial captives—including the inventive three-eyed slug-like Thurman, the analytical one-eyed Io, and the clever mouse-like alien Doc—Scorch and Gary learn the facility's sinister purpose. Shanker has been luring peaceful aliens to Earth for decades, exploiting their technological expertise to develop advanced weaponry, including a massive laser cannon powered by the aliens' rare energy source, Blubonium, intended to destroy entire planets and establish Earthly dominance over the galaxy. To manipulate the prisoners into compliance, Shanker screens a fabricated documentary depicting aliens as monstrous invaders and humans as defenseless victims, fostering division and despair among the captives. The brothers, initially at odds, begin reconciling as Gary's strategic mind complements Scorch's boldness, forging an alliance with the other aliens to plot an escape.[9][8][6] Meanwhile, on Baab, Kira and Kip take initiative when BASA's director Lena—secretly collaborating with Shanker via anonymous online chats—refuses to intervene. Kira reactivates her scientific skills to build a tracking device, while the tech-savvy Kip hacks into secure systems to monitor the brothers' signals and send distress coordinates. As tensions rise, Shanker tests his prototype weapon by obliterating a passing comet, revealing the full scope of his genocidal ambitions and prompting the captives to accelerate their rebellion. During the weapon's final assembly, the aliens sabotage its core, sparking chaos.[6][8][9] In the ensuing confrontation, Scorch and Gary lead a breakout, battling Shanker's automated defenses and human guards through Area 51's labyrinthine corridors. They leverage Earth's unfamiliar environment to their advantage—using extreme cold in a freezer vault to disable robotic pursuers, commandeering vehicles for high-speed chases across the desert, and exploiting gravity in ventilation shafts for evasion. Kira and Kip's remote support provides critical diversions, including overriding security protocols from Baab. The brothers ultimately overpower Shanker in a climactic showdown atop the facility, where his overconfidence leads to his defeat as he plummets during the struggle. With the weapon destroyed and the captives freed, the group commandeers spaceships to escape Earth's orbit, returning triumphantly to Baab. Scorch and Gary are hailed as dual heroes, their sibling rivalry resolved into mutual respect, while the family reunites stronger, emphasizing Gary's emergence as an unlikely but essential leader.[8][7][6]Themes
The film Escape from Planet Earth explores central themes of family reconciliation and brotherhood, centering on the strained relationship between the alien brothers Scorch and Gary Supernova, who must resolve their conflicts to survive and return home.[10] This dynamic highlights the importance of mutual understanding and appreciation within sibling bonds, as Scorch's initial dismissal of Gary evolves into recognition of his brother's value during their ordeal.[11] The narrative underscores how family ties provide strength against external threats, culminating in emotional growth and collaborative efforts that affirm reconciliation as a path to unity.[10] A key motif is the dangers of blind heroism, embodied by Scorch's impulsive bravery as a celebrated astronaut from Planet Baab, which leads him into peril without considering consequences or strategy.[10] In contrast, Gary represents intellect and caution, illustrating that true heroism arises from thoughtful action rather than reckless daring, a lesson reinforced through their complementary roles in escaping captivity.[12] The story critiques unchecked ego in heroic pursuits, showing how it endangers not only the individual but also loved ones, promoting balance between courage and wisdom.[11] Through the character of General Shanker, the film offers a critique of human militarism, portraying him as a power-hungry authority figure who weaponizes alien technology for conquest and domination.[10] Shanker's vengeful actions at Area 51 symbolize aggressive militarization and the unseen perils of war, serving as a cautionary tale about fear-driven aggression against perceived outsiders.[13] This theme warns of the destructive consequences of such ideologies, contrasting Earth's militarized secrecy with interspecies cooperation among the imprisoned aliens, who unite across differences to foil the general's plans.[10] Symbolic elements further enrich these motifs, with Planet Baab depicted as a utopian society of advanced, harmonious technology and blue-skinned inhabitants, standing in stark opposition to the dystopian, fortified confines of Area 51 on Earth.[10] The brotherly contrast between Scorch's ego-driven bravado and Gary's intellectual restraint satirizes archetypal gender and personality stereotypes, while the narrative subtly mocks environmental neglect and overreliance on technology through product placements and exaggerated human flaws.[10] These themes resolve in the ending via redemption through teamwork, as the brothers and their allies leverage collective strengths for escape and victory, emphasizing cooperation over isolation.[11]Cast and characters
Voice cast
The voice cast of the 2013 animated film Escape from Planet Earth comprises a diverse ensemble of actors providing performances for its alien and human characters.[14]| Actor | Character |
|---|---|
| Rob Corddry | Gary Supernova |
| Brendan Fraser | Scorch Supernova |
| Sarah Jessica Parker | Kira Supernova |
| William Shatner | General Shanker |
| Jessica Alba | Lena |
| Ricky Gervais | Mr. James Bing |
| Craig Robinson | Doc |
| George López | Thurman |
| Jane Lynch | Io |
| Steve Zahn | Hawk |
| Chris Parnell | Hammer |
| Jonathan Morgan Heit | Kip Supernova |
| Sofía Vergara | Gabby |
| Kaitlin Olson | 3D Movie Girl |
Characters
The main characters of Escape from Planet Earth are the blue-skinned Baabian aliens from the planet Baab, characterized by their humanoid forms with fin-like head features and vibrant, Smurf-like blue pigmentation that distinguishes them from humans.[16][2] Scorch Supernova serves as a dashing, heroic astronaut and national icon on Baab, renowned for his adventurous spirit and mastery of daring interplanetary rescues, though his personality is marked by recklessness and a macho bravado that often overlooks caution.[2][16][8] His design features a superhero-inspired outfit with a cape, emphasizing his bold, larger-than-life role as a celebrated pilot.[16] Gary Supernova, Scorch's older brother, contrasts sharply as an intelligent, brainy mission control operator who is often overlooked despite his technical expertise and cautious nature; he embodies humility and sensitivity within the family dynamic.[16][8] Like other Baabians, he shares the species' blue skin, but his geekish demeanor highlights his supportive, behind-the-scenes role.[16] Kira Supernova, Gary's supportive wife and Kip's mother, is a capable and resourceful figure who prioritizes family while demonstrating her own skills and strength, having stepped back from her career to raise their son.[16][8] Her design aligns with Baabian aesthetics, featuring the typical blue skin and practical attire suited to her multifaceted role.[16] Their son, Kip Supernova, is a young, high-spirited and daring child who idolizes his uncle Scorch, adding youthful energy to the family ties that bind the Supernovas together.[16][8] General Shanker acts as the scheming human antagonist, a megalomaniacal military leader overseeing Area 51 with a vengeful and exploitative demeanor, exploiting captured aliens for his ambitions.[16][8] Supporting alien prisoners include Doc, a mouse-like alien inventor voiced by Craig Robinson, and Thurman, a slug-like alien voiced by George López, both contributing to the dynamics among the detained extraterrestrials at Area 51 through their collaborative ingenuity.[17][18]Production
Development
The development of Escape from Planet Earth originated in February 2006, when The Weinstein Company acquired the rights to an original idea by writer Tony Leech for a computer-animated comedy feature film.[19] The initial screenplay was co-written by Leech and Cory Edwards, centering on a rescue mission story involving a neurotic alien named Gary leading a crew of extraterrestrials to free captives held on Earth, including elements of intergalactic adventure and humor.[20] Progress on the project advanced slowly in its early years until late 2010, when Cal Brunker joined as director and co-writer, partnering with Bob Barlen to revise and finalize the script for production.[21] Brunker, a storyboard artist transitioning to his feature directorial debut, refined the narrative into a family-friendly tale of alien brothers Scorch and Gary navigating dangers on Earth during a high-stakes rescue. The film was budgeted at $40 million to support its 3D animation and visual effects requirements.[22]Pre-production and animation
Escape from Planet Earth was produced by Rainmaker Entertainment, a Vancouver-based studio now known as Mainframe Studios, marking its first theatrical feature film. The production utilized 3D computer animation techniques, employing Autodesk Maya for modeling, rigging, and animation, while The Foundry's Nuke was used for compositing complex sequences such as the vast Nevada desert environments.[23][24] Pre-production began in 2007, with director Cal Brunker leading a small team of story artists and editors to create animatics and reels for approval by The Weinstein Company. Storyboarding was an iterative process guided by Brunker, a former storyboard artist, who sketched key panels to capture iconic moments and ensure narrative flow. Layout followed, emphasizing composed shots with director of photography Matthew Ward overseeing the visual framing to enhance the film's comedic and adventurous tone; this phase extended through 2010 to 2012 as the script evolved. Animation production commenced in 2011, involving up to 120 artists who adapted assets dynamically to script changes via a flexible pipeline.[24][23][21][25] Design elements focused on world-building for Planet Baab, depicted as a vibrant homeworld for blue-skinned aliens, and the secretive Area 51 on Earth, portrayed as a high-security facility with hidden laboratories and alien containment areas. Character models, supervised by James Wallace, balanced flexible alien physiology with realistic proportions to support subtle squash-and-stretch animations that grounded the comedy in believable physics. Set designs evolved concurrently, incorporating sci-fi aesthetics like advanced spacecraft and underground bunkers to create immersive environments. The film was rendered in stereoscopic 3D format using Solid MTL's tools for depth separation, resulting in an 89-minute runtime optimized for theatrical presentation.[23][21][1]Casting
The casting for Escape from Planet Earth was overseen by director Cal Brunker, who collaborated with producers to assemble an ensemble voice cast suited to the film's comedic sci-fi tone. In August 2011, key roles were announced with Rob Corddry voicing the cautious mission controller Gary Supernova, Brendan Fraser as the heroic astronaut Scorch Supernova, Sarah Jessica Parker as the supportive Kira Supernova, Jessica Alba as Lena Thackleman, and Craig Robinson in supporting parts. James Gandolfini was initially cast as General Shanker but was later replaced by William Shatner.[26][27][28] Brunker selected Parker specifically for her inherent warmth, which aligned with Kira's nurturing character, while Alba embraced the opportunity to voice a more villainous figure, taking advantage of animation's expressive flexibility.[29] Voice recording sessions occurred primarily between 2011 and 2012, with most actors working individually due to demanding schedules, though flexibility was maintained through remote collaboration where needed. Corddry and Robinson, longtime friends, recorded together to capture natural chemistry in their scenes, while others like Chris Parnell and Steve Zahn exchanged performances remotely to refine interactions. Production sound work involved facilities in Vancouver, home to Rainmaker Entertainment, and Los Angeles, facilitating the integration of voices into the animation pipeline.[29][30] Celebrity involvement added layers of humor, particularly William Shatner's casting as the antagonistic General Shanker, where his improvisational style introduced unexpected comedic beats that surprised the directors and enhanced the character's bombastic edge. Brunker noted the challenge of coordinating high-profile schedules, requiring adaptive direction to allow actors room for creative input while ensuring consistency.[29]Lawsuit
In March 2011, producers Tony Leech and Brian Inerfeld, along with Protocol Pictures, filed a $50 million lawsuit against The Weinstein Company (TWC), its co-chairmen Harvey and Bob Weinstein, and several affiliated entities including Rainmaker Entertainment Inc. and Escape Productions.[31][32] The suit alleged breach of contract, tortious interference, and negligence in the handling of the animated film Escape from Planet Earth, claiming that TWC's mismanagement— including demanding over 17 script rewrites, employing more than 200 animators without assigning tasks, and making costly casting decisions such as hiring and then dropping Kevin Bacon for $75,000 total—had sabotaged production and delayed the film's release from its original 2009 target.[32][33] Central to the claims were disputes over profit-sharing, with the plaintiffs asserting entitlement to at least 20% of the film's adjusted gross profits as per their agreement, which TWC allegedly withheld by overselling distribution rights—exceeding 100% of potential profits—and using the producers' shares as collateral to attract other investors.[34][32] The producers further accused TWC of failing to pay promised upfront fees and producer participations, estimating their lost profits at $50 million, and noted that TWC had offered $500,000 to postpone the filing until after the 2011 Academy Awards.[31][32] The case progressed through pretrial motions, with a New York judge rejecting several dismissal attempts in October 2011, but it was ultimately resolved via settlement in February 2013, shortly before the film's theatrical release.[35] The agreement between TWC and the plaintiffs, including financing entity Reese Pictures, was for an undisclosed amount, with the lawsuit discontinued with prejudice and no exchange of court costs.[36][37] The dispute contributed to production delays but did not ultimately alter the film's February 2013 release schedule or distribution plans.[31][33]Music
Score
The original score for Escape from Planet Earth was composed by Aaron Zigman, marking his first venture into scoring an animated feature film.[38] Zigman's score blends sumptuously orchestral elements inspired by classic sci-fi sounds, such as 1950s stereotypes and John Williams-style heroism, with comedic cues incorporating big band swing and Klezmer influences to match the film's adventurous and humorous tone.[39] Composed in 2012, the nearly two-hour score was recorded with a 100-piece live orchestra and choir at Abbey Road Studios in London, emphasizing symphonic and choral textures for emotional depth and high-energy action.[38][40] Key tracks highlight the film's narrative, including the "Escape from Planet Earth Overture" as the main theme evoking the vibrant world of Baab, family-oriented motifs in "Family Theme / Gary & Kira Save Kip," and intense action sequences like "Tornado / Shanker Battles the Aliens" and "Shanker Targets Planet Baab."[41] The score album, featuring 24 instrumental tracks totaling over 70 minutes, was released digitally on February 8, 2013, by Sony Classical.[41] Reception praised the score's thematic consistency and melodic construction, describing it as Zigman's zaniest and strongest work to date, with a cohesive energy suitable for family animation.[39] For its contributions, the score earned Zigman the BMI Film Music Award in 2013.[42]Soundtrack
The soundtrack album for Escape from Planet Earth, titled Escape from Planet Earth (Original Motion Picture Soundtrack), was released on February 19, 2013, by The Weinstein Company under exclusive license to Sony Classical.[40] Comprising 13 tracks, it includes a mix of original songs created for the film and licensed contemporary pop and electronic tracks selected to enhance its energetic, adventurous tone.[43] Notable original contributions feature "Shine Supernova," performed by Cody Simpson with music and lyrics by Deron Johnson, Andrea Remanda, Charles Ray Mack, and Aaron Zigman, which plays during the film's end credits and serves as a thematic anthem reflecting the story's heroic escapades.[44] Another key original track, "What Matters Most," performed by Delta Rae and composed by Aaron Zigman and Steve Diamond, underscores emotional family reunion scenes.[44] Licensed songs provide dynamic accompaniment to action sequences and montages, such as "Bom Bom" by Sam and the Womp (written by Aaron Horn, Sam Ritchie, Bloom De Wylde De Lindgy, and Raz Olsher), which energizes chase and escape moments with its upbeat rhythm.[44] "Shooting Star" by Owl City (written by Adam Young) appears in the film's closing sequences, amplifying the triumphant return to Planet Baab.[44] Other highlights from the album include "Give Me Your Hand (Best Song Ever)" by The Ready Set and "Watch Your Back" by Zeazy Z, integrated into high-energy montages to heighten the sci-fi comedy's playful vibe.[43]| Track | Artist | Notes |
|---|---|---|
| Shooting Star | Owl City | Licensed pop track; used in resolution scenes |
| Give Me Your Hand (Best Song Ever) | The Ready Set | Upbeat electronic song for action montages |
| Bom Bom (Radio Edit) | Sam and the Womp | Featured in chase sequences |
| Shine Supernova | Cody Simpson | Original theme; end credits |
| What Matters Most | Delta Rae | Original; emotional family moments |