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Fall On Your Sword

Fall On Your Sword is an multimedia production company specializing in music , , and audio post-production for films, television series, commercials, trailers, and interactive installations, with studios in and . Founded in 2009 by London-born composer and multi-instrumentalist Will Bates in , the company expanded to under the partnership of Bates and Alper, who together emphasize a collaborative, holistic approach to blending sound with visual storytelling. Bates, known for his work as a saxophonist with artists including and as a for acts like , initially gained attention through viral YouTube music videos that evolved into the company's live performances and commercial projects. The company has earned acclaim for its innovative use of custom instruments, Dolby Atmos mixing, and immersive soundscapes, including award-winning work on interactive installations and commercials such as the Siemens Wind Energy spot, which utilized wind-generated sounds and secured multiple industry honors. Notable commercial clients include , , , , , , and , where Fall On Your Sword has crafted audio that enhances brand narratives across advertising campaigns. In film and television, Fall On Your Sword has composed original scores for projects like the 2023 feature (directed by ), Netflix's Golden Globe- and Emmy-nominated limited series , and Hilary Swank-starring Away, as well as HBO's documentary Going Clear: Scientology and the Prison of Belief, Hulu's The Path, and SyFy's The Magicians. Earlier works include the scores for indie films (2011, which received a grant at Sundance) and I Origins (2014), marking the company's entry into narrative cinema with atmospheric, genre-blending soundtracks. Fall On Your Sword's contributions extend to documentaries and recent releases such as Neon's Immaculate, ' Catching Fire: The Story of , and Netflix's The Life List and Hulu's Call Her Alex, demonstrating a versatility that spans dramatic features, TV, and while prioritizing sonic innovation in evolving media landscapes.

History

Founding and Early Years

Fall On Your Sword was founded in 2009 by composer and multi-instrumentalist Will Bates in , , initially as a entity blending music and visual art. The project originated from Bates's earlier experiments in , beginning in 2007 with a series of viral mashup videos that gained significant online traction, such as "Shatner of the Mount," which amassed millions of views and established the collective's experimental aesthetic. These early digital works laid the groundwork for Fall On Your Sword's identity, transitioning from solitary video creations to a collaborative platform for sonic and visual innovation. By 2009, Fall On Your Sword had evolved into a live band, with Bates and collaborators performing at events and festivals, including appearances at the Sundance Film Festival's ASCAP Music Cafe in 2011 and the Film Society of in the same year. The band's live acts emphasized improvisational and elements, drawing from the viral energy of their online videos to create immersive performances that fused electronic, rock, and sounds. This phase marked a shift from digital experimentation to tangible, communal artistic expression, fostering a reputation within New York's music and art scenes. In its formative years, the collective prioritized collaborative music creation tailored to independent films and emerging projects, reflecting Bates's background in audio-visual synergy. Early endeavors focused on producing original scores and sound designs that enhanced narrative and experimental works, with an emphasis on innovative textures over conventional . Notable initial projects included scoring for short films and music videos in the late , such as Bates's first professional for the 2009 indie feature You Won't Miss Me, which premiered at Sundance and showcased the group's ability to craft intimate, atmospheric soundscapes for low-budget productions. These efforts solidified Fall On Your Sword's role as a creative hub for Brooklyn's and communities, setting the stage for broader production work.

Evolution and Expansion

Following its founding in as a music production entity in , Fall On Your Sword underwent significant evolution in the early , transitioning from a band-originated to a full-service audio production studio. This growth was marked by the hiring of Lucy Alper in April 2010, who joined founders Will Bates and Phil Mossman to expand operations and professionalize client-facing services. Alper's role facilitated the studio's diversification into commercial music production, enabling partnerships with major brands such as and through collaborations with agencies. By 2012, the company had established a 2,000-square-foot facility in , serving as its creative hub for composing, mixing, and tailored to both and projects. In 2012, Fall On Your Sword expanded its infrastructure by establishing a second office in , complementing the Brooklyn location and providing direct access to the film and television industry. This dual-office setup allowed the studio to handle larger-scale projects, with retaining its focus on innovative creative development and supporting on-site collaboration with Hollywood productions. The relocation and growth in team size enabled the handling of more complex workflows, including music supervision and immersive , as the company scaled to accommodate increasing demand from streaming platforms and ad campaigns. Entering the 2020s, Fall On Your Sword further advanced its technical capabilities by adopting mixing technology, retrofitting its studio's 7.1 surround room into a 7.1.4 Atmos setup in response to client requirements from platforms like . This upgrade, completed within six weeks of initial consultations, enhanced the studio's ability to deliver immersive audio for films and series, positioning it as a versatile facility open to external mixers. Key milestones during this period included team expansion to support high-profile projects, such as award-winning scores and interactive installations, solidifying the company's role in the evolving landscape of audio production for visual media.

Key Personnel

Founders and Leadership

Fall On Your Sword was founded in 2009 by composer Will Bates, a London-born musician with a background in and . Bates, who earlier formed the pop-punk band The Rinse in , played a pivotal role in evolving the company from his initial band-based projects into a full-fledged music production studio focused on , , and scores. As the , he oversees the studio's sonic innovations, blending live instrumentation with futuristic elements to create distinctive audio landscapes. Lucy Alper serves as and co-leader, joining Bates at the company's after they met at Amber Music in , where she worked as a and he as an in-house . With expertise in , Alper manages business operations and production logistics, ensuring seamless project execution across commercials, films, and immersive installations. The leadership structure at Fall On Your Sword emphasizes a collaborative model, with Bates driving creative direction through experimental and Alper handling operational efficiencies to support the studio's holistic approach to music and . This partnership has enabled the expansion of facilities in and , fostering integrated workflows that combine composition and under one roof.

Notable Contributors

Fall On Your Sword employs a compact team of musicians, composers, and audio specialists who excel in blending electronic, orchestral, and hybrid genres to create innovative soundscapes for visual media. The in-house roster features multi-instrumentalists and producers adept at crafting immersive audio experiences, including those leveraging for spatial . Recurring collaborators include composer Phil Mossman, a founding creative partner whose electronic music background—stemming from his work with —has enriched hybrid scores and production efforts. Sound engineer George Dellinger, serving as audio post producer, has contributed extensively to post-production workflows, particularly in mixing and for immersive projects. Additional key contributors encompass freelance composer Mark Tewarson, known for his film scoring expertise and guitar-driven compositions, and music producer Patrick Stratton, who specializes in recording, mixing, and genre-spanning production. Under oversight, these individuals form a collaborative core that supports the company's multifaceted audio services.

Services

Music Composition and Scoring

Fall On Your Sword specializes in creating original music scores for visual media, employing a custom process that spans from initial concept development to final mixing. This involves close with directors and clients to align audio with narrative elements, often starting with during scene viewings to capture raw melodic ideas, which are then refined iteratively in their studios. The process emphasizes real-time adjustments, such as altering instrument layers during mixing to fit tight production schedules, ensuring the score integrates seamlessly with visuals. The company blends electronic, acoustic, and ambient elements to craft diverse sound palettes, frequently incorporating modular synthesizers for experimental textures and field recordings to add organic, site-specific depth. Acoustic instruments like saxophones, prepared pianos, and ethnic tools such as the or are layered with electronic distortion and reverb, creating hybrid sounds that enhance emotional without overpowering . This technique-driven approach allows for unique sonic identities, where mistakes in experimentation often lead to innovative breakthroughs. At its core, Fall On Your Sword's philosophy centers on driving emotional narrative through sound, viewing music as a tool to connect audiences more deeply with and arcs. Scores are designed to evoke subtextual feelings, such as or , by finding a "eureka moment"—a distinctive intrinsically linked to the project's essence—rather than relying on conventional formulas. This storytelling focus guides all compositions, prioritizing immersive experiences over genre constraints. The firm handles a range of genres, including sci-fi soundscapes with ethereal, otherworldly ambiences; dramatic underscores that build suspense through subtle layering; and upbeat commercial tracks featuring energetic, rhythmic pulses. Their approach adapts to project scale: for films, they employ resource-efficient methods like in-house and minimal to maintain intimacy and budget alignment, while high-budget advertisements receive polished, high-impact arrangements with extensive integration for broadcast readiness.

Audio Post-Production

Fall On Your Sword provides full-service , encompassing sound editing, Foley artistry, automated replacement (), and immersive mixing tailored for , , and commercial projects. These services enhance the auditory experience by refining clarity, creating realistic environmental sounds through Foley, and integrating layered audio elements to support narrative depth. The studio's approach emphasizes precision in syncing sound with visuals, ensuring seamless integration that amplifies emotional and atmospheric impact. The company's technical capabilities include in-house studios in Los Angeles and Brooklyn, equipped for 5.1 surround and Dolby Atmos deliverables, with a dedicated 7.1.4 Atmos mix stage featuring Avid S6 consoles, MTRX Pro Tools HD interfaces, and JBL Cinema Surround speakers. Since 2020, Fall On Your Sword has intensified its focus on spatial audio, responding to industry demands such as Netflix's Atmos requirements for streaming content, enabling immersive soundscapes that envelop listeners in three-dimensional environments. This upgrade, completed in collaboration with Westlake Pro Design Services, transformed their existing 7.1 setup into a versatile Atmos facility within six weeks, making advanced mixing more accessible to independent creators. In their , the team collaborates closely with directors and creatives to synchronize audio-visual elements, beginning with creative discussions and progressing through iterative feedback on sketches and mixes to align sound with the project's vision. This process involves team-based reviews, such as "first listen" sessions, to refine elements like replacement and for optimal translation across playback devices. For immersive formats, they leverage analog synthesizers and acoustic instruments to craft dynamic, responsive audio layers. Innovations at Fall On Your Sword include custom tools developed for soundscapes, drawing from their expertise in installations to create adaptive audio that responds to user interactions in and immersive environments. These tools facilitate bespoke for non-linear narratives, enhancing engagement in projects like virtual experiences and exhibits. By opening their Atmos-equipped studios to external mixers, the company fosters broader in spatial audio production.

Notable Works

Feature Films

Fall On Your Sword has made significant contributions to the soundscapes of and sci-fi feature films, often through the compositions of founder Will Bates in collaboration with Phil Mossman. Their work emphasizes atmospheric elements blended with organic textures to enhance thematic depth, particularly in explorations of , , and existential questions. The company's breakthrough in feature films came with the 2011 sci-fi drama , directed by Mike Cahill, where Fall On Your Sword provided the original score. Composed by Will Bates and Phil Mossman, the soundtrack features haunting electronic motifs that balance delicate warmth with aggressive propulsion, creating an otherworldly tension that mirrors the film's themes of parallel worlds and . Critics praised its immersive quality, noting how it emerges as a "truly haunting voice" that elevates the production's emotional resonance. In 2014, Fall On Your Sword returned to collaborate with Cahill on the sci-fi thriller , with Bates and Mossman crafting the original motion picture . The score incorporates ambient and electronic layers, including tracks like "Invisible Doors" by Fall On Your Sword, to underscore the narrative's blend of scientific inquiry and spiritual . Reviewers highlighted its role in achieving an "exceptional balance between the emotional and intellectual aspects," contributing to the film's contemplative atmosphere in the sci-fi genre. The 2015 documentary Going Clear: Scientology and the Prison of Belief, directed by , featured an original score by Will Bates under the Fall On Your Sword banner. Bates's composition delivers moody, eerie rhythms with percussive and synth elements that evoke unease and introspection, aligning with the film's exposé on institutional control. The soundtrack's emotional depth was noted for capturing the story's complex human elements amid its investigative tone. Post-2020, Fall On Your Sword continued its indie focus with the 2021 sci-fi romance Bliss, again directed by Cahill and starring Owen Wilson and Salma Hayek. Bates composed the score using a full orchestra for the first time, resulting in a dynamic mix of heady electronica, lush strings, and genre-shifting cues that reflect the film's dual realities of simulation and desire. Described as an "impressive feat" and a showcase of Bates's versatility, the soundtrack cohesively ties the narrative's philosophical layers. In 2023, Bates scored the financial drama , directed by , blending tense electronic pulses and orchestral swells to underscore the high-stakes retail trading frenzy inspired by the saga. The score enhances the film's satirical take on market volatility and underdog rebellion. The company contributed to the 2023 documentary , directed by Alexis Bloom, with Bates crafting a rock-infused soundtrack that captures the model's turbulent life intertwined with era, using archival sounds and atmospheric layers for emotional depth. In 2024, Bates provided the score for the horror film Immaculate, directed by Michael Mohan and starring , employing dissonant strings and eerie vocals to amplify the convent-set thriller's themes of faith and terror. Most recently, in 2025, Bates scored The Life List, a drama directed by , featuring uplifting yet introspective cues with and strings to follow a woman's journey fulfilling her mother's , emphasizing themes of legacy and self-discovery. Also in 2025, Bates scored the indie thriller Tuner, directed by and starring and , which had its world premiere at the and screened at the . The score supports the film's crime-drama elements, where a piano tuner's skills lead to unexpected dangers, emphasizing rhythmic precision to heighten and in this offbeat narrative.

Television and Streaming

Fall On Your Sword has contributed original scores to several television series and miniseries, with a focus on crafting thematic music and episodic cues that enhance dramatic storytelling. Their work emphasizes immersive soundscapes tailored to complex narratives, often blending elements with orchestral textures to underscore tension and character development. A prominent example is their scoring for The Magicians (2015–2020), a series spanning five seasons that adapts Lev Grossman's fantasy novels. Fall On Your Sword, led by composer Will Bates, provided the main theme and episode-specific cues starting from the pilot episode, using piano-driven motifs and unique instrumentation to capture the show's blend of magic, emotion, and peril. These contributions evolved across seasons to include character-specific themes and situational underscores, supporting the narrative's progression from academic intrigue to multiverse-spanning conflicts; Bates noted that initial drafts often set the tone, with 80% of the scoring work completed in early iterations to align with the dramatic arcs. Additionally, as an firm, the company handled elements to amplify the series' fantastical and psychological elements. Another key project is the 2018 Hulu miniseries The Looming Tower, which dramatizes the lead-up to the 9/11 attacks through interagency rivalries. Fall On Your Sword composed the original score, delivering theme music and cues that heighten the suspenseful, real-world-based tension, with Bates integrating subtle electronic pulses and orchestral swells to reflect the escalating stakes. The company's audio post-production expertise contributed to the sound design, ensuring immersive auditory details for the historical thriller's dramatic narrative. Fall On Your Sword also scored Hulu's The Path (2016–2018), a exploring a fictional , with Bates creating haunting acoustic and electronic themes to delve into themes of and . In 2019, the company composed for Netflix's limited series , nominated for Golden Globes and Emmys, using subdued piano and strings to underscore the emotional weight of a investigation. For Netflix's Away (2020), starring , Bates delivered a score blending orchestral with ambient space elements to heighten the isolation and stakes of a Mars mission. In 2025, Fall On Your Sword scored the Hulu docuseries Call Her Alex, directed by , featuring dynamic cues that trace podcaster Alex Cooper's rise, mixing upbeat rhythms with reflective tones to match her personal and professional journey.

Commercials and Digital Media

Fall On Your Sword has specialized in crafting bespoke music and for advertisements, delivering custom tracks that align closely with brand narratives and promotional goals. In 2008, prior to the official founding of the company, composer Will Bates created a witty, rhythmic track for the Nomis Boots "Damn Boots" , emphasizing the footwear's through ironic and upbeat . This work exemplified their approach to jingles that blend humor with memorability, often earning recognition for innovative audio integration in short-form spots. In 2010, the studio provided the musical score for the OFFF festival promotional titles, producing an electronic-driven with layered synths and percussive elements to evoke the event's vibrant, forward-thinking atmosphere. Their broader portfolio includes tailored sound beds and jingles for global brands like and , where they prioritize sonic textures that amplify visual without overpowering the message. These pieces frequently incorporate instrumentation alongside effects, creating versatile audio assets suitable for broadcast and online deployment. Notable commercials include the Wind Energy spot, which utilized wind-generated sounds for an immersive audio experience, earning multiple awards. Expanding into digital realms, Fall On Your Sword has composed for YouTube series, mobile applications, and interactive ads, adapting their production to the demands of user-engaged . Their work in web-based includes custom scores for app soundscapes and short online videos, emphasizing responsive audio that enhances interactivity and immersion. By 2025, this segment had grown to encompass dynamic tracks for promotional digital experiences, such as those in and app-integrated campaigns, reflecting their ongoing evolution in short-form, platform-specific audio.

Awards and Recognition

Clio Awards

Fall On Your Sword earned a Gold Clio Award in 2009 for Best Original Score in their work on the Nomis Shoes campaign, a commercial titled "Damn Boots" promoting football boots that featured a dynamic, narrative-driven soundtrack blending electronic and organic elements to emphasize product innovation and athletic energy. This accolade, one of the company's earliest major honors following its 2009 founding, underscored their rapid ascent in crafting music that enhances advertising storytelling. The 2009 win provided crucial validation in the competitive advertising music sector, where recognize excellence in creative technique, helping Fall On Your Sword secure subsequent collaborations with global brands by demonstrating their prowess in producing scores that amplify commercial impact without overpowering visual narratives. In 2011, the company received a Silver Award in the Music-Original category for the OFFF Title Sequence, a multimedia project for the OFFF that integrated pulsating rhythms and atmospheric to introduce the event's creative programming, composed by founders Will Bates and Phil Mossman. The sequence, produced in collaboration with The Mill in , highlighted Fall On Your Sword's versatility in , contributing to the festival's immersive branding. These Clio victories, focused on original scoring excellence, markedly boosted Fall On Your Sword's visibility among advertising agencies and production houses, positioning them as a go-to studio for innovative audio that drives emotional engagement in commercials and experiential content.

Cannes Lions and Other Honors

Early work by Will Bates and Phil Mossman, founders of Fall On Your Sword, earned a Gold Lion in the Film category at the 2008 Cannes Lions International Festival of Creativity for Best Use of Music, recognizing their original composition for the "Damn Boots" commercial campaign for Nomis Football Boots. The festival, held from June 16 to 20, 2008, in Cannes, France, celebrated innovative advertising creativity, with the Film Lions jury, chaired by filmmaker Alejandro González Iñárritu, awarding the honor for the score's seamless integration that amplified the ad's humorous narrative about the perils of flashy footwear, outperforming submissions from competitors like Nike and Adidas. The track "Damn Boots," composed by Will Bates featuring Phil Mossman, not only secured this music-specific Gold but also supported the campaign's overall Gold Lion in the Clothing, Footwear & Accessories category, underscoring the score's pivotal role in the ad's success. Beyond , Fall On Your Sword received a for Discovery of the Year at the 2012 for their original scores in the films and , highlighting their rising prominence in composition. This recognition from the World Soundtrack Academy affirmed their innovative approach to blending electronic and acoustic elements in narrative-driven soundtracks, though the award ultimately went to for . In , Fall On Your Sword won a Gold Award for for "The Sound of Wind," a commercial that utilized wind-generated sounds to create an immersive audio experience.

Other Projects

Art Installations

Fall On Your Sword has created several experimental sound and multimedia installations featured in fairs and festivals, emphasizing immersive audio experiences that blend original with visual elements. These projects often transform everyday objects into interactive portals for narrative exploration, distinct from their commercial scoring work. The collective's approach centers on site-specific audio environments that incorporate custom electronics to generate dynamic soundscapes responsive to viewer . For instance, they repurpose mechanical devices like pianos or vehicles to trigger layered audio tracks, creating immersive atmospheres that evoke , apocalypse, or alternate realities without relying on traditional speakers alone. This method draws from their expertise in , adapting it to contexts for tactile, environmental engagement. Notable installations include "Sea of Fire" (2012) at the Art Show in , an interactive piece where visitors pressed keys on a damaged to activate original audio synced with found footage of cinematic disasters, themed around apocalyptic narratives. In 2013, at the same event, they presented a modified 1950s lawnmower installation that projected serene daytime mowing scenes shifting to nighttime visions of "garden witches" upon acceleration, reviewed by for its intense fusion of nature and digital . Another highlight, "Greed Is Good" (2015) at , featured a video orb displaying thematic content encircled by a rotating display of empty bottles, critiquing excess through uncanny sound and visuals. Their 2019 "Private Drive-In" at recreated a 1970s inside a vintage , with vibrating seats and custom audio amplifying clips of teen romance, immersing viewers in a nostalgic drive-in simulation. Collaborations with visual artists have enriched these works, particularly in multimedia events at galleries and festivals. A key partnership was with painter Sarah Bereza for the 2013 Spring/Break installation, where Bereza's ominous botanical canvases depicting nature's reclamation complemented the audio projections, curated by Ambre Kelly and Andrew Gori to explore themes of psychological thriller and mysticism. Such joint efforts have appeared in venues like the New Museum's Ideas City festival, integrating sound art into broader curatorial frameworks.

Live Performances and Band Origins

Fall On Your Sword originated as a multimedia project in 2007, when founder Will Bates began creating a series of viral videos featuring experimental mashups of pop culture clips with original soundtracks and vocals. These early works established the group's signature style of blending electronic music with visual elements, drawing from Bates' background as a who had previously performed with artists like . By 2009, the project evolved into a performing entity, with Bates and collaborators like Phil Mossman staging live shows in venues as an experimental collective focused on sonic art. The group's early live performances in the late and early emphasized improvisational electronic sets, often incorporating projected videos or mashup footage over which performers sang and layered sounds in . Notable appearances included a 2009 debut at The with the related project Evil Cowards, featuring , and a 2010 show at The alongside acts like Start Trekkin' and a Star Trek-themed battle. This approach, blending live vocals, synthesizers, and visual media, directly influenced their later film scoring by prioritizing dynamic, adaptive over traditional . Venues like Cameo Gallery in 2011 and Present Company Gallery in 2012 hosted sets that integrated art installations, such as Bates' "Sea Of Fire" piece with antique piano elements and Critter & Guitari synths. Even after transitioning primarily to studio-based production, Fall On Your Sword maintained occasional live activities into the , including event-based performances that echoed their origins. Examples include a noisy collaborative piece titled "Blaze of Thunder" with Sarah Bereza at the 2013 Ideas City festival in NYC, where participants engaged in an interactive experience racing through video clips from classic racing movies, and a set at a Let's Play House event in 2010. More recently, the group hosted a secret live commentary screening event in late 2024, blending audio performance with film presentation. These sporadic outings underscored the enduring experimental spirit of their band roots, occasionally extending to live scoring elements for screenings or multimedia events.

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