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Following

Following is a 1998 British neo-noir thriller film written, produced, and directed by Christopher Nolan, marking his feature directorial debut.^[1] The story centers on an aspiring young writer, played by Jeremy Theobald, who follows strangers through the streets of London for creative inspiration, only to become drawn into a web of burglary, deceit, and violence after encountering a enigmatic thief named Cobb, portrayed by Alex Haw.^[2] Shot in stark black-and-white 16mm film over weekends in a guerrilla style, the 69-minute movie was made on a shoestring budget of $6,000 using mostly non-professional actors, including Nolan's uncle John Nolan as a detective.^[3]^[1] Nolan, then 27 years old and working with his future wife Emma Thomas as a producer, crafted Following as his first narrative feature after short films, employing a non-linear structure and themes of obsession and identity that would recur in his later works like Memento (2000).^[4] The film premiered at the San Francisco International Film Festival on April 24, 1998, and received a limited theatrical release in the United Kingdom later that year before wider distribution in 1999 by Zeitgeist Films in North America.^[5] Despite its modest production, Following earned critical praise for its taut pacing and atmospheric tension, achieving an 82% approval rating on Rotten Tomatoes based on 39 reviews, with critics highlighting Nolan's emerging talent in concise, hard-edged noir storytelling.^[1] It grossed $126,052 worldwide, laying the groundwork for Nolan's rise in independent cinema.^[3]

Background

Development

Following originated as Christopher Nolan's ambitious low-budget experiment, conceived while he was living and working in London during the late 1990s. Motivated by the anonymity of urban life in the crowded city, Nolan became fascinated with observing strangers and imagining their stories, a curiosity sparked by everyday encounters on the streets. This interest deepened after a burglary at his apartment, which highlighted the vulnerability of personal spaces and the thrill of intrusion, influencing the film's core themes of voyeurism and consequence.^[6] Nolan wrote the screenplay with a deliberate emphasis on film noir conventions, where characters are revealed through their actions rather than exposition, drawing from his appreciation for the genre's psychological depth. The script was structured non-linearly from the outset to facilitate a fragmented shooting schedule and maintain continuity despite logistical challenges, allowing the narrative to unfold as a puzzle for the audience. This approach reflected Nolan's early experimentation with time and perception, tailored specifically to the constraints of independent filmmaking.^[7]^[6] To execute the project, Nolan secured an initial budget of around $6,000 (equivalent to approximately £3,000 at the time), sourced from his personal savings accumulated through a full-time job and small contributions from friends. This modest funding necessitated a lean production model, prioritizing raw film stock and processing costs while minimizing other expenses, and shaped the film's intimate scale and guerrilla-style execution. The planning phase emphasized resourcefulness, with the script and story designed to fit within these financial limits without compromising artistic vision.^[8]^[9] In a testament to his multifaceted involvement, Nolan served as the film's writer, director, co-producer, cinematographer, and editor, handling these responsibilities himself to maintain creative control and adapt to the no-budget realities. This hands-on approach allowed him to integrate technical and narrative elements seamlessly, from operating the camera to assembling the final cut, marking his debut as a self-reliant filmmaker. Co-producers Emma Thomas and Jeremy Theobald provided essential support, but Nolan's central role defined the project's independent ethos.^[8]^[7]^[6]

Pre-production

Pre-production for Following was marked by resourceful improvisation due to the film's constrained budget of approximately £3,500, which necessitated a lean operation reliant on personal networks and minimal expenditures.^[10] Christopher Nolan, who wrote, directed, produced, and served as cinematographer, assembled a small crew of 6 to 10 friends and volunteers, many without prior professional film experience, to keep costs low and foster flexibility.^[10] This team handled multiple roles, with Nolan emphasizing the need for everyone, including himself, to master various production tasks to accommodate the project's guerrilla ethos.^[10] Rehearsals with the cast lasted about six months to ensure efficient shooting, given the limited film stock available.^[11] Casting prioritized non-professional actors to align with the film's intimate scale and scheduling demands, resulting in a small ensemble of four principal roles.^[10] The lead, the unnamed writer played by Jeremy Theobald, was selected from Nolan's prior short films Larceny and Doodlebug, where Theobald had demonstrated natural suitability; Theobald also took on producing duties.^[12] Alex Haw, portraying the burglar Cobb, was cast from the University College London Drama Society, where he had performed in numerous plays, bringing an authentic, untrained presence to the role.^[12] Lucy Russell, as the woman, made her screen debut after theater work, while John Nolan, the director's uncle, played the interrogating policeman, leveraging his minor acting background for the supporting part.^[13]^[12] Location scouting focused on readily accessible, cost-free sites in London to enable unobtrusive guerrilla filming, including streets for exterior scenes and interiors in participants' own apartments and friends' restaurants.^[11] Nolan even relocated residences multiple times to utilize new flats as sets, minimizing rental expenses.^[10] This approach allowed for authentic urban textures without permits or elaborate setups. Scheduling was structured around participants' day jobs, with principal photography spanning roughly one year through 14 weekend shoots, typically one day per week, yielding about 15 minutes of footage per session to manage the intermittent availability.^[10]^[11] Occasional weekends were skipped, and the non-linear script was designed to facilitate this fragmented timeline.^[11]

Production

Filming

Principal photography for Following took place from 1996 to 1997, primarily on weekends to accommodate the cast and crew's full-time jobs, resulting in a sporadic schedule that spanned roughly a year with actual shooting concentrated in short bursts.^[6]^[12] The production captured about 15 minutes of footage per session, often on Saturdays, allowing Nolan to manage the limited resources while maintaining momentum on the 69-minute film.^[14] The film was shot on black-and-white 16mm stock using an Arriflex 16BL camera, with Nolan serving as his own cinematographer to keep costs down; a secondary Bolex camera was occasionally employed for additional shots.^[15] To minimize expenses further, the production relied almost entirely on available natural light, avoiding artificial setups and embracing a handheld, documentary-like style that contributed to the film's gritty aesthetic.^[14] A shooting ratio of approximately 2:1 was maintained, with most scenes completed in one or two takes after extensive rehearsals.^[14] Locations consisted of authentic London interiors and exteriors, including the director's apartment, friends' homes and restaurants, and streets captured guerrilla-style without permits to evade bureaucratic hurdles and fees.^[6]^[14] This approach leveraged personal networks and urban environments for realism, such as alleyways and public spaces in central London, enhancing the story's noir atmosphere on a shoestring budget of $6,000.^[16] Challenges arose from the ultra-low budget and part-time commitment, including inconsistent actor availability as participants often missed sessions due to work obligations, necessitating a non-linear script structure for flexibility.^[6] Exterior shoots were vulnerable to London's unpredictable weather, prompting on-the-fly adjustments, while the scarcity of film stock forced improvisational decisions and rigorous pre-shoot planning to avoid reshoots.^[14] These constraints, however, fostered creative efficiency, with Nolan prioritizing practical solutions like natural lighting to mask production limitations.^[6]

Post-production

Post-production on Following began after principal photography concluded in early 1997, with Christopher Nolan handling much of the process himself due to the film's microbudget of $6,000. Nolan, who co-edited the film with Gareth Heal, initially scripted the story in chronological order but restructured it into a non-linear narrative during editing to heighten the sense of mystery and disorientation for the audience. This rearrangement involved dividing the action into multiple timelines—differentiated by the protagonist's changing appearance and wardrobe—and required significant revisions to ensure narrative coherence without relying on voiceover or explicit exposition. The editing emphasized the film's noir aesthetic through tight pacing and fragmented sequencing, resulting in a 69-minute runtime that maintains tension through implication rather than overt explanation.^[17]^[2] Sound design adopted a minimalist approach, prioritizing diegetic and ambient audio captured during filming to immerse viewers in the story's gritty, urban atmosphere. Recorded in monaural with a small team of sound technicians working weekends, the original audio focused on natural environmental noises and dialogue clarity, avoiding elaborate post-dubbing or effects. Composer David Julyan provided a sparse original score featuring subtle, atmospheric cues that underscore moments of unease without overpowering the realism; the mix relies heavily on on-set recordings to evoke the intimacy of the low-budget production. A new 5.1 surround remaster was later created under Nolan's supervision for home video releases, but the theatrical version preserved the raw, unadorned quality.^[18]^[2] Editing was completed in late 1997, and the film was selected for the San Francisco International Film Festival, premiering there on April 24, 1998. Following the screening, producer Peter Broderick and Next Wave Films provided crucial funding for the technical completion, enabling a 35mm blow-up from the original 16mm negative, basic color timing to enhance the high-contrast black-and-white noir look with deep shadows and stark highlights, and a professional sound mix. No significant visual effects were added, preserving the film's organic, handcrafted feel achieved through available light and practical techniques during production.^[18]^[2]

Content

Plot

Following is a 1998 neo-noir thriller directed by Christopher Nolan, presented in black-and-white and structured non-linearly to unfold through multiple timelines marked by the protagonist's evolving appearance.^[19] The story centers on an unnamed young man, referred to as "the Young Man" (played by Jeremy Theobald), an aspiring but unemployed writer in London who combats boredom and writer's block by anonymously following strangers on the streets for inspiration, adhering to rules such as never tailing the same person twice or intervening in their lives.^[20] One afternoon, after being followed himself, the Young Man encounters Cobb (Alex Haw), a suave professional thief who reveals he noticed the surveillance and invites him to participate in a burglary, promising a more immersive experience than mere observation.^[21] Intrigued, the Young Man joins Cobb on several break-ins, where they rifle through victims' personal belongings not just for valuables but to glimpse intimate details of their lives; during one such intrusion at the upscale flat of a mysterious blonde woman, the Young Man pockets a photograph of her, sparking his fascination.^[22] Later, under the alias "Bill," he approaches the woman (Lucy Russell) at a nightclub, and they begin a passionate affair; she confides that she is being blackmailed by a bald gangster (Dick Bradsell) using explicit photographs, prompting the Young Man to offer help by breaking into the gangster's office to retrieve and destroy the incriminating safe contents.^[23] The narrative interweaves three distinct timelines—depicting the Young Man with long disheveled hair in casual clothes, clean-shaven and suited as he courts the Blonde, and later battered and bandaged after a beating—using abrupt cuts and flashbacks that initially disorient the viewer, gradually clarifying the sequence of events and building suspense toward revelations of deceit.^[21] In a pivotal twist, during the safe robbery, the Young Man bludgeons an intruder (believed to be the gangster) to death with a hammer in self-defense, only to discover the photos are decoys; it emerges that Cobb and the Blonde are accomplices in a larger scheme orchestrated by the gangster, using the Young Man as a patsy to eliminate a witness to their crimes while framing him for the murder.^[22] Confronted by Cobb, who admits to manipulating him from the start—including staging the initial encounter and exploiting his naivety—the Young Man is beaten and left for the police, who arrest him based on planted evidence linking him to the Blonde's subsequent murder (committed by Cobb with the same hammer) and the burglaries.^[20] In the film's climax, as he is taken into custody, the Young Man realizes the full extent of his entrapment, while Cobb seamlessly blends back into the anonymous crowd of London pedestrians, evading justice.^[21]

Cast

The principal cast of Following consists primarily of non-professional actors, many of whom were friends or acquaintances of director Christopher Nolan, contributing to the film's raw, intimate atmosphere through their naturalistic performances.^[1]^[24] Jeremy Theobald portrays the Young Man, an aspiring writer who engages in voyeuristic pursuits that draw him into a web of intrigue. Alex Haw plays Cobb, a charismatic thief who becomes a pivotal influence on the protagonist. Lucy Russell appears as the Blonde, a mysterious woman entangled in the central conflicts. In supporting roles, John Nolan, the uncle of director Christopher Nolan, plays the Policeman, adding a layer of familial involvement to the production.^[25] Dick Bradsell portrays the Bald Guy, a figure encountered during key sequences. Gillian El-Kadi appears as the Home Owner, while Jennifer Angel plays the Waitress, both enhancing the everyday realism of the film's London settings.^[23]

Style and themes

Visual style

Following was shot in black-and-white 16mm film, a deliberate choice that contributed to its gritty, high-contrast aesthetic reminiscent of classic film noir. This format allowed director Christopher Nolan, who also served as cinematographer, to mask the film's low-budget constraints while evoking the stark visual style of 1940s poverty-row productions. The monochrome palette enhanced the film's neonoir atmosphere, emphasizing moral ambiguity through desaturated tones and pronounced grain, which underscored the protagonist's descent into a shadowy underworld.^[6]^[8] Lighting techniques in Following relied heavily on available light supplemented by strategic use of shadows, creating a tense and foreboding mood without elaborate setups. Nolan employed natural illumination from windows and practical sources in London's urban interiors, producing deep contrasts that highlighted the characters' psychological turmoil and the blurred lines between reality and deception. This approach not only fit the production's guerrilla style—filmed over a year on weekends—but also amplified the noir tradition of chiaroscuro effects, where light and dark interplay to symbolize ethical duality. Shadows often framed faces and figures, intensifying the sense of lurking danger and introspection.^[6]^[26] The film's composition favored tight framing within confined spaces, such as cramped apartments and dimly lit bars, to heighten claustrophobia and emotional intimacy. Handheld camerawork predominated, lending a raw, kinetic energy that mirrored the protagonist's voyeuristic obsession and escalating paranoia. These choices adapted the expansive deep-focus techniques of 1940s noir masters like Orson Welles to a minimalist scale, using the 1.37:1 16mm aspect ratio to focus viewer attention on subtle expressions and environmental details, thereby reinforcing the narrative's themes of intrusion and isolation within budgetary limits.^[6]^[8]^[26]^[27]

Narrative structure

The narrative structure of Following employs a non-linear framework that shuffles events across multiple timelines, creating a fragmented puzzle that disorients the viewer and gradually unveils underlying truths. This approach divides the story into four distinct temporal strands, supplemented by a framing police interrogation, with transitions marked by subtle shifts in the protagonist's appearance, such as varying hair lengths or facial injuries, to signal chronological displacement. By withholding linear progression, the structure mirrors the protagonist's own mental disarray, forcing audiences to piece together the sequence much like the character navigates his escalating entanglements.^[8]^[28] Embedded within this non-linearity are thematic undertones that explore obsession, the unreliability of perception, and the repercussions of voyeurism. The protagonist's compulsive habit of shadowing strangers propels the narrative's disruptions, symbolizing an intrusive gaze that blurs boundaries between observer and observed, while deceptive elements erode trust in what is seen and recounted. These motifs underscore how voyeuristic impulses lead to unintended consequences, with the shuffled timeline amplifying the sense of perceptual instability and moral ambiguity. Visual motifs, such as stark contrasts in lighting, reinforce these themes by heightening the disorientation in key transitional scenes.^[8]^[29] The structure builds toward a series of twists that reveal layers of manipulation, recontextualizing earlier events through retrospective clarity without resolving all ambiguities at once. This manipulation unfolds as a calculated entrapment, where initial encounters evolve into a web of deceit that challenges the viewer's assumptions about agency and influence, culminating in a convergence of timelines that aligns the fragmented pieces into a cohesive, if unsettling, whole. Such reveals emphasize the narrative's focus on psychological entrapment, where obsession inverts power dynamics and exposes the fragility of personal narratives.^[28]^[29] Christopher Nolan designed this complex structure to disrupt conventional storytelling, aiming to immerse audiences in the same confusion experienced by the characters and thereby heighten engagement with the themes of deception and perception. In interviews, Nolan has noted that the non-linear format was a deliberate experiment to "challenge the audience's understanding" of relationships and chronology, prototyping the intricate time manipulations that would define his subsequent films like Memento and Inception. This early technique thus foreshadows his signature style of cerebral, puzzle-like narratives that reward multiple viewings and intellectual investment.^[29]^[8]

Release

Theatrical release

Following had its world premiere at the San Francisco International Film Festival on April 24, 1998, where it was screened in a rough-cut form that garnered early attention for its innovative storytelling on a shoestring budget.^[8]^[30] The film's festival circuit continued with screenings at the Toronto International Film Festival in September 1998 and the Slamdance Film Festival in 1999, after an initial rejection from Sundance, helping to build critical interest despite its unconventional production.^[8] In 1999, it achieved a significant milestone by winning the Tiger Award at the International Film Festival Rotterdam, along with the Black and White Award at Slamdance, recognizing its debut as a promising independent effort and amplifying its visibility.^[31]^[12] The film's theatrical distribution was handled through independent channels, reflecting its micro-budget origins. In the United States, Zeitgeist Films secured a limited theatrical release starting April 2, 1999.^[32] In the United Kingdom, Momentum Pictures distributed it for a limited release on November 5, 1999, marking its first widespread public screenings outside festivals.^[30]^[33] Due to its production cost of $6,000, promotion for Following was minimal and eschewed traditional advertising campaigns, instead depending heavily on buzz generated from its festival circuit successes to attract audiences and distributors.^[34]^[29]

Home media

The initial home video release of Following occurred in the early 2000s through independent distributors. A DVD edition was issued by Columbia TriStar Home Entertainment in the United States on December 11, 2001.^[35] In 2012, The Criterion Collection released a restored edition on both Blu-ray and DVD in North America, marking the film's first high-definition home media availability. This version featured a new digital transfer from a 4K restoration of the original camera negative, supervised by director Christopher Nolan, along with an uncompressed monaural soundtrack, a new 5.1 surround mix, and an audio commentary track featuring Nolan, producer Emma Thomas, and cinematographer Christopher Nolan.^[2]^[36] To commemorate the film's 25th anniversary, British distributor 101 Films issued a limited-edition Blu-ray in the United Kingdom on July 31, 2023. This release included a brand-new 4K scan from the original camera negative, an audio commentary by actor Jeremy Theobald and author James Mottram, new interviews with Nolan, Theobald, and actress Lucy Russell, as well as archival featurettes and a booklet with essays.^[37]^[38] As of November 2025, Following is available for streaming on the Criterion Channel, which offers the 2012 restored version with special features, and on AMC+ Amazon Channel.^[39]^[40]

Reception and legacy

Critical response

Following received generally positive reviews from critics, earning an approval rating of 82% on Rotten Tomatoes based on 39 reviews, with an average rating of 7.1/10.^[1] On Metacritic, the film holds a score of 60 out of 100, based on 11 critics, indicating "mixed or average" reviews.^[41] Critics praised Christopher Nolan's assured direction in his feature debut, highlighting the film's noir atmosphere and innovative non-linear structure. Variety noted the low-budget black-and-white 16mm format that "lends a gritty edge," while acknowledging the "tricky structure" and a "satisfying payoff" in its climactic triple-cross, though suspense remained "just middling."^[42] The Guardian commended Nolan's "enterprising ambition and an agile intelligence," describing the 70-minute film as "replete with fractured narrative structure and confident, handheld cinematography," evoking a rare micro-budget neo-noir effort.^[43] Comparisons to Alfred Hitchcock emerged for the film's themes of observation and psychological tension, with ReelViews observing clear "Hitchcock influences" in the black-and-white aesthetic and narrative intrigue.^[44] However, some reviews pointed to underdeveloped characters and an abrupt ending, contributing to an occasional amateurish feel. Variety criticized the "limited character depths," particularly the protagonist's "blank-slate" nature that failed to evoke sympathy.^[42] Metacritic aggregated sentiments on a "weak third act" that prevented the film from reaching greater heights, despite its unnerving wit and uniqueness.^[45] Sight & Sound emphasized Nolan's promise as a writer-director in this first feature, suggesting his strengths lay in original storytelling over hired assignments.^[46]

Commercial performance

Following was produced on an extremely low budget of $6,000, shot over a year using friends and family in non-professional roles, with Nolan handling multiple aspects including writing, directing, and cinematography.^[3] The film earned $126,052 at the worldwide box office, including $48,482 domestically and $77,570 internationally, derived mainly from festival screenings and limited theatrical releases starting in 1999.^[3] As an independent production, Following's commercial viability is best understood not through blockbuster metrics but by its ability to recoup costs—achieving over 20 times its budget—and cultivate a dedicated cult following among cinephiles and Nolan enthusiasts.^[47] Early home video releases generated modest ancillary revenue, which experienced renewed interest and sales following Nolan's breakthrough with films like Memento and the Dark Knight trilogy, culminating in a high-profile Criterion Collection edition in 2012 that introduced the work to broader audiences.^[8]

Accolades

Following received significant recognition at international film festivals shortly after its completion, highlighting its promise as a debut feature. The film won the Tiger Award at the 1999 International Film Festival Rotterdam, a prestigious prize for emerging filmmakers.^[48]^[12] It also secured the SKYY Prize for Best First Feature at the 1998 San Francisco International Film Festival, acknowledging Nolan's innovative low-budget approach.^[31] Additional honors included the Best Director award at the 1999 Newport International Film Festival and the Ilford Black & White Award at Slamdance Film Festival that same year, emphasizing the film's stylistic choices.^[12] The film earned a nomination for Best Achievement in Production at the 1999 British Independent Film Awards, further validating its technical merits despite its micro-budget production.^[31] These early accolades provided a crucial boost to Christopher Nolan's career, positioning Following as a seminal debut that attracted attention from producers and led directly to opportunities for his follow-up, Memento.^[49] Critics' polls in subsequent years often cited the film as a standout example of innovative independent filmmaking, contributing to Nolan's reputation as a bold new voice in cinema.^[8] In the years following its release, Following has been honored through retrospectives and inclusions in lists of exemplary debut films. The Walker Art Center presented a full Nolan retrospective in 2015, featuring Following as the cornerstone of his early work.^[50] By 2025, the film continued to appear in curated selections of best directorial debuts, underscoring its enduring influence on low-budget thriller storytelling.^[51]

Cultural impact

Following marked Christopher Nolan's entry into filmmaking, serving as his feature debut and establishing the thematic and stylistic foundations that propelled his career forward. Made on a $6,000 budget with a skeleton crew, the film introduced Nolan's interest in psychological ambiguity, identity, and narrative manipulation, elements that would define subsequent works like Memento (2000). Its success at festivals such as San Francisco, Toronto, and Slamdance garnered critical attention, providing the credibility needed to secure financing for Memento, which in turn led to Nolan's Hollywood breakthrough with films like Insomnia (2002) and the Dark Knight trilogy.^[52]^[29]^[8] The film's influence extended to the indie cinema landscape, particularly in revitalizing low-budget noir through its innovative use of non-linear storytelling. Shot in stark black-and-white with handheld cameras, Following demonstrated how resource constraints could enhance tension and intimacy, inspiring a generation of filmmakers to experiment with fragmented narratives in economical productions. This approach echoed and amplified traditions of film noir while adapting them for contemporary indie sensibilities, encouraging creators to prioritize clever plotting over lavish sets. Its brief nod to structural innovations, such as time-jumping sequences, foreshadowed broader adoption of such techniques in independent cinema.^[43]^[52] Over time, Following achieved cult status, evolving from an obscure festival entry to a revered artifact in Nolan's oeuvre, largely through expanded accessibility via home media and streaming platforms. Released on DVD by Zeitgeist Films with bonus features like a chronological edit, it allowed audiences to dissect its layered plot at their pace, fostering deeper appreciation among cinephiles. The film's inclusion in Nolan retrospectives, such as those by the Criterion Collection, underscores its role as a foundational text, often screened alongside later hits to illustrate his growth from DIY origins to blockbuster mastery.^[8]^[43] In the 2020s, discussions surrounding the film's 25th anniversary in 2023 highlighted its prescience regarding surveillance and voyeurism, themes that resonate amid rising concerns over digital privacy and observation culture. Retrospectives noted how the protagonist's compulsive following of strangers prefigures modern debates on stalking via technology and the erosion of personal boundaries, positioning Following as eerily forward-looking in an era of ubiquitous monitoring. These analyses, often tied to Nolan's broader thematic consistency, reaffirm the film's enduring relevance in cultural conversations about identity and intrusion.^[52]^[28]

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Jun 14, 2010 · role, with Sight and Sound noting that “Nolan's real promise is as a writer-director, rather than a director for hire. And in that case ...
[42]
Every Christopher Nolan Movie Ranked By How Much Money It Made
Mar 28, 2024 · 12. Following (1998) – $48,482. Produced on a reported budget of just $6,000, 1998's Following was Christopher Nolan's feature film debut. It ...
[43]
Tiger Competition - IFFR EN
The Tiger Award is accompanied by a €40,000 cash prize, to be shared between the director and producer of the winning film. Two Special Jury Awards worth € ...
[44]
https://www.reelviews.net/reelviews/following
[45]
Dialogues & Film Retrospectives: Christopher Nolan
In celebration of 25 years of Dialogues programs, the Walker honors Nolan with a full retrospective of his work and welcomes the director to the Walker ...
[46]
Christopher Nolan Movies Ranked: A Journey Through Time and Mind
Jul 25, 2023 · 12. Following (1998) · 11. The Dark Knight Rises (2012) · 10. Tenet (2020) · 9. Insomnia (2002) · 8. Batman Begins (2005) · 7. The Prestige (2009) · 6 ...
[47]
How 'Following' Set the Pace for Christopher Nolan's Career
Jan 30, 2023 · A video essay that explores how Christopher Nolan's film debut, Following, set the pace for the rest of his filmography.Missing: ancillary revenue