Fossora
Fossora is the tenth studio album by Icelandic musician Björk, released on 30 September 2022 through One Little Independent Records.[1] The title is a neologism coined from the Latin word fossa (meaning "ditch" or "grave"), translating to "she who digs," and encapsulates the album's central themes of death, rebirth, matriarchy, and subterranean life, inspired by fungi, family bonds, and personal grief following the 2018 death of Björk's mother, Hildur Rúna Hauksdóttir.[2][3] Musically, Fossora blends electronic pop and experimental elements with acoustic instrumentation, prominently featuring woodwinds such as bass clarinet and oboe, alongside gabber techno beats, choral arrangements, and strings.[3] The album comprises 13 tracks, including "Atopos," "Ovule," "Mycelia," "Sorrowful Soil," and "Ancestress," with production occurring mainly in Reykjavík and Hafnarfjörður, Iceland, from April 2021 to January 2022.[2] It incorporates collaborations with artists like serpentwithfeet on "Ancestress," Norwegian singer Emilie Nicolas on "Ovule," and Indonesian duo Gabber Modus Operandi on "Trölla-Gabba," while also featuring vocals from Björk's children, Sindri and Ísadóra, on tracks such as "Fagurt Er í Fjörðum" and "Her Mother's House."[3][2] Mixing and mastering were handled by Heba Kadry, with creative direction by Björk and frequent collaborator James Merry.[2] Upon its release, Fossora garnered critical acclaim for its emotional intimacy, innovative fusion of organic and digital sounds, and exploration of ecological and personal resilience.[3] It received a nomination for Best Alternative Music Album at the 65th Annual Grammy Awards.[4] Pitchfork rated it 8.4 out of 10 and selected it as Best New Music, highlighting its grounding in earthly and fungal motifs as a return to Björk's roots after more abstract works.[3] The album debuted at number 11 on the UK Albums Chart and number 100 on the US Billboard 200, marking Björk's highest-charting release in the UK since 2007.[5][6]Background and development
Conception and inspiration
The death of Björk's mother, Hildur Rúna Hauksdóttir, in 2018 served as a profound emotional catalyst for Fossora, channeling themes of loss, grief, and eventual renewal into the album's core. This personal tragedy prompted Björk to explore matriarchal legacies and familial bonds, transforming her mourning into a creative process that honored her mother's influence on her life and artistry.[7] The COVID-19 lockdowns in Iceland further shaped the album's conception, drawing Björk back to her roots in isolation and fostering a sense of communal nesting with family. During this period of global confinement, she experienced a collective "rooting down" alongside billions, which emphasized staying grounded and reconnecting with home and heritage.[2] Amid this seclusion, Björk discovered mushrooms as a powerful metaphor for underground networks of growth, resilience, and matriarchal connectivity, viewing their mycelial structures as symbols of hidden vitality emerging from decay. This fungal imagery, evoking psychedelic renewal rather than morbidity, unified the album's exploration of survival and ecological cycles during a time of uncertainty.[8] Initial ideas for Fossora emerged in 2019 and evolved through 2020, marking a deliberate shift from the airy, flute-dominated focus of her previous album Utopia toward deeper, earthier sonic explorations with bass elements and electronic rhythms. The album's title, Fossora, was coined by Björk as a neologism derived from the Latin "fossore" (digger or ditcher, rooted in "fossa" meaning ditch) combined with the feminine suffix "ora," symbolizing a female figure burrowing and emerging from the soil.[2][8]Recording process
The recording sessions for Fossora took place primarily from April 2021 to January 2022, largely shaped by the COVID-19 pandemic which allowed for an introspective process conducted primarily in isolation.[9][8] Writing for the album started as early as 2019 in her cabin bedroom, located about 40 minutes from Reykjavík, where she captured initial vocal ideas by recording herself while walking, before expanding into full arrangements over subsequent weeks.[8] Additional work took place at her summer house outside the city for rehearsals and at locations like Soraya Nayya's basement for percussion elements.[9] Björk handled sole production on Fossora, marking her first such credit on a full studio album, with engineering by Bergur Þórisson and mixing and mastering by Heba Kadry.[10] The process emphasized a hands-on, unhurried approach, with Björk programming beats, strings, and other elements herself, often drawing from a sample library of her own voice to build layers.[8] Key collaborations included features from her son Sindri Eldon Maðarson and daughter Ísadóra Björk Guðmundsdóttir on backing vocals for "Ancestress," American singer serpentwithfeet on the same track, Norwegian vocalist Emilie Nicolas on "Ovule," and Indonesian duo Gabber Modus Operandi, who contributed beats remotely via Zoom for tracks like "Atopos" and "Fossora."[9][8] Percussionist sideproject provided elements for "Ovule," while Soraya Nayya added timpani and tubular bells.[9] The clarinet parts, central to the album's earthy texture, were performed by the Icelandic sextet Murmuri in a Reykjavík studio, with sessions emphasizing a live ensemble dynamic to capture organic interplay among the six bass clarinets. Specific recordings, including clarinets and oboe for tracks like "Atopos" and "Victimhood," occurred at Stúdio Sýrland on April 11, 2021, with rehearsals held at Björk's summer house to foster a playful, unpolished feel. Strings were recorded at Víðistaðakirkja church on 24 April 2021 (for "Ancestress" and "Fungal City") and 14 January 2022 (for "Freefall"), while the choir for "Sorrowful Soil" was recorded at Háteigskirkja church on 8 September 2021, prioritizing natural reverb and communal energy over polished isolation.[2]Music and lyrics
Musical style
Fossora represents a fusion of experimental electronic music, gabber hardcore, and classical elements, marking a departure from the flute-dominated sound of Björk's previous album Utopia. At its core, the album employs a recurring sextet of bass clarinets, which provide a subterranean, fungal timbre that replaces the airy flutes and synths of earlier works, creating an earthy, grounded sonic palette.[11][12][13] The tracks incorporate pulsating gabber beats produced in collaboration with Indonesian duo Gabber Modus Operandi, infusing the music with "biological techno" rhythms that evoke organic processes. These beats contribute to ambient textures and bursts of high-energy chaos, as heard in the riotous opener "Atopos," which channels punk-like intensity through its rave-y percussion and distorted electronics. Complementing this are classical influences, including baroque choral arrangements, anthemic strings, and gongs, which add layers of orchestral depth and meditative serenity.[12][14][3] Spanning 13 tracks with an average length of around four minutes, Fossora features dynamic structures that shift from chaotic, industrial rhythms to serene drones and polyphonic ensembles, simulating natural growth patterns through modular synths and sub-bass elements inspired by fungal networks. Björk produced the album, with additional production contributions from artists including Kasimyn, El Guincho, and Gabber Modus Operandi on select tracks, emphasizing raw, unpolished arrangements that prioritize intimacy and multiplicity over polished hooks.[15][3][13][14][16]Themes and influences
Fossora explores central themes of grief, rebirth, and the intricate fungal networks beneath the earth's surface, which serve as metaphors for interconnectedness and the enduring threads of female lineage. The album grapples with personal loss following the death of Björk's mother, Hildur Rúna Hauksdóttir, in 2018, channeling mourning into reflections on decay and renewal, where fungi represent life's regenerative cycles—transforming death into nourishment for new growth.[8][17] These motifs draw from ecological processes, portraying mycelium as a hidden web that binds communities, much like familial bonds across generations.[17] The work adopts matriarchal perspectives, reimagining traditional eulogies and inheritance through a feminine lens, with the title track "Fossora"—derived from a coined term meaning "she who digs"—evoking a goddess-like figure emerging from the planet's depths to foster healing and connection. Songs like "Ancestress" delve into this lineage, with lyrics addressing motherhood, resilience, and the passing of wisdom from mother to daughter, such as lines depicting a deathbed vigil and the "matrimort" (a blend of marriage and death) as a sacred rite.[8] Performed with her son Sindri Eldon providing harmonies, the track evokes communal mourning through its choral, folk-inspired structure rooted in Icelandic traditions.[8] Björk's influences stem from her studies in mycology, particularly the underground ecosystems highlighted in documentaries like Fantastic Fungi, which features mycologist Paul Stamets' research on mushrooms' roles in planetary health and nutrient cycling.[8][18] These ideas intertwine with family dynamics in the wake of loss, as the album incorporates contributions from her children—Sindri on "Ancestress" and daughter Ísadóra on "Her Mother's House"—to underscore themes of generational continuity and emotional reciprocity.[8] On a broader level, Fossora marks a shift from the escapist, ethereal soundscapes of Björk's previous album Utopia (2017), which emphasized airy detachment, toward a more grounded, terrestrial approach to healing, shaped by the isolation of the COVID-19 pandemic and a return to earthly, embodied experiences.[8] This evolution reflects a deliberate embrace of the soil's restorative power amid global disconnection, positioning fungi not as abstract symbols but as practical agents of communal recovery.[17]Release and promotion
Singles and formats
The album Fossora was first announced on August 19, 2022, through an interview with Björk published in The Guardian, accompanied by a teaser video on her official website featuring visuals of earth and mycelium to evoke themes of fungal networks and grounding.[11] Four singles preceded the full album release. The lead single, "Atopos" featuring Indonesian duo Gabber Modus Operandi, was issued on September 6, 2022, with a music video directed by Viðar Logi depicting a subterranean rave amid fungal structures.[19][20] "Ovule" followed on September 14, 2022, as the second single, accompanied by a video directed by Nick Knight that explores abstract representations of love and connection.[21][22] The third single, "Ancestress" featuring vocals from Björk's son Sindri Eldon, arrived on September 22, 2022, with a video directed by Andrew Thomas Huang portraying a ritualistic procession in tribute to her late mother.[23][24] The title track "Fossora" was released as the fourth single on September 27, 2022, ahead of the album, and later received a full music video on March 30, 2023, co-directed by Björk, Viðar Logi, M/M (Paris), and FutureDeluxe, visualizing a spore-filled dreamscape.[25][26] Fossora was released on September 30, 2022, by One Little Independent Records.[1][27] It became available in multiple formats, including standard CD, digital download, and a double LP on various vinyl editions such as black, clear, and crystal variants.[28][29] In 2024, a limited-edition deluxe box set was issued on January 19, containing five exclusive reimagined tracks on two 10-inch crystal clear vinyl records—such as "Ancestress (Strings Version)" and "Sorrowful Soil (Choral Version)"—along with a silk scarf, art prints, and an illustrated booklet.[30][31]Marketing and remixes
The promotional campaign for Fossora launched with the debut of an interactive website, fossora.com, powered by Squarespace, featuring fungal and mycelial visuals that invited users to explore the album's subterranean themes through animated spores and organic interfaces. In interviews, Björk emphasized the album's ecological underpinnings, describing it as a "mushroom album" rooted in fungal networks symbolizing decomposition, renewal, and environmental interconnectedness, influenced by her mother's activism against industrial projects in Iceland.[12] These discussions, including a feature in The Guardian in August 2022, highlighted the record's pacifist ethos amid global climate concerns, positioning it as a grounded counterpoint to her previous aerial explorations in Utopia.[12] The album's visual identity was co-directed by Björk and longtime collaborator James Merry, incorporating mossy, subterranean imagery to evoke burial and rebirth, with the cover art depicting Björk amid mycelium-like structures created by imagemaker Viðar Logi.[32] Physical sets by designer Heimir Sverrisson emphasized organic, non-CGI elements, such as spore-inspired typography by M/M Paris, extending the earthy aesthetic across promotional materials. Music videos reinforced these motifs: the lead single "Atopos" featured a fungal underworld directed by Logi, blending dance with hallucinatory nature sequences; "Ovule" showcased symbiotic plant-human forms; "Ancestress" explored ritualistic ancestry through choreography in verdant settings by Andrew Thomas Huang; and the title track "Fossora" integrated clarinet ensembles with woodland performances.[32] In April 2023, The Fossora Remixes was released as a Record Store Day exclusive on 12-inch clear vinyl, limited to 2,300 copies worldwide via One Little Independent Records.[33] The EP included two tracks: "Ovule" (feat. Shygirl) remixed by Sega Bodega, amplifying the original's techno pulse with layered electronics, and "Atopos" remixed by sideproject, extending its gabber influences into denser, rhythmic abstractions.[33] These reworks built on the album's experimental electronic foundations, incorporating subterranean bass and fungal dispersal sounds without a dedicated proceeds allocation to environmental causes in official announcements. Rather than a comprehensive world tour, Björk opted for select live performances of Fossora material in 2022–2023, integrating tracks into her ongoing Cornucopia production at festivals and venues, such as the 2022 Reykjavík editions and 2023 European dates in Lisbon, Paris, and Milan, where clarinet ensembles and visual mycelial projections highlighted the album's themes.[34][35] In October 2025, the live album Cornucopia: Live was released, featuring recordings from the tour that include performances of Fossora tracks such as "Ovule," "Victimhood," and "Fossora / Atopos."[36]Critical reception
Reviews
Fossora received widespread critical acclaim, earning an aggregate score of 85 out of 100 on Metacritic based on 22 reviews, indicating "universal acclaim," and a 7.9 out of 10 on AnyDecentMusic? from 23 critics.[37][38] Critics praised the album's innovative fusion of grief and fungal optimism, often highlighting Björk's exploration of loss through themes of renewal and matriarchy, underscored by the prominent use of bass clarinets and gabber beats. Pitchfork awarded it 8.4 out of 10, lauding its "emotionally complex canon" and the "bemused bass clarinet lines" that ground the work in earthy, avant-garde experimentation. The Guardian gave it 4 out of 5 stars, describing it as "one of her hardest-hitting albums" for its majestic ache and deep dives into techno and clarinets to process personal bereavement. Emotional depth was a recurring commendation, with reviewers noting the raw tributes to Björk's late mother in tracks like "Sorrowful Soil" and "Ancestress." Some criticisms focused on occasional inconsistencies, such as abrupt genre shifts that disrupted cohesion and certain tracks feeling underdeveloped or overwrought. Slant Magazine rated it 3 out of 5 stars, arguing that while the album bursts with evocative lyrics, its ambitions sometimes lead to interruptions in emotional ballast. NME, scoring 4 out of 5 stars, viewed it as heavier and more hopeful than prior works but noted a lack of surprise for longtime fans familiar with Björk's rhythmic explorations. Rolling Stone also gave 4 out of 5 stars, appreciating the "punky, earthy" vibe as a vibrant, unruly sprawl, though acknowledging its challenging nature. The overall consensus positioned Fossora as a return to Björk's experimental roots following the airy Utopia, praised for its strong thematic unity around family, nature, and healing.[3][39][40][14][41]Accolades
Fossora earned a nomination for Best Alternative Music Album at the 65th Annual Grammy Awards in 2023, representing Björk's ninth nod in the category and her continued acclaim for experimental production techniques.[42] At the 2023 Icelandic Music Awards, the album secured wins for Alternative Album of the Year and Record Producer of the Year, highlighting Björk's innovative approach to blending electronic elements with organic instrumentation.[43] Fossora appeared on numerous year-end best albums lists, including #12 on Pitchfork's Top 50 Albums of 2022, #16 on The Guardian's 50 Best Albums of 2022, #46 on NME's 50 Best Albums of 2022, and #38 on Slant Magazine's 50 Best Albums of 2022.[44][45][46][47] This Grammy nomination marked the first for Björk in the category since her 2012 album Biophilia, with critics and award bodies praising the record's groundbreaking production that fused fungal metaphors with bass clarinet ensembles and gabber rhythms.[48]Commercial performance and legacy
Chart performance
Fossora debuted on various international music charts following its release on September 30, 2022, reflecting moderate commercial success particularly in Europe and Björk's home country. In the United Kingdom, the album entered the Official Albums Chart at number 11, marking her tenth top-40 entry there.[5] Similarly, it debuted at number 100 on the US Billboard 200, her lowest charting studio album in that ranking to date.[49] The album achieved stronger placements in several European markets, including number 4 in Iceland on the Tónlistinn chart, number 10 in Germany on the Offizielle Top 100, and number 32 in France on the SNEP chart. Other notable debuts included number 55 in Australia on the ARIA Albums Chart, number 7 in Belgium (Ultratop Flanders), number 19 in the Netherlands on the Album Top 100, number 37 in Sweden on the Sverigetopplistan, and number 54 in Japan on the Oricon Albums Chart.| Country/Region | Chart | Peak Position |
|---|---|---|
| Australia | ARIA Albums Chart | 55 |
| Belgium (Flanders) | Ultratop | 7 |
| France | SNEP | 32 |
| Germany | Offizielle Top 100 | 10 |
| Iceland | Tónlistinn | 4 |
| Japan | Oricon Albums Chart | 54 |
| Netherlands | Album Top 100 | 19 |
| Sweden | Sverigetopplistan | 37 |
| UK | Official Albums Chart | 11 |
| US | Billboard 200 | 100 |
Cultural impact
Fossora has influenced discussions within experimental music by emphasizing fungal networks as metaphors for emotional and spiritual connectivity, inspiring explorations of earthy, organic soundscapes in indie electronica. The album's integration of gabber beats, bass clarinets, and mycelial themes has been highlighted as a novel fusion that encourages artists to blend natural decay with rhythmic intensity, contributing to a post-2022 wave of nature-infused avant-garde works.[50] The album's ecological resonance stems from its deep engagement with mycology, portraying fungi as resilient underground systems amid personal and planetary loss, which aligned with heightened public interest in mushrooms during 2022. Björk's interviews tied these motifs to broader climate activism, framing Fossora as a call to recognize interconnected ecosystems in the face of environmental crisis, thereby amplifying conversations on biodiversity and fungal roles in regeneration.[17][51][8] As a career milestone, Fossora marked Björk's evolution toward fully solo production, following the airy escapism of Utopia with grounded, introspective earthiness shaped by grief over her mother's 2018 death. Lacking a dedicated tour, tracks from the album were integrated into her extended Cornucopia performances at 2023 festivals, such as the Perth Festival and Lisbon's Altice Arena, allowing selective live interpretations without a full-scale outing.[52][53][54] The 2024 limited-edition deluxe boxset release, featuring reimagined tracks on crystal-clear vinyl, a silk scarf, and art prints, extended fan engagement by offering immersive artifacts that deepened appreciation of the album's themes. Fossora also contributed to post-pandemic art dialogues on grief, portraying loss as a transformative soil for growth and matriarchal resilience, influencing reflections on healing in isolation-era creativity.[30][12][9] Limited live performances underscored the album's intimate focus, yet tie-ins like the 2025 Cornucopia concert film, released in theaters on May 7, 2025, echoed its themes through blended setlists incorporating Fossora material, bridging utopian fantasy with fungal groundedness in a climate-conscious narrative.)[55]Album credits
Track listing
The standard edition of Fossora comprises 13 tracks, with a total runtime of 54:33.[15] All tracks were primarily written by Björk, with select co-writers and featured contributors noted where applicable.[56]| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 1 | Atopos (feat. Kasimyn) | Björk, Kasimyn | 4:47 |
| 2 | Ovule | Björk | 3:38 |
| 3 | Mycelia | Björk | 2:00 |
| 4 | Sorrowful Soil | Björk | 3:16 |
| 5 | Ancestress (feat. Sindri Eldon) | Björk | 7:18 |
| 6 | Fagurt Er í Fjörðum | Traditional (arr. Björk) | 0:44 |
| 7 | Victimhood | Björk | 6:57 |
| 8 | Allow | Björk, Emilie Nicolas | 5:27 |
| 9 | Fungal City (feat. serpentwithfeet) | Björk, Kasimyn | 4:46 |
| 10 | Trölla-Gabba | Björk | 1:58 |
| 11 | Freefall | Björk | 4:31 |
| 12 | Fossora | Björk | 4:19 |
| 13 | Her Mother's House (feat. Ísadóra Bjarkardóttir Barney) | Björk | 4:33 |