Greyson Chance
Greyson Michael Chance (born August 16, 1997) is an American singer-songwriter and pianist.[1] His April 2010 performance of Lady Gaga's "Paparazzi" at a sixth-grade talent show went viral on YouTube, garnering widespread attention and leading to a record deal with Ellen DeGeneres' eleveneleven label.[2] Chance's debut album, Hold On 'til the Night (2011), peaked at number 29 on the Billboard 200 chart. Following creative differences that resulted in his release from the label, he transitioned to independent releases, including the albums portraits (2019), Trophies (2021), and Palladium (2022), alongside international tours.[3][4] In a 2022 interview, Chance accused DeGeneres of exerting manipulative control over his early career decisions and abandoning him after he resisted her directives on music direction.[5] His official YouTube channel maintains approximately 893,000 subscribers as of recent data.[6]Early life
Family and upbringing
Greyson Chance was born on August 16, 1997, in Wichita Falls, Texas, to parents Scott and Lisa Chance.[7][8] As the youngest of three children, he has an older brother named Tanner and an older sister named Alexa, both of whom share musical inclinations with him.[7][8] The family relocated to Edmond, Oklahoma, when Chance was four years old, where he was raised in a Catholic household.[9][8] Chance's upbringing occurred in a supportive suburban environment in Edmond, with his parents encouraging his early interests.[9] His mother, Lisa, has a background in music and theater, providing guidance on performance and artistic development.[9] The family's musical orientation extended to Chance's siblings, fostering a home atmosphere conducive to creative pursuits, though his parents maintained a balanced approach to his childhood amid emerging fame.[8][10] By May 2010, Chance had completed sixth grade at a local school in Edmond, reflecting a conventional early education prior to his viral breakthrough.[11]Early musical development
Greyson Chance, born on September 16, 1997, in Edmond, Oklahoma, began playing the piano at the age of eight, around 2005, as the youngest child in a musically inclined family where his older siblings, Tanner and Alexa, also engaged in music.[9][12] His initial interest stemmed from home influences, including his father's frequent playing of 1960s soul music, which exposed him to foundational rhythms and melodies during his childhood.[13] Chance started formal piano lessons at age nine, continuing for three years, which provided structured technique but did not extend to vocal training, allowing his singing to develop intuitively through self-practice and family encouragement.[12][14] By his pre-teen years, he had honed skills to arrange and perform covers independently, reflecting a self-directed progression reliant on innate aptitude rather than extensive pedagogy.[9] This foundational phase, prior to his 2010 viral performance, emphasized piano proficiency over broader instrumentation or composition, with Chance citing an absence of ongoing lessons by his early teens due to growing performance demands and personal evolution in style.[12][14]Career
2010: Viral discovery and initial hype
In April 2010, 12-year-old Greyson Chance performed a piano cover of Lady Gaga's "Paparazzi" at a sixth-grade talent show at Cheyenne Middle School in Edmond, Oklahoma.[5] The performance, captured on video by a family member, was uploaded to YouTube by Chance himself on April 28, 2010.[15] The video initially received modest attention but exploded in popularity within weeks, accumulating millions of views and ranking as the third most-viewed YouTube video of 2010.[16] Mainstream media outlets quickly covered the phenomenon, drawing comparisons to Justin Bieber's earlier YouTube-driven rise to fame and hailing Chance as a prodigious talent with poised stage presence and vocal maturity beyond his years.[17] On May 13, 2010, Chance made his first appearance on The Ellen DeGeneres Show, where host Ellen DeGeneres announced she had signed him to her newly launched eleveneleven record label in partnership with Interscope Records.[18] This deal, formalized shortly thereafter, marked the culmination of the initial media frenzy, propelling Chance into professional opportunities including a $10,000 talent search prize and widespread national exposure.[19]2010–2013: Ellen DeGeneres involvement and debut album
Following his viral performance, Greyson Chance appeared on The Ellen DeGeneres Show for the first time on May 13, 2010, where he performed a cover of Lady Gaga's "Paparazzi" and discussed his school talent show video.[20] DeGeneres, impressed by his talent, contacted his mother directly and expressed interest in mentoring him, leading to multiple subsequent appearances on the show throughout 2010 and 2011.[5] In late 2010, Chance signed a recording contract with DeGeneres' eleveneleven label, a joint venture with Maverick and Geffen Records, marking the start of her direct involvement in his music career.[21] Chance's debut single, "Waiting Outside the Lines," featuring Devon Rodriguez, was released on October 26, 2010, and debuted on The Ellen DeGeneres Show the same day.[22] The track, co-written by Chance and produced by Ron Fair, peaked at number 98 on the Billboard Hot 100 and received promotion through DeGeneres' platform, including video features. Under DeGeneres' guidance and the label's support, Chance recorded his debut studio album, Hold On 'til the Night, also produced by Fair, which drew influences from pop and piano-driven ballads.[23] The album was released on August 2, 2011, debuting at number 29 on the Billboard 200 chart and spending 12 weeks on the list.[24] Lead single "Hold On 'til the Night" followed, emphasizing Chance's vocal range in power balladry, while the project included tracks like "Unfriend You" and "Little London."[25] To promote the album, Chance embarked on the Hold On 'Til the Night Tour in 2011–2012 and co-headlined the Waiting 4U Tour with Cody Simpson across North America starting in April 2011.[26] DeGeneres continued promotional support through show appearances, though by 2012, album sales and tour ticket performance began to decline, straining the partnership.[27]2014–2018: Label transitions and mid-career releases
Following the commercial disappointment of his 2012 EP Truth Be Told, Part 1, Chance was dropped from Ellen DeGeneres' eleveneleven label and its partners, including Interscope Records, by early 2014 when he was approximately 16 years old.[28][29] This transition marked the end of his major-label affiliation and shifted his career toward independent production and distribution.[30] In January 2014, Chance began releasing music independently, starting with the single "Temptation" uploaded to SoundCloud on January 13. Over the next two years, he issued additional singles such as "Afterlife" on October 29, 2015, and "Hit & Run" on February 5, 2016, which served as precursors to his next project. These tracks were self-produced and distributed without major label support, reflecting a period of artistic experimentation amid limited resources. On May 13, 2016, Chance released the EP Somewhere Over My Head under his own imprint, Greyson Chance Music LLC, licensed to Universal Music for distribution.[31] The five-track project included "Afterlife," "Back on the Wall," "Hit & Run," "No Fear," and "More Than Me (Over My Head)," showcasing a blend of pop and R&B influences. The EP represented his reintroduction to audiences after a hiatus, though it achieved modest streaming and sales without significant chart performance or promotional backing.[32] From 2017 to 2018, Chance continued sporadic independent releases, focusing on singles and live performances to maintain momentum, while completing his education and refining his songwriting. This era solidified his self-managed approach, prioritizing creative control over commercial viability, as subsequent full-length projects would not emerge until 2019.[5]2019–2023: Independent shift and self-directed projects
Following a period of label transitions and a personal hiatus that included attending Vanderbilt University, Chance independently released his second studio album, Portraits, on March 15, 2019, through the artist-centric distributor AWAL.[33] [34] This self-directed project, which Chance self-funded and helmed creatively after years of industry setbacks, featured synth-pop elements and introspective lyrics exploring themes of redemption and personal growth.[35] The album's lead single, "Yours," preceded its release, and Chance embarked on the Portraits World Tour later that year to promote it, performing in venues across Europe including Berlin on October 10, 2019.[33] The independent success of Portraits led to a recording contract with Arista Records, a Sony Music imprint, announced on June 26, 2019.[36] Under this deal, Chance released the eight-track EP Trophies on June 25, 2021, comprising self-written tracks like "Holy Feeling" and "Hellboy," which continued his evolution toward more vulnerable, piano-driven pop with electronic influences.[37] Despite the major label affiliation, Chance retained significant artistic input, drawing from personal experiences in relationships and identity.[38] In 2022, Chance issued his third studio album, Palladium, on September 22, emphasizing creative autonomy amid ongoing reflections on past industry pressures.[5] Released via the independent-leaning Lowly label, the record featured reimagined production and themes of emotional resilience, with Chance handling much of the songwriting and vocal arrangements.[39] A deluxe edition followed in April 2023, alongside the Palladium Reimagined EP on May 19, 2023, further showcasing his pivot to self-produced, introspective output unbound by earlier commercial constraints.[40]2024–present: Health challenges, independence, and recent output
In early 2025, Chance suffered a collapsed lung shortly after the new year, experiencing symptoms including coughing up blood and intense claustrophobia linked to professional pressures.[41][42] This incident followed a bout of pneumonia in February 2025, which sidelined him for approximately five weeks before recovery.[43] He publicly addressed concurrent struggles with anxiety, framing the health scares as a catalyst for reevaluating his career trajectory and personal boundaries.[42] Seeking autonomy, Chance severed ties with his long-term management team in early 2025, citing a sense of being "trapped" and a desire to self-direct his artistry without external constraints.[44] This shift to full independence allowed him to handle production, releases, and touring on his own terms, marking a departure from prior label dependencies.[44] By mid-2025, he emphasized this liberation in social media updates, noting his adaptation to operating solo after years of team-supported structures.[44] Under this independent model, Chance issued the single "Meet Me Outside" in 2024, followed by reimagined tracks "Waiting Outside The Lines '25," "Summertrain '25," and the original "Flip The Record" in 2025, all self-released via platforms like Spotify and Apple Music.[4] These outputs reflect a focus on refreshed material and direct fan engagement, with "Summertrain '25" promoted alongside live performances.[45] In October 2025, he launched The Gold Tour across Asia, including dates in Guangzhou, Beijing, Wuhan, Shanghai, and Nanjing, reconnecting with international audiences amid his health recovery.[46][45]Controversies and industry critiques
Ellen DeGeneres mentorship fallout
In 2010, following his viral performance of Lady Gaga's "Paparazzi" at age 12, Greyson Chance was signed to Ellen DeGeneres' record label, eleveneleven, which she co-founded to launch his career.[5] Initially, DeGeneres appeared invested, providing guidance and promoting him on The Ellen DeGeneres Show, but Chance later described her involvement as increasingly domineering during the production and release of his 2011 debut EP Hold On 'til the Night.[5] He alleged specific instances of control, including DeGeneres demanding he redo a scheduled performance on her show and enforcing her vegan preferences by banning leather in his wardrobe, while berating stylists who deviated.[5] A notable incident occurred around the 2011 release of Justin Bieber's documentary Never Say Never, when DeGeneres insisted Chance prioritize viewing it; upon learning from his mother that he had not due to touring exhaustion, DeGeneres reportedly called his mother and questioned, "What type of mother are you?"[5] Chance characterized DeGeneres overall as "insanely manipulative," "self-centered," and "blatantly opportunistic," claiming she treated him like a "pawn" to establish her label's credibility rather than fostering genuine mentorship.[5] These experiences, he stated, contributed to long-term anxiety and symptoms resembling PTSD during subsequent show appearances in 2015 and 2019.[5] The relationship deteriorated after the 2012 release of his follow-up EP Truth Be Told, Part 1, which underperformed commercially; Chance reported that DeGeneres then "completely abandoned" him, ceasing all communication and allowing his agent and publicist—affiliated with her team—to drop him without explanation.[5] He received no further support from eleveneleven, forcing him to navigate his career independently as a teenager.[5] A former Ellen Show employee corroborated elements of DeGeneres' controlling style in the workplace, though Chance's mother offered a more tempered view, attributing DeGeneres' actions to business pragmatism rather than malice.[5] Chance publicly detailed these allegations in a September 22, 2022, Rolling Stone interview, coinciding with the release of his album Palladium, stating it would be his final discussion of the matter to focus on personal growth.[5] He stood by his characterizations despite backlash, emphasizing the need to reclaim his narrative.[27] Sources close to DeGeneres countered that her team had "gone above and beyond" in supporting Chance, noting he raised no complaints during their collaboration and continued promotional appearances on her show through 2019, suggesting the timing of his claims aligned opportunistically with his album launch.[47][48] DeGeneres herself did not issue a direct public response to the specific allegations.[5]Broader career management issues
Following the dissolution of his contract with eleveneleven Records in 2012, Chance experienced significant instability in his professional team, including the departure of his agent, publicist, and management, which he attributed to broader industry challenges after his initial viral success waned.[5] This period marked a transition to Interscope Records, but the label ultimately dropped him amid declining commercial performance, leaving Chance to navigate independent releases and rebuild his career trajectory without sustained major-label infrastructure.[5] By 2019, Chance described his career as "on life support" prior to the release of his album Portraits, reflecting on prior creative decisions driven by desperation to revive popularity rather than artistic intent, which he later deemed unsustainable and unhealthy.[49] He signed with Sony Music and Arista Records for subsequent projects, but by 2022, Chance pivoted toward greater autonomy, citing the need to produce music aligned with personal vision over external expectations.[50] In August 2025, Chance announced a full shift to independence, emphasizing retention of royalties and creative control as key motivations, enabled by digital distribution platforms that allow artists to bypass traditional label dependencies.[51] This decision followed a reevaluation prompted by professional disruptions, including a parted ways with management earlier that year after canceling commitments to prioritize long-term sustainability over short-term obligations.[52][41] Chance has since framed this independence as a corrective to earlier management structures that prioritized hype over enduring development, allowing self-directed output like direct-to-fan releases.[44]Personal life
Sexuality and identity
Greyson Chance publicly identified as gay in an Instagram post on July 19, 2017, stating that he had fully recognized his sexuality at age 16 but had chosen not to disclose it earlier primarily for reasons of privacy.[53] He described the decision to come out as a personal milestone rather than a publicity strategy, despite industry pressures during his early career to leverage it for promotion, which he resisted to maintain authenticity.[54] In subsequent interviews, Chance has reflected on the intersection of his gay identity with traditional notions of masculinity, advocating for a reframing of coming out as a rite of passage that aligns with male vulnerability rather than conforming to stereotypes.[55] He has incorporated themes of queer experience into his music, such as in the 2019 EP Portraits, where he explored openness about his sexuality as a means of artistic liberation following years of internal navigation.[56] Chance has also addressed homophobic backlash publicly, notably in September 2020 when he responded to online harassment after sharing details of a relationship with a boyfriend, emphasizing resilience in the face of such criticism.[57] No public statements or verified reports indicate shifts in Chance's gender identity or other aspects beyond his self-identification as a gay man.[35]Health struggles and recovery
In 2020, Chance publicly disclosed his long-term struggle with anorexia nervosa, which he had privately battled for several years following a breakup and career pressures. He described periods of fasting for 48 to 72 hours as a means of exerting control amid emotional chaos, a behavior that persisted intermittently even after initial recovery efforts.[58][59] This experience informed his single "Bad to Myself," released that August, where he detailed the disorder's psychological toll and his path to seeking professional help after recognizing its severity.[60][61] By late 2024, Chance encountered escalating anxiety while preparing a new album, feeling "trapped" and "claustrophobic" in his professional life, which prompted him to cancel planned releases, part ways with his management team, and reevaluate his career direction.[42] This mental health crisis culminated in early 2025 with a spontaneous pneumothorax, or collapsed lung, requiring medical intervention after he began coughing up blood.[41] Compounding the issue, he developed pneumonia, which sidelined him for approximately five weeks and disrupted his physical recovery.[43] Chance's recovery involved a deliberate shift toward independence, including therapy to address underlying anxiety and a focus on reclaiming personal agency in his music. By April 2025, he reported renewed self-belief and optimism, announcing plans for self-directed projects unburdened by prior industry constraints.[42] In May, he shared progress on new material, attributing his resilience to the ordeal's clarifying effect on priorities.[62] These events marked a pivot from health setbacks to empowered creative output, with no further major incidents reported as of mid-2025.[52]Musical style, influences, and reception
Artistic evolution
Greyson Chance's early artistry centered on piano-centric pop, highlighted by his 2010 viral performance of Lady Gaga's "Paparazzi," which showcased raw vocal talent and instrumental skill without formal training.[63] His debut album, Hold On 'til the Night, released on August 2, 2011, blended power ballads, electro-pop, swinging rhythms, and arena rock, reflecting influences from Lady Gaga, Elton John, John Lennon, and 1960s soul music introduced by his father.[25][64][65][13] Puberty-induced vocal shifts and label constraints prompted diversification in the mid-2010s, incorporating R&B, jazz, funk, and rock elements to move beyond formulaic piano-pop toward a personalized sound.[66][67][35] Chance described this period as maturing from his initial viral fame, experimenting to avoid repetition while navigating industry pressures that later he critiqued as stifling authenticity, such as pushing tracks like "Hellboy" away from his vision.[68][69][29] Transitioning to independence post-2019, Chance's style evolved into mid-tempo, introspective pop on Portraits (2019), emphasizing emotional "portraits" of life stages, queer longing, and self-discovery, inspired by Sylvan Esso, Bon Iver, Joni Mitchell, and Brandi Carlile.[70][71][72] This album marked a departure from earlier broadway-esque or EDM-leaning releases, prioritizing lyrical vulnerability over commercial hooks.[73] Palladium (2022) further deepened this trajectory, structured around acts of growth, pride, and realization, with layered vocals and narratives reclaiming creative control amid past abandonments.[74][75] Tracks like "Palladium" and "My Dying Spirit" highlighted vocal showcases and personal themes of protection and self-reclamation, rejecting prior label-driven outputs.[76][69] Recent independent releases, such as "Rearview Mirror" (May 17, 2024), integrate folk and country roots for stripped-down storytelling on nostalgia and recovery, solidifying a mature, self-directed evolution from teen pop prodigy to authentic singer-songwriter focused on causal introspection over market dictates.[77][78][29]Critical and commercial assessment
Greyson Chance's debut studio album, Hold On 'til the Night (2011), achieved his highest commercial peak, reaching number 29 on the Billboard 200 chart, marking his sole entry on that ranking. The album's lead single, "Waiting Outside the Lines," featuring Marc Jacobs, contributed to early visibility but did not sustain broad chart dominance. Subsequent releases, including EPs like Truth Be Told, Part 1 (2015), faced commercial challenges, with reports of dismal sales leading to his label dropping him.[79] Independent projects from 2019 onward, such as the EP portraits and album Hold On 'til the Break of Dawn (2021), shifted focus to streaming platforms, where tracks like "Good as Gold" amassed over 42 million Spotify streams and "shut up" exceeded 113 million by late 2025.[4] These figures reflect a niche, fan-driven success rather than mainstream pop breakthrough, bolstered by a 2019 signing with Arista Records but without subsequent major chart entries.[80] Critics have consistently praised Chance's vocal prowess and emotional delivery, with early reviews highlighting his maturity beyond his years during the Hold On 'til the Night era, describing powerful vocals and catchy melodies suitable for a young artist.[81] Later work received acclaim for vulnerability and artistic growth, as in assessments of singles like "My Dying Spirit" (2022), noted for its addictive pop beat and potential to engage discerning listeners, though not deemed a full masterpiece.[82] Concert reviews emphasize flawless live vocals and engaging stage presence, positioning him as a resilient performer with endless talent in emoting personal themes.[83][84] Overall reception underscores evolution toward introspective indie-pop, appreciated in outlets like Melodic Magazine for prioritizing artist autonomy over label-driven output.[69]Discography
Studio albums
Hold On 'til the Night, Chance's debut studio album, was released on August 2, 2011, through Geffen Records in collaboration with eleveneleven, Maverick, and Streamline Records.[85] The album, featuring 11 tracks with production influences from pop-rock acts like Snow Patrol and Coldplay, debuted at number 29 on the US Billboard 200 chart.[86] His second studio album, portraits, followed on March 15, 2019, via AWAL and Greyson Chance Music, marking his first full-length release in eight years and comprising 12 tracks exploring themes of sexuality, family, and personal growth.[87][88] Palladium, the third studio album, appeared on September 22, 2022, under Lowly Palace, with 13 tracks reflecting introspective pop-soul elements.[89] A deluxe edition expanded it in April 2023.[40]Extended plays
Truth Be Told, Greyson Chance's debut extended play, was released on October 1, 2012, primarily targeting Asian markets through labels eleveneleven, Maverick, Geffen, and Atom Factory.[90] The EP contained four tracks—"Truth Be Told, Pt. 1," "Summertrain," "You Know We Just Met," and "Truth Be Told, Pt. 2"—which were outtakes or alternate versions from sessions for his 2011 debut album Hold On 'til the Night, showcasing piano-driven pop with youthful introspection.[40] Following a period of reduced output, Chance independently released his second EP, Somewhere Over My Head, on May 13, 2016, under Greyson Chance Music LLC.[31] Comprising five tracks—"Afterlife," "Back on the Wall," "Hit & Run," "No Fear," and "More Than Me (Over My Head)"—the project marked his return after a four-year hiatus, blending indie pop, R&B, and soul elements with production emphasizing emotional vulnerability and rhythmic grooves.[32] It was distributed digitally and on CD, reflecting a shift toward self-managed artistry post-major label departure. In 2021, Chance issued Trophies on June 25 via Arista Records and Lowly Palace, an EP with six songs—"Holy Feeling," "Nobody," "Hands," "Same Effect," "Trophies," and "Less of a Man"—exploring themes of identity, desire, and resilience through synth-pop and dance influences.[37] The release coincided with Pride Month and received attention for its upbeat, affirming tone, supported by a promotional world tour.[91] More recently, Palladium Reimagined, released May 19, 2023, reworks tracks from Chance's 2022 album Palladium with remixes by artists like Mokita and slenderbodies, including "Palladium (Mokita Reimagined)," "My Dying Spirit (slenderbodies Reimagined)," and a slowed version of "Down & Out."[92] Limited to three tracks, it extended the original album's electronic pop sound with atmospheric reinterpretations, available digitally to sustain fan engagement.[93]Singles
Greyson Chance released his debut single "Waiting Outside the Lines" in October 2010, following viral attention from a cover video that garnered millions of views.[90] Subsequent singles supported his early albums and independent releases, with later tracks emphasizing introspective pop themes amid his artistic evolution toward self-released projects.[94]As lead artist
Chance's lead singles span pop and alternative styles, often preceding album cycles or serving as standalone releases under his independent label GCM.| Title | Release date | Album/EP | Notes |
|---|---|---|---|
| Waiting Outside the Lines | October 2010 | Hold On 'Til the Night | Debut single; peaked at No. 98 on Billboard Hot 100.[90] |
| Unfriend You | May 17, 2011 | Hold On 'Til the Night | Second single from debut album.[40] |
| Afterlife | October 29, 2015 | Portraits (EP) | Lead single for EP.[20] |
| Hit & Run | February 5, 2016 | Portraits (EP) | Follow-up single.[20] |
| Back on the Wall | Early 2016 | Portraits (EP) | Third single from EP.[20] |
| Low | December 8, 2017 | Somewhere Over My Head (EP) | Independent release.[4] |
| Rearview Mirror | May 17, 2024 | Non-album single | Self-released via GCM.[94] |
| Haymaker | June 28, 2024 | Non-album single | Self-released via GCM.[94] |
| Meet Me Outside | August 30, 2024 | Non-album single | Self-released via GCM.[94] |
| Summertrain '25 | 2025 | Non-album single | Remixed or reissued track.[4] |
| Waiting Outside the Lines '25 | 2025 | Non-album single | Updated version of debut.[4] |
| Flip The Record | 2025 | Non-album single | Recent independent release.[4] |
As featured artist
Chance has made limited appearances as a featured vocalist, primarily on collaborative tracks blending pop and electronic elements. Notable is his contribution to "Lighthouse II" by Danish singer MØ, released May 4, 2018, which integrated his vocals into an electropop framework.[4] No major chart success or additional verified featured singles were prominently documented in primary music databases as of 2025.As lead artist
Greyson Chance released his debut single "Waiting Outside the Lines" on October 23, 2010, which peaked at number 39 on the Billboard Digital Song Sales chart.[3] In 2012, he issued "Sunshine & City Lights" as a single ahead of planned album releases.[95] "Afterlife" served as the lead single from his 2016 EP Somewhere Over My Head, released on October 29, 2015.[96] This was followed by "Hit & Run" on February 5, 2016.[90] After a period of reduced output, Chance returned with "shut up" as the lead single from his 2019 album Portraits on March 8, 2019.[97] "Dancing Next to Me" appeared as a single on February 21, 2020, marking a shift toward more introspective pop.[98] In January 2021, "Holy Feeling" was released as the lead single from his album Trophies.[99] More recent independent singles include "Meet Me Outside" in 2024, "Haymaker", "Summertrain '25" in 2025, a reimagined "Waiting Outside the Lines '25" in 2025, and "Flip the Record" in 2025.[4]| Title | Release date | Album/EP |
|---|---|---|
| Waiting Outside the Lines | October 23, 2010 | Hold On 'til the Night |
| Sunshine & City Lights | December 2012 | Non-album single |
| Afterlife | October 29, 2015 | Somewhere Over My Head |
| Hit & Run | February 5, 2016 | Somewhere Over My Head |
| shut up | March 8, 2019 | Portraits |
| Dancing Next to Me | February 21, 2020 | Portraits |
| Holy Feeling | January 2021 | Trophies |
| Meet Me Outside | 2024 | Non-album single |
| Flip the Record | 2025 | Non-album single |
As featured artist
Chance collaborated with electronic producers tyDi and Jack Novak on the single "Oceans", released on February 19, 2016, via Global Soundsystem Records, blending EDM-pop elements with his vocals over feel-good melodies.[100][101] On September 15, 2016, he appeared on Frank Pole's "Anything", an upbeat dance track issued by Armada Music, featuring acoustic and electronic versions.[102][103] In 2017, Chance provided vocals for Fabian Mazur's "Earn It", a dance-pop single released May 5 by Armada Music.[104] Later that year, on October 27, he featured on Sick Individuals' "Walk Away", a house track from Revealed Recordings.[105] Most recently, on September 4, 2025, Chance contributed to lil sword's pop single "Falling Like Autumn".[106]Tours and live performances
[Tours and live performances - no content]Awards and nominations
| Year | Award | Category | Result |
|---|---|---|---|
| 2010 | Hollywood Teen TV Awards | Teen Pick: YouTube Artist | Won[107][108] |
| 2010 | J-14 Teen Icon Awards | Icon of Tomorrow | Nominated[109][107] |
| 2010 | Teen Choice Awards | Choice Web Star | Nominated[110][107] |
| 2012 | MTV-CCTV Mandarin Music Awards | Most Popular New International Artist of the Year | Won[111] |