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Hampton Coliseum

The Hampton Coliseum, known as "," is a multi-purpose arena in , designed to host a wide variety of entertainment, sporting, and family events. Located at 1000 Coliseum Drive, it features a configurable ranging from approximately 7,000 to 12,999, making it one of two arenas in the region in that size category. The venue first opened with its inaugural event on December 1, 1969, following groundbreaking on May 24, 1968. Construction of the Coliseum began in earnest on May 24, 1968, under a contract valued at $6,528,000, with site clearing starting as early as March 21, 1967. The structure incorporates notable engineering elements, including 17,000 cubic yards of concrete, 500 tons of structural steel in the roof supported by 48 two-inch bridge cables, and nearly 10 miles of coolant coils in the arena floor to enable ice events. Spanning a floor area nearly the size of a football field, the facility was built to serve a regional market of over 1.5 million people and has spurred significant local development, including an increase from 80 hotel rooms in 1970 to more than 1,500 today. Since its opening, the Hampton Coliseum has become a prominent venue for major concerts, hosting performances by iconic artists such as , , , , , and comedians like . It is particularly renowned in the live music scene for multiple residencies by jam bands, including 21 shows by the between 1979 and 1995—some of which were officially recorded—and 24 performances by from 1995 to 2025. Beyond music, the arena regularly features family-oriented spectacles like and the Ringling Bros. and Barnum & Bailey Circus, as well as action-packed sports events including , wrestling, and competitions. This versatility has solidified its role as a cultural and hub in southeastern .

History

Planning and construction

The planning of the Hampton Coliseum emerged in the late as a key component of Hampton, Virginia's initiatives, aimed at revitalizing an underdeveloped farmland area into a vibrant and to enhance and stimulate local . The project was driven by city leaders seeking to position Hampton as a regional hub, leveraging the venue's potential to attract visitors and support surrounding commercial development, which ultimately led to an explosion of outlets and an increase from 80 hotel rooms in 1970 to more than 1,500 today. Key figures in the development included city officials such as Mayor Ann H. Kilgore, who led the groundbreaking ceremony, Vice Mayor Tom G. Waters, Councilman Charles A. Wornom, and C. E. Johnson, who oversaw progress updates. The architectural design was handled by Odell Associates, led by A. G. Odell Jr., while construction was contracted to McDevitt and Street Co. of . Site selection focused on a just outside downtown Hampton on the north side of , providing visual access to land and water while ensuring easy connectivity to regional for high visitor traffic. began with site clearing on March 21, 1967, followed by the official on May 24, 1968; the cable-suspended roof, featuring 48 two-inch bridge cables, was installed by July 1, 1969, with the project reaching completion in 1970 at an approximate of $8.5 million. Engineering challenges included testing 1,200 wood and concrete pilings for stability and incorporating 500 tons of structural steel to support the expansive roof structure.

Opening and early operations

Originally known as the Hampton Roads Coliseum, the venue's name was officially changed to Hampton Coliseum in 1974. The Hampton Coliseum held its first event on December 1, 1969, a college basketball game between William & Mary and State, marking the venue's initial foray into sports programming before its formal dedication. The official grand opening occurred on January 31, 1970, featuring comedian in a ceremony presided over by Governor and Hampton Mayor Ann Kilgore, attended by an estimated 5,000 people as the city celebrated the completion of its $9 million investment in the multi-purpose arena. This event underscored the Coliseum's role as a regional hub, drawing from the surrounding farmland area that would soon see commercial growth spurred by the facility. Under the ownership and operation of the City of Hampton, early management focused on diverse bookings to maximize utilization, with the city handling promotions, ticketing, and facility maintenance through its Department. Initial booking policies prioritized a mix of sports, concerts, and family events to build attendance, achieving sellouts like the 13,800-capacity show by and June Carter in October 1970, which highlighted the venue's acoustic potential despite rudimentary sound systems. Average attendance in the early 1970s hovered around 8,000-10,000 per event for major acts, such as Led Zeppelin's August 1970 concert, reflecting steady amid the venue's capacity of 9,800 for and up to 13,800 for concerts. Key early sports events included games by the of the , who began playing home matches at the Coliseum in the 1970-71 season, with notable crowds for matchups like the March 9, 1971, game against the . Concerts quickly became a staple, exemplified by Elvis Presley's performances on April 9, 1972, and April 11, 1973, each drawing near-capacity audiences of over 12,000 and cementing the venue's reputation for rock and pop spectacles. These events were supported by the Coliseum's flexible , which allowed rapid setup changes for different formats. In the 1970s, operational challenges arose from adapting to surging popularity during the , including higher costs for lighting and heating that strained the city's budget for utility-intensive shows. Initial crowd management systems, relying on basic ushering and limited protocols, faced strains during high-attendance concerts, prompting upgrades to entry procedures and emergency lighting by mid-decade to handle flows of up to 13,000 patrons safely. failures, as experienced in early productions like Johnny Cash's show, also necessitated investments in reinforced audio infrastructure to meet professional touring standards.

Renovations and modern updates

In the late 1980s, the Hampton Coliseum underwent significant capital improvements to address wear from intensive use, including the installation of new seating throughout the arena and a general facelift to refresh the structure's appearance. These efforts, overseen by city officials and totaling approximately $4 million, also encompassed the replacement of the plaza deck on the building's ramp with interlock pavers at a cost exceeding $500,000, enhancing durability and accessibility for high-traffic pedestrian flow. During the , a major $2.7 million project revitalized key systems, featuring upgrades to the sound system for improved audio distribution across the venue and enhancements to , including the addition of aluminum panels to minimize light infiltration and boost , along with new spotlights. was prioritized with modifications to support individuals with disabilities, such as wheelchair-accessible bathrooms, drinking fountains, telephones, and ticket windows. Exterior maintenance included scrubbing and repainting the iconic "butterfly" concrete panels white, applying a waterproof coating to the roof and , and resurfacing the to add 200 spaces, bringing the total to 2,600 and alleviating congestion during events. Into the 2000s and beyond, ongoing maintenance and upgrades focused on structural integrity and operational efficiency, such as sealant remediation in 2013 to replace over 15,000 linear feet of joints, preventing intrusion. By 2010, a $5 million capital improvement plan neared completion, encompassing upgrades to (HVAC) systems, refrigeration, interior and exterior lighting, dressing rooms, support facilities, operations, and ice-making equipment for the arena floor; this was complemented by a separate $2.3 million roof replacement, addressing the original 1985 installation. Further enhancements in 2014 included scheduled maintenance for chillers, cooling towers, and brine systems as part of HVAC preservation, while a 2015 exterior project protected the structure from environmental wear. In 2015, the cash register system was updated for and compliance, facilitating secure payment processing aligned with modern ticketing standards via partners like . These post-2010 modernizations, funded through operating surpluses without city tax burden, have sustained the venue's configurable capacity of up to 13,800 seats and enabled its continued hosting of diverse events, from concerts and sports to family shows, by ensuring reliable, energy-efficient infrastructure.

Architecture and facilities

Design and exterior features

The Hampton Coliseum was designed by A.G. Odell Jr. and Associates of , featuring modernist influences with a futuristic, radial . The structure features a distinctive circular footprint, topped by a saucer-like dome suspended by 48 cables, each capable of supporting up to 200 tons. This creates a low-profile, futuristic that prioritizes visual impact when viewed from afar, aligning with modernist principles of bold, simplified forms. The exterior is clad in 96 precast triangular wall panels, each weighing about 26 tons and textured with embedded stones for a rugged, finish that enhances durability and aesthetic interest. Rising to a height of around 85 feet, the building's smooth, curved dome and faceted base evoke a landed , earning it the enduring nickname "" among music fans and locals alike due to its spaceship-like appearance. These elements not only define the coliseum's iconic profile but also symbolize the era's optimism for innovative public venues that blend functionality with striking visual presence in urban landscapes. Integrated into its site along , the coliseum is surrounded by expansive plazas paved in 166,000 square feet of exposed aggregate concrete, facilitating pedestrian flow and event staging. Adjacent parking facilities accommodate over 3,200 vehicles, with additional overflow areas contributing to a total capacity exceeding 5,000 spaces in the broader Coliseum Central district. Positioned on open land with views of the waterway, the structure commands a prominent spot in Hampton's skyline, visible to motorists on major highways and reinforcing its role as a of regional .

Interior layout and capacity

The Hampton Coliseum employs a multi-level seating , including a floor area, lower level (100 sections), and upper loge sections, allowing for versatile event setups with a maximum capacity of 13,800 seats. The arena lacks luxury boxes or corporate suites, providing primarily general admission seating across its levels. For productions, the venue supports end-stage configurations with a portable stage measuring 80 feet by 40 feet, equipped with free-standing barricades, black stage drapes, and a 60-foot by 40-foot backdrop. Backstage facilities include four team dressing rooms, two officials' rooms, a stars' dressing lounge, and three dressing suites, complemented by superior load-in access via direct, flat-roll pathways and rigging options through exposed "hub and spoke" support cables. The arena's technical capabilities feature excellent acoustics particularly suited for musical performances, a fully equipped house with two speaker clusters, and ten 2K Strong Super Trouper spotlights for lighting. A provides additional visual support for events. Concession services are handled through eight fully equipped stands, supplemented by portable options and an on-site . Accessibility provisions include designated seating for users and those with limited mobility, available across all price categories in the closest possible locations, as well as sections for sight-impaired guests. A limited number of handicap parking spaces, including van-accessible spots, are provided on-site for vehicles with valid permits; however, wheelchairs and escorts are not available from the venue, requiring guests to make their own arrangements.

Hosted events

Sports events

The Hampton Coliseum has hosted several professional sports teams during its early years, serving as a key venue for basketball and hockey in the Hampton Roads region. The Virginia Squires, a charter member of the American Basketball Association (ABA), played numerous home games at the Coliseum from 1970 to 1976, sharing the arena with other regional facilities like the Norfolk Scope and Richmond Coliseum. The team featured stars such as Julius Erving and George Gervin, contributing to the ABA's innovative style before the league's merger with the NBA. In hockey, the Hampton Gulls of the Southern Hockey League (SHL) and later the American Hockey League (AHL) called the Coliseum home from 1974 to 1978, marking the start of professional ice hockey in the area with an ice rink supported by nearly 10 miles of coolant coils. The Gulls' tenure ended amid financial challenges, but it established the venue's capability for frozen-surface sports. The Coliseum has long been a hub for college and amateur athletics, particularly basketball and wrestling tournaments. It hosted the (CIAA) men's basketball tournament multiple times in the late 1970s, including in 1977 and 1978, drawing HBCU teams for regional competition. For NCAA events, the arena served as the site for the (ECAC) South Region men's basketball tournament in 1980 and the Sun Belt Conference tournament in 1985, accommodating Division I matchups on its basketball-configurable floor. High school sports have been a staple since the venue's opening, with the (VHSL) utilizing it for state basketball championships as early as 1969 and ongoing wrestling events like the Virginia Duals tournament, which features VHSL-sanctioned high school divisions annually since 1981. These events highlight the Coliseum's role in fostering youth and collegiate competition in . Beyond team sports, the venue has hosted high-profile spectacles that blend athletics and entertainment. , featuring competitions and stunts, has been a recurring event since at least the , with shows in , , and drawing crowds for freestyle and racing formats on the arena floor. wrestling events have occurred regularly since the , including Monday Night tapings in 1998 and 2007, as well as house shows through the 2010s, often featuring marquee matches like those involving . The made an early appearance on March 5, 1970, showcasing their exhibition basketball skills shortly after the venue's debut. Sports events at the Coliseum have consistently achieved strong attendance, reflecting its 13,000-seat capacity when configured for , , or wrestling. Peak crowds exceeding 13,000 have been recorded for and wrestling spectacles, such as Mid-Atlantic Wrestling shows in the and modern live events, underscoring the venue's draw for high-energy competitions. Over four decades, total event attendance has surpassed 20 million, with sports contributing significantly to this figure through sold-out tournaments and series.

Concerts and music performances

The Hampton Coliseum has served as a premier venue for live music since its opening, hosting a diverse array of concerts across multiple genres that have drawn audiences from across the region. Rock performances have been a cornerstone, exemplified by ' concert on December 18, 1981, during their Tour, which was later released as a live album capturing the band's high-energy set. Pop spectacles include the Jacksons' performance on July 26, 1981, during their , showcasing the venue's capability for large-scale productions with intricate staging and visuals. In , the arena featured headlining Jamz Fest on May 12, 2000, alongside artists like and , and again in 2004 for the and Friends tour, highlighting the venue's adaptation to urban music acts. This genre diversity extends to country with ' performances and through Bassnectar's Bass Center events, reflecting the Coliseum's versatility in accommodating varied musical styles. Several milestone concerts underscore the venue's significance in music history. Elvis Presley performed there four times between 1972 and 1976, including shows captured in his 1972 documentary , marking some of his later career appearances before his in 1977. The played 21 shows at the Coliseum from 1979 to 1992, including the legendary "" performances on October 8-9, 1989, which were billed under a due to prior booking issues and later released as live recordings. has similarly embraced the venue with 21 performances from 1995 to 2018, including multi-night residencies like the 1998 Halloween shows and the 2009 reunion, culminating in a three-night run in September 2025 that celebrated the band's history at the "Mothership." Booking trends at the Coliseum have evolved from a dominance of rock acts in the 1970s to a broader mix incorporating and in the and beyond, with the venue hosting dozens of concerts annually as part of its event programming goals. These performances have positioned concerts as the primary revenue driver for the facility, generating significant economic benefits through ticket sales, concessions, and tourism; for instance, the 2025 Phish residency alone is projected to contribute $4.84 million to the local economy by attracting thousands of regional visitors. The Coliseum's acoustic design further enhances these events by providing clear sound distribution across its seating areas.

Family and other events

The Hampton Coliseum has long served as a premier venue for family-oriented entertainment, hosting a variety of productions that appeal to audiences of all ages. Productions such as Disney On Ice have been regular fixtures since the venue's early years, with shows like "Magic in the Stars" in October 2023, "Let's Dance" in November 2024, and "Mickey's Search Party" scheduled for December 2025, featuring elaborate ice skating routines and characters from popular Disney films. Similarly, Cirque du Soleil performances, known for their acrobatic artistry and theatrical storytelling, have drawn crowds, including "Delirium" in November 2006, a touring show in November 2014, and "OVO" set for September 2025, which explores themes of insect life through dynamic acts. Ringling Bros. and Barnum & Bailey Circus, a staple of family outings from the 1970s through the 2010s and revived in recent years, returned with performances in March 2025 and is scheduled for January 2026, offering classic circus spectacles like aerial acts and animal-free wonders. Annual holiday shows further enhance the venue's role in family celebrations, transforming the space into a festive environment with interactive elements and performances. Events such as the , now in its fourth year as of November 2025, feature aerialists, jugglers, and holiday-themed activities for families during the season. Other holiday productions, like in December 2022, blend circus arts with seasonal narratives to create joyful, community-focused experiences. The Coliseum also accommodates conventions and expositions that promote regional interests and commerce. Boat shows, such as the 10th Annual Tidewater Boat Show in February 1979, have showcased displays and booths, highlighting the venue's suitability for large-scale exhibits. Automotive expos continue this , with events like the Virginia & Show presenting custom vehicles, restored classics, and automotive culture over multi-day formats. These gatherings leverage the arena's versatile layout, which supports reconfiguration for exhibit halls and attendee circulation without delving into specific capacity details. Community gatherings at the Coliseum strengthen local ties, particularly through educational milestones. Graduation ceremonies for Hampton City Schools, including high schools like Hampton, Kecoughtan, Phoebus, and , are held annually at the venue, as seen in June 2025 events where seniors received diplomas amid celebratory atmospheres. Earlier initiatives, such as the 2019 freshman pledge event where over 1,500 students committed to on-time , underscore the Coliseum's role in fostering educational motivation. Miscellaneous events round out the Coliseum's diverse programming, including specialized ice skating shows that captivate audiences with athletic prowess. Beyond Disney productions, the Tour of the World Figure Skating Champions performed in April 1994, featuring international skaters in competitive and exhibition routines. Trade fairs and conventions, as noted in the venue's operational overview, contribute to year-round activity by hosting vendor showcases and professional networking, ensuring broad community engagement.

Cultural impact and notable recordings

Association with jam bands

The Hampton Coliseum has earned a storied place in history through its repeated hosting of the , who performed 21 concerts there from 1979 to 1992. These shows, spanning over a decade, solidified the venue as a key stop on the band's touring circuit, with fans traveling from across the country to attend. Among the most celebrated were the October 8 and 9, 1989, performances, billed as "" to evade ticket scalpers, featuring rare setlist debuts and bust-outs such as "" and "," which highlighted the improvisational spirit of the era. The band's affinity for the space contributed to its reputation as a favorable environment for extended jams, though specific comments on acoustics from members like are not widely documented in primary accounts. Phish has further entrenched the Coliseum's jam band legacy, playing more than 20 shows there since their debut on November 25, 1995, culminating in a total of 24 performances by September 2025, surpassing the Grateful Dead's record of 21 shows at the venue. Iconic runs include the November 21–22, 1997, stand, captured in the band's box set and renowned for seamless jams like the 20-minute "," which fostered a sense of communal transcendence among attendees. More recent residencies, such as the three-night September 19–21, 2025, summer tour closer, have drawn massive fan pilgrimages, with the venue affectionately dubbed "" for its pivotal role in 's live mythology and the way it amplifies the band's exploratory sets. Other jam bands have also marked the Coliseum as a milestone venue, including the Allman Brothers Band's early appearance on January 24, 1971, one of the arena's inaugural concerts that showcased improvisation in the space. The String Cheese Incident extended this tradition with their two-night Halloween run on October 29–30, 2010, featuring costume-themed sets and collaborations like with the , blending , , and in a festive atmosphere that echoed the venue's jam heritage. This concentration of performances has cultivated a unique cultural phenomenon around the Coliseum, serving as a bonding ground for Deadheads and phans through traditions like tape trading, which originated with the Grateful Dead's policy of allowing audience recordings and was embraced by Phish to build community lore. Fans often converge for these events, exchanging stories and memorabilia in parking lots turned impromptu markets, reinforcing "Hampton" as a pilgrimage site where the improvisational ethos of jam bands fosters lasting social connections.

Specific live albums and recordings

The Hampton Coliseum has hosted numerous live recordings that have been officially released, capturing iconic performances by jam bands and rock groups, often highlighting the venue's acoustics and intimate atmosphere for extended improvisations. The Grateful Dead's debut show at the arena on May 4, 1979, was documented on the double album Live at Hampton Coliseum, released in 2014 as a limited-edition vinyl set for , featuring energetic renditions of "," "," "Good Lovin'," and "Not Fade Away," which showcased the band's evolving sound during their late-1970s era. The group returned multiple times, with their March 27, 1988, concert released as Download Series Volume 5 in 2005, a digital collection emphasizing seamless transitions in " > " and the rare "" encore, reflecting the Dead's prolific live archiving efforts. Additionally, the October 8–9, 1989, shows—billed under the pseudonym "" due to a prior booking ban—were compiled into the six-CD box set , released in 2010, notable for reviving "" after a five-year and including "Attics of My Life," underscoring the venue's role in the band's historical milestones. Phish, another jam band staple at the Coliseum, recorded their November 21–22, 1997, performances as part of the seven-CD box set Hampton/Winston-Salem '97, released in 2011, which also includes a November 23 show in nearby Winston-Salem; highlights include the sprawling "Tweezer" jam and "Character Zero," capturing the band's peak improvisational form during their fall tour. The following year, Phish's November 20–21, 1998, run yielded Hampton Comes Alive, a six-CD set issued in 1999, their first full-show official release, featuring covers like "Rock and Roll, Part 2" and extended sets with "Twist" and "Split Open and Melt," released to coincide with the band's millennium hiatus. The marked the venue with their concert on December 31, 1996, released as Live Trax Vol. 7 in 2006, a two-disc (later digital) album collaborating with , spotlighting improvisational blends in "#41," "Jimi Thing," and "Typical Situation," which fans regard as one of the band's most dynamic live captures. The ' December 18, 1981, performance during their tour was preserved in the 2014 release Hampton Coliseum (Live 1981), part of the "From the Vault" series, a two-CD/DVD package with restored footage and audio mixed by , including high-octane versions of "," "," and "," representing a pivotal transitional show in the band's post-1970s catalog.

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