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In Our Prime


In Our Prime (Korean: I-sang-han Na-ra-eui Su-hak-ja; lit. Mathematician in Wonderland) is a 2022 South Korean drama film directed by Park Dong-hoon.
The film stars Choi Min-sik as Lee Hak-seong, a North Korean defector and former mathematical genius reduced to working as a security guard at an elite private high school, and Kim Dong-hwi as Han Ji-woo, a socially isolated student struggling academically and financially.
Released theatrically on March 9, 2022, it runs for 117 minutes and centers on the unlikely mentorship where Hak-seong teaches Ji-woo advanced mathematics, risking exposure of his past amid school pressures and societal prejudices against defectors.
The narrative highlights the intense academic competition in South Korean elite institutions and the challenges faced by North Korean refugees integrating into society, drawing from real-world dynamics of and hidden expertise.
Produced amid the with filming from late 2019 to early 2020, the film received praise for its emotional depth and Choi Min-sik's performance, achieving a 6.8/10 rating on from over 1,200 users, though it underperformed at the due to delayed release.
Notable for portraying as a redemptive force and critiquing class divides in education, In Our Prime stands as a character-driven story emphasizing perseverance and human connection over spectacle.

Production

Development and pre-production

The screenplay for In Our Prime was written by , a former and fund manager who drew inspiration from fragmented real-life events, including the death of a North defector , leaking answers, and a gifted abandoning preparation. These elements coalesced into a framework centered on a North defector , with the protagonist's backstory predating the full plot conception. selected as the core motif due to its perceived eternity and absolute truths, influenced by readings on mathematical history and admiration for figures like , Ree Rim-hak, and , whose eccentric brilliance and reclusive tendencies informed the lead character Lee Hak-sung. During development, Lee envisioned actor for the role of Hak-sung, a choice aligned with the character's intellectual depth and isolation, and incorporated themes of courageous akin to solving unsolved theorems, emphasizing mutual emotional among societal outcasts. The script underwent revisions, with approximately 30 scenes excised—primarily from the latter half, including an entire subplot involving Ji-woo's friend—to fit commercial runtime constraints of around two hours. Director Park Dong-hoon, in , found thematic resonance in BTS member Jungkook's 2018 track "," whose hopeful, dawn-greeting energy shaped his vision for student Ji-woo's arc and influenced ; after auditioning over 250 actors, Park selected for embodying a confident, adventurous spirit matching the song's vibe. Pre-production was handled by Joy Rabbit, with as distributor, focusing on integrating mathematical proofs and music to underscore the story's intellectual and emotional layers. commenced on December 2, 2019, and wrapped on March 12, 2020, allowing for authentic depictions of elite high school dynamics and defector challenges amid South Korea's competitive education system.

Casting

Director Park Dong-hoon cast veteran actor in the lead role of Lee Hak-sung, a reclusive North Korean defector and former mathematical prodigy reduced to working as a high school security guard. Park, who described himself as a devoted fan of Choi's performances, stated that the mere prospect of Choi embodying the character generated significant anticipation during . The pivotal role of Han Ji-woo, a high school outcast who has abandoned amid academic pressures, went to following rigorous auditions that drew over 250 applicants per spot. Kim's selection was confirmed in late , highlighting his emerging presence after supporting roles in films like and Peter Pan's Dream. Supporting cast included as the school's mathematics teacher Kim Geun-ho, , and Jo Yoon-seo, who altered her appearance with a short haircut to suit her character's demands. A script reading session took place in November 2019 with the principal actors, solidifying character interpretations ahead of filming commencement on December 2, 2019. The ensemble drew on established performers to underscore the film's exploration of intellectual isolation and mentorship dynamics.

Filming and technical aspects

Principal photography for In Our Prime took place in , , focusing on urban school environments and everyday settings to reflect the protagonists' and intellectual pursuits. Cinematographer Park Hong-yeol oversaw the visual capture, employing techniques suited to the drama's introspective narrative, including close-ups during mathematical teaching sequences and wider shots of the high school campus. Editing by Kim Sun-min shaped the 117-minute film, pacing the story to balance character development with explanatory math segments. Sound supervision was led by Lee Seung-yup, with design elements emphasizing ambient school noises and subtle cues in problem-solving scenes. The score, composed by Lee Ji-soo, incorporated minimalist motifs to underscore themes of discovery and resilience. Limited visual effects were integrated by artist Kim Jae-hoon, primarily for enhancing abstract mathematical concepts without dominating the realistic tone.

Plot

In Our Prime centers on Han Ji-woo (played by Kim Dong-wi), a high school student from a low socioeconomic background who attends the prestigious via a program. As an among his affluent peers, Ji-woo endures and academic struggles, particularly in , where his poor performance in a key competition jeopardizes his enrollment. One night, while evading school authorities, Ji-woo encounters Lee Hak-sung (), the school's unkempt night security guard responsible for maintenance. Hak-sung, a North Korean defector concealing his identity, was once a renowned in the North but now lives in anonymity in to safeguard his remaining family. During an impromptu discussion, Ji-woo discovers Hak-sung's exceptional mathematical aptitude and begs him for private lessons. Hak-sung initially resists but eventually mentors Ji-woo in after-hours sessions, employing intuitive, practical methods to demystify complex concepts. This guidance transforms Ji-woo's skills and confidence, enabling him to compete in a national . However, their unorthodox partnership draws scrutiny from school officials wary of the guard's influence, while Hak-sung grapples with resurfacing elements of his and past achievements. The narrative explores their evolving mentor-student dynamic amid institutional pressures and personal revelations.

Cast and characters

Choi Min-sik stars as Ri Hak-sung, the reclusive security guard at a prestigious high who possesses extraordinary mathematical talent but conceals his past as a North Korean defector and former prodigy. Kim Dong-hwi portrays Han Ji-woo, a bullied high from an impoverished family who struggles academically, particularly in , and forms an unlikely with Hak-sung to improve his skills. Park Hae-joon plays Ahn Gi-chul, a faculty member involved in the school's dynamics amid the unfolding events. appears as Kim Geun-ho, contributing to the supporting ensemble of teachers and school staff. Jo Yoon-seo depicts , a character interacting within the high school environment and student interactions.
ActorCharacter
Choi Min-sikRi Hak-sung
Kim Dong-hwiHan Ji-woo
Park Hae-joonAhn Gi-chul
Park Byung-eunKim Geun-ho
Jo Yoon-seoPark Bo-ram

Themes and analysis

Educational and social critique

The film portrays South Korea's elite private academies as bastions of intense competition and rote memorization, where students endure grueling schedules, including weekend boot camps, to excel in entrance exams, reflecting broader societal pressures that contribute to high youth stress levels. This depiction underscores a of an education system prioritizing and test performance over , as seen in the academy's dogmatic teaching methods that demand students accept flawed premises if endorsed by examiners. In contrast, Hak-sung's mentorship emphasizes as an aesthetic pursuit of and truth, challenging the utilitarian approach that dominates the institution. Socially, In Our Prime highlights class-based exclusion within these environments, where most students hail from affluent families able to afford supplementary tutoring, while Ji-woo, from a low-income single-parent household, faces and for his "" status. This illustrates how socioeconomic barriers undermine the of as a meritocratic , with enabling access to resources that amplify advantages, perpetuating despite nominal opportunities for talent. Relationships in the film, including romantic ones, are strained by these divides, as Ji-woo's background fosters self-doubt and resistance to upward mobility. The narrative also critiques societal prejudice against , embodied by Hak-sung's demotion from intellectual prominence to menial labor due to his origins, despite his exceptional abilities. This reflects real-world challenges for defectors in , including and , where political stigma overrides qualifications, limiting integration and contribution to society. Through these elements, the film advocates for recognizing innate talent irrespective of background, positing that systemic biases—rooted in class and —hinder collective progress by sidelining potential innovators.

Mathematical elements and realism

The film incorporates standard South Korean high school curricula, including functions, equations, logarithms, differentials, and integrals, as core elements in the scenes between Ri Hak-sung and Lee Ji-woo. Hak-sung, portrayed as a former North , instructs Ji-woo through secretive nighttime sessions focused on deriving solutions step-by-step, prioritizing logical verification of problem validity over rote memorization or quick answers. This approach underscores a of mathematical , where students confirm the problem's before , reflecting an emphasis on foundational reasoning. A notable sequence features "The Pi Song," in which Hak-sung maps the digits of π (the ratio of a circle's to its ) to musical notes, presenting the irrational number's as an aesthetic pattern to inspire appreciation for ' intrinsic beauty. Such serves the narrative's theme of math as accessible and profound, rather than arid , though it employs artistic liberty in anthropomorphizing numerical . The depiction maintains realism in representing the intensity of elite South Korean education, where constitutes a high-stakes component of the (CSAT or Suneung), demanding proficiency in and advanced for university admission to competitive programs. Hak-sung's expertise draws plausibly from North Korea's state-prioritized training, which has yielded international math competition successes despite isolation, enabling defectors with specialized skills to exist in . However, the film's compression of into brief, clandestine encounters exaggerates pedagogical efficiency for dramatic effect, diverging from typical remediation timelines in real (cram school) or self-study regimens. No inaccuracies in the portrayed concepts—such as evaluation or logarithmic properties—are evident, aligning with verified high school syllabi, though the narrative prioritizes emotional resonance over technical rigor.

Release

Premiere and distribution

In Our Prime was released theatrically in on March 9, 2022, marking its domestic without a prior screening. The film was distributed domestically by , which handled its nationwide theatrical rollout. Internationally, it screened at events such as the Buenos Aires Korean Film Festival in 2022 and the Korean Film Festival . By late 2022, the film became available on streaming services, including in select regions and Disney+ for international audiences.

Marketing and promotion

The marketing campaign for In Our Prime emphasized the film's inspirational narrative of and , positioning it as a South Korean counterpart to through media coverage highlighting lead actor 's portrayal of a brilliant but reclusive . , the distributor, showcased the project at the 2021 , underscoring the star power of alongside rising talent in a story of an unlikely bond between a struggling student and a North Korean defector turned school guard. Trailers were released in February 2022, featuring key scenes of mathematical tutoring and emotional growth to build anticipation ahead of the March 9 theatrical debut in South Korea. Promotional efforts leveraged Choi's established reputation from acclaimed roles in films like Oldboy, targeting audiences seeking character-driven dramas with themes of perseverance and hidden talent. The campaign contributed to a strong opening, with the film achieving a cumulative box office of approximately $4 million within weeks of release, reflecting effective pre-release buzz through trailers and press features on its educational and humanistic elements. Following its theatrical run, international promotion shifted to streaming platforms, including Netflix and Amazon Prime Video, where subtitled trailers extended reach to global viewers interested in Korean cinema's blend of intellect and emotion.

Reception

Critical response

Critics praised In Our Prime for its uplifting narrative of mentorship and redemption, drawing comparisons to films like for the dynamic between the reclusive mathematical genius Hak-sung and the struggling student Ji-woo. Reviewers highlighted the strong performances by Park Byeong-eun as the janitor with a hidden intellect and as the bullied teen, noting how their chemistry drives the film's emotional core. The story's exploration of unrecognized talent amid societal hierarchies was commended for resonating with themes of merit and perseverance, particularly in South Korea's high-pressure education system. However, some critiques pointed to the film's reliance on familiar tropes, describing it as occasionally naive and predictable in its crowd-pleasing arc, with resolutions that strain plausibility despite the grounded portrayal of mathematical challenges. Park Dong-hoon's debut was seen as competent but , prioritizing sentimental beats over deeper in depicting academic competition and personal reinvention. The of real mathematical problems was appreciated for adding , though not always seamlessly woven into the without expository . Overall, the garnered a 6.8/10 average on from over 1,200 user ratings, reflecting solid if not exceptional critical consensus on its inspirational intent amid formulaic execution. outlets like emphasized its entertainment value for mainstream audiences, while international reviewers valued its subtle critique of in elite schooling without overt preachiness.

Audience reception and commercial performance

"In Our Prime" received generally positive feedback from South Korean audiences, earning an 8.57 out of 10 rating on Movie shortly after its release, reflecting appreciation for its uplifting narrative on and mathematical discovery. Internationally, audience scores were more mixed, with users rating it 6.8 out of 10 based on over 1,200 reviews, citing an average storyline with some logical inconsistencies but praising the performances and inspirational elements. On , it holds a 3.3 out of 5 average from nearly 1,900 ratings, indicating moderate appeal among global viewers familiar with Korean cinema. Commercially, the film premiered on March 9, 2022, in South Korea and quickly topped the box office for two consecutive days, driven by strong word-of-mouth and its release during a competitive spring season. It grossed approximately $1.17 million over its first five days and maintained momentum to rank number one for the weekend of March 13, earning $1.1 million. By the end of its run, "In Our Prime" accumulated $3.55 million at the South Korean box office, according to data from the Korean Film Council, marking a solid performance for an independent drama amid a market dominated by blockbusters. The film's distributor, Joy Rabbit, benefited from its crowd-pleasing reception, though it did not achieve blockbuster status.

Accolades and recognition

received the Best New Actor award at the 43rd on November 25, 2022, for his portrayal of the math prodigy Han Ji-woo. This accolade highlighted the film's exploration of outsider talent in a rigid , with the recognizing standout newcomer performances amid competition from films like . The film earned nominations at several prominent Korean awards ceremonies in 2022, including the for technical and acting categories. was also nominated for Best New Actor at the 58th and the 58th Daejong Film Awards, though he did not win those._Daejong_Film_Awards) At the , In Our Prime received a in the film , underscoring modest industry acknowledgment for its narrative on merit and . Overall, the accolades centered on individual performances rather than the film as a whole, reflecting its niche appeal in critiquing educational hierarchies without broader sweep at major ceremonies dominated by higher-profile releases.

Legacy and impact

Cultural influence

The film's depiction of a as a brilliant living incognito in contributed to nuanced portrayals of defectors in South Korean , emphasizing their untapped potential amid societal and barriers. This narrative element, centered on the character Hak-sung's defection and subsequent marginalization, resonated in a context where defectors number around 34,000 in as of 2022, often facing challenges, thereby fostering public through rather than didactic messaging. "In Our Prime" drew explicit parallels to Western films like "," framing its mentor-protégé dynamic as a cross-cultural of innate genius overcoming privilege, which amplified its appeal in international streaming platforms such as and Viki. Released on March 9, 2022, it achieved commercial prominence by topping South Korean charts ahead of Hollywood releases like "," with an opening weekend gross exceeding 1.1 million USD and sustained domestic earnings reflecting broad audience engagement with its themes of merit and redemption. By integrating real mathematical challenges, including references to the , the film popularized as a vehicle for personal triumph in , with cast members highlighting its role in unveiling the subject's "thrill and achievement" to non-experts. This approach, while dramatized, echoed director Park Dong-hoon's inspiration from BTS member Jungkook's "" for evoking emotional highs through intellectual pursuit, influencing subsequent discussions on blending K-pop sentimentality with educational narratives in Korean cinema.

Influence on discourse about education and meritocracy

"In Our Prime" has amplified critiques of South Korea's education system by illustrating the disconnect between its meritocratic ideals and the socioeconomic barriers that undermine equal opportunity. The film's depiction of a destitute yet intellectually gifted student dependent on an unconventional rural cram school teacher exposes how the College Scholastic Ability Test (CSAT, or suneung)—touted as an objective equalizer—often favors those with access to expensive private tutoring, or hagwon, rather than pure talent or effort. This narrative resonates with data showing that approximately 80% of elementary through high school students participate in private education, with national spending reaching a record 26 trillion won (about $20 billion USD) in 2022, predominantly on subjects like mathematics and English that heavily influence CSAT outcomes. Reviewers and analysts have highlighted the movie's role in questioning "exam-ability-ism" (siheom neungnyeokjuui), where success hinges on volume rather than conceptual mastery, contributing to widespread student disengagement from core subjects. For instance, surveys indicate that up to 60% of high school students self-identify as "math abandoners" (supoja), abandoning due to its rote, high-stakes focus, a phenomenon the film dramatizes through its protagonist's innovative teaching amid systemic pressures. The work has informed broader debates on reforming private tutoring's dominance, echoing longstanding policy efforts like hagwon curfews and enhancements, yet underscoring their limited impact given the industry's resilience and parental demand driven by perceived stakes for . While not precipitating immediate legislative shifts, the film joins a lineage of Korean cinema critiquing educational inequities, prompting public discourse on whether true requires addressing causal disparities in preparatory resources rather than relying solely on exam impartiality.

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