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Jamie Babbit

Jamie Babbit (born November 16, 1970) is an American film and television director, producer, and screenwriter, recognized for her work in independent cinema and episodic directing on acclaimed series.^[1]^[2]
Her debut feature, But I'm a Cheerleader (1999), a satirical comedy depicting a cheerleader subjected to conversion therapy at a rehabilitation camp, initially faced critical dismissal but later gained cult following and recognition as one of the top romantic comedies.^[2]^[3]
Babbit's television credits include directing episodes of Gilmore Girls, Silicon Valley (earning an Emmy nomination for Outstanding Directing for a Comedy Series), The Marvelous Mrs. Maisel, Russian Doll, and the Emmy-nominated pilot of Only Murders in the Building, on which she also served as executive producer.^[2]^[4]
Additional achievements encompass the Grand Jury Prize at SXSW for her second feature Itty Bitty Titty Committee (2007) and a jury prize at Sundance for her short film Stuck (1998), alongside early career experience interning for Martin Scorsese on The Age of Innocence.^[2]^[5]
She graduated from Barnard College at Columbia University and resides in Los Angeles.^[2]

Early life and education

Family background and upbringing

Jamie Babbit was born on November 16, 1970, in Shaker Heights, Ohio, a suburb of Cleveland.^[1]^[6] She was raised in Shaker Heights by her father, Harold Babbit (1941–2023), an attorney and law school professor, and her mother, the late Nikki Babbit, a licensed school psychologist and certified chemical dependency counselor who operated adolescent treatment programs.^[7]^[8]^[9] Babbit grew up alongside her two brothers, Ross and Rider, in a stable household shaped by her parents' professional careers, which emphasized legal and psychological expertise rather than entertainment industry ties.^[7] This environment in the affluent, middle-class community of Shaker Heights provided a conventional Midwestern upbringing, without evident privileges linked to early filmmaking or artistic pursuits.^[7]

High school and early influences

Babbit graduated from Shaker Heights High School in 1989, where she engaged in the school's robust theater program, including the Ensemble Theatre, which honed foundational skills in performance and production that informed her directing approach.^[7]^[10] Her involvement began with onstage acting through the Cleveland Play House youth theater but shifted toward backstage roles, igniting an interest in the mechanics of storytelling and direction rather than formal performance.^[10] This hands-on exposure in a public high school setting, without access to elite arts academies or familial industry ties, emphasized practical experimentation over credentialed pathways. Post-graduation, Babbit eschewed traditional film school, instead initiating self-taught forays into short filmmaking driven by an independent ethos cultivated in high school theater, where persistence supplanted pedigree as a causal factor in skill acquisition.^[11] This trajectory contrasted with industry norms favoring institutional training or connections, highlighting how her early, unprivileged immersion in collaborative arts fostered resilience and resourcefulness essential to navigating filmmaking's barriers.^[7] Lacking verifiable nepotistic advantages, her nascent pursuits relied on personal initiative, aligning with empirical patterns where determination correlates more strongly with breakthroughs than pre-existing networks in creative fields.

Career

Short films and independent beginnings

Babbit entered the film industry without a formal degree in filmmaking, instead gaining practical experience through entry-level positions and supplemental coursework. After graduating from Barnard College, she worked as a production assistant in New York, progressing through industry ranks before relocating to Los Angeles.^[12] She supplemented this on-the-job training with film classes at New York University during summers and later at both NYU and UCLA, effectively self-educating amid set work rather than relying on structured programs.^[7] This bootstrapped approach characterized her early independent projects, produced on limited budgets without major studio support.^[13] Her breakthrough short, Sleeping Beauties (1998), exemplified this DIY ethos. Written and directed by Babbit, the 20-minute comedy reimagines the Sleeping Beauty fairy tale with lesbian protagonists in a mortuary setting, starring Sarah Lassez and featuring early appearances by Radha Mitchell and Guinevere Turner.^[14] Produced independently with minimal funding from collaborators like Mary Burch and Victoria Robinson, it premiered at the 1998 Sundance Film Festival and subsequently screened at over 30 international venues, including the London Film Festival, Los Angeles Independent Film Festival, and Washington D.C.'s Reel Affirmations.^[13] ^[15] The film's festival success highlighted Babbit's ability to navigate indie circuits, fostering initial producer relationships and paving the way for feature-length opportunities through grassroots acclaim rather than established networks.^[12] As her second short film, Sleeping Beauties also introduced Babbit to censorship hurdles common in independent queer cinema. She faced scrutiny from distributors over its explicit content, mirroring broader challenges for unbacked filmmakers pushing boundaries without institutional buffers.^[12] This period solidified her reputation for resourceful, self-reliant production, emphasizing hands-on hustle in an industry often gated by privilege and funding access.

Feature films

Babbit directed her first feature film, But I'm a Cheerleader (1999), a satirical comedy critiquing behavioral modification programs aimed at altering sexual orientation, starring Natasha Lyonne as a high school cheerleader sent to a camp after being accused of lesbianism.^[16] The film premiered at the Sundance Film Festival in 2000 and was produced on a low budget of approximately $1.2 million, emphasizing exaggerated stereotypes and camp aesthetics to highlight the absurdity of such interventions.^[17]

But I'm a Cheerleader (1999)

The narrative follows Megan Bloomfield (Lyonne), whose mannerisms lead her family and school to suspect homosexuality, resulting in her enrollment at a conversion camp run by strict counselor Mary Brown (Cathy Moriarty), where she encounters other teens undergoing forced heterosexual training.^[16] Babbit co-wrote the story with Brian Wayne Peterson, drawing from real-world accounts of ex-gay ministries, and collaborated with cinematographer Jules Labarta to employ vibrant, artificial color palettes that underscore the film's parodic intent.^[2] Despite initial distribution challenges due to its provocative subject matter, the film grossed over $130,000 in limited release and garnered a cult following for its bold humor and critique of conformity pressures.^[16]

Later feature films

Babbit's subsequent features shifted toward thrillers and comedies, including The Quiet (2005), a psychological drama about a deaf teenager (Camilla Belle) who uncovers dark family secrets while living with her adoptive relatives, co-starring Elisha Cuthbert and Edie Falco.^[18] She directed Itty Bitty Titty Committee (2007), a comedy following a group of young activists forming a radical feminist performance art collective in response to personal and societal frustrations.^[19] In 2012, Babbit helmed Breaking the Girls, an erotic thriller involving two college students (Agnes Bruckner and Madeline Zima) engaging in a high-stakes sexual game that escalates to murder.^[20] Her 2014 film Addicted to Fresno stars sisters Shannon (Judy Greer) and Kelly (Ari Graynor) navigating mishaps while working as hotel maids in California, blending dark humor with themes of desperation and sibling rivalry. Babbit also directed Made in Cleveland (2013), a drama centered on a beauty pageant contestant's journey amid personal loss, and The Stand In (2020), a comedy featuring Drew Barrymore as a reclusive former child star hiring a body double (Jane Levy) to revive her career.^[21] These later works often featured ensemble casts and explored outsider dynamics, though they received mixed critical responses, with aggregate scores ranging from 11% to 32% on Rotten Tomatoes for several titles.^[20]

But I'm a Cheerleader (1999)

But I'm a Cheerleader is a 1999 satirical romantic comedy film written by Brian Wayne Peterson and directed by Jamie Babbit as her feature-length directorial debut.^[16] The story centers on Megan Bloomfield, a high school cheerleader portrayed by Natasha Lyonne, who is sent by her parents to a conversion therapy camp called True Directions after displaying behaviors interpreted as signs of lesbianism, such as disinterest in her boyfriend and posters of female athletes on her wall.^[22] At the camp, run by the character Mike Chilton played by RuPaul, Megan encounters other teens undergoing reorientation efforts through exaggerated gender-stereotyped activities, leading to her romance with fellow resident Graham (Clea DuVall).^[23] The film was produced on a modest budget of approximately $1 million, primarily utilized for constructing the stylized, artificial sets depicting the camp's environment.^[24] Principal photography occurred in 1999, with the movie premiering at the Toronto International Film Festival that September before a limited theatrical release in the United States on October 12, 2000.^[25] It earned about $2.1 million worldwide at the box office, roughly doubling its production costs and indicating modest commercial success for an independent release.^[24] Critically, the film faced largely negative reviews upon initial release, with outlets like Variety describing it as a "shallow, only mildly entertaining satire" limited in broader appeal.^[26] Some critics accused it of "heterophobia" for its mockery of traditional gender norms and conversion practices, viewing the portrayal as overly simplistic or propagandistic.^[27] Over time, however, it has gained cult status, particularly within LGBTQ+ communities, praised for its campy aesthetics, bold satire of heteronormativity, and early critique of conversion therapy amid limited mainstream depictions of such topics in 1999.^[22]^[28]

Later feature films

Babbit's second feature film, The Quiet (2005), is a psychological thriller about a deaf teenager who uncovers dark family secrets after moving in with her godparents; it stars Camilla Belle, Elisha Cuthbert, and Edie Falco.^[18]^[29] The film received mixed reviews, with critics noting its stylistic ambition but criticizing plot inconsistencies.^[29] In 2007, she directed Itty Bitty Titty Committee, a comedy following a young lesbian's involvement with a radical feminist group, featuring Melonie Diaz and Nicole Vicius; it premiered at the SXSW Film Festival, where it won the Grand Jury Award.^[2]^[30]^[31] Breaking the Girls (2012), a crime thriller about two college students engaging in a pact to murder each other's enemies, stars Agnes Bruckner and Madeline Zima; the film explores themes of betrayal and was released directly to video in some markets.^[32]^[33] Babbit helmed the dark comedy Addicted to Fresno (2015), which depicts codependent sisters covering up a death while working as hotel maids, starring Natasha Lyonne and Judy Greer; written by Karey Dornetto, it premiered at the Tribeca Film Festival.^[34] Her most recent feature, The Stand In (2020), is a satirical comedy in which a disgraced actress hires her stand-in to serve her community service, leading to identity theft; it features Drew Barrymore in dual roles and was released amid the COVID-19 pandemic.^[35]^[36]

Television directing

Babbit began directing television episodes in the early 2000s, following her feature film debut, with credits on comedy series that highlighted her ability to handle ensemble casts and rapid pacing. She directed 18 episodes of Gilmore Girls from 2001 to 2007, including installments focused on family dynamics and small-town life.^[1] She also helmed three episodes of Malcolm in the Middle between 2002 and 2003, such as the 2002 episode "Forbidden Girlfriend," which explored teen rebellion and family chaos within a sitcom format.^[37] ^[38] These early works demonstrated versatility across comedic tones, from witty dialogue-driven narratives to physical humor. In the 2010s, Babbit expanded into procedural dramas and tech satires, directing three episodes of Rizzoli & Isles from 2012 to 2013, contributing to the series' blend of crime-solving and interpersonal tension.^[39] ^[40] She directed multiple episodes of Silicon Valley, including segments critiquing startup culture and innovation rivalries, aligning with her experience in character-focused storytelling.^[41] This period marked a reliance on episodic television for career continuity after independent films, with over 70 directing credits amassed across genres like dramedy and thriller, without producing or creating roles.^[42] The volume of work—spanning shows such as Nip/Tuck and United States of Tara—provided financial stability amid Hollywood's indie sector fluctuations, prioritizing directorial execution over auteur oversight.^[1]

Commercials and recent projects

Babbit made her commercial directing debut with the Olay "#MakeSpaceForWomen" spot, which aired during Super Bowl LIV on February 2, 2020.^[43] The advertisement, produced by Independent Media and created by Badger & Winters, featured an all-female cast and crew—including actress Busy Philipps and comedian Lilly Singh—depicting women pioneering space exploration to underscore barriers in STEM fields.^[44] It incorporated a hidden binary code in the visuals translating to "#MakeSpaceForWomen," aligning with Olay's campaign to fund scholarships for female coders.^[45] This entry into advertising drew on Babbit's established visual style from narrative works, characterized by stylized aesthetics and satirical elements, adapting them to concise 30-second formats amid a competitive market where high-profile spots like Super Bowl ads provide lucrative opportunities relative to independent film's financial volatility.^[46] In television, Babbit directed episodes of Only Murders in the Building starting in 2021 and served as director for the 2024 series My Lady Jane.^[47] She is slated to helm Red, White & Royal Wedding, the sequel to Red, White & Royal Blue, with production under Amazon MGM Studios and a script by Matthew López and Casey McQuiston, as announced on October 15, 2025.^[48] These projects extend her focus on character-driven stories with queer and comedic undertones into streaming platforms.^[1]

Reception and legacy

Critical reception of key works

But I'm a Cheerleader (1999) received mixed critical reviews upon release, earning a 43% approval rating on Rotten Tomatoes based on 92 reviews, with critics praising its campy satire of conversion therapy but often critiquing its superficial treatment of queer themes and reliance on stereotypes.^[49] Roger Ebert noted the film's exaggerated style as both its strength and limitation, describing it as "a satire that doesn't quite know when to stop," while Variety highlighted its "brightly colored, cartoonish aesthetic" but faulted the script for lacking depth. Commercially, the film grossed $2.2 million domestically against a low budget, underperforming at the box office but gaining traction through film festivals and eventual cult status, with retrospective analyses crediting it for presciently mocking anti-LGBTQ+ practices.^[50] Audience scores later improved to 75% on Rotten Tomatoes, reflecting reevaluation as a queer classic.^[49] Babbit's follow-up feature The Quiet (2005), a psychological thriller, fared worse critically, holding a 22% Rotten Tomatoes score from 96 reviews, where detractors cited tonal inconsistencies and underdeveloped characters despite strong performances from Camilla Belle and Edie Falco.^[29] The film struggled with genre expectations, blending family drama and horror in a manner reviewers like those in The New York Times deemed "uneven and overwrought." Box office data remains limited, indicative of limited theatrical release and commercial challenges typical of her mid-career indie projects. Her television directing, including episodes of Gilmore Girls and Veronica Mars, garnered more consistent praise for efficient pacing and visual flair, though specific episode metrics are sparse; aggregate viewer feedback on platforms like IMDb rates her contributions positively within ensemble casts. Later works like All Cheerleaders Die (2013) maintained mixed reception at 50% on Rotten Tomatoes, reinforcing patterns of festival acclaim without mainstream breakthroughs. Overall, Babbit's oeuvre is characterized by indie festival success and niche cult appeal, offset by modest box office returns and variable critical consensus on narrative depth.^[51]

Controversies and alternative viewpoints

But I'm a Cheerleader (1999), Babbit's debut feature, elicited controversy for its satirical portrayal of heterosexuality and conversion therapy, with critics accusing it of heterophobia through one-sided caricatures of straight characters. David Edelstein, writing in Slate in July 2000, argued the film made "heterosexuality look unnatural—and tasteless," employing "outrageously caricaturing one’s critics" as its rhetorical core while depicting straight antagonists with evident contempt from performers like Cathy Moriarty.^[52] This approach, Edelstein contended, rendered the satire lazy and lacking tension, prioritizing mockery of the "homophobic right" over substantive engagement with contemporary anti-gay rhetoric.^[52] The film's exaggerated stereotypes of both gay and straight figures drew further backlash, with some reviewers faulting it for reinforcing rather than dismantling cultural tropes, such as effeminate gay boys and hyper-masculine straights.^[53] Initial critical reception was polarized, as Variety noted in 1999 that the shallow satire proved "only mildly entertaining," while its vivid color scheme and camp aesthetics alienated mainstream audiences accustomed to subtler queer narratives.^[54] Babbit's resistance to MPAA demands—initially slapped with an NC-17 for lesbian sex scenes and queer content—required trims that, per Natasha Lyonne's critique in the 2006 documentary This Film Is Not Yet Rated, reflected institutional bias against homosexual depictions compared to heterosexual ones, arguably sharpening the film's defiant edge despite softening explicit elements.^[55] Alternative perspectives question the satire's net efficacy, positing that its levity and reliance on archetypes may perpetuate gay stereotypes under the guise of subversion, potentially undermining broader discourse on conversion therapy's harms.^[56] While left-leaning outlets later hailed it as prescient, empirical contrasts with conversion therapy survivors' accounts—detailing severe trauma rather than comedic absurdity—suggest the film's humor risks trivializing documented psychological damage, as later serious films like The Miseducation of Cameron Post (2018) emphasize without camp exaggeration. No significant personal controversies surround Babbit, with debates centering on her work's polarizing balance of provocation and preachiness.^[57]

Personal life

Relationships and marriages

Babbit entered a long-term romantic partnership with film producer Andrea Sperling in the late 1990s, after meeting during production work on If These Walls Could Talk (1996), which influenced her relocation to Los Angeles.^[12] The relationship involved professional collaborations, including Sperling producing Babbit's D.E.B.S. (2004).^[58] They separated prior to 2014, with Sperling described in subsequent accounts as Babbit's former partner.^[7] In 2014, Babbit married screenwriter Karey Dornetto, with whom she collaborated on Addicted to Fresno (2015).^[59] The marriage dissolved, with Dornetto filing for divorce on December 23, 2019, in Los Angeles County Superior Court.^[60] No children resulted from this union.^[6]

Children and family dynamics

Jamie Babbit has two daughters, Finley and Ryder, with her former partner Andrea Sperling. The family resides in Los Angeles, California, where the daughters were raised. In September 2015, Finley was reported to be 11 years old and Ryder 7 years old.^[61] Babbit's parental role emphasizes a stable, blended family environment post-separation from Sperling, with no documented public disputes over custody or upbringing. The daughters have maintained involvement in family-oriented public events, such as attending the Tribeca Festival premiere of My Lady Jane in June 2024 alongside Babbit, indicating ongoing cooperative dynamics between biological parents despite the relationship's end. This arrangement reflects sustained dual-parental influence, as evidenced by shared public appearances and absence of legal conflicts in available records. Babbit's extended family includes her father, Harold Babbit, an attorney, and her late mother, Nikki Babbit, a psychologist who died on April 20, 2006, from complications of peritoneal cancer diagnosed in 2004. She has two brothers, Ross and Rider Babbit. The siblings were raised in Shaker Heights, Ohio, fostering familial ties that occasionally intersect with Babbit's professional life, though specific instances of parental or sibling involvement in events remain limited in public documentation. Nikki Babbit's 2006 obituary noted Finley's presence as a granddaughter, underscoring early intergenerational connections prior to the births of additional children.^[7]^[62]

References

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Jamie Babbit - IMDb
Jamie Babbit was born on 16 November 1970 in Shaker Heights, Ohio, USA. She is a director and producer, known for But I'm a Cheerleader (1999), Only Murders ...
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Bio - Jamie Babbit
Jamie Babbit has directed several features and produced and directed multiple award winning television shows.Missing: works achievements
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'But I'm a Cheerleader' Director Jamie Babbit on the Queer ... - Variety
Dec 4, 2020 · Director Jamie Babbit on the Queer Classic 20 Years Later: 'I Wanted to Make a Gay 'Clueless” By Rebecca RubinMissing: biography | Show results with:biography
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2017 Emmy Directing Nominees Reception - DGA
Outstanding Directing for a Drama Series. Stephen Daldry · The Crown • Hyde Park Corner • Netflix ; Outstanding Directing for a Comedy Series. Jamie Babbit ...<|control11|><|separator|>
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Jamie Babbit Biography, Celebrity Facts and Awards - TV Guide
Best known as the director of the films "But I'm a Cheerleader" and "The Quiet," as well as several episodes of the TV series "Gilmore Girls․"; Wrote and ...Missing: notable | Show results with:notable
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Jamie Babbit - Ethnicity of Celebs | EthniCelebs.com
Oct 19, 2017 · Place of Birth: Shaker Heights, Ohio, U.S.. Date of Birth: November 16, 1970. Ethnicity: English, Scottish, German. Jamie Babbit is an American ...
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Aug 25, 2017 · She has directed dozens of TV episodes for shows including “Gilmore Girls,” “Girls,” “Malcolm in the Middle,” “United States of Tara,” “Ugly Betty,” and many ...Missing: achievements | Show results with:achievements<|control11|><|separator|>
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Oct 22, 2023 · Harold Babbit, 82, died Sunday surrounded by his family and friends after a three year battle with ALS. Harold was a kind intelligent lawyer.Missing: psychologist | Show results with:psychologist
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Nikki Babbit, PhD, has spent the last 35 years counseling adolescents and families as a high-school teacher, school psychologist, adolescent and family ...Missing: Harold attorney
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Apr 3, 2019 · Shaker Heights native Jamie Babbit receives CIFF's inaugural DReam Catcher award for LGBTQ filmmakers.Missing: graduation | Show results with:graduation
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Jamie and her brothers Ross and Rider were raised in Shaker by an attorney father, Harold, and a psychologist mother, the late Nikki Babbit. While both ...
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For better or worse, Babbit is used to dealing with censors, as both an independent director (she made th e acclaimed short, 1998's "Sleeping Beauties") and as ...
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Summer 1999: PRODUCTION UPDATE - FILMMAKER MAGAZINE
Babbit's second short, Sleeping Beauties, premiered at Sundance in '98 and played over 30 festivals including London, the LAIFF and Washington D.C., where ...<|separator|>
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Sleeping Beauties (Short 1999) - IMDb
Rating 6.5/10 (239) A lesbian mom tells her daughter of how her mommies met through the retelling of the Sleeping Beauty fairytale with 2 lesbian leads and no Prince Charming.
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Sleeping Beauties · Director: Jamie Babbit · Writer: Jamie Babbit · Producer: Mary Burch; Victoria Robinson ...
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Rating 6.8/10 (49,295) A naive teenager is sent to rehab camp when her straitlaced parents and friends suspect her of being a lesbian.Full cast & crew · Parents guide · Jamie Babbit · Katie Donahue: Cheerleader #1
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Rating 6.1/10 (18,126) Directed by Jamie Babbit, who is apparently known for lighter TV fare. She has thrown that out the window with The Quiet. Dot (Camilla Belle), a deaf orphan ...
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Films directed by Jamie Babbit · Poster for But I'm a Cheerleader (1999) · Poster for Addicted to Fresno (2015) · Poster for Itty Bitty Titty Committee (2007) ...<|separator|>
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Jamie Babbit Movies & TV Shows List | Rotten Tomatoes
Explore the complete filmography of Jamie Babbit on Rotten Tomatoes! Discover every movie and TV show they have been credited in.Missing: notable achievements
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Filmography ; 2015, Addicted to Fresno, Director ; 2013, Made in Cleveland, Director ; 2013, Breaking the Girls, Director ; 2007, Itty Bitty Heartbeats, Director.
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Jun 28, 2024 · Director Jamie Babbit said they even opted for plastic flowers outside the house “because she doesn't like real flowers. Real things are ...
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The 1999 Satire Starring RuPaul You Need to See | AnOther
Jul 7, 2017 · The 1999 film But I'm a Cheerleader can succinctly be described in two short words: completely iconic. Directed by Jamie Babbit, it was one ...
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Financial analysis of But I'm a Cheerleader (2000) including production budget ... $1,200,000 (worldwide box office is 2.1 times production budget). Theater ...
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May 27, 2024 · A teen romantic comedy about a cheerleader whose family sends her to an anti-gay conversion camp. Critics roasted it upon release.
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Rating 22% (96) The Quiet may be a mess, but it's an exceedingly entertaining one, with a host of fine actors keeping their characters on as tight a leash as a film heading for ...
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Rating 5.4/10 (3,077) Director Jamie Babbit makes some very interesting stylistic choices and the camera work is really innovative; that was one reason why I really had fun watching ...Trivia · Nicole Vicius and Melonie Diaz · English · News
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Itty Bitty T...y Committee - Rotten Tomatoes
Rating 38% (8) Cast & Crew ; Jamie Babbit thumbnail image. Jamie Babbit. Director ; Melonie Diaz thumbnail image. Melonie Diaz. Anna ; Nicole Vicius thumbnail image. Nicole ...
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Breaking the Girls (2012) - IMDb
Rating 5/10 (3,954) "Breaking the girls" is a film released in 2012 directed by Jamie Babbit. This is a thriller style of the famous Sex Intentions without the match. Three ...Parents guide · Full cast & crew · Breaking the Girls · User reviews
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Breaking the Girls | Rotten Tomatoes
Rating 11% (9) Synopsis Two college students (Agnes Bruckner, Madeline Zima) begin a steamy affair and pledge to kill each other's enemies. Director: Jamie Babbit.
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Addicted to Fresno (2015) - IMDb
Rating 5.5/10 (3,828) Addicted to Fresno: Directed by Jamie Babbit. With Judy Greer, Natasha Lyonne, Malcolm Barrett, Jessica St. Clair. Follows the lives two co-dependent ...
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The Stand In (2020) - IMDb
Rating 4.7/10 (4,267) The Stand In: Directed by Jamie Babbit. With Drew Barrymore, Sarah Jes Austell, Michael Zegen, T.J. Miller. A disaffected comedy actress and her ambitious ...
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The Stand In (2020) - Rotten Tomatoes
Rating 31% (36) Synopsis A stand-in takes over an actress's career and identity after performing her community service for tax evasion. Director: Jamie Babbit. Producer: Tom ...
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Rating 7.7/10 (988) Forbidden Girlfriend: Directed by Jamie Babbit. With Jane Kaczmarek, Bryan Cranston, Christopher Masterson, Justin Berfield. Malcolm sneaks around to date a ...Full cast & crew · Reagan Dale Neis · Plot · Soundtracks
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Rizzoli & Isles (TV Series 2010–2016) - Full cast & crew - IMDb
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Babbit graduated from Columbia University where she was a Centennial scholar in foreign studies and grew up in Shaker Heights, Ohio. She currently lives in Los ...Missing: education background
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Birth Name:Jamie Merrill Babbit ; Birth Place:Shaker Heights, Ohio, United States ; Profession Director, Producer, Script department, Writer ...
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Jan 27, 2020 · Super Bowl commercials are typically synonymous ... Helming the spot is director Jamie Babbit, whose credits include The Marvelous Mrs.
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WATCH: Olay's Super Bowl ad - PR Newswire
Jan 30, 2020 · #MakeSpaceforWomen: Olay's Super Bowl commercial pays homage to the women of STEM who are blazing the trail for future generations. Quote from ...
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May 3, 2020 · Later Babbit directed The Itty Bitty Titty Committee which took Best Feature Film honors at the South by Southwest Film Festival. She then ...
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But I'm a Cheerleader - Rotten Tomatoes
Discover reviews, ratings, and trailers for But I'm a Cheerleader on Rotten Tomatoes. Stay updated with critic and audience scores today!92 ReviewsCast and Crew
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But I'm a Cheerleader (1999) - Box Office Mojo
But I'm a Cheerleader (1999). A naive teenager is sent to rehab camp when her straitlaced parents and friends suspect her of being a lesbian.
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Jamie Babbit Always Knew "But I'm a Cheerleader" Was Ahead of Its ...
Dec 8, 2020 · With its playfully satirical take on the obscenity of conversion therapy, But I'm a Cheerleader was unafraid to poke fun at the prevalent ...
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Heterophobia
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Cult Classics: Breaking Gender Norms in 'But I'm a Cheerleader'
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This Goofy Natasha Lyonne Rom-Com's Ending Was a Complete ...
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[57]
But I'm A Cheerleader: Director's Cut of Cult Comedy Still Campy If ...
Dec 9, 2020 · But I'm A Cheerleader ... Compared to serious contemporary movies on the barbaric practice of sexual orientation conversion therapy ...Missing: downplays ineffective
[58]
3 Cheers for Director Jamie Babbit - Windy City Times
Aug 30, 2006 · Actually, the Michelle character was supposed to definitely be a lesbian and in love with Nina. I mean they're both in love with Nina basically.
[59]
The Binge Interview: Jamie Babbit and Karey Dornetto on "Addicted ...
Oct 2, 2015 · Babbit: I think the fact that gay marriage is now legal in all 50 states will normalize gay families and gay relationships. The more that ...
[60]
DORNETTO, KAREY LOUISE VS BABBIT, JAMIE MERRILL - UniCourt
Oct 7, 2020 · On 12/23/2019 DORNETTO, KAREY LOUISE filed a Family - Marriage Dissolution/Divorce court case against BABBIT, JAMIE MERRILL in Los Angeles ...
[61]
Director Jamie Babbit brings 'Addicted to Fresno' to the Cedar Lee ...
Sep 29, 2015 · "Addicted to Fresno" is about addictions and sisterly relationships, but it is also a caper-comedy. Shannon and Martha work as maids at a Fresno ...
[62]
Nikki Babbit Obituary (2006) - Cleveland, OH
BABBIT NIKKI BABBIT, 64, of Shaker Hts., died Thursday, April 20, of complications of peritoneal cancer first diagnosed in July 2004.