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Jean Kittson

Jean Kittson AM (born 1955) is an Australian comedian, writer, actress, and advocate renowned for her satirical work across television, theatre, radio, and print media, as well as her recent efforts to improve palliative care and support for aging families. Kittson first gained national prominence in the 1980s through her appearances on the sketch comedy series The Big Gig on ABC Television, where her sharp wit and observational humor established her as a key figure in Australian comedy. She went on to star in numerous television programs, including the medical parody Let the Blood Run Free, the panel show Good News Week, and the satirical series The Glasshouse, contributing sketches, writing, and performances that critiqued social and political issues. Her radio work includes regular guest spots on ABC 702, and she has served as a panellist and debater on shows like Talking ’Bout Your Generation, Studio Ten, and the Today Show. In addition to her performance career, Kittson is an accomplished , with notable books including Tongue Lashing (Penguin, 1994), a collection of humorous essays on and ; You’re Still Hot to Me (Pan Macmillan, 2014), exploring and women's experiences; and We Need to Talk About (and Dad) (Pan Macmillan, 2020), a practical guide to caring for aging parents. On stage and screen, she has appeared in films such as Hating Alison Ashley (2005) and The Nugget (2002), and in theatre productions including Mum’s the Word, , and A Midsummer Night’s Dream. She has recently appeared as a guest star in the ABC TV series (2023–2025). Kittson's advocacy work has intensified following the deaths of her parents—father Roy at age 96 on March 4, 2024, and mother Elaine at age 99 on April 4, 2024—both in traumatic hospital circumstances due to inadequate palliative care in residential aged care facilities. Having served as their primary carer for over 15 years, she has channeled these experiences into a campaign for better end-of-life planning, carer support, and access to home-based palliative care, including speaking engagements at events like the Care Expo in Sydney (November 2025) and serving as an ambassador for organizations such as the Macular Disease Foundation Australia and the Australian Gynaecological Cancer Foundation. In 2023, she was appointed a Member of the Order of Australia (AM) for her contributions to the performing arts and the community.

Early life and education

Early years

Jean Kittson was born in 1955 in rural Lilydale, located in Victoria's Yarra Valley region of . She was the eldest child in her family, with younger siblings including sister Rachel Gairdner, a social worker, and brother Bill Kittson, who works as a fly-in-fly-out laborer. Her parents were Elaine Kittson, a feminist and business administrator who was active in the Women's Electoral Lobby and married relatively late at age 32 after post-war travels, and Roy Kittson, a who owned a garage and took on childcare duties due to Elaine's aversion to bodily fluids. Kittson's early childhood in Lilydale was marked by a sense of freedom in a rural setting surrounded by paddocks and quiet roads, where she enjoyed biking and exploring the natural landscape. Her family dynamics emphasized independence, with her parents encouraging self-reliance; at age 12, she took her first job at a beach kiosk after the family relocated to Sorrento on Victoria's Mornington Peninsula following a holiday that became permanent. This move exposed her to a more coastal, "surfie" environment at Rosemount High School, contrasting the inland rural life of her early years. A key formative influence during her childhood was her parents' strong sense of humor, which involved transforming everyday difficulties and family stories into comedic anecdotes, fostering an early appreciation for wit amid the conservative gender roles and post-war recovery of and . Described as shy in her youth, Kittson's comedic inclinations emerged gradually from this familial environment rather than overt performance activities. This background in a working-to-middle-class family, where arts were not seen as practical careers, later shaped her approach to humor addressing social norms. Her early experiences transitioned into formal education, where she pursued studies in drama, dance, and media.

Education and training

Kittson attended Rosemount High School in , during her teenage years in the , transitioning from a rural upbringing to what she described as an eye-opening coastal high school environment. She pursued post-secondary education at Rusden State College in , where she earned a degree, majoring in , , and , from 1975 to 1979. This formal training emphasized performance arts and equipped her with foundational skills in creative expression and teaching methodologies relevant to theatre and media production. Upon graduation, Kittson applied her education in practical settings by taking arts programs to disadvantaged communities across Australia, an experience that honed her abilities in writing, improvisation, and audience engagement prior to her entry into professional performance. Public details on additional short courses, workshops, or amateur theatre participation in the late 1970s or early 1980s remain limited, highlighting a gap in available biographical records for this preparatory phase.

Career beginnings

Stand-up comedy

Jean Kittson made her professional stand-up debut in the early at 's Le Joke comedy venue, securing her first paid gig as part of Australia's emerging comedy scene during a period when alternative humor was gaining traction in urban clubs. Her early performances were delivered in intimate settings at venues like Le Joke and other comedy clubs that fostered the nascent stand-up circuit in the early . She appeared in the Melbourne Fringe Festival in 1982 and later in the stage version of Let the Blood Run Free at Le Joke, which ran weekly for about a year starting around 1988.

Initial media appearances

Kittson's transition from to broader media began in the late 1980s, with her first screen role in the experimental short film Salt, Saliva, Sperm and Sweat (1988), directed by Philip Brophy, where she played the Secretary in a surreal narrative exploring bodily fluids and human oddities. Her television debut followed in 1989 on the 's groundbreaking live and variety series The Big Gig, produced by the network and inspired by British formats like Saturday Live. As a key performer and writer, Kittson brought her stand-up sensibility to multiple characters, most notably the repressed newsreader Veronica Glenhuntly, whose delivery and satirical edge on current events helped define the show's irreverent tone. These early appearances showcased Kittson's talent for character-driven sketches and , leading to networking opportunities with ABC producers like Neil Wilson, who directed the series and facilitated her casting in subsequent projects. The Big Gig episodes often featured her in variety specials blending stand-up segments with scripted bits, marking a pivotal step toward her prominence in .

Major works

Television

Kittson first rose to national prominence as a performer and co-writer on the sketch comedy series The Big Gig, which aired from 1989 to 1991, where she created and performed original sketches tackling social issues such as gender roles and everyday absurdities through sharp, irreverent humor. Her memorable characters, including the comically repressed newsreader Veronica Glenhuntly, showcased her ability to blend with relatable wit, contributing to the show's reputation for pushing boundaries on topics other programs avoided. In 1990, Kittson landed a lead role as Nurse Pam Sandwich in the ABC's satirical hospital Let the Blood Run Free, which ran for two seasons until 1992 and lampooned clichés with over-the-top plots involving romance, rivalry, and absurdity among hospital staff. The series highlighted her versatile comedic timing in ensemble scenes, drawing from her stand-up roots to infuse the character with observational humor on workplace dynamics and personal foibles. Throughout the 2000s, Kittson established herself as a sought-after panelist on Australian television, delivering incisive and humorous commentary on current events. She appeared regularly on Good News Week from 1999 to 2009, often as a guest panelist engaging in satirical debates. Additional recurring roles included The Glasshouse (2003–2004), a current affairs comedy show, and The Einstein Factor (2004–2008), where she served as a celebrity challenger and panelist, praised for her quick-witted insights. In more recent years, Kittson continued to make notable television appearances, including competing on the sixth season of The Celebrity Apprentice Australia in 2022 to raise funds for Taldumande Youth Services, a charity supporting Indigenous youth. She also appeared as Heather in the ABC comedy series Mother and Son in 2023 and 2025. She has also featured as a guest on discussion programs like ABC's Q&A, with appearances addressing social and health topics as recently as 2014. Kittson's contributions to Australian TV comedy have been recognized with a 1991 Logie Award nomination for Most Popular Light Entertainment/Comedy Female Personality, underscoring her enduring influence in the genre.

Theatre

Jean Kittson made her mark in Australian theatre with a prominent role in David Williamson's play , produced by the Melbourne Theatre Company in 1990. In the production, which toured nationally including to the Theatre, Kittson portrayed a key character in this satirical exploration of power dynamics and seduction, marking her transition from comedy sketches to scripted stage work. In the late 1980s and early 1990s, Kittson appeared in an outdoor production of Shakespeare's at 's Royal Botanic Gardens, contributing to the ensemble in this whimsical comedy of lovers and fairies during a 20-performance run from January 1989. Her theatre career in the 2000s expanded into ensemble comedies blending humor with dramatic elements, including roles in Mum's the Word 2: Teenagers (2008), a national tour featuring Kittson alongside a cast of comedians portraying the chaos of motherhood, and (2010), where she shone in the Australian production of Tim Firth's play about women creating a for charity, touring major cities like . Kittson's stage presence continued into recent years with solo performances that adapt her satirical style from television to live formats. In 2024, she presented Jean Kittson Bangs On as part of the Comedy Festival, a one-night show at The Concourse in Chatswood featuring sketches on aging, health challenges, and , drawing from her personal experiences as a .

Film

Jean Kittson's entry into feature films came with her debut role as Joyce in the 2002 Australian comedy The Nugget, directed by and starring as one of three working-class friends who discover a massive , leading to chaotic consequences. In this supporting part, Kittson contributed to the film's humorous portrayal of small-town greed and absurdity. She followed this with a notable performance as Miss Belmont, the intelligent and strict grade 6 teacher, in the 2005 family dramedy Hating Alison Ashley, an adaptation of Robin Klein's novel about school rivalries and personal growth, starring and . Kittson's portrayal of the disciplinary educator provided comedic relief amid the story's exploration of adolescent insecurities. In 2010, Kittson took on the role of Jane Bartlett in Bad Behaviour, a dark anthology film written and directed by Joseph Sims-Dennett, featuring interconnected tales of crime and moral dilemmas with stars like and ; the project premiered at the Melbourne Underground Film Festival, where it won five awards. Her character appeared in one of the film's episodic segments, adding to the satirical edge of the narratives. Beyond these key appearances, Kittson has made minor cameos and supporting turns in other productions, including voice work and ensemble roles in films like (2022), where she played Viv, the skeptical mother of the protagonist, up through the early , though no major releases involving her were noted in or 2025. These film roles often echoed her sharp-witted television persona, blending humor with observational insight into everyday life.

Writing and publications

Books

Jean Kittson's literary output centers on humorous explorations of women's experiences, drawing from her background in to address topics like relationships, , and caregiving. Her books blend with practical insights, often informed by personal observations, and have contributed to broader conversations on subjects in society. Her debut book, Tongue Lashing, published in 1998 by , is a collection of comedic essays and monologues derived from her published articles, offering light-hearted commentary on everyday life skills, relationships, and social norms through Australian . In 2014, Kittson released You're Still Hot to Me: The Joys of , published by Pan Macmillan, which combines her personal anecdotes with expert health advice to demystify menopause symptoms, treatments, and societal attitudes. The serves as a conversational guide, encouraging women to embrace this life stage, and achieved bestseller status in , sparking public discourse on . Kittson's 2020 book, We Need to Talk About Mum & Dad: A Practical Guide to Our Parents, issued by Pan Macmillan , provides a comprehensive resource on supporting elderly relatives, covering , legal, and emotional aspects with humor drawn from her own family caregiving experiences. It also reached rankings and has influenced discussions on elder care, emphasizing practical steps like protecting wellbeing and navigating services. Collectively, these works highlight Kittson's role in normalizing conversations around women's midlife and later years, with her menopause title particularly noted for its impact on advocacy up to recent years.

Journalism and columns

Jean Kittson established herself as a prominent in print media during the and through regular columns in major newspapers, where she offered satirical commentary on and everyday life. Her contributions to the Sunday Telegraph and Sydney Morning Herald often blended sharp wit with social observation, addressing topics such as government policies and cultural quirks to engage a broad readership. In parallel, Kittson wrote features for women's magazines, including New Weekly, beginning in the and continuing into the 2010s, focusing on personal and societal issues like aging, relationships, and . These pieces provided humorous yet insightful takes on women's experiences, such as navigating midlife changes and dynamics, drawing from her own perspective as a performer and observer of contemporary life. Kittson's journalism extended to online platforms in the 2010s, where she contributed essays addressing current events with her signature humor, including pieces for ABC-affiliated sites that tackled timely social debates. By the 2020s, her writing evolved to explore end-of-life matters, exemplified by her 2024 essay "A Heartfelt Goodbye" in the Australian Carers Guide, which reflected on challenges informed by her family experiences. These columns occasionally previewed themes in her books, such as and caregiving, bridging her episodic with longer-form projects.

Radio, speaking, and other media

Radio work

Jean Kittson has maintained a prominent presence in radio, particularly through her ongoing role as a regular panelist on ABC 702 's drive-time program Thank God It's Friday!, where she has contributed since the . In this segment, she delivers humorous commentary on current news events, cultural topics, and listener interactions, often drawing on her comedic expertise to lighten discussions on everyday issues. The format allows her to engage in lively banter with hosts and co-panelists like Subby Valentine and Tommy Dean, fostering a conversational style that resonates with audiences during the afternoon drive slot. Her radio contributions echo the panel-based humor of her television work, adapted seamlessly to an audio medium that emphasizes verbal wit and without visual elements. This overlap has helped sustain her appeal across broadcast platforms, positioning her as a versatile commentator on social and personal matters. In recent years, Kittson has extended her radio engagements to networks, focusing on topics such as caregiving and . For instance, in June 2024, she appeared on to discuss her experiences in the "," highlighting the challenges of simultaneously caring for aging parents and supporting younger family members. Later that year, during Carers Week in October 2024, she joined Radio Perth's program to address the emotional and practical demands of caregiving roles, emphasizing the need for better support systems in palliative and . These appearances underscore her commitment to using radio as a platform for raising awareness about health-related issues often overlooked in public discourse.

Public speaking engagements

Jean Kittson has established herself as a sought-after since the 2000s, delivering presentations on leadership, humor in business, and women's issues at corporate events, conferences, and festivals. Represented by agencies such as Saxton Speakers, ICMI, and HLA Management, she tailors her talks to engage audiences with wit and insight drawn from her background in media. Her keynotes frequently address and , topics she explores through personal anecdotes and research, as presented at events like the National Press Club and Inspiring Women gatherings. At corporate retreats and TEDx-style forums, Kittson emphasizes empowerment and humor as tools for navigating challenges, with sessions up to 2025 focusing on and aging. In addition to keynotes, Kittson serves as a at various events, incorporating interactive to energize proceedings, such as her role at the Festival in 2024 and health-focused conferences including the Carers NSW Conference and gatherings. She MC'd the 2025 Allied Health Awards, where her hosting blended levity with professional poise, and spoke at the Health Summit 2025 on personal experiences within the . In November 2025, she spoke at the Care Expo on her experiences with and caregiving. Audiences and organizers consistently praise Kittson's engaging style for its humor, preparation, and ability to foster meaningful dialogue, as noted in testimonials from events like the Premier’s Department functions and Mater Dei presentations. Her approach has been described as professional yet approachable, making complex issues like accessible through .

Awards and honors

Major honors

In 2023, Jean Kittson was appointed a Member of the (AM) on 26 January in the Honours for significant service to the as a performer, , and , as well as to through longstanding advocacy efforts. This national recognition acknowledged her comedy, writing, and advocacy work spanning over 40 years, including roles as a founding for Australia in the 2000s and current ambassadorships with the Australian Gynaecological Cancer Foundation and other health initiatives.

Industry recognitions

Jean Kittson has been nominated for in recognition of her comedic performances on Australian television. In 2021, she won the supreme award at the Ministerial Advisory Council on Ageing Media Awards for her engaging and innovative media work on topics related to ageing and seniors' health. Her contributions to media in 2024 were noted by Palliative Care Australia as a key effort in raising national awareness through personal storytelling and campaigns.

Personal life

Family and relationships

Jean Kittson has been married to Australian cartoonist and political satirist Patrick Cook since the early 1990s; the couple met while collaborating on the comedy sketch show The Big Gig in 1989. Their partnership blends creative pursuits, with Cook providing illustrations for Kittson's 2020 book We Need to Talk About Mum and Dad: A Practical Guide to Our Parents. Based in Sydney's inner-west suburb of , the couple has shared a home life centered on humor and mutual support amid Kittson's demanding performance schedule. Kittson and have two daughters, born in the 1990s, whom they raised together in while Kittson navigated her rising career in and writing. The dynamic emphasized shared laughter and creative encouragement, with Kittson occasionally drawing on her parenting experiences to inform her humorous takes on life in her work. Balancing professional commitments, including national tours and media appearances, with responsibilities was a key aspect of their home life during the daughters' upbringing. By the 2020s, Kittson's had expanded to include at least one grandchild; in a reflection, she described the joy of bonding with her six-month-old grandson and noting familial resemblances during visits to their home.

Personal experiences and challenges

Jean Kittson has openly shared her experiences with , which began in the early 2000s and profoundly impacted her daily life amid juggling , , and family caregiving. During this period, she encountered her first hot flush onstage at a corporate event, resulting in visible sweat rings on her gold silk top, which left her embarrassed and unprepared for the symptom's intensity. She documented these challenges in her 2014 book You're Still Hot to Me: The Joys of Menopause, expressing astonishment at the widespread lack of knowledge despite affecting 1.5 million Australian women at any time, and highlighting struggles with symptoms like brain fog, anxiety, and hormonal shifts while managing multiple responsibilities. In public talks, such as those referenced in media interviews, Kittson emphasized the stigma and misinformation surrounding () following the 2002 study, which initially deterred her but ultimately led her to use it effectively for 12 years, describing it as transformative for her physical and . In the early 2020s, Kittson faced the devastating losses of both parents, which she described as "chaotic" in 2025 interviews, profoundly shaping her perspectives on mortality and . Her father, Roy, aged 96, died on March 4, 2024, in a ward after vomiting blood and enduring a delayed response, without family present or adequate . Her mother, Elaine, aged 99, followed a month later on April 4, 2024, succumbing to a fatal infection after being placed in a cancer due to unavailable palliative beds, an experience Kittson characterized as traumatic and indicative of systemic healthcare failures. These events, detailed in outlets like Australia reports, left her angry and grieving, influencing her deepened views on the need for dignified death processes. Reflecting on her own aging at 70 in 2024-2025 appearances, Kittson has shared candid insights into vulnerabilities and the inevitability of decline, using humor as a tool for resilience amid personal fears of similar unmanaged suffering. In discussions on platforms like the , she blends with to address aging's physical toll, such as potential symptom management challenges, underscoring her commitment to facing these through laughter and preparation rather than avoidance. This approach mirrors her broader philosophy of transforming pain into purpose, as seen in her emphasis on proactive dialogues. In a 2025 revelation during a campaign launch, Kittson outlined her "perfect exit plan," envisioning a peaceful at home under expert , with on-demand champagne, foot massages, hair brushing, and cuddles from family and her dog to ensure comfort until medical intervention if needed. These personal hardships have briefly informed her , channeling into calls for improved end-of-life support without overshadowing her individual journey.

Advocacy and charity work

Women's health initiatives

Jean Kittson has been a prominent advocate for , with a focus on gynaecological cancers and awareness since the early 2000s. She served as the inaugural Chair of the Australian Gynaecological Cancer Foundation (AGCF) during its formation, helping to establish the organization dedicated to funding research and support for gynaecological cancers. In this leadership role, she contributed to efforts through events and awareness campaigns aimed at increasing public understanding and early detection of conditions like ovarian and cancers. More recently, as an ongoing for AGCF, she has continued to support these initiatives, including serving as at events such as the 2024 Venus Thanksgiving Lunch to raise funds for gynaecological cancer research. Kittson has also been a founding for Australia, where she played a key role in awareness campaigns during the . In , she became the official spokesperson for Awareness Month, delivering personal testimonials to highlight symptoms like , , and , urging women to seek medical advice despite the misconception that there are no early . She reiterated this message in 2011, launching a national drive at to promote education and generate funds for the cause. Her advocacy drew from her own experiences navigating health challenges, emphasizing the need for open conversations about reproductive health risks. In the realm of menopause advocacy, Kittson has used her platform as a writer and speaker to destigmatize the topic and educate women on symptoms and management. Her 2014 book, You're Still Hot to Me: The Joys of Menopause, draws on her personal journey through perimenopause and menopause to provide factual guidance on hormonal changes, hot flushes, and emotional impacts, encouraging women to view this life stage as empowering rather than taboo. In 2024, she extended this work through media appearances, including a discussion with Australian Seniors on navigating menopause symptoms like brain fog and mood swings, while critiquing outdated medical attitudes toward hormone replacement therapy. These efforts tie into her broader commitment to reproductive health education, fostering greater access to information for midlife women. She is also an Ambassador for the Macular Disease Foundation Australia, raising awareness about age-related macular degeneration and the importance of eye health checks, informed by her parents' experiences with vision loss.

Palliative care efforts

In late 2024, Jean Kittson became a prominent advocate for improved in , motivated by the challenging end-of-life experiences of her parents in early 2024. She launched Palliative Care Australia's "Better access to – worth voting for!" federal election campaign on November 25, 2024, sharing poignant family stories to highlight gaps in the healthcare system and urge political commitment to enhanced services. Kittson's involvement extended to key events, where she blended with calls for systemic . At the 2024 Palliative Care Nurses Australia (PCNA) Conference in late July/early August, she served as and delivered a candid on "Layers of Loss," using humor to underscore the emotional and practical needs in while advocating for better policy support. In September 2025, Kittson hosted the National Awards ceremony, a glittering event that celebrated outstanding contributors in the field and amplified discussions on policy gaps, including the need for equitable access to specialist services across . Throughout 2025, Kittson contributed to media efforts to raise awareness, notably in a article where she detailed her parents' "chaotic" deaths and outlined her own "perfect exit plan," emphasizing the importance of dignified, well-planned to prevent similar traumas. She also spoke at the Care Expo on November 14-15, 2025, sharing insights on caring for aging parents and the need for better end-of-life support. This work built on her broader platform in advocacy, extending it to universal end-of-life issues.

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