Jeremy Boreing
Jeremy Danial Boreing (born February 5, 1979) is an American filmmaker, producer, director, screenwriter, and media executive.[1] He co-founded The Daily Wire in 2015 with Ben Shapiro, initially operating from his pool house, and served as co-CEO until March 2025, overseeing its expansion into a conservative media outlet valued at over $1 billion that produces news, podcasts, films, and streaming content.[2][3] Prior to The Daily Wire, Boreing co-founded the production company Coattails Entertainment and worked on independent films such as the 2007 psychological thriller Spiral and the 2009 comedy Etienne!.[4][5] At The Daily Wire, he led the creation of original content including documentaries like What Is a Woman?—which examines biological sex distinctions and critiques prevailing views on gender transition—and feature films such as Run Hide Fight, Shut In, Terror on the Prairie, and Lady Ballers, alongside launching the DailyWire+ streaming service and the children-focused Bentkey platform.[4][6][2] Boreing stepped down from his co-CEO role in March 2025 to prioritize creative projects, including the development of The Pendragon Cycle television series, while retaining an advisory position and hosting DailyWire Backstage.[2]Early life and education
Childhood and formative influences
Jeremy Boreing was born on February 5, 1979, in Slaton, Texas, a small town in West Texas with a population of around 6,000 to 7,000 residents.[7] [8] He grew up in a Christian family, with his father employed in the railroad industry, amid the rural and traditional cultural milieu typical of the region.[9] Public information on his immediate family remains limited, as Boreing has maintained privacy regarding personal details from his upbringing.[8] This small-town environment, characterized by conservative values and community-oriented life, provided the backdrop for Boreing's early years, fostering an initial exposure to local arts through regional institutions like the historic Garza Theatre in Slaton, though specific childhood anecdotes tied to performance are scarce in available records. The contrast between this formative rural setting and the later Hollywood landscape Boreing critiqued underscores a foundational divergence in cultural influences, rooted in traditional Texan ethos rather than urban progressive norms.[10]Academic background and initial pursuits
Boreing lacks a formal college degree, having deliberately opted against traditional higher education in favor of practical, self-directed learning.[11][12] He instead pursued informal studies in writing and performance, emphasizing hands-on skill development over credentialed coursework.[8] In the mid-2000s, Boreing relocated from Texas to Los Angeles to access opportunities in the entertainment industry, arriving with aspirations to act and create content.[7] There, he began with entry-level pursuits such as background acting work, while experimenting with scriptwriting and performance techniques to build foundational media expertise.[7] These early efforts reflected a pragmatic approach prioritizing real-world application and entrepreneurial initiative in the arts.Early career
Entry into theater and performance
Boreing began his professional involvement in theater in West Texas, participating in stage productions at local venues such as the Garza Theatre in Post and the Cactus Theatre in Lubbock, where he gained experience in acting and directing.[13] These grassroots efforts provided foundational skills in performance and production outside major urban centers, relying on community-based resources rather than established industry networks.[13] In 2001, Boreing moved to Los Angeles to advance into filmmaking, arriving without financial backing or personal contacts in the competitive entertainment hub.[14] This relocation, undertaken at age 22, exposed him to significant hurdles, including acute monetary shortages and social isolation, compounded by the broader economic malaise following the September 11 attacks.[14] From 2002 to 2006, Boreing continued honing his craft through independent writing and producing, gradually shifting from on-stage roles to behind-the-scenes contributions amid persistent resource constraints.[14] This period of self-reliant persistence laid the groundwork for his first credited short film, Spiral (2007), which he co-wrote and produced with collaborator Joel David Moore.[14]Independent film and writing work
Boreing co-wrote the screenplay for the 2007 independent psychological thriller Spiral, collaborating with actor Joel David Moore, whom he produced alongside in the film about a reclusive telemarketer descending into obsession.[15] The low-budget production received mixed reviews, earning a 50% approval rating on Rotten Tomatoes from 10 critics, reflecting its niche appeal amid limited distribution.[16] This project marked one of Boreing's initial forays into feature-length screenwriting, though it garnered modest box office and audience traction, with an IMDb user rating of 6.3/10 from over 4,000 votes.[15] In 2009, Boreing served as producer on the comedy Etienne!, directed by Jeff Mizushima, which follows a shy hotel worker embarking on a bicycle road trip with his terminally ill pet hamster.[17] The film, praised for its quirky, heartfelt tone in select reviews such as The Hollywood Reporter's description of it as an "affectionate, raggedy road movie," achieved a higher critical score of 88% on Rotten Tomatoes from eight reviews but maintained limited visibility, evidenced by its 6.6/10 IMDb rating from just 103 users.[18][19] These early productions highlighted Boreing's involvement in small-scale independent efforts, often constrained by budgetary limitations and industry gatekeeping. Following the dissolution of his prior production company, Coattails Entertainment, Boreing co-founded Declaration Entertainment in early 2010 with conservative commentator Bill Whittle, whom he met at a Tea Party event.[9] This venture aimed to produce films outside mainstream Hollywood channels, fostering connections in conservative creative networks amid frustrations with conventional industry rejection of non-conforming projects.[20] By 2014, under Declaration Entertainment, Boreing directed and wrote The Arroyo, a drama depicting a southern Arizona landowner confronting drug smugglers trespassing on his property near the U.S.-Mexico border.[21] The film, emphasizing themes of self-defense and border security, received a 73% Rotten Tomatoes score from nine critics but modest overall reception, with a 5.7/10 IMDb rating from 360 users, underscoring persistent challenges in securing broad distribution and financial returns for independent works outside established studio systems.[22]The Daily Wire
Founding and initial development
The Daily Wire was co-founded in September 2015 by Jeremy Boreing and Ben Shapiro as a conservative media company aimed at providing an alternative to what its founders viewed as dominant left-leaning narratives in mainstream news outlets.[10] [23] The initial launch capitalized on Shapiro's existing audience from prior ventures like TruthRevolt, transitioning a small team to produce daily podcasts and articles challenging prevailing media consensus on political and cultural issues.[10] This origin reflected broader distrust among conservative audiences toward institutional media, evidenced by the rapid adoption of independent digital platforms for uncensored discourse amid rising concerns over algorithmic bias and content moderation.[24] Early operations were bootstrapped with modest resources, including an initial investment of approximately $4.7 million, and focused on high-output content creation.[2] Boreing handled business and production logistics as co-CEO, converting his Sherman Oaks pool house into a makeshift studio for the inaugural episodes of The Ben Shapiro Show, which aired four days a week and quickly gained traction as a top conservative podcast.[25] [10] Complementing the podcast, the site published opinion pieces and news analysis, fostering subscriber growth through direct engagement on social media despite early algorithmic throttling by platforms like Facebook and YouTube, which limited reach and ad revenue for conservative content.[26] The outlet achieved profitability within its first few years, reaching $65 million in revenue by 2020, a milestone attributed to diversified income from subscriptions, merchandise, and podcast advertising amid persistent tech platform restrictions that necessitated internal adjustments like salary accommodations for deplatforming risks.[27] This resilience underscored Boreing's operational strategy of prioritizing audience loyalty over reliance on big tech infrastructure, enabling The Ben Shapiro Show to amass millions of downloads and position The Daily Wire as a leading independent conservative voice by 2017.[28][29]Expansion into multimedia and streaming
In 2022, The Daily Wire expanded its offerings beyond podcasts and articles by launching DailyWire+, a subscription-based streaming platform that aggregates content from The Daily Wire, Jordan Peterson's platform, PragerU, and original movies, with plans for further kids' programming.[30][31] The service debuted on June 29, 2022, aiming to provide ad-free access to conservative commentary, documentaries, and entertainment as an alternative to mainstream platforms perceived as ideologically restrictive.[32] Complementing this, The Daily Wire announced Bentkey, a family-oriented streaming app focused on children's content free from progressive ideological elements such as gender fluidity narratives promoted by competitors like Disney.[33] The initiative included a commitment of at least $100 million over three years for live-action and animated productions emphasizing timeless stories and traditional values, with Bentkey launching in October 2023 on Disney's 100th anniversary as a direct market challenge.[33][34] Original productions under this expansion highlighted counter-cultural themes, such as the animated series Mr. Birchum, which premiered on DailyWire+ on May 12, 2024, featuring a no-nonsense shop teacher advocating discipline, hard work, and masculine archetypes rejected by Hollywood networks.[35][36] Produced in partnership with Adam Carolla, the show targeted audiences seeking narratives unmarred by sensitivity mandates, with episodes released weekly to subscribers.[37] By November 2022, DailyWire+ had surpassed 1 million paid subscribers, generating significant revenue and positioning The Daily Wire as one of the largest and most financially successful conservative media entities, with revenue on pace to double that year despite advertiser boycotts and cultural opposition.[38][39] This growth continued, with over 1 million subscribers reported into 2024, underscoring empirical viability in a market dominated by left-leaning conglomerates.[40]Leadership role and strategic decisions
As co-CEO of The Daily Wire alongside Ben Shapiro, Jeremy Boreing directed the company's operational and growth strategies, emphasizing sustainable profitability over short-term ideological appeals. Under his leadership, the outlet expanded from podcast and commentary content into a diversified media entity, achieving $100 million in annual revenue by 2021, up from an estimated $65 million the prior year.[29][41] Boreing articulated a for-profit ethos, stating that success required "winning" in the market rather than merely capitalizing on conservative grievances, which countered perceptions of fragility in right-leaning media ventures.[42] Boreing prioritized content diversification to build audience loyalty and revenue streams, including ventures into merchandise that generated over $22 million in 2023, comprising about 10% of total income. This approach reflected a pragmatic focus on direct consumer engagement, fostering independence from advertiser-dependent models vulnerable to platform pressures. For instance, amid YouTube demonetization of key shows, Boreing steered distribution toward alternative channels like Twitter (now X), mitigating Big Tech suppression and enabling broader reach without reliance on mainstream gatekeepers.[43][44] Strategic talent decisions under Boreing balanced ideological alignment with commercial viability, though negotiations like those with podcaster Steven Crowder highlighted tensions between content control and creator autonomy. Overall, his tenure advanced platform self-sufficiency, such as through the DailyWire+ streaming service, prioritizing long-term scalability and subscriber retention over expansive but unprofitable pursuits.[45][46]Departure from executive position
On March 18, 2025, Jeremy Boreing stepped down as co-CEO of The Daily Wire, transitioning to a role focused exclusively on the company's creative and entertainment projects.[2][47] Boreing, who had co-led the organization alongside Ben Shapiro since its founding in 2015, described the move as an opportunity to prioritize film, television, and multimedia initiatives amid the outlet's expansion into conservative-leaning entertainment.[48][49] The announcement followed internal discussions on leadership structure, with no public indications of conflict or acrimony between Boreing and Shapiro.[2] Ben Shapiro subsequently addressed the change in public appearances, affirming that operations would continue seamlessly under adjusted executive arrangements, including the retention of other key leaders like COO Caleb Robinson.[50][51] This preserved Boreing's influence over content production, leveraging his prior successes in projects such as town halls critiquing gender ideology policies, which had drawn significant viewership and revenue.[47] Speculation arose regarding potential external factors, including unverified reports of negotiations for a NewsCorp acquisition that may have prompted the shift, though company statements emphasized Boreing's voluntary pivot to creative duties without reference to such deals.[52] The Daily Wire's trajectory post-departure showed short-term stability in core podcast and news operations under Shapiro's oversight, despite subsequent reports of staff reductions amid broader media industry pressures.[53]Film and television productions
Directorial and producing credits
Boreing produced and co-wrote the psychological horror film Spiral (2007), marking an early collaboration with director Adam Green and actor Joel Moore.[54] He also produced the comedy Etienne! (2009), directed by Jeff Mizushima.[54] In 2020, Boreing served as executive producer for Run Hide Fight, directed by Kyle Rankin, which centers on a high school student's response to an active shooter incident by depicting the "run, hide, fight" protocol derived from empirical law enforcement guidelines rather than dramatized evasions.[55][56] Boreing directed, wrote, and produced the sports comedy Lady Ballers (2023), starring Daily Wire personalities including himself in a supporting role.[57][4] As executive producer, Boreing oversaw the 2024 animated series Mr. Birchum, adapting Adam Carolla's long-developed character of a disciplinarian high school shop teacher into episodes emphasizing straightforward behavioral consequences over therapeutic interventions.[58][59]| Year | Title | Role(s) |
|---|---|---|
| 2007 | Spiral | Producer, Co-writer |
| 2009 | Etienne! | Producer |
| 2020 | Run Hide Fight | Executive Producer |
| 2023 | Lady Ballers | Director, Writer, Producer, Actor |
| 2024 | Mr. Birchum | Executive Producer |