Jill Jacobson
Jill Jacobson (May 21, 1954 – December 8, 2024) was an American actress renowned for her recurring television roles as Erin Jones on the primetime soap opera Falcon Crest (1985–1987) and as Larue Wilson on the sitcom The New Gidget (1986–1987), along with guest spots as Vanessa in Star Trek: The Next Generation (1989) and Aroya in Star Trek: Deep Space Nine (1996).[1][2][3] Born in Beaumont, Texas, Jacobson grew up in both Beaumont and Dallas as the daughter of physician Dr. Harry Jacobson and Carol Toplitz Jacobson Hornstein.[4] She attended the University of Texas at Austin, where she earned a Bachelor of Science in Radio, Television, and Film Performance.[4] Jacobson's career, which spanned over four decades, encompassed film, television, stage performances, and stand-up comedy, beginning with her debut in the 1977 horror film Nurse Sherri.[4] Her extensive television credits included guest and recurring appearances on series such as Who's the Boss?, Newhart, Quantum Leap, Murphy Brown, Castle, Party Down, Days of Our Lives, and Uncle Buck.[1][3] In film, she featured in notable projects like Bad Georgia Road (1979), Splash (1984), Perfect Victims (1989), The Jigsaw Murders (1989), Instinct to Kill (2001), Visage (2013), and Last Look (2013), where she also served as a producer.[3][2] Her last released on-screen role was in the 2020 series Etheria, with a posthumous appearance in the forthcoming Merrily (2026).[4][5] Jacobson died at age 70 in Culver City, California, at Cedars-Sinai's Culver West Health Center from esophageal cancer following a 2.5-year battle; she was survived by her husband of 23 years, Paul Dorman, and their three children.[1][4][6]Early life and education
Upbringing in Texas
Jill Jacobson was born on May 21, 1954, in Beaumont, Texas, to physician Dr. Harry Jacobson and Carol Toplitz Jacobson Hornstein. She was the sister of Jan Jacobson Huffman.[7][8][9] During her childhood, Jacobson's family relocated between Beaumont and Dallas, exposing her to the diverse cultural landscapes of both East Texas oil country and the bustling urban environment of North Texas.[4][10] These formative years in Texas laid the groundwork for her later pursuits, as she transitioned to higher education at the University of Texas at Austin.[4]University studies
Jill Jacobson, shaped by her upbringing in Texas, enrolled at the University of Texas at Austin to pursue higher education in media and performance.[4] There, she immersed herself in the Department of Radio-Television-Film, focusing on the performance aspects of broadcasting and visual media.[11] Jacobson graduated in the mid-1970s with a Bachelor of Science degree in Radio, Television, and Film Performance, a program that emphasized practical training in acting techniques, script interpretation, and production fundamentals essential for careers in entertainment.[4][9]Career
Early pursuits in comedy and stage
After graduating from the University of Texas at Austin with a degree in radio, television, and film performance, Jill Jacobson relocated from Texas to Los Angeles shortly thereafter to launch her acting career.[12][13] This move positioned her in the heart of the entertainment industry, where she quickly immersed herself in early auditions and opportunities to build her professional foundation. After moving to LA, she made her film debut as Nurse Sherri in the 1977 horror film of the same name, followed by roles in Bad Georgia Road (1979) and Splash (1984).[2] Jacobson's initial forays into performance included stand-up comedy, where she honed her comedic timing through routines performed at prominent Los Angeles venues. She appeared on stage at The Improv, The Comedy Store, and The Laugh Factory, delivering material that showcased her versatility as a performer blending humor with dramatic elements from her training.[6][14] These comedy club appearances served as a crucial entry point, allowing her to network within the industry while navigating the competitive landscape of live entertainment as a newcomer.[15] Parallel to her comedy work, Jacobson pursued stage acting in regional theater productions in Los Angeles. Notable among her early theatrical roles was Miss Alma in Tennessee Williams' Summer and Smoke at the Odyssey Theatre, a performance that highlighted her dramatic range in a classic American play.[16] She also took on the role of Linda Loman in Arthur Miller's Death of a Salesman at the same venue, further establishing her presence in local stage circles.[16] These roles in off-Broadway-style productions provided essential experience, as she balanced the demands of rehearsal schedules with ongoing auditions and comedy gigs to sustain her burgeoning career.[16]Television prominence
Jill Jacobson's television career gained significant traction in the mid-1980s with her concurrent recurring roles on two popular series, marking her transition from earlier stage and comedy work to established primetime visibility. She portrayed the scheming private detective Erin Jones in 22 episodes of the CBS primetime soap opera Falcon Crest from 1985 to 1987, contributing to the show's intricate family and business intrigue in the California wine industry.[12][8] Simultaneously, Jacobson appeared as Larue Wilson, Gidget's loyal best friend, in eight episodes of the syndicated sitcom The New Gidget from 1986 to 1987, a lighthearted revival of the 1960s beach comedy originally starring Sally Field. This dual commitment highlighted her versatility in balancing dramatic and comedic demands, helping to solidify her presence in 1980s television.[8][12] Her genre work expanded into science fiction with guest spots on the Star Trek franchise. In 1989, she played Vanessa, a casino performer trapped in a simulated reality, in the Star Trek: The Next Generation episode "The Royale," delivering a performance that captured the episode's blend of mystery and confinement. Jacobson later appeared as Aroya, a Bajoran café owner with a subtle romantic interest in Constable Odo, in the 1996 Star Trek: Deep Space Nine episode "Broken Link," adding depth to the series' ensemble dynamics.[6][12] Jacobson also made impactful guest appearances on other notable series, showcasing her range across sitcoms and soaps. She guest-starred as Lisa Hansen in the 1990 Who's the Boss? episode "Beautician Heal Thyself," injecting humor into the family-oriented narrative. Additionally, from 1995, she portrayed Nurse Nancy in five episodes of the NBC soap Days of Our Lives, providing steady support in the show's medical and dramatic storylines.[6][8]Film and later projects
Jacobson's transition from television to film in the 2000s allowed her to explore supporting roles in independent productions, leveraging her established on-screen presence. In 2001, she appeared as Arlene in the thriller Instinct to Kill, a direct-to-video film directed by Gustavo Graef-Marino that delved into themes of obsession and violence. This role marked an early foray into lower-budget genre cinema, where she portrayed a character entangled in a perilous domestic scenario. By the mid-2000s, Jacobson took on more diverse independent projects, including an executive producer credit on the thriller The Circle (2005), in which she also acted as the mother of the protagonist.[17] Her involvement behind the scenes highlighted her growing interest in production, contributing to the film's focus on tension and moral dilemmas. Later, in 2008, she featured in the horror adaptation House of Usher, playing Dr. Cabot in a modern retelling of Edgar Allan Poe's tale, emphasizing psychological tension over overt scares. In the 2010s, Jacobson's film work increasingly intertwined acting with creative control. She starred as Barbara in Last Look (2014), a short indie drama she also produced, earning a Best Supporting Actress award at the Scare-A-Con Film Festival for her nuanced performance as a woman confronting personal loss.[18][19] That same year, she wrote, executive produced, and led the cast as the titular "Mic Whore" in the comedic short film Mic Whore, directed by her son Harry Kakatsakis, which satirized the addictive pull of stand-up comedy.[20] Her final on-screen film role came in Excess Flesh (2015), an indie horror-thriller where she played Beverly, a role that showcased her ability to handle intense, boundary-pushing narratives about body image and rivalry.[21] Beyond live-action films, Jacobson ventured into voice acting for animated projects, providing vocal performances in the direct-to-video feature Joseph: King of Dreams (2000) and series such as Duckman and Cow and Chicken during the late 1990s and early 2000s, adding depth to ensemble casts with her versatile delivery.[22] These roles extended her reach into family-oriented animation, though specifics on commercial voiceovers remain undocumented in major credits. Her later career thus evolved toward multifaceted contributions in indie cinema and animation, reflecting a shift from scripted television toward more auteur-driven endeavors.Personal life
Marriage and relationships
Jill Jacobson married actor Paul Dorman on February 21, 2001, in a ceremony that marked the beginning of a partnership blending their shared backgrounds in the entertainment industry.[9] The couple, who met through professional circles including Dorman's appearances on Murphy Brown, navigated early challenges together, including reported harassment from neighbors in their Los Angeles community shortly after Dorman moved in during 2001; they publicly spoke out about the incidents, which involved police interventions and fears of escalation to violence.[23] The couple separated in 2014 and later divorced, though specific details of the split were not publicly disclosed.[24] They had no children together but shared three dogs during their marriage.[25] Post-divorce, Jacobson maintained a private life centered on her pets and career, with no further significant romantic relationships reported in credible accounts.[9] Throughout her personal life, Jacobson balanced her responsibilities with her acting commitments, occasionally referencing the joys of pet ownership in interviews as a grounding force.[8]Philanthropic involvement
Jill Jacobson served as a national spokesperson for the American Cancer Society, promoting cancer awareness and prevention through public appearances and volunteer efforts.[13] One notable activity included her participation in the American Cancer Society Ball held on May 18, 1987, at the Washington Hilton Hotel, where she danced with actor Charles Bronson to raise funds for the organization.[26] Throughout her career, Jacobson extended her charitable interests to other causes, such as supporting first responders by attending the Cops 4 Causes annual Fallen Heroes benefit in Hollywood on December 14, 2011. Her involvement in these initiatives contributed to a public image that highlighted her dedication to community service alongside her acting achievements, fostering admiration for her multifaceted contributions.[8]Illness and death
Cancer diagnosis
In September 2024, Jill Jacobson publicly revealed her diagnosis of esophageal cancer during an appearance on The Jim Masters Show, disclosing that she had been privately battling the disease for two and a half years.[27][28] Jacobson described the intensity of her treatment experience, stating, "What I went through was pretty intense. You can’t function, you just can’t function."[27] She noted that the illness had been kept secret and had significantly limited her daily life, effectively taking her "out of the game for a while."[28] Despite the challenges, she expressed gratitude for her progress, saying, "Now I’m so grateful, I just want to keep going, I want to help people," reflecting a resilient outlook shaped in part by her volunteer work as a spokesperson for the American Cancer Society, which she undertook following her diagnosis.[27][8] The diagnosis and ongoing treatment profoundly affected Jacobson's professional life in 2024, leading to a marked reduction in acting roles and public engagements, with her Jim Masters Show interview serving as one of her few notable appearances that year.[28] No new film or television projects were credited to her during this period, underscoring the extent to which her health challenges curtailed her career activities.[2]Passing and tributes
Jill Jacobson passed away on December 8, 2024, at the age of 70, from complications arising from a prolonged battle with esophageal cancer.[6][12] She died at Culver West Health Center in Culver City, California, as confirmed by her friend and publicist Daniel Harary.[6][29] Her manager, Ben Padua, released a statement expressing profound grief, describing Jacobson as a "beautiful, soulful, hysterically funny, elegantly glamorous" talent with "comedic timing straight out of a Marx Brothers’ flick" and a deep love for adventure and friends.[28] Co-star Caryn Richman from The New Gidget paid tribute to her "brilliant" comic timing and the joy her enthusiasm brought to sets.[12] Tributes also poured in from fans and the Star Trek community, highlighting her memorable guest roles in Star Trek: The Next Generation and Star Trek: Deep Space Nine, with many expressing sorrow over the loss of her vibrant presence in the franchise.[30][31]Filmography
Film roles
Jill Jacobson's film career included a range of supporting and lead roles in independent and direct-to-video features, often in horror and thriller genres.- Bad Georgia Road (1977), directed by John C. Broderick: Jacobson appeared as Sharlene, a supporting role in this action-comedy about women on the run from the law after a moonshine heist gone wrong.[32]
- Nurse Sherri (1977), directed by Al Adamson: Jacobson starred as Nurse Sherri, a young hospital worker possessed by the malevolent spirit of a deceased cult leader, leading her to murder patients while her colleagues attempt to stop the killings.[33]
- Splash (1984), directed by Ron Howard: Jacobson had an uncredited role as Jill - Girl in Bar in this romantic fantasy comedy about a man who falls in love with a mermaid.[34]
- Perfect Victims (1988), directed by Shuki Levy: She portrayed Linda, a victim in this thriller involving a serial killer targeting women.[35]
- The Jigsaw Murders (1989), directed by Jag Mundhra: She portrayed Dr. Louise Lester, a psychologist consulted by detectives investigating a series of murders where victims are dismembered and reassembled like jigsaw puzzles.[36]
- Restless Souls (1998), directed by Debra Black: Jacobson played Amanda King, a supporting character in this haunted house thriller where a newlywed couple encounters supernatural forces during a stormy night at a remote mansion.[37]
- Instinct to Kill (2001), directed by Gustavo Graef-Marino: As Arlene, she depicted a desperate woman taken hostage in a hospital siege by a violent criminal, ultimately meeting a tragic end during the confrontation.[38]
- The Circle (2005), directed by Yuri Zeltser: Jacobson appeared as the protagonist's mother in this psychological thriller about a woman entangled in a deadly contract killing plot, and she also served as executive producer.[17]
- House of Usher (2008), directed by David DeCoteau: She played Dr. Cabot, a medical professional drawn into the dark secrets and vanishings surrounding the infamous Usher family mansion in this adaptation of Edgar Allan Poe's story.[39]
- Cats Dancing on Jupiter (2011), directed by Jordan Alan: Jacobson portrayed Mrs. Katz, a concerned parental figure in the drama following two young women navigating the excesses of Los Angeles nightlife and personal crises.[40]
- Last Look (2014), directed by Hernando Cortes Watson: As Barbara, she supported the story of a young woman returning home after a family tragedy to confront unresolved emotional turmoil.[41]
- Visage (2017), directed by Mike Wickman: Jacobson appeared as Susan in this drama exploring themes of identity and relationships.[42]
- Excess Flesh (2015), directed by Patrick Kennelly: Jacobson appeared as Beverly, a minor role in the body horror tale of an obsessive woman who imprisons her roommate in a bid for twisted intimacy.[43]