Joe Stampley
Joe Stampley (born June 6, 1943) is an American country music singer and songwriter renowned for his innovative fusion of country, soul, and rock elements, often described as country-soul, which helped define the "new country" sound of the 1970s and 1980s.[1][2][3] With a career spanning over five decades, he has charted more than 60 singles on the Billboard Hot Country Songs chart, including eight top-10 hits in 1976 alone, earning him the title of Billboard's Country Singles Artist of the Year that year.[1][3] Stampley first rose to prominence as the lead vocalist of the rock band The Uniques in the 1960s before transitioning to a successful solo career and later forming the acclaimed duo Moe & Joe with Moe Bandy, which won the Country Music Association's Vocal Duo of the Year award in 1980 and multiple Academy of Country Music honors.[1][3] Inducted into the Louisiana Music Hall of Fame in 2010, he continues to perform, including recent shows with Moe Bandy as of 2025, maintaining his legacy as a versatile artist who bridged genres and influenced subsequent country musicians.[1][4] Born in Springhill, Webster Parish, Louisiana, to R.C. and Mary E. Stampley, he was immersed in music from a young age, influenced by country legends like Hank Williams and Webb Pierce, as well as rock 'n' roll pioneers such as Jerry Lee Lewis and the Everly Brothers.[2][1] By age seven, he had decided to pursue music after meeting Hank Williams, and before turning ten, he was already playing piano proficiently.[2] During his high school years at Springhill High School, Stampley joined the local band The Cut-Ups as lead vocalist after an impromptu performance at a teen dance, marking the start of his professional journey.[1] In 1963, at age 20, Stampley co-founded the pop-rock group The Uniques with his brother Bobby Stampley on bass, along with Mike Love on drums, Ray Mills on lead guitar, and Bobby Simms on rhythm guitar.[1][3] The band, based out of Shreveport, Louisiana, and recording in Tyler, Texas, achieved regional and national success with soul-infused rock hits like "All These Things" (1966, peaking at No. 97 on the Billboard Hot 100) and a cover of "Please Come Home for Christmas".[1][3][5] Other notable tracks included "Not Too Long Ago" (1965) and covers of songs like "Will You Still Love Me Tomorrow." The Uniques released several albums before disbanding in October 1970 amid shifting musical trends.[2][3] Stampley's solo career began in 1970 when he signed with ABC-Dot Records, releasing seven albums and scoring his first No. 1 country hit with "Soul Song" in 1971.[1][3] Transitioning to Epic Records in 1975 under producer Norro Wilson, he became a chart mainstay, blending rock beats with Nashville's lush production on ballads and up-tempo numbers.[2][1] Key hits from this era include "Roll On Big Mama" (1975), a remake of "All These Things" (No. 1 in 1976), "Billy Get Me a Woman," "Red Wine and Blue Memories," and covers like "Soul Man" and "Cry Like a Baby."[2][1][3] He released 13 albums on Epic, with standout titles such as Ten Songs About Her, Saturday Nite Dance, and I'm Just an Old Chunk of Coal (But I'm Gonna Be a Diamond Someday).[2] Stampley is ranked 52nd among all-time country artists (1944–1993) according to music historian Joel Whitburn.[1][3] In 1979, Stampley partnered with fellow country artist Moe Bandy to form the duo Moe & Joe, whose humorous, honky-tonk-style recordings captured widespread appeal.[1] Their debut single, "Just Good Ol' Boys" (1980), topped the country charts and won the CMA Vocal Duo of the Year award, followed by consecutive Academy of Country Music Vocal Duo Awards.[1][3] Other duo hits included "Hey Joe (Hey Moe)," "Where's the Dress" (which earned Video of the Year in 1984), and "Up in a Swing." The partnership has endured, with the duo embarking on a "40-Year Moe & Joe Reunion Tour" as of the early 2020s.[1] In his later career, Stampley founded independent labels Critter Records in 2000 and Arrowhead Records in 2003, releasing projects that highlight his country-soul roots.[1] His most recent album, The Country Soul of Joe Stampley, underscores his ongoing commitment to the genre. Now residing near Franklin, Tennessee, with his wife Areeda (who operates a Southern cooking business), Stampley remains active in performing and preserving his musical heritage.[1]Early life
Upbringing and family
Joe Stampley was born on June 6, 1943, in Springhill, Webster Parish, Louisiana.[6][7][8] He was the son of Robert Cline Stampley Jr. (July 16, 1920 – February 2, 2000) and Mary Sue Edens Stampley (1924 – November 21, 2004), both of whom are buried in Springhill Cemetery.[9][10] His father worked in various capacities, contributing to the family's modest circumstances in the rural North Louisiana community.[1] Stampley had at least one sibling, brother Robert Clines "Bobby" Stampley (February 14, 1941 – September 3, 2017), who later joined him in musical endeavors.[11] When Stampley was seven years old, his family relocated temporarily to Baytown, Texas, where his father pursued work opportunities, exposing the young Stampley to new environments near Houston's industrial areas.[12][8] The family eventually returned to Springhill, where Stampley grew up immersed in the town's close-knit, working-class atmosphere. Stampley graduated from Springhill High School. During his childhood, he was introduced to country music through his father's collection of Hank Williams records, which sparked an early interest in the genre.[8]Musical beginnings
Growing up in Springhill, Louisiana, Joe Stampley was immersed in country music from an early age, frequently listening to his father's collection of records featuring Hank Williams and other prominent artists of the era.[8][13] At age seven, while in Baytown, Texas, Stampley met Hank Williams at a radio station; Williams encouraged him to pursue music, solidifying his career aspirations.[12] By the time he was under ten years old, Stampley had begun playing the piano, laying the foundation for his musical skills.[8][13] During his high school years back in Springhill, Stampley's musical interests expanded to include rock 'n' roll figures like Elvis Presley and Jerry Lee Lewis, as well as soul and rhythm and blues sounds broadcast on local radio stations such as WNOE.[12] He joined the local band The Cut-Ups as lead vocalist after an impromptu performance at a teen dance in 10th grade.[12][1] Despite these adolescent influences drawing him toward more energetic genres, Stampley's foundational exposure to country music through Williams' emotive style fostered a budding interest that would later shape his path.[12][13] In those formative high school years, Stampley started performing in informal local settings and school events with The Cut-Ups, honing his vocal and piano abilities before pursuing more structured musical endeavors.[12]Career
The Uniques
Joe Stampley formed The Uniques in 1963 while attending Southern State College in Magnolia, Arkansas, initially as a rock 'n' roll band performing at local venues such as college parties and high school events.[1] The group's core lineup featured Stampley on keyboards and lead vocals, his brother Bobby Stampley on bass and backing vocals, Ray Mills on lead guitar, Mike Love on drums, and Bill Erwin on rhythm guitar.[14] Drawing from Stampley's early piano skills honed in his youth, the band developed a sound rooted in Southern rock with soulful undertones, influenced by the regional music scene around Shreveport, Louisiana.[12] Signed to Paula Records, The Uniques achieved their breakthrough with the 1965 single "Not Too Long Ago," which peaked at No. 66 on the Billboard Hot 100 and stayed on the chart for six weeks.[15] Their follow-up, "All These Things," released in 1966, reached No. 97 on the same chart, showcasing Stampley's emotive vocals over a blend of rock balladry and subtle soul harmonies.[16] Other notable releases included "Run and Hide" in 1966, which bubbled under at No. 126, and later singles like "How Lucky (Can One Man Be)" in 1968 (No. 115) and "Toys Are Made for Children" in 1969 (No. 105), reflecting the band's versatility in covering pop and R&B-inflected material.[17] The group also recorded tracks such as a cover of "The Son of Hickory Holler's Tramp" on their 1967 album The Uniques, highlighting their affinity for soul-tinged storytelling songs.[18] In 1969, The Uniques relocated to Nashville at the invitation of music publisher Al Gallico, who secured them a deal with Paramount Records in an effort to broaden their national appeal.[1] Despite this move and additional recordings, including a re-release of "All These Things" in 1970 that reached No. 112, the band struggled to achieve sustained commercial success amid shifting musical trends.[19] The Uniques disbanded around 1970, after which Stampley chose to pivot toward a solo career in country music, leveraging his vocal style and Nashville connections.[12]Solo career
In 1971, following the disbandment of his rock band the Uniques, Joe Stampley transitioned to country music by signing with Dot Records, which was later acquired by ABC and rebranded as ABC/Dot.[20] This move marked the beginning of his successful solo phase, where he drew briefly on his rock background to infuse country with fresh energy.[12] Stampley's debut solo album, If You Touch Me (You've Got to Love Me), was released in 1972 on Dot Records, featuring the top-ten hit "If You Touch Me (You've Got to Love Me)," which peaked at No. 9 on the Billboard Hot Country Songs chart.[21] His breakthrough came later that year with "Soul Song," written by George Richey, Norro Wilson, and Billy Sherrill, which topped the Billboard country chart at No. 1 and showcased his soulful baritone.[21] Subsequent singles like "Too Far Gone" (No. 12, 1973) and "I'm Still Loving You" (No. 3, 1973) further established his presence, blending heartfelt lyrics with a smooth delivery.[21] Over the next few years, Stampley released seven albums with ABC/Dot, including Soul Song (1973), I'm Still Loving You (1974), and Take Me Home to Somewhere (1974), which highlighted his innovative fusion of blue-eyed soul and rock elements into traditional country arrangements.[22][12] Produced often by Norro Wilson, these works emphasized Stampley's versatile vocals, incorporating rhythmic grooves and emotional depth that appealed to a broad audience.[12] Key tracks from this period, such as "Penny" (No. 8, 1975), demonstrated his ability to adapt pop and soul influences while maintaining country authenticity.[21] In 1975, Stampley moved to Epic Records, where he achieved further success with the No. 1 hit "Roll On Big Mama," a lively tribute to truckers that topped the Billboard country chart.[21][12] Albums like Joe Stampley (1975) and Billy, Get Me a Woman (1975) on Epic continued his streak, featuring jaunty strings and hard-country rhythms laced with soulful crooning.[22] Stampley's solo peak came in 1976, when eight of his singles charted on the Billboard Hot Country Songs, including the No. 1 "All These Things" and others like "Whiskey Talkin'" (No. 18) and "Everything I Own" (No. 12), earning him Billboard's Singles Artist of the Year award for his prolific output and chart dominance.[21][23] This recognition underscored his impact during a transitional era for country music, where his stylistic blend helped bridge genres.[12] In 1977, still on Epic, he maintained momentum with singles such as "Baby I Love You So" (No. 15), rounding out a robust solo run.[21]Collaboration with Moe Bandy
Joe Stampley and Moe Bandy formed a musical duo known as Moe & Joe in 1978, capitalizing on Stampley's prior solo success in country music during the 1970s. Their partnership emphasized a comedic, honky-tonk style that blended satire and lighthearted storytelling, setting them apart in the genre.[24][25] Their breakthrough came with the 1979 debut album Just Good Ol' Boys on Columbia Records, which included the title track that topped the Billboard Hot Country Songs chart for one week. This success launched a series of humorous recordings, with the pair charting over 20 singles on the Billboard Hot Country Songs between 1979 and 1985. Representative hits included "Holding the Bag" (No. 7, 1979), "Hey Joe (Hey Moe)" (No. 10, 1981), and "Where's the Dress" (No. 8, 1984), all showcasing their playful take on traditional country themes like mischief and romance gone awry.[26][27][25][28] Alongside their studio work, Moe & Joe toured extensively, incorporating comedic banter and skits into live shows to engage audiences. They released additional albums such as Hey Joe! Hey Moe! (1981) and Alive and Well (1984), maintaining momentum through the early 1980s. Their final collaborative studio effort was the live album Live from Bad Bob's, Memphis in 1985, after which the duo paused regular joint projects.[29] Despite the end of their primary partnership, Bandy and Stampley have reunited sporadically for performances and tours, including the Good Ol' Boys Reunion Tour in 2023 and celebrations of their hits' anniversaries, such as the 45th anniversary of "Just Good Ol' Boys" in 2024, preserving their legacy of fun-loving country duets.[30][31]Later career
After parting ways with his duo partner Moe Bandy in 1985, Stampley returned to solo work, releasing singles on Epic Records such as "When You Were Blue and I Was Green" in 1986, which charted at number 72 on the Billboard Hot Country Singles chart. He continued issuing independent material in the late 1980s, including the 1988 single "Cry Baby" that reached number 56. In 1992, Stampley formed the rock and soul supergroup The Louisiana Boys with fellow Louisiana musicians John Fred and G.G. Shinn, recording a self-titled album that blended their shared roots in regional music styles.[32] The project highlighted Stampley's versatility beyond country, drawing on his earlier rock influences.[23] Stampley founded his own independent label, Critter Records, in 2000, signing acts like Billy Hoffman and releasing his solo album Somewhere Under the Rainbow in 2001, which featured a mix of original tracks and reinterpreted classics.[1] The label allowed him greater creative control over his later output, including the 2015 collection The Country Soul of Joe Stampley.[1] In 2024, he released the live album Joe Stampley at Larry's Country Diner (Live / Vol. 1).[33] Throughout the 2000s and into the 2020s, Stampley maintained an active touring schedule, performing at venues like casinos, festivals, and clubs, often reuniting onstage with Moe Bandy for duo sets that evoked their earlier hits.[3] These appearances underscored his enduring appeal in traditional country circles.[1] Over his seven-decade career, Stampley amassed 62 charted singles on the Billboard country charts, a total that ranked him 30th in Radio & Records' Twenty Years of Excellence list.[3]Personal life
Marriage and family
Joe Stampley was married to Jo Ann Stampley, with whom he had three children: Tony, Terri Jo, and Tim.[12] The couple divorced prior to 2001, after which Stampley married Areeda Schneider, a former CBS Records executive and cookbook author, in that year; as of 2025, they have been married for 24 years and reside near Franklin, Tennessee.[1][34] His son Tony Stampley is a songwriter and performer who began touring with his father at age 17 and has achieved success with 17 charted country songs.[35] Terri Jo Stampley was formerly involved in the music industry but later pursued other interests.[1] Tim Stampley has built a successful career in the automobile business, following in the footsteps of his grandfather R.C. Stampley and uncle Bobby Stampley.[1] Stampley has several grandchildren, including Tara, Michael, Meagan, Madelyn, and Matthew from his children, who have provided ongoing family support throughout his music career.[36] The family's deep roots in Springhill, Louisiana—where Stampley was raised by his parents R.C. and Mary Sue—have contributed to a sense of stability and connection to his origins amid his professional travels.[1][12]Later years
In his later years, Joe Stampley has maintained strong ties to his hometown of Springhill, Louisiana, where he was born and raised, often returning for community events and reflecting on his roots in interviews.[1] He resides just outside Nashville, Tennessee, near Franklin, with his wife Areeda, who retired after 30 years at CBS Records and now focuses on writing a column and cookbook titled Areeda’s Southern Cooking.[1] At age 82 in 2025, Stampley enjoys good health with no major issues reported and has entered semi-retirement, selectively touring with longtime collaborator Moe Bandy for reunion shows rather than a full schedule of over 200 performances annually.[1]Awards and honors
Major awards
Joe Stampley garnered significant recognition for his contributions to country music through several prestigious awards during the peak of his career in the 1970s and 1980s. These honors highlighted his solo achievements and his successful partnership with Moe Bandy, emphasizing chart performance, vocal collaboration, and innovative music videos. In 1976, Stampley was named Billboard's Single Artist of the Year, an accolade earned through eight charting singles that year, including hits like "If You Were a Singer" and "All These Things." This award underscored his prolific output and commercial success as a solo artist during a breakout period.[3] Stampley and Moe Bandy, performing as Moe & Joe, won the Country Music Association (CMA) Vocal Duo of the Year award in 1980, celebrating their harmonious duets such as "Just Good Ol' Boys" and "Hey Joe (Hey Moe)." The duo's chemistry and chart-topping releases were key to this competitive honor from one of country's most respected organizations.[8] The duo also received the Academy of Country Music (ACM) Vocal Duo of the Year award in 1979, 1980, and 1981, recognizing their continued dominance in the genre with tracks like "Hey Joe (Hey Moe)." These wins followed strong nomination slates and affirmed their status as leading duet performers.[37][38] In 1984, Stampley and Bandy's satirical video for "Where's the Dress"—a playful nod to 1980s pop culture—earned the American Video Association's Video of the Year award, highlighting their innovative approach to visual storytelling in country music. This distinction marked an early milestone in the recognition of music videos as an art form.[3]Hall of Fame inductions
In 2010, Joe Stampley and his early rock band The Uniques were inducted into the Louisiana Music Hall of Fame during a 45th-anniversary reunion concert in Springhill, Louisiana, recognizing their contributions to the state's musical heritage.[8][1] Stampley has also been inducted into the Louisiana Country Music Hall of Fame, honoring his extensive career in country music as a performer and recording artist from the state.[39] Additionally, he received induction into the Louisiana Songwriters Hall of Fame for his songwriting achievements, including compositions that shaped his solo and collaborative work.[1] Stampley was further honored with induction into the Texas Country Music Association Hall of Fame, acknowledging his impact on country music traditions across regional lines.[39]Discography
Studio albums
Joe Stampley maintained a steady output of studio albums across his career, with 20 releases including solo, duo, and later independent projects that evolved from soul-tinged country in the 1970s to more traditional honky-tonk styles in later decades, alongside key collaborations with Moe Bandy and projects on his Critter Records label from 2000. Early albums, often produced by Norro Wilson, showcased Stampley's smooth baritone and crossover appeal, achieving several Top 20 placements on the Billboard Top Country Albums chart. Duo efforts with Bandy, produced by figures like Blake Mevis, highlighted their comedic chemistry and produced moderate commercial success. Later solo works, self-produced or helmed by Jerry Kennedy, reflected a return to rootsy country themes without major chart impact. The following table catalogs his primary studio albums chronologically, including release labels and U.S. Country chart peaks where achieved.[40][41][22]| Year | Album | Label | U.S. Country Peak | Notes |
|---|---|---|---|---|
| 1972 | If You Touch Me (You've Got To Love Me) | Dot | 17 | Produced by Norro Wilson; debut solo album blending soul and country. |
| 1973 | Soul Song | Dot | 13 | Produced by Norro Wilson; title track became a No. 1 single. |
| 1974 | I'm Still Loving You | Dot | 7 | Produced by Norro Wilson; featured heartfelt ballads. |
| 1974 | Take Me Home to Somewhere | ABC/Dot | 16 | Produced by Norro Wilson; explored themes of longing and home. |
| 1976 | All These Things | ABC/Dot | 4 | Produced by Norro Wilson; featured remake of signature hit. |
| 1975 | Joe Stampley | Epic | 24 | Produced by Norro Wilson; transition to Epic label. |
| 1975 | Billy, Get Me a Woman | Epic | 20 | Produced by Norro Wilson; included trucker-country narratives. |
| 1976 | The Sheik of Chicago | Epic | 38 | Produced by Norro Wilson; playful urban country themes. |
| 1976 | Ten Songs About Her | Epic | 38 | Produced by Norro Wilson; focused on romantic introspection. |
| 1977 | Saturday Nite Dance | Epic | 48 | Produced by Norro Wilson; upbeat dance-oriented tracks. |
| 1978 | Red Wine and Blue Memories | Epic | 24 | Produced by Norro Wilson; nostalgic, bluesy country vibes. |
| 1979 | I Don't Lie | Epic | 42 | Produced by Billy Sherrill; emphasized honest country storytelling. |
| 1979 | Just Good Ol' Boys (with Moe Bandy) | Columbia | 11 | Produced by Jerry Kennedy; debut duo album with humorous duo dynamic. |
| 1980 | After Hours | Epic | 60 | Produced by Ray Baker; late-night saloon-themed songs. |
| 1981 | I'm Gonna Love You Back to Loving Me Again | Epic | 33 | Produced by Ray Baker; romantic redemption themes. |
| 1981 | Hey Joe! Hey Moe! (with Moe Bandy) | Columbia | 23 | Produced by Jerry Kennedy; continued lighthearted partnership. |
| 1982 | I'm Goin' Hurtin' | Epic | 37 | Produced by Ray Baker; heartbreak-focused material. |
| 1982 | Backslidin' | Epic | 63 | Produced by Ray Baker; reflective on personal struggles. |
| 1983 | Memory Lane | Epic | 36 | Produced by Joe Stampley and Lobo; nostalgic retrospection. |
| 1984 | Alive and Well (with Moe Bandy) | Columbia | 21 | Produced by Blake Mevis; energetic duo collaboration. |
| 1985 | I'll Still Be Loving You | Epic | — | Produced by Jerry Kennedy and Joe Stampley; enduring love themes. |
| 2001 | Somewhere Under the Rainbow | Critter | — | Self-released on Stampley's label; produced by Joe Stampley, marking independent era. |
Singles
Joe Stampley began his recording career with rock singles as the lead singer of The Uniques, transitioning to solo country music in the early 1970s, where he released over 40 singles, many charting on the Billboard Hot Country Songs chart. His collaborations with Moe Bandy produced over 20 duo singles, also achieving significant chart success. Later in his career, Stampley founded Critter Records in 2000, issuing additional singles that contributed to his overall tally of more than 60 charted records across his seven-decade span.[3][42][43]Early Singles with The Uniques
Stampley's initial releases came with the Louisiana-based rock group The Uniques on Paula Records, including the following key singles:| Year | Single | Chart Position (Billboard Hot 100) | Label |
|---|---|---|---|
| 1965 | Not Too Long Ago | #66 | Paula 219 |
| 1966 | All These Things | #97 | Paula 238 |
| 1966 | Run and Hide | #126 | Paula 245 |
Solo Country Singles
Stampley's solo career with labels like Dot, ABC/Dot, and Epic yielded numerous hits, with four reaching #1 on the Hot Country Songs chart. Representative examples include:| Year | Single | Chart Position (Billboard Hot Country Songs) | Label |
|---|---|---|---|
| 1972 | Soul Song | #1 (also #37 Hot 100) | Dot 17442 |
| 1973 | I'm Still Loving You | #3 | Dot 17485 |
| 1975 | Roll On Big Mama | #1 | Epic 50075 |
| 1976 | All These Things (remake) | #1 | ABC/Dot 17624 |
| 1978 | Do You Ever Fool Around | #5 | Epic 50626 |
Duo Singles with Moe Bandy
Partnering with Moe Bandy from 1979 onward on Columbia Records, Stampley co-released duo singles that often topped the country charts, emphasizing humorous and traditional country themes. Key examples include:| Year | Single | Chart Position (Billboard Hot Country Songs) | Label |
|---|---|---|---|
| 1979 | Just Good Ol' Boys | #1 | Columbia 11024 |
| 1979 | Holding the Bag | #11 | Columbia 11152 |
| 1984 | Where's the Dress | #21 | Columbia 11311 |
| 1981 | Hey Joe (Hey Moe) | #2 | Columbia 02160 |