Legend of Fuyao
Legend of Fuyao (Chinese: 扶摇) is a 2018 Chinese television series based on the novel Empress Fuyao (Chinese: 扶摇皇后) by author Tian Xia Gui Yuan.[1][2] The series, spanning 66 episodes, follows the journey of Meng Fuyao, a talented martial artist from humble origins who escapes an oppressive sect and travels across the Five Kingdoms to collect sacred talismans, uncover her true identity as royalty, and combat tyrannical forces threatening the realm.[1][3][2] Directed by Yang Wenjun, Xie Ze, and Li Cai, it was produced by Linmon Pictures and Tencent Penguin Pictures, and premiered on Zhejiang TV and Tencent Video starting June 18, 2018.[3][2] Starring Yang Mi as the resilient and fierce Meng Fuyao and Ethan Juan as the enigmatic Crown Prince Zhangsun Wuji of Tianquan—her romantic counterpart and ally in the fight against evil—the drama blends elements of wuxia, romance, and fantasy.[1][3] Notable for its elaborate costumes, dynamic martial arts choreography, and a soundtrack featuring artists like Karen Mok and Lala Hsu, Legend of Fuyao highlights themes of empowerment, destiny, and love amid political intrigue.[1] The production received acclaim for Yang Mi's portrayal of a strong female lead who evolves from a rebel to a formidable warrior, though its extended runtime drew some criticism for pacing issues.[1][3]Background
Source material
Empress Fuyao (扶摇皇后), written by the Chinese author Tian Xia Gui Yuan under her pen name, is a wuxia fantasy novel centered on themes of personal growth, political intrigue, and romance. Tian Xia Gui Yuan, whose real name is Lu Jing, is known for crafting stories with strong, independent female leads in historical and fantasy settings. The novel was serialized on the popular online platform Xiaoxiang Shuyuan starting in April 2010 and completed in 2011, with a print edition released that year comprising over 1,000 chapters and approximately 1.34 million Chinese characters; later collected editions were published in 2016 and 2018. Its popularity on the platform, evidenced by its inclusion in China's National Library permanent collection of influential online literature in 2020, established a dedicated fanbase prior to its adaptation.[4][5] The narrative unfolds in the Five States Continent, encompassing five kingdoms: Taiyuan, Tianquan, Tiansha, Xuanji, and Penglai. Central to the plot is the protagonist Meng Fuyao, an orphaned girl raised as a lowly servant in the Xuanyuan Sect of Taiyuan Kingdom, who possesses latent extraordinary talents. Through a series of trials, Fuyao discovers and masters the ancient Five Mountains sword manual, a powerful martial arts technique that propels her on an epic journey across the kingdoms. Her path involves forging alliances, unraveling conspiracies tied to imperial legacies, and rising from servitude to claim the throne as empress, symbolizing themes of destiny and empowerment. The 2018 television adaptation, Legend of Fuyao, condenses the expansive novel into 66 episodes, streamlining the intricate web of political machinations into a faster-paced structure with heightened focus on romantic elements between Fuyao and key allies. Notable changes include altered character backstories—such as omitting Fuyao's modern-world origins due to regulatory constraints—and a simplified ending that prioritizes emotional resolution over the novel's layered geopolitical conflicts. These modifications, while broadening appeal, have sparked discussions among fans about fidelity to the source material's depth. The series' massive success, amassing nearly 14 billion online views within two months of airing, underscores the novel's enduring impact and the author's influence in Chinese online literature.Development
The adaptation of Tianxia Guiyuan's novel Empress Fuyao into a television series was announced in early 2017 by Linmon Media and Tencent Penguin Pictures, capitalizing on the book's enduring popularity since its 2010 serialization as a landmark in Chinese web literature.[6] Key development milestones included scriptwriting led by Xie Yanyan, who adapted the expansive narrative into a 66-episode format while preserving core themes of empowerment and adventure; budget allocation reached an estimated 500 million RMB to support high-production values in visuals and action sequences; and director Yang Wenjun's vision centered on blending wuxia elements with romantic depth to highlight the female protagonist's journey.[7][8][9] Development faced challenges such as condensing the novel's multi-volume length—spanning intricate world-building across five kingdoms—into a concise TV structure without losing emotional resonance, securing adaptation rights through close collaboration with the author to align creative visions, and producing initial concept art alongside early promotional teasers to build anticipation amid a competitive ancient costume drama market.[10][11][12] The project was greenlit in late 2016 following rights acquisition and preliminary planning, with pre-production spanning early 2017 to refine the script, scout locations, and develop visual concepts before filming commenced in June.[13]Plot
Synopsis
Meng Fuyao begins as a lowly servant in the Xuanyuan Sect on Xuanyuan Mountain in the Taiyuan Kingdom, where she is despised for her apparent lack of martial arts talent.[14] Adopted as an orphan, she unexpectedly discovers her hidden potential and masters the powerful "Break Nine Heavens" swordplay technique, an invincible martial art that propels her from servitude toward greater destiny.[15] This revelation sets her on a transformative path amid the Five Kingdoms, divided into the kingdoms of Taiyuan, Tianquan, Tiansha, Xuanji, and Qiongcang.[14] As Fuyao rises through these realms, she navigates intense central conflicts including political intrigue among rival monarchs, fierce martial arts competitions, and celestial conspiracies tied to ancient prophecies.[16] Her journey intertwines with Crown Prince Zhangsun Wuji of Tianquan, forming a deep romantic alliance as they confront betrayals, forge unexpected partnerships, and challenge tyrannical forces seeking to exploit a foretold chaos-bringer possessing a five-colored stone.[14] Key events, such as the Tian Dou Competition and battles echoing the Ninth Heaven Breach, test her growing prowess and resolve, while she pursues sacred talismans to lift a personal curse and uncover her divine origins from a lotus borne by the ancient Firmament.[17] The series unfolds across major arcs focused on Fuyao's rigorous training, kingdom-spanning quests for justice and empowerment, and climactic confrontations that resolve the Firmament's prophetic turmoil.[16] Spanning 66 episodes, the narrative divides into sect initiation, successive kingdom explorations—from Taiyuan's internal strife to Tianquan's courtly machinations, Tiansha's shadowy threats, Xuanji's mystical trials, and Qiongcang's ethereal finale—culminating in Fuyao's ultimate self-realization and the restoration of continental harmony.[14] Adapted from Tian Xia Gui Yuan's novel Empress Fuyao, the story emphasizes themes of resilience and forbidden love within a wuxia framework.[14]Cast and characters
Main roles
Yang Mi stars as Meng Fuyao, the central protagonist whose journey forms the backbone of the series, transforming from an orphaned servant girl enduring abuse in the Xuanyuan sect to a formidable martial artist and empress who unites the five kingdoms.[14] Fuyao's character arc emphasizes resilience and self-discovery, as she masters ancient martial techniques, collects sacred talismans to break a curse, and navigates betrayals while uncovering her royal heritage as the lost princess of Yao.[3] Yang Mi, a Beijing-born actress who debuted as a child in the 1990 TV series Tang Ming Huang and rose to fame with her role in the 2011 historical drama Palace, brings a blend of vulnerability and strength to Fuyao, drawing on her experience in period pieces to portray the character's growth.[18] Ethan Juan portrays Zhangsun Wuji, the enigmatic crown prince of Tianquan kingdom, whose princely intrigue and strategic mind drive much of the political tension, while his deepening romance with Fuyao propels the emotional core of the narrative.[14] Wuji evolves from a calculating royal entangled in court conspiracies to a devoted partner who sacrifices personal ambitions to support Fuyao's quest, highlighting themes of loyalty and forbidden love across kingdom rivalries.[3] Juan, a Taiwanese actor born in 1982 in Taichung and known for idol dramas like Fated to Love You (2008) and films such as Monga (2010), adapts his charismatic screen presence to the wuxia genre in this role, marking one of his prominent forays into historical fantasy after primarily modern romances.[19] Gao Weiguang plays Zhan Beiye, the bold king of Han kingdom and a key rival to Wuji, whose unyielding pursuit of Fuyao adds layers of romantic tension and alliance-building to the plot.[14] As a warrior ruler with a tragic backstory, Beiye serves as both adversary and eventual ally, influencing Fuyao's decisions in battles and diplomacy. Gao, recognized for his roles in fantasy series like Eternal Love (2017), was cast for his imposing physicality and ability to convey complex affections. Li Hongtao depicts Yan Lie, the authoritative leader of the Xuanyuan sect and primary antagonist in Fuyao's early arc, whose rigid enforcement of sect hierarchies sparks her initial rebellion and sets off the chain of events leading to her exile.[20] Yan Lie's manipulative influence as Fuyao's former master underscores themes of power abuse and vendetta, impacting her mentors and rivals throughout the kingdoms.[21] Hongtao, a veteran Chinese actor with credits in action dramas like Brotherhood of Blades II (2017), was selected for his commanding presence to embody the sect's patriarchal antagonism.[22] Lai Yi embodies Zong Yue, the reclusive heavenly doctor whose medicinal expertise and hidden royal lineage make him a crucial mentor and protector to Fuyao during her perilous travels.[20] As a survivor of tragedy with unparalleled healing skills, Zong Yue aids Fuyao in overcoming physical and emotional trials, evolving from enigmatic guide to steadfast ally in her fight against celestial conspiracies.[10] Lai, born in 1990 in Jiangxi and a graduate of Beijing Film Academy, gained wider recognition through this role following appearances in series like The Flame's Daughter (2018).[23] The main characters' interactions drive the series' intrigue, with Fuyao and Wuji's romance serving as the emotional anchor—beginning with wary alliance amid political threats and blossoming into mutual sacrifice that resolves kingdom-wide conflicts.[3] Zong Yue's mentorship provides Fuyao intellectual and healing support, contrasting Yan Lie's oppressive rivalry that forces her warrior evolution, while Beiye's competitive affections test her loyalties and forge unexpected coalitions.[24]Supporting roles
In the Taiyuan Kingdom, supporting characters such as Prime Minister Qi Zhen, portrayed by Liu Yijun, play pivotal roles in court politics, advising on governance and navigating power struggles within the royal court.[20] Aides to key figures like Changsun Wuji include Gao Puruo, acted by Liu Zhiwei, who provides covert support in political maneuvers.[20] Royal family members, including King Xuanyuan Ren (Zhang Dongshen) and Xuanyuan Xiao (Hu Ke), contribute to the kingdom's internal dynamics and alliances.[25] Tianquan Kingdom features characters involved in imperial intrigue, such as Changsun Pingrong, played by Jiang Long, a scheming royal who advances factional conflicts within the court.[26] Emperor's family members, part of the central intrigue, are depicted through supporting performances that highlight familial tensions and power plays.[20] Generals and officials, including Lei Yuanshan (Gao Haipeng), loyal to the crown prince, aid in military and diplomatic efforts.[16] The Tiansha Kingdom's supporting roles emphasize warriors and spies, with figures like Commander Gu Lingfeng (Yang Zhenyu) leading elite forces such as the Gold of Tiansha army in border skirmishes and espionage.[27] Eunuchs and attendants, including Attendant Li (Liu Yang), handle palace secrets and surveillance. The Five Witches are portrayed by ensemble actors in mystical combat scenes, representing prophetic threats tied to the kingdom's shamanistic traditions.[20] In the Xuanji Kingdom, monastic figures support Fuyao's development, such as Fo Lian (Wang Herun), a spiritual guide who assists in her martial training and philosophical growth at sacred sites.[26] Maids and temple attendants like Xu Wan (Zhang Huanhuan) provide aid during pivotal escapes and rituals.[16] Characters from the Ancient Firmament and Penglai faction include mystical elders and entities like the Heavenly Doctor Zong Yue (Lai Yi), who deliver prophecies and healing that influence the overarching destiny of the realms.[20] Supporting cast selection involved ensemble hires for faction-specific roles to ensure authentic representation of diverse cultures and hierarchies across the kingdoms, with specialized stunt performers recruited for the production's intricate fight choreography in desert and mountain sequences.[27]Production
Casting process
Yang Mi was the first major casting announcement for Legend of Fuyao, confirmed as the female lead Meng Fuyao during Linmon Pictures' annual television production showcase in February 2017, where the project was introduced as an epic wuxia fantasy adaptation.[28] This selection aligned with the character's requirements from the source novel as a resilient, youthful underdog rising through martial prowess and political intrigue, emphasizing Mi's established experience in similar genres.[28] In June 2017, Ethan Juan was announced as the male lead Zhangsun Wuji, with both actors revealing their roles through playful Weibo posts on June 5: Mi shared a photo captioned to pun on "Fuyao," while Juan posted a dance video alluding to "Wuji," confirming their pairing for the romantic and combative dynamic central to the story.[29] The choice of Juan, known for modern roles, marked his debut in ancient costume drama, selected to complement Mi's energy in chemistry-driven scenes.[29] The casting process faced challenges, including scheduling conflicts that led to replacements for some supporting roles, such as initial candidates for action-heavy parts being unavailable due to overlapping commitments in the competitive 2017 drama slate. To ensure authentic wuxia elements, the production prioritized actors with martial arts backgrounds or stunt training for fight sequences, diversifying the ensemble with performers skilled in wire work and choreography. Preparation involved intensive workshops for the leads, including wuxia skill training camps where Mi and Juan practiced combat routines and swordplay to build on-screen synergy, alongside costume fittings to adapt historical silhouettes for dynamic movement.[30] These sessions, documented in behind-the-scenes footage, focused on chemistry development through improvised romantic and action scenarios.Filming and locations
Principal photography for Legend of Fuyao began on June 27, 2017, at Hengdian World Studios in Dongyang, Jinhua, Zhejiang Province, China, and wrapped on November 23, 2017.[31] The five-month shoot focused on constructing and utilizing elaborate sets to represent the series' fictional Five Kingdoms universe, with principal filming concentrated at this expansive studio complex known for its historical replicas.[32] Key sequences, such as the Double Lantern Festival scenes depicting bustling capital streets and bridges, were captured at Hengdian World Studios, leveraging its Qin Palace and Ming-Qing Dynasty-themed areas for authenticity in the wuxia setting.[33] The production incorporated wire-fu techniques for martial arts choreography, enabling actors to perform gravity-defying aerial combat and movements integral to the genre's fantastical elements.[34] Post-production continued into 2018 to integrate extensive visual effects for mystical and supernatural aspects, including nearly 30,000 VFX shots amounting to 1,700 minutes of "swaying" (wire-assisted and CG-enhanced) sequences produced by ILLUMINA Studio.[34] Fusion Studio contributed 90 additional VFX shots, notably full-CG magical realms and creature designs that required precise integration with live-action footage to maintain narrative immersion.[35]Creative team
The creative team for Legend of Fuyao was led by directors Yang Wen Jun, Xie Ze, and Li Cai, who collectively managed the adaptation of Tianxia Guiyuan's novel into a 66-episode wuxia series.[2] Yang Wen Jun, with his prior experience in historical dramas, contributed to the overall narrative structure, while Li Cai handled directing duties alongside his role as martial arts choreographer, drawing from his work on action-oriented productions to craft dynamic sword fights and combat scenes.[36] The screenplay was written by Xie Yan Yan.[2] She adapted the source material by condensing the novel's sprawling multi-kingdom intrigue into a more streamlined television format, emphasizing the protagonist's journey of self-discovery and romance while altering certain plot tangents for pacing.[10] This division of scripting across episodes allowed the writers to balance the romantic wuxia elements with underlying political depth, focusing on themes of power and conspiracy without meandering into the book's extended subplots.[10] Key supporting crew included cinematographer and visual effects supervisor (name not specified in credits), who aimed for a cinematic quality in the fantasy sequences. Costume designer Stanley Cheung, recognized for his detailed period work, designed the ancient Chinese-inspired attire featuring flowing robes and ornate accessories to enhance the ethereal and regal aesthetic of the five kingdoms.[37] Action choreographer Deming Wang coordinated the intricate swordplay and martial arts displays, ensuring fluid, high-stakes battles that integrated wirework and practical stunts.[27] Through these contributions, the team shaped the series' tone as a blend of romantic adventure and political machinations, with Cheung's costumes and Wang's choreography underscoring the wuxia flair, while Xie Yan Yan's script infused emotional depth into the fantasy framework.[34]Music
Theme songs
The opening theme song for Legend of Fuyao is the titular "Fuyao" (扶摇), performed by Karen Mok. Composed by Dongdong Dong with lyrics by Chen Xi, the track incorporates traditional Chinese instruments such as the pipa and flute, blending them with swelling string arrangements that progress from gentle introspection to triumphant crescendos, symbolizing the protagonist Meng Fuyao's ascent from obscurity to queenship. The lyrics emphasize themes of defying fate, embracing freedom, and soaring unbound, as in lines evoking winds carrying one beyond constraints to pursue personal destiny, directly mirroring the series' narrative of empowerment and rebellion against predetermined paths. The primary ending theme is "Yi Ai Nan Qiu" (一爱难求, A Love is Hard to Wish for), sung by Lala Hsu (Xu Jia Ying). With lyrics also by Chen Xi and music by Dongdong Dong, it delves into the bittersweet turmoil of romance, portraying love as elusive amid greed, worry, and the vastness of the three realms, capturing the emotional barriers faced by the leads in their martial romance. An alternate ending theme, "Fan Hua Meng" (繁华梦, Flourishing Dream), performed by Huang Ling (Isabelle Huang), offers a more melancholic reflection on transient prosperity and dreams, underscoring the plot's motifs of fleeting glory and enduring bonds.[38] Several insert songs enhance key episodes, including "Xue Ru Mo" (血如墨, Blood like Ink) by Zhang Bichen, which accompanies high-stakes action sequences with its intense, ink-like imagery of sacrifice and unyielding resolve in battle. Another is "Ao Hong Chen" (傲红尘, Proud Red Dust) by You Zhangjing, a character-driven insert that highlights themes of pride and navigating worldly ambitions, often tied to scenes of intrigue and personal defiance. "Chuang" (窗, Window) by Wu Qingfeng serves as an insert and secondary ending, evoking introspection through motifs of gazing beyond barriers, akin to the lovers' separations and reunions. These vocal tracks, produced in coordination with the drama's 2018 release, were recorded by the artists in professional studios to integrate seamlessly with the storyline's blend of martial arts, romance, and fantasy, amplifying emotional peaks without overshadowing the instrumental score.[39]Original soundtrack
The original soundtrack for Legend of Fuyao was composed primarily by Dong Dongdong, who led a team in creating a score that blended traditional Chinese instruments such as pipa and dizi with orchestral elements to evoke the epic scope of the xianxia genre.[40] This fusion provided an atmospheric backdrop, incorporating melodic lines from string and wind instruments to underscore the series' themes of adventure and destiny, while avoiding overly conventional "ancient style" tropes through innovative arrangements.[41] The album, titled Fuyao Television Original Soundtrack (扶摇电视原声大碟), was released digitally on July 19, 2018, via platforms like QQ Music, featuring 26 instrumental tracks alongside vocal pieces, for a total of 32 compositions spanning approximately 85 minutes.[42] Key instrumental pieces include "Fuyao Emotional Theme" (扶摇情感主题) for romantic interludes, highlighting tender string sections, and dynamic battle cues like "Fuyao Character Theme" (扶摇人物主题), which build tension with layered percussion and brass.[43] These tracks were designed to integrate seamlessly with the vocal theme songs, enhancing emotional transitions in the narrative.[44] Recording sessions for the score took place in professional studios, drawing on xianxia conventions to craft immersive soundscapes that reflect the genre's blend of martial arts intensity and mythical romance.[45] The album's digital release contributed to its commercial success in China, driven by the series' popularity.Release
Domestic broadcast
Legend of Fuyao premiered in China on June 18, 2018, on Zhejiang Television in the China Blue weekly broadcast theater, with two episodes airing nightly from Monday to Thursday at 10:00 p.m..[46] The series occupied a prime-time slot during the summer television season, designed to capitalize on vacation viewership..[46] The 66-episode run was simulcast online primarily through Tencent Video, which held exclusive digital rights..[47] The full broadcast spanned approximately two months and concluded on August 13, 2018..[46] It later became available on other platforms such as iQIYI. Zhejiang Television supported the airing with targeted promotional campaigns, including the production of short-form recap videos like the weekly program Editor Says Fuyao, which used humorous, internet-savvy commentary to preview episodes and engage audiences..[48] Additional efforts featured elaborate posters and thematic marketing materials emphasizing the drama's ancient fantasy elements..[49] Key viewership milestones included the premiere episode, which amassed over 300 million online streams within the first 30 minutes, setting an early high for the series..[50]International distribution
Following its premiere in China, Legend of Fuyao was licensed for international distribution starting in mid-2018, with streaming platforms acquiring rights to offer the series to global audiences outside mainland China. Rakuten Viki secured streaming rights for English-subtitled episodes, enabling access for viewers in North America, Europe, and other regions through community-driven subtitling efforts that accelerated fan engagement shortly after the Chinese broadcast.[16] Similarly, YouTube channels began uploading English-subtitled versions in late 2018, supported by fan communities that provided timely translations to bridge accessibility gaps during the initial rollout.[51] In Southeast Asia, the series became available on Netflix starting in 2022 in select countries. In Taiwan, the drama aired on LINE TV starting in 2018, offering localized viewing options before rights expired in later years.[52] Regional adaptations included dubbed versions in Thai and Vietnamese, distributed through platforms like iQIYI, which provided multi-language audio tracks to reach audiences in Thailand and Vietnam by late 2018.[53] Some markets encountered challenges with content edits to comply with regional censorship standards on violence and romance, resulting in slightly modified versions for certain broadcasts. By 2025, streaming rights had expanded further, with availability on Amazon Prime Video across additional global territories, and ongoing access on Rakuten Viki and iQIYI, reflecting sustained interest in the series.[54]Reception
Viewership ratings
In China, Legend of Fuyao garnered solid television viewership metrics through its broadcast on Zhejiang and Hunan Television. According to CSM nationwide data, the series achieved an average rating of 0.84% across its run, with a peak of 1.088% in the 52 major cities sample, marking a breakthrough above the 1% threshold in a challenging market for weekly dramas.[55][56] This performance positioned it as the top-rated drama in the 2018 summer weekly slots on both channels, outperforming competitors and setting a new high for Zhejiang Television's weekly programming.[57][58] Online streaming dominated the series' reach, primarily via its exclusive platform Tencent Video. By the finale on August 15, 2018, it accumulated over 14 billion views, the highest for any single-platform drama that summer and the only one to surpass 10 billion, contributing to a 79% year-over-year increase in Tencent Video subscriptions to 82 million as of Q3 2018.[58][59] Daily rankings on the platform consistently placed it in the top three.[60] Internationally, the drama saw strong uptake on global platforms. It became available on Netflix in select Asian markets starting in 2019. Rakuten Viki reported robust engagement, with over 42,000 user ratings averaging 9.4 out of 10 as of 2025, reflecting its appeal among international audiences for fantasy romance elements.[16] Episode viewership trends highlighted surges during romantic plot developments, such as the leads' alliance arcs, boosting sustained global streams.[34]| Platform | Key Metric | Value | Source |
|---|---|---|---|
| CSM (52 Cities) | Peak Rating | 1.088% | Phoenix Entertainment |
| CSM Nationwide | Average Rating | 0.84% | LINE TODAY |
| Tencent Video | Total Views (End of Run) | >14 billion | Linmon Films |
| Netflix (Asia) | Availability | Starting 2019 | Netflix |
| Viki | User Ratings | 9.4/10 (42,000+ users) | Viki |