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Merlion

The Merlion is a mythical creature with the head and foreparts of a and the hindparts of a , serving as the official mascot and enduring national icon of . The lion head symbolizes Singapore's ancient name "," derived from the for "Lion City," stemming from the 13th-century legend in which Prince Sang Nila Utama of sighted what he believed to be a lion upon landing on the island then known as , prompting him to found a kingdom there. The fish body represents Singapore's historical roots as a bustling in Temasek, highlighting its maritime heritage. Designed in 1964 by British zoologist and aquarist Alec Fraser-Brunner as the corporate logo for the Singapore Tourist Promotion Board (now the Singapore Tourism Board), the Merlion was intended to embody the nation's identity and promote tourism. The emblem quickly gained prominence, evolving from a two-dimensional logo into three-dimensional sculptures, with the original statue unveiled in 1972 at the mouth of the Singapore River. Crafted by local sculptor Lim Nang Seng from concrete over a steel frame and clad in weather-resistant cement, the landmark Merlion stands 8.6 meters tall, weighs 70 tonnes, and features a water-spouting mouth to evoke the island's seafaring past. Relocated in 2002 to its current site at Merlion Park in Marina Bay to accommodate the construction of the Esplanade Bridge, it remains a focal point for visitors, alongside a smaller 2-meter "Merlion cub" statue unveiled in 1972. Today, the Merlion appears in various replicas across Singapore and inspires art, merchandise, and branding, cementing its role as a symbol of resilience, progress, and cultural pride.

Origins and Symbolism

Legendary Basis

The legendary origins of the Merlion trace back to the 14th-century Malay prince , who is credited with founding the Kingdom of in 1299. According to the (), a historical text chronicling Malay history, set sail from in seeking new lands and arrived at the island then known as . Upon landing near the mouth of the , he and his party encountered a majestic beast resembling a , which he interpreted as an auspicious sign of strength and prosperity. Impressed by the creature, he renamed the island , derived from the words "singa" () and "pura" (city), marking the birth of the "Lion City" and establishing the lion as a enduring emblem of the territory's royal heritage. The Merlion's fish-like body draws from Singapore's pre-colonial roots as a modest centered around , an term meaning "sea town," reflecting the island's longstanding maritime and fishing heritage that predates the lion sighting. This aquatic element symbolizes the community's reliance on the sea for livelihood and trade, connecting the mythical creature to the practical realities of early inhabitants who thrived as fishermen and seafarers in the strategic Straits of Malacca. The motif, prominent in culture through Hindu-Buddhist transmissions from ancient , represented power, protection, and , as seen in statues and across the that underscored resilience against adversity. In the mid-20th century, these legends were synthesized into the Merlion emblem during the design process to cultivate a cohesive , blending ancient with modern aspirations for unity and progress among a diverse populace. This fusion transformed historical myths into a potent symbol of transformation, from humble origins to a .

Design and Interpretation

The Merlion features a distinctive hybrid anatomy, combining the head of a with the body and tail of a . The head symbolizes Singapore's legendary name "," derived from the words for "lion city," evoking the ferocity, nobility, and strength associated with the creature sighted by Prince upon his arrival. The body, in contrast, alludes to the ancient of and underscores Singapore's enduring identity as a city reliant on sea trade. A key element of the design is the Merlion's open mouth, from which it spouts water, representing the life-sustaining flow of maritime commerce that has historically nourished the nation. This feature highlights the creature's aquatic essence, linking the symbolic to the watery domain of the and emphasizing Singapore's position as a vibrant hub of global trade routes. The overall form of the Merlion interprets Singapore's historical transformation from a modest fishing settlement known as to a dynamic "lion city," encapsulating themes of , , and . Typically rendered with a white body and brown mane, the design draws stylistic influences from —where lions denote courage and —and adapts them into a streamlined for broad recognizability and efficacy.

Historical Development

Creation and Initial Adoption

In 1964, the Singapore Tourist Promotion Board (STPB), then responsible for promoting tourism in the newly self-governing state, commissioned the design of a distinctive to represent in promotional materials. The , later named the Merlion, was created by British zoologist Alec Fraser-Brunner, a member of the STPB's Souvenir Committee and curator of the Van Kleef Aquarium, who sketched a hybrid creature with the head of a and the body of a to evoke 's historical and maritime roots. The Merlion logo made its debut in 1964 as the official emblem of the STPB, appearing on brochures and other marketing collateral to attract visitors to the island nation. Its was registered on July 20, 1966, granting the STPB exclusive rights and enabling its use on souvenirs and handicrafts to boost local . The design also featured prominently on Singapore's $1 issued from 1967 to 1984, marking an early integration into everyday currency as part of the post-independence economic branding efforts. This initial adoption of the Merlion occurred in the immediate aftermath of Singapore's full independence from on August 9, 1965, serving as a fresh to forge a distinct amid the challenges of and separation from its former federation partner. By positioning the Merlion as a symbol of and , the STPB aimed to unify public sentiment and project an image of progress to the world during this pivotal transitional period.

Evolution as National Symbol

Following its initial design in 1964 as a logo for the Singapore Tourist Promotion Board, the Merlion underwent significant expansion in the 1970s as it became embedded in national consciousness. The decade saw its integration into various official contexts, culminating in the unveiling of the first Merlion statue on 15 September 1972 at the mouth of the , officiated by then-Prime Minister . This event marked a pivotal milestone in solidifying the Merlion's status beyond , transforming it into a tangible emblem of 's emerging identity. In the post-independence era after , the Merlion played a crucial role in efforts by the government, serving as a tool to forge a unified Singaporean that emphasized heritage and local legends while distancing from colonial legacies. It appeared in promotional campaigns that highlighted Singapore's transformation from a outpost to an independent republic, helping to cultivate national pride and cohesion among a diverse population. This strategic use positioned the Merlion as a counter-symbol to colonial icons, promoting a sense of and cultural uniqueness. During the 1980s and 2000s, the Merlion adapted to modern contexts, with its logo digitized for broader digital and print applications in official materials. The original logo was used until 1997, when the STPB (now STB) adopted a new corporate logo but retained exclusive rights to the Merlion. It gained international prominence in 1987 when Miss Universe contestants, whose pageant was held in Singapore, posed with the Merlion statue. By this period, it was increasingly acknowledged as the nation's official mascot, with discussions around national symbols reinforcing its place in identity formation, though it was not incorporated into the formal coat of arms. As of 2025, the maintains the Merlion's official designation as the national icon, overseeing its use in branding without major alterations to its core design. Its sustained relevance is evident in ongoing commemorations, such as the 50th anniversary celebrations of the statue's unveiling in , which underscored its enduring role in representing Singapore's hybrid heritage and progress. In 2025, as part of SG60 celebrations, the 'Shorelines 2025' exhibition at the showcased 60 Merlion-inspired artworks exploring .

Merlion Statues

Primary Statues in Singapore

The most prominent of 's official Merlion statues is the one at in Marina Bay, standing 8.6 meters tall and weighing 70 tonnes. Constructed in 1972 by local sculptor Lim Nang Seng using cement fondue, it was originally positioned at the mouth of the near Empress Place as the inaugural physical representation of the symbol. In 2002, the statue was relocated approximately 120 meters to its current site overlooking Marina Bay to restore visibility obstructed by the Esplanade Bridge, where it continues to spout water from its mouth into the bay. This feature emphasizes the creature's fish-like body and ties to 's fishing village origins. Accompanying the main statue is the Baby Merlion, a smaller measuring 2 meters tall and weighing 3 tonnes, also crafted by Lim Nang Seng in 1972. Initially placed behind the larger figure at the original riverside location, it was relocated alongside it in and is now situated at nearby Merlion Walk, where it independently spouts water. Both statues at this site were enhanced in the with LED lighting systems, enabling colorful nighttime illuminations that boost their visual appeal and draw crowds during evening events. Another authorized statue stands at Faber Point on , a 3-meter-tall figure made of glazed polymarble installed in 1998 by the . Positioned at the park's highest point, it provides elevated views toward Island and the southern seas, complementing the area's recreational and nature trails without a water-spouting . At the Singapore Tourism Board's headquarters in Tourism Court along Orchard Spring Lane, a similar 3-meter-tall polymarble Merlion was erected in 1995 as an indoor-outdoor display welcoming staff and visitors. This statue, located near the taxi drop-off area, features subtle design variations like a slightly elongated face and serves primarily as an administrative landmark rather than a public attraction. A pair of official Merlion statues, each 3 meters tall and made of , was installed in 1998 by the Residential Committee at a cost of S$30,000. Located at the entrance to the car park serving Blocks 216 to 222 along Ang Mo Kio Avenue 1, opposite -Bishan Park, the pair does not feature water-spouting and functions as a local landmark for the residential area. The Merlion, formerly the sixth official installation, was a 37-meter-tall structure built in 1995 at a cost of S$8 million, functioning as both a and a multi-level viewing tower with internal exhibits on Singapore's . Overlooking Imbiah Station on the island, it included water-spouting capabilities and panoramic observation decks until its in late to accommodate Sentosa's Sensoryscape redevelopment project. These six current official statues, all endorsed by the (formerly STPB), represent the core authorized embodiments of the symbol within the country as of 2025.

Replicas and International Installations

The Merlion symbol has inspired numerous replicas and installations worldwide, often as gestures of cultural exchange or tourism promotion, though many lack official endorsement from the (). In , , an 8.6-meter-tall Merlion statue was erected in 1989 as a gift symbolizing friendship between the city and , with support from the ; two smaller versions were also installed nearby, and the site remains a point of bilateral ties. Similarly, a Merlion statue in , , , was donated in the by Singaporeans residing in the country to foster goodwill, standing as a near the Queen Sirikit National Convention Centre. A 2-meter Merlion flanked by flags appears at Nami Island in , , as part of the site's international displays. In , a LEGO-scale Merlion model features in Resort's Miniland, recreating 's Marina Bay landmarks as part of the park's Asia-themed zone. Unauthorized replicas have proliferated in tourist areas, sometimes mimicking Singapore's Merlion Park to attract visitors. In CitraLand Gama City, Medan, Indonesia, a full-scale Merlion statue anchors a replica "Merlion Park" opened around 2022, complete with water features and Singapore-inspired elements like faux ERP gantries, drawing local amusement and comparisons to a "mini Singapore." Another replica stands in Citraland Surabaya, East Java, Indonesia, integrated into a residential and commercial development since the early 2010s, often called the "Singapore of Surabaya" for its thematic nod to the original. In Chuzhou, Anhui Province, China, a Merlion Park opened in the Suchu High-Tech Industrial Park around 2023, featuring a central statue amid gardens and cycling paths; developers described it as a symbol of Sino-Singaporean cultural integration, though the STB noted awareness without further endorsement. Scattered installations exist elsewhere, such as a large Merlion outside the Merlion Restaurant in Cupertino, California, United States, installed in the 1980s as a nod to Singaporean cuisine. Variations of the Merlion extend to smaller-scale merchandise and displays, widely available as souvenirs to evoke Singapore's identity. Desktop models, keychains, and plush toys in Merlion form are sold through official channels like outlets and the STB's iShopChangi, often in bronze, resin, or fabric for collectors and tourists. Larger art pieces, such as floral or illuminated Merlion installations, appear in airport transit areas like for temporary exhibits, blending the icon with modern aesthetics. The STB has protected the Merlion design since its trademark registration in 1966 under the Singapore Tourism Board Act, granting exclusive rights to prevent unauthorized commercial use and requiring approvals for reproductions. This includes monitoring global replicas, with the board emphasizing preservation of the symbol's integrity amid rising counterfeits, though specific takedown actions on large statues remain limited to diplomatic or advisory responses by the 2020s.

Incidents and Preservation

The 2009 Spouting Incident

On 28 February 2009, Singapore's iconic Merlion statue at was struck by during a , causing significant damage that temporarily halted its water-spouting feature. The strike, which occurred between 4 and 5 p.m. local time, resulted in a large crack in the statue's mane and a hole at its base, with debris scattering around the site; no injuries were reported, but the incident drew immediate attention due to the Merlion's status as a . The damage prompted a swift response from authorities, including the temporary closure of the area for assessments and repairs, which were carried out over the following weeks amid widespread coverage that went locally and internationally, highlighting concerns over the vulnerability of the landmark and its impact on Singapore's image. The event was particularly embarrassing for the , as the Merlion represents and , yet appeared compromised by natural forces. Restoration efforts focused on patching the structure and ensuring structural integrity, with the covered during works to protect it from further exposure. By mid-March, the repairs were sufficiently advanced for testing, and on 18 March 2009, the Merlion resumed spouting water from its mouth, signaling a return to normal operations and alleviating public concerns. Full restoration was completed by the end of the month, with officials confirming the statue's stability and implementing measures like improved lightning protection to prevent recurrence. The incident underscored the need for ongoing of outdoor monuments in a prone to storms.

Relocations and Maintenance Efforts

In 2002, the original Merlion statue was relocated from its position at the mouth of the near Empress Place to a new site at , now known as Merlion Walk, to accommodate urban redevelopment in the Marina Bay area, particularly the of the Esplanade Bridge that obstructed views of the statue. The 70-tonne structure was carefully disassembled into sections, transported via barge across the water, and reassembled at the new location in a process that took several days and cost S$7.5 million, ensuring no damage to the concrete and steel frame. The oversees routine maintenance of the Merlion statues, implementing annual cleaning protocols that include removing dirt, algae, and stains from the surfaces, as well as inspecting and servicing the internal water systems and structural integrity to combat from seawater exposure. These efforts, which began shortly after the statue's installation in the , involve setups and specialized cleaning techniques, with periodic full restorations lasting up to several weeks to preserve the icon's appearance and functionality. For instance, restorative works were conducted from 26 February to 6 May 2019, the first major effort since 2015, focusing on repairs to the structure and water system. Following the lightning strike that damaged the statue and caused temporary spouting issues, the pump system has been periodically replaced due to from seawater exposure. These replacements have been integrated into ongoing to avoid recurrence of similar disruptions. As of 2025, preservation efforts continue with regular interventions adapted to environmental challenges, such as applying protective coatings during cleanings to mitigate from seawater exposure and , ensuring the statue's amid Singapore's coastal . In February 2025 (11-12 February), cleaning and works were conducted. Cleaning and works are scheduled for 19-20 November 2025.

Cultural and Touristic Impact

Role in Tourism and Economy

The Merlion serves as a cornerstone of Singapore's industry, acting as an iconic emblem that draws international visitors to and enhances the city's appeal as a destination. As one of the most recognizable landmarks, it functions as a primary photo opportunity, contributing to the overall influx of tourists exploring Singapore's waterfront and cultural sites. In , Singapore welcomed 16.5 million international visitors, the highest since the , with attractions like the Merlion playing a key role in sustaining this growth. Economically, the Merlion bolsters Singapore's sector, which recorded S$29.8 billion in receipts for , driven by spending on accommodations, dining, and guided experiences around major icons. By symbolizing Singapore's maritime heritage and modern vibrancy, the Merlion indirectly supports revenue generation through associated activities such as souvenir sales and nearby hospitality services, reinforcing 's contribution to about 4% of the nation's GDP. The (STB) recognizes the Merlion's value in fostering long-term economic vitality, with the sector projected to reach S$29-30.5 billion in receipts by as forecasted in mid-. As of September , international visitor arrivals reached 12.88 million, a 2.3% increase year-on-year. The has strategically featured the Merlion in global marketing efforts since the early 2000s, including the "YourSingapore" campaign launched in 2010, which promotes customizable travel itineraries and has elevated Singapore's international . This initiative, along with earlier promotions like "Uniquely Singapore," positions the Merlion as a must-see , encouraging visitor engagement and repeat . Such campaigns have helped sustain the Merlion's status as a visual anchor in promotional materials, amplifying 's visibility in competitive Asian markets. Amid post-COVID challenges, Singapore's tourism rebounded robustly, with 13.6 million arrivals in 2023 exceeding pre-pandemic forecasts, though recovery efforts focused on innovation to counter lingering disruptions. In response, the STB partnered with Google in 2023 to introduce augmented reality (AR) experiences at Merlion Park, enabling immersive guided tours via ARCore technology that highlight historical and cultural narratives. These digital enhancements aim to deepen visitor interaction, address crowd management issues, and adapt to evolving traveler preferences for tech-integrated attractions.

Representations in Art and Media

The Merlion has been a central in advertising campaigns by the (), particularly from the 1970s onward, where it symbolized Singapore's maritime heritage and allure as a modern destination. Early efforts included monthly travel newsletters and targeted promotions to markets like the , , and , with the Merlion emblem prominently displayed to evoke the city's transformation from a to a global hub. These campaigns evolved into events like Merlion Week in 1985, which highlighted the symbol's role in boosting domestic awareness of tourism's economic value. By the , the Merlion appeared in stylized forms, such as neon-lit representations in urban promotions and digital animations for outreach, continuing through initiatives up to 2025. Its association with further amplified this visibility, as the national carrier incorporated the motif in travel posters and branding to align with . In sculptural and visual arts, the Merlion extends beyond monumental statues into integrated installations and murals that blend cultural symbolism with contemporary aesthetics. At Changi Airport, a six-meter-tall floral Merlion sculpture in Terminal 2's departure hall, unveiled in 2025 for 's SG60 celebrations, uses 60 types of plants to reinterpret the icon as a welcoming, nature-infused emblem for arriving visitors. Local artists have also reimagined it in experimental works; for instance, during the 2011 Singapore Biennale under artistic director Matthew Ngui, Japanese artist Tatzu Nishi's "The Merlion Hotel" transformed the original Merlion into a temporary luxury suite, inviting public interaction to explore themes of domesticity and national myth-making. Such pieces position the Merlion as a versatile motif in , fostering dialogues on 's hybrid identity. Documentary and news media have frequently portrayed the Merlion, reinforcing its status as a global emblem of Singapore's resilience and whimsy. The 2005 film , directed by Colin Goh and Woo Yen Yen, incorporates the symbol in scenes depicting aspirational urban life, underscoring its role in collective national narratives. International news outlets covered incidents like the 2009 spouting malfunction with lighthearted tones, such as reports framing it as a "thirsty" needing , which humanized the Merlion and enhanced its endearing perception worldwide among audiences unfamiliar with Singapore. These portrayals, often in outlets like and , contributed to the symbol's by blending factual reporting with cultural curiosity. In , the has modernized the Merlion's presence to engage younger demographics through interactive formats. In 2016, the board released official Merlion stickers for , allowing users to incorporate the spouting creature into conversations for playful promotion. Building on this, issued a set of 10 Merlion-themed emoji stamps in 2017, depicting the icon in expressive poses to commemorate its cultural significance. From 2021 to 2023, ventured into and virtual realms, launching the "Merlion on Vacation" metaverse experience in in 2022—a collaborative NFT-enabled adventure with Millennium Hotels that let users explore digital landmarks, marking the board's strategic push into for global outreach.

The Merlion in Popular Culture

In Music

The Merlion, as a quintessential symbol of , has inspired musical compositions that evoke the nation's mythical heritage and modern identity. One of the earliest notable references dates to 1964, when Dutch singer Johnny Lion recorded "Merlion City Singapore," a promotional commissioned by the Singapore Tourist Promotion Board to highlight the country's emerging appeal and unique characteristics. The track, blending pop elements with celebrating the island's vibrancy, was intended to popularize the newly introduced Merlion emblem abroad. In the realm of classical and orchestral music, the Merlion features prominently in "Legend of the Merlion," a three-movement composed by Liu Xi Jin and premiered by the Chinese Orchestra in 2014 under conductor Tsung Yeh, with soloist Li Bao Shun. The work narrates the creature's through movements titled "Seek Blessing," "Raging Sea," and "Nanyang's Affection," drawing on 's and cultural fusion to create an evocative soundscape that has been performed internationally, including in , . Contemporary music continues this tradition, with the Merlion appearing in both lyrics and visuals as a motif of exotic allure and national pride. For instance, American indie rock band of Montreal references it in "Like a Tourist" from their 2012 album Daughter of the Cloud, using "smokehood merlion" to conjure imagery of fetishized cultural icons amid themes of travel and detachment. Internationally, the symbol has been showcased in high-profile music videos, such as Coldplay's "Man in the Moon" (2025), filmed during their Singapore tour and featuring Marina Bay landmarks to blend cosmic themes with the city's skyline. Locally, experimental tracks like "Echo of Merlion" (2025) by ASEAN Global Music fuse electro-trap and urban nightcore elements with English and Malay vocals, capturing Singapore's neon-lit identity inspired by the icon. Additionally, promotional efforts by the Singapore Tourism Board in the 2000s incorporated the Merlion into tourism campaigns with accompanying jingles and soundtracks, reinforcing its role in musical representations of Singaporean nostalgia and global appeal.

In Film and Television

The Merlion has appeared as a backdrop in several feature films, notably in the 2018 Crazy Rich Asians, directed by , where it symbolizes Singapore's blend of tradition and modernity during scenes set at Merlion Park overlooking Marina Bay. In the film, the statue is featured in establishing shots that highlight the city's iconic waterfront, reinforcing its role as a visual emblem of national pride and urban sophistication. In television series, the Merlion has been central to challenges in multiple seasons of . For instance, in season 25 (2014), teams competed in a Roadblock task requiring them to locate clues hidden at various Merlion statues across , including the primary one at , emphasizing the site's accessibility and cultural significance as a navigational landmark. Similar tasks appeared in earlier seasons, such as season 3 (2002), where contestants engaged in activities near the statue to explore Singapore's heritage, turning the Merlion into an interactive element of the global adventure format. Documentaries have utilized the Merlion to illustrate Singapore's urban evolution. In National Geographic's City of the Future: (2018), the documentary explores the nation's transformation from a colonial port to a high-tech metropolis, underscoring themes of innovation and sustainability. Likewise, PBS's Human Footprint series includes the 2023 episode "Reimagining Green City Living in ," which discusses eco-friendly and how icons integrate with green initiatives like vertical gardens and waterfront revitalization. In animated television, the Merlion makes brief, fantastical cameos in . During the 2013 special "Phineas and Ferb: Summer Belongs to You!", the characters visit in as part of a round-the-world adventure, depicting the statue in a whimsical sequence that blends its mythical form with the show's inventive humor, portraying it as a playful in their global escapades. This appearance aligns with the series' 2010s episodes that incorporate real-world icons into imaginative narratives, enhancing the Merlion's visibility among younger audiences.

In Literature and Gaming

The Merlion has emerged as a potent symbol in Singaporean literature, frequently embodying themes of hybrid identity, national mythology, and cultural transformation. In Edwin Thumboo's seminal poem "Ulysses by the Merlion" (1979), the creature stands as a liminal figure beside the wandering hero Ulysses, representing Singapore's evolution from a colonial past to a modern, self-determined future, with the Merlion's spouting water evoking both historical roots in Temasek and aspirations for progress. This work, part of Thumboo's collection Ulysses by the Merlion, helped solidify the icon's role in local poetics, blending Greek mythology with Singaporean symbolism to explore belonging and resilience. Similarly, Alfian Sa'at's poem "The Merlion" (from One Fierce Hour, 1998) offers a critical lens, portraying the statue as a "limbless" grotesque invention that writhes unnaturally, critiquing the constructed nature of national icons and the hybridity of Singapore's postcolonial identity. Short stories and anthologies have also woven the Merlion into narratives of urban folklore and . The collection The Merlion and the : Contemporary Short Stories from and (2002), edited by Dipika Mukherjee, , and M.A. Quayum, features works by nineteen writers spanning fifty years, where the Merlion often appears as a backdrop or motif symbolizing shared regional histories amid and independence, as seen in tales reflecting war's impact on diverse communities. In Edward Wong's children's book The Merlion: A Fairy Tale of (2016), the creature is anthropomorphized in a tied to Prince Sang Nila Utama's founding of , emphasizing magical bonds between myth and history to foster cultural pride among young readers. In gaming, the Merlion functions as both a symbolic landmark and interactive element, highlighting Singapore's global image in . The mobile game (2019 onward) introduces the Singapore Speedway course, where players race past the Merlion at , integrating the icon into high-speed laps that showcase landmarks like the and for an authentic Lion City experience. In the action (2022), developed by Singapore studio Sammuh, the Seaport hub—a nod to the —centers around a Merlion statue in a surrounded by shophouses, serving as a anchor for Southeast Asian quests involving pontianaks and , while blending local culture with Diablo-style gameplay. Recent digital literature on platforms like extends the Merlion's presence into interactive sci-fi, where it evolves as a in user-generated tales. For instance, Chronicles of the Merlion Gate reimagines the icon in a futuristic blending technology and mysticism, with the Merlion as a guardian portal in adventures of magic and friendship, reflecting ongoing fan explorations of national symbols in speculative narratives.

As Mascots and Other Uses

The Merlion has been embodied in costume form for various public events in , serving as an interactive to engage audiences, particularly children. Since the , companies specializing in mascot fabrication, such as Mascot Enterprise, have produced life-sized Merlion costumes like "Mr. Merlion" for national celebrations and community gatherings, allowing performers to interact with attendees through dances and greetings. For instance, the character , a stylized Merlion redesigned in 2021 from an earlier 2009 version, has been central to the National Day Parade, appearing in promotional videos and live appearances to foster national pride among younger generations. These costumes draw on the Merlion's mythical design—a lion's head atop a fish's body—to symbolize 's heritage while providing playful, educational encounters at festivals and school events. In , the Merlion inspires interactive spectacles that blend tradition with contemporary expression. Street performances in areas like occasionally feature or interpretations of the creature, as seen in the 2025 SG60 public art exhibition "Shorelines," where "Mime Merlion" by artists Frankie and Paul used live to evoke the icon's spouting water motif in a roving outdoor display. Additionally, in the 2020s, platforms have popularized Merlion-themed dances, with viral challenges at landmarks like incorporating the symbol into energetic group routines, often syncing movements to mimic the creature's fluid form and enhancing public engagement with Singapore's cultural icons. The Merlion permeates local vernacular, notably in Singlish slang where "merlioning" or "to merlion" describes vomiting profusely, evoking the statue's continuous water-spouting feature. This usage emerged in student and military contexts, particularly among undergraduates and national servicemen, to humorously depict excessive regurgitation after overindulgence in food or . The term underscores the Merlion's integration into everyday Singaporean humor and resilience narratives. Beyond performances, the Merlion appears in institutional and commercial contexts as an emblem of . Several incorporate Merlion elements into their badges; for example, Nanyang Junior College's shield features a red-field Merlion head, symbolizing strength and maritime roots. In the corporate sphere, financial entities have adapted the motif, such as Standard Chartered's involvement in the "Merlion India Fund" launched in 2003 with , using the name to evoke Singapore's global outreach while aligning with the icon's established symbolism.

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