Miss Germany
Miss Germany is a national beauty pageant in Germany, first held in 1927 to select a representative embodying physical attractiveness and poised femininity for international competitions.[1][2] The contest was prohibited by the Nazi regime from 1933 to 1948 and restarted in West Germany in 1950, later achieving widespread viewership via television broadcasts starting in 1979 despite opposition from feminist movements during the 1970s.[1] A defining achievement came in 1961 when winner Marlene Schmidt secured the Miss Universe title, marking Germany's sole victory in that event.[3] In the 21st century, the pageant has pivoted toward recognizing women's social initiatives and personal agency, imposing no limits on participants' age, physique, or heritage, as evidenced by the 2023 inclusion of a transgender finalist and the 2024 crowning of 39-year-old Iranian-born mother Apameh Schönauer.[4][2][5] This evolution has elicited debates on whether the competition preserves its origins in aesthetic evaluation or prioritizes advocacy, with the 2024 outcome drawing both acclaim for diversity and backlash over perceived departure from conventional beauty norms.[5][1]Origins and Early Development
Weimar Republic Foundations (1927–1933)
The Miss Germany pageant originated in 1927 as Germany's inaugural national beauty contest, modeled after emerging European precedents like the Miss Europe competition and integrated into the Weimar Republic's vibrant entertainment landscape. Held on March 5 at Berlin's Sportpalast, the event drew participants evaluated on physical attractiveness, grace, and symbolic national embodiment, with 21-year-old Hildegard Quandt from East Prussia emerging as the victor before a jury that included boxer Max Schmeling.[6][7] This foundation coincided with Weimar Germany's post-hyperinflation economic upturn, where stabilized finances from the mid-1920s enabled expanded leisure pursuits and consumer markets for beauty and fashion. Organizers positioned the pageant as a showcase of modern femininity, capitalizing on cabaret revues and early film culture to promote contestants, whose profiles in illustrated magazines boosted sales of cosmetics and apparel tied to idealized aesthetics.[1][8] By the late 1920s, annual iterations solidified the contest's role in public spectacle, with subsequent winners like Hella Hoffmann in 1928 amplifying visibility through media endorsements and live performances, though legal challenges arose over trademarking the "Miss Germany" title, permitting multiple rival events. The pageant's expansion mirrored broader societal shifts toward commodified beauty ideals, unencumbered by prior imperial-era moral constraints, yet faced opposition from women's groups decrying objectification.[8][6]Nazi Era Suspension and Influences
The Nazi regime officially discontinued competitive beauty pageants, including Miss Germany (known as Fräulein von Deutschland), shortly after seizing power in 1933, viewing them as emblematic of Weimar-era decadence and incompatible with state ideology emphasizing racial purity and traditional gender roles.[1] The prohibition aligned with broader efforts to suppress cultural expressions deemed superficial or influenced by "Jewish-Bolshevik" elements, redirecting public focus toward eugenically oriented programs that promoted physical fitness and motherhood over glamorous competitions.[9] For instance, the regime's ban on cosmetics and demands for female modesty explicitly contrasted with the makeup-heavy, performative aesthetics of pre-1933 pageants, framing artificial enhancement as antithetical to the "natural" Aryan woman.[9] State-sponsored initiatives like the Kraft durch Freude (Strength Through Joy) organization supplanted commercial pageantry with mass leisure activities centered on health, sports, and communal vigor, fostering ideals of robust, fertile femininity rather than individualized beauty contests.[10] Nazi propaganda reinforced this by portraying the exemplary woman as athletically fit yet maternally devoted, with Aryan traits such as fair hair, light eyes, and unadorned vitality prioritized to support population growth and racial hygiene policies.[11] Empirical depictions in regime media, including posters and films, shifted emphasis from contest-style allure to eugenic suitability, evidenced by campaigns like "Healthy Woman - Healthy Nation" that linked female physical conditioning directly to national strength.[12] No formal underground pageants persisted under tight regime control, though informal social gatherings occasionally echoed altered fitness evaluations aligned with these standards. The pre-Nazi pageant's commercial foundations—rooted in urban glamour and public voting—influenced post-war revival efforts by providing a template for reasserting individual expression against totalitarian uniformity, without adopting the era's imposed racial or maternal aesthetics.[1] This causal disconnect underscores how the suspension severed glamour-oriented traditions from state-coerced ideals, preserving latent Weimar influences for later democratic contexts.Post-World War II Revival
Initial Resumption (1949–1960s)
The Miss Germany pageant resumed in West Germany in 1949, shortly after the establishment of the Federal Republic, as part of efforts to restore cultural normalcy following the devastation of World War II and the denazification process. In March 1949, Ingeborg Marianne Loewenstein was selected as "Miss Germany of 1949" in a low-key event emblematic of the era's reconstruction austerity, where resources were scarce and public gatherings emphasized morale-boosting simplicity over extravagance.[13] This resumption aligned with broader pragmatic goals, including fostering national pride amid occupation and signaling alignment with Western democratic values through feminine ideals detached from prior authoritarian propaganda.[14] By 1950, the pageant formalized its post-war structure with Susanne Erichsen's crowning in Baden-Baden, marking a cautious reintroduction limited to the western zones and excluding the Soviet-occupied East.[15] Early editions featured modest productions, often in regional venues, reflecting economic constraints while serving as vehicles for cultural reintegration into European networks. Germany's participation in the Miss Europe contest began in 1950, with Erichsen competing as Miss West Germany, underscoring the pageant's role in bridging the divided nation toward Western alliances amid Cold War divisions. Throughout the 1950s, Miss Germany winners increasingly engaged with international pageants like Miss Universe, starting with placements such as Margit Nünke's second runner-up finish in 1955, which highlighted growing ties to global beauty standards and economic sponsorships from Western firms.[16] Initial events drew limited audiences due to sparse media infrastructure, but as television broadcasting expanded in West Germany from the early 1950s—coinciding with the Wirtschaftswunder—the pageants gained visibility, contributing to the normalization of polished feminine presentations that contrasted with wartime hardships and aided societal recovery.[1]Expansion and Professionalization (1970s–1984)
The Miss Germany pageant expanded commercially in the 1970s amid West Germany's ongoing economic growth, with Horst Klemmer establishing the Miss Germany Corporation (MGC) in 1970 to manage operations as a professional enterprise.[17] This structure enabled larger-scale events, drawing hundreds of applicants nationwide, as seen in the 1970 election where numerous candidates from across Germany competed for regional titles leading to the national final.[18] The corporation focused on core beauty standards, including poise and appearance, while securing titleholder contracts for modeling assignments and product endorsements, which boosted revenue without altering judging criteria centered on traditional aesthetics.[19] Media engagement intensified during the decade, enhancing visibility and sponsorship opportunities tied to consumer industries like fashion and cosmetics. The pageant's finals gained prominence through press coverage, setting the stage for its first live television broadcast in 1979 on Rudi Carrell's "Am laufenden Band," which reached broad audiences and professionalized the event's presentation with staged performances and judging.[1] International franchising persisted, with Miss Germany winners representing the nation at events like Miss World, underscoring the contest's rigor; for instance, 1972 titleholder Heidi Weber placed in the top 12 semifinals, while 1977 winner Dagmar Winkler earned the Miss Photogenic award, affirming competitive preparation in swimsuit, evening gown, and interview segments.[18] Under MGC's stewardship through 1984, the pageant maintained organizational stability, avoiding major disruptions and prioritizing profit through expanded commercial ties, though this laid groundwork for later fragmentation driven by financial incentives. Ralf Klemmer's entry into the family business in 1982 ensured continuity in management, supporting consistent annual nationals and regional qualifiers that emphasized unaltered beauty ideals amid growing public interest.[19]Era of Organizational Fragmentation
Early Commercialization (1985–1991: Miss Germany Company)
The Miss Germany Corporation GmbH, established in Oldenburg by Horst Klemmer, assumed control of the national pageant in 1985, transitioning the event from prior associative models to a corporate entity focused on revenue generation through sponsorships, media partnerships, and elevated production standards such as televised broadcasts and larger venues.[19] This shift introduced franchising-like elements in regional preliminaries, aiming to expand commercial reach but sowing seeds of discord over trademark usage and representational authority.[20] The corporation's tenure emphasized market viability, with winners selected to enhance international appeal; for instance, in 1990, Verona Pooth was crowned, utilizing the platform to launch a prominent career in television and advertising, underscoring the pageant's evolving role as a commercial launchpad.[1] By 1991, Ines Kuba's victory marked a notable departure in aesthetics as the first titleholder with short hair, reflecting adaptive judging criteria amid competitive pressures.[1] Rival organizations emerged concurrently in 1985, challenging the corporation's monopoly and eroding unified national representation through parallel pageants claiming the same title, fueled by organizers' ambitions for exclusive rights and profits.[21] These conflicts over trademarks and event legitimacy foreshadowed broader fragmentation, as multiple entities vied for media exposure and sponsorship dollars without a central authority to consolidate outcomes.[21]Association-Led Period (1991–1999: Miss Germany Association)
In 1991, the Miss Germany Association GmbH, headquartered in Bergheim near Cologne under the leadership of Detlef Tursies, assumed responsibility for organizing the national pageant, marking a shift toward more formalized selection procedures amid fragmentation in the beauty contest landscape.[22] This entity emphasized regional preliminaries leading to a centralized final, with winners designated to represent Germany at Miss Universe, fostering ties to international franchises while competing against emerging commercial rivals that had proliferated since the mid-1980s.[19] The association's approach prioritized contestant preparation in poise, interview skills, and public representation, distinguishing it from prior company-led formats by incorporating stricter eligibility criteria, such as age limits of 18–24 and residency requirements.[1] Key winners during this era included Ines Kuba (Miss Berlin), crowned Miss Germany 1991/92 and noted for being the first titleholder with short hair, symbolizing subtle evolution in aesthetic standards; Astrid Kuhlmann (Miss Bayern) in 1992/93; Cornelia Oehlmann (Miss Baden-Württemberg) in 1993/94; and Beate Almer (Miss Bayern) in 1994/95.[19][1] Subsequent victors comprised Yasemin Mansoor (Miss Berlin) in 1996, Sabrina Paradies in 1997, Michalina Koscielniak in 1998, and Alexandra Philipps in 1999.[19] These selections reflected a peak period of national cohesion, with empirical records showing heightened participation from reunified Germany's eastern states post-1990, though organizer disputes over licensing began surfacing as rival groups sought to license variants for Miss World and other circuits. By the late 1990s, internal challenges including competition from poaching by alternative organizers prompted reforms for greater transparency, culminating in the association's replacement by the Miss Germany Corporation in 1999.[19] This transition involved securing exclusive European trademark rights to the "Miss Germany" title, aimed at centralizing authority and mitigating fragmentation by enforcing standardized rules against corruption and unauthorized regional contests.[19] The move underscored the association's role in stabilizing the pageant during a decade of organizational flux, though it faced criticism for limited innovation in judging amid persistent rival encroachments.[22]| Year | Winner | Representing |
|---|---|---|
| 1991/92 | Ines Kuba | Miss Berlin |
| 1992/93 | Astrid Kuhlmann | Miss Bayern |
| 1993/94 | Cornelia Oehlmann | Miss Baden-Württemberg |
| 1994/95 | Beate Almer | Miss Bayern |
| 1996 | Yasemin Mansoor | Miss Berlin |
| 1997 | Sabrina Paradies | - |
| 1998 | Michalina Koscielniak | - |
| 1999 | Alexandra Philipps | - |
Proliferation of Variants (2000s–Present)
The period from the 2000s onward marked a significant increase in competing and niche beauty pageant formats claiming affiliation with or inspiration from the traditional Miss Germany title, stemming from unresolved franchising and organizational disputes in prior decades that fragmented licensing for international affiliations and national selection rights. This led to a dilution of the central brand's authority, as multiple entities vied for recognition, resulting in parallel national-level contests and specialized variants that catered to diverse demographics rather than a singular, unified event. The Miss Germany Corporation (MGC), based in Oldenburg, asserted itself as the primary steward of the core Miss Germany contest starting in 2000, organizing annual selections that evolved toward broader criteria beyond physical appearance.[1] Key among the proliferating organizations was the Komitee Miss Deutschland, operational from 2000, which focused on curating Miss Deutschland titleholders for international competitions while maintaining a distinct operational structure amid ongoing claims over pageant franchising. Niche variants emerged under or alongside MGC auspices, including Miss 50plus Germany, introduced in the early 2010s to target women over 50, with documented winners such as Monika Römer-Emich in 2013 and subsequent annual finals emphasizing maturity and life experience over youth.[23] Parallel entertainment-oriented pageants, such as Queens of Germany, gained traction, crowning winners like Silvia Dörre Sanchez in 2024 for roles in global events, further splintering the landscape into non-traditional formats prioritizing performance and media appeal.[24] Empirical trends indicate a decline in unified national viewership and participation for the flagship contest, attributable in part to these splits and a broader waning demand for conventional beauty pageants in Germany, as audiences shifted toward inclusive or specialized alternatives. By 2024, MGC's selection of Apameh Schönauer—a 39-year-old German-Iranian architect, wife, and mother of two—as Miss Germany exemplified the era's pivot to "inclusive rules" stressing professional achievements and personal narratives, diverging from historical emphasis on unmarried, youthful contestants.[25][26] This fragmentation has persisted into 2025, with no consolidation of organizers, perpetuating multiple claimants to German pageant prestige.Affiliated National Pageants
Miss Deutschland and Komitee Miss Deutschland
The Komitee Miss Deutschland, operating as part of the Miss Germany Organisation (MGO), organizes the Miss Deutschland national beauty pageant from its headquarters in Bergheim near Cologne, initiating the use of this title in 2000 as a means of selecting representatives for international competitions amid the broader splintering of Miss Germany franchises.[27][28] This variant emphasizes continuity through structured annual selections, evolving from MGO's earlier modeling and beauty events dating back to the mid-1990s, with a focus on professional production and media exposure for participants.[28] The committee asserts organizational stability via its exclusive trademark protection for the "Miss Deutschland" title, registered with the German Patent and Trademark Office, which participants formally assign all exploitation rights to MGO upon entry, distinguishing it from rival entities lacking such legal safeguards.[29] This protection underpins claims of legitimacy as a direct successor tradition, supported by surveys indicating 90% public awareness of the pageant and consistent event execution despite market proliferation.[28] Finals typically feature regional qualifiers leading to a national crowning, as seen in the 2025 event held on February 28 in Wernigerode, where Marah Elise Rackebrandt, a 21-year-old retail saleswoman from Magdeburg, was selected as titleholder.[29] While primarily feeding delegates to pageants such as Miss Intercontinental and Miss Globe, the Komitee has maintained operational independence from major franchises like Miss Universe, even as directorship shifts in Miss Universe Deutschland occurred post-2023, including the dethronement of its 2023 winner Helena Bleicher by a new organizational leadership under Kim Kelly Braun.[28] This separation highlights the Komitee's self-sustained model, prioritizing domestic criteria of poise, presentation, and ambassadorial potential over franchise-specific alignments.[28]Miss Universe Germany Franchise
The Miss Universe Germany franchise designates the national representative for the Miss Universe pageant, operating independently since its formal inception in 2009 under the oversight of the Miss Universe Organization. Early German participation in Miss Universe traces to 1952, yielding consistent semifinalist placements through 1961, including the sole national victory that year with Marlene Schmidt of Düsseldorf, who was selected via ties to the broader Miss Germany system rather than a dedicated Universe franchise.[30] Post-1961 achievements diminished, with no semifinalists until 2002 (Natasha Podkorytova, 4th runner-up) and sporadic unplaced entries thereafter, reflecting a pattern of lower competitive edge amid evolving global standards prioritizing advocacy and public speaking over traditional aesthetics. Selection criteria prioritize poise under pressure, articulate advocacy on issues like women's empowerment, and demonstrated leadership, evaluated through multi-stage processes including online applications, casting auditions, interviews, and live competitions with swimsuit, evening gown, and question segments. Contenders must be unmarried German residents aged 18-32 (expanded from prior limits), with no children, underscoring empirical focus on physical fitness and intellectual responsiveness over subjective beauty alone. In 2023, Helena Bleicher of Cologne, a 24-year-old model, won via this format on July 15, competing at Miss Universe 2023 without placement; her title faced termination on June 3, 2025, by director Kim Kelly Braun's organization for alleged breaches, prompting Miss Universe Organization intervention that reinstated Bleicher and dismissed Braun, citing misalignment with pageant standards.[31][32][33] Franchise leadership shifted on March 6, 2025, to Natalie Ackermann, a former 2006 Miss Universe Germany entrant with international pageant experience, who stabilized operations amid the prior upheaval. Under her tenure, Diana Fast (born Diana June Meyer), a 32-year-old Hamburg native and advocate for female resilience, was crowned on April 6, 2025, from 15 finalists selected via rigorous auditions, positioning Germany for Miss Universe 2025 with emphasis on purpose-driven platforms. This era marks renewed organizational professionalism, though empirical outcomes remain pending verification against historical placement data showing Germany's 1 win and 12 total semifinals from 72 editions.[34][35][36]Miss World and Other International Affiliates
The Miss World franchise in Germany initially aligned with the primary Miss Germany pageant, sending its national winner as representative from 1951 to 1991. Following organizational shifts, a dedicated Miss World Germany selection process was established in 1989, allowing for separate national pageants amid the fragmentation of domestic organizers. This separation persisted under entities like the Miss Germany Company during the 1990s, with further revivals in dedicated formats during 2008–2009, reflecting national directors' efforts to maintain autonomy in candidate selection despite competing domestic affiliations. In contemporary periods, Miss World Germany operates through independent national directors, exemplified by the selection of Silvia Dörre Sánchez on April 11, 2025, a multilingual talent holder representing Germany at the 72nd Miss World.[37] Such alignments underscore the franchise model's emphasis on paid licensing fees, which incentivize directors to secure rights for Miss World while pursuing parallel affiliations, thereby diversifying revenue streams and participant opportunities without relying on a singular national pageant.[38] Beyond Miss World, Germany has expanded affiliations to other international pageants, including Miss Supranational and Miss Earth, highlighting organizer flexibility in a fragmented landscape. Anna Valencia Lakrini was crowned Miss Supranational Germany 2025 on April 5, achieving 1st runner-up at the global event.[39] Similarly, Melissa Koutsandreas, a 26-year-old model from Regensburg, was selected as Miss Earth Germany 2025 in September, focusing on sustainability advocacy.[40] These affiliations arise from national directors' autonomy to negotiate separate franchises, driven by economic factors such as entry fees and promotional synergies, enabling broader international exposure amid domestic competition.[39][41]Selection Process and Criteria Evolution
Traditional Format and Judging Standards
The traditional format of the Miss Germany pageant from the 1950s through the 2000s centered on segments showcasing physical presentation, including swimsuit competitions where contestants modeled bikinis or one-piece suits to demonstrate figure, gait, and vitality, and evening gown presentations emphasizing poise, elegance, and silhouette.[29][42] These elements aligned with empirical standards rooted in observable traits such as bodily proportions and symmetry, which biological research links to indicators of health, genetic quality, and fertility signaling, as symmetrical features correlate with developmental stability and pathogen resistance.[43] Judging rubrics during this era prioritized objective physical metrics over subjective personal stories, with panels assessing flaws in shoulder alignment, hip width, and overall harmony to select contestants exemplifying balanced vitality rather than narrative appeal.[43] Interviews supplemented these evaluations but carried secondary weight, focusing on basic communication and demeanor to complement, not overshadow, aesthetic criteria that historically dominated scoring in national pageants feeding into international events like Miss Universe.[44] Titleholders in this period fulfilled duties centered on modeling contracts with sponsors, promotional appearances, and voluntary charity endorsements, such as supporting health or youth initiatives through public representation, without mandates for activism or ideological commitments that could politicize the role.[45] This structure preserved the pageant's core as a showcase of conventional beauty standards, where empirical physical assessment served as the primary arbiter of success.[46]Shifts Toward Inclusivity and Personality Focus
In 2018, the Miss Germany organizers eliminated the swimsuit competition, shifting evaluation away from physical presentation in swimwear toward interviews and personal achievements.[25] This change aligned with a broader pivot to assess contestants on "personality" and societal contributions rather than traditional beauty metrics.[25] Similarly, in 2020, the age upper limit was raised from 29 to 39 years, and by 2024, all age restrictions were fully removed, allowing participants up to at least 42 years old to compete.[47][26] These modifications, implemented by the Miss Germany Company, emphasized "powerful personalities" and diversity in backgrounds, enabling winners like Apameh Schönauer, a 39-year-old Iranian-born architect and mother of two, who was crowned Miss Germany 2024 after advancing from a pool of over 15,000 applicants.[48][26] Organizers reframed the event as the "Female Leader Award," honoring women for "taking responsibility" through activism and professional impact, such as Schönauer's work on migrant integration and women's rights.[48] This rationale, articulated by pageant director Siham Elbassiouni, responds to cultural demands for empowerment platforms over aesthetic judgments, replacing the crown with a leadership sash and excluding male jurors to prioritize female perspectives.[25] The transition from empirically verifiable traits like physical fitness and symmetry—core to beauty pageants' historical purpose—to subjective qualities like charisma and advocacy introduces causal risks of diluting competitive standards. International affiliates, such as Miss Universe Germany, retain emphasis on youthful vitality and stage presence, where Germany's placements have remained modest (no top 5 since 1966 in Miss Universe), despite domestic participation surges. Viewer sentiments often favor retaining traditional elements, with online reactions to Schönauer's win highlighting preferences for conventional attractiveness over expanded inclusivity, suggesting the reforms may prioritize broader access at the expense of the pageant's foundational focus on objective beauty.[26]International Participation and Achievements
Miss World Placements
Germany's participation in Miss World yielded its greatest achievements during periods of centralized national selection, with Petra Schürmann of West Germany crowned Miss World 1956 on October 15 at London's Lyceum Ballroom, marking the country's first victory in the competition.[49] Schürmann, a 23-year-old model and University of Cologne student, represented traditional European aesthetics that aligned closely with the pageant's early emphasis on poise and physical appeal.[50] A second crown came in 1980 when Gabriella Brum, an 18-year-old of German-British descent, was announced Miss World on November 13 in London, selected from 68 contestants for her elegance and stage presence. However, Brum relinquished the title less than 24 hours later on November 14, citing overwhelming pressure and controversy surrounding the judging process, leading organizers to award the crown to first runner-up Kimberley Santos of Guam.[51] This episode highlighted vulnerabilities in the selection amid Miss World's evolving scrutiny on contestant resilience, though it underscored Germany's competitive edge in semifinals and top placements during the 1970s and 1980s under unified representation.[38] Post-2000, amid the fragmentation of German pageants into multiple franchises, representatives have consistently failed to advance beyond preliminary rounds, with no recorded semifinalist or top 10 finishes. This decline correlates with Miss World's shift toward "Beauty with a Purpose" criteria, prioritizing demonstrated charitable impact and advocacy over conventional beauty standards that had previously favored German entrants.[52] The lack of a single authoritative selector has diluted preparation cohesion, contrasting with earlier eras' streamlined focus on photogenic appeal and runway proficiency that propelled top results.[38]Miss Universe and Miss International Results
Germany achieved its most notable success in Miss Universe with Marlene Schmidt's victory in 1961, held in Miami Beach, Florida, where she competed as Miss Germany after winning the national title.[53] This triumph represented the country's only crown in the pageant, amid broader participation from 1952 onward that included occasional semifinalist advancements, such as quarterfinalist finishes in the early 1960s editions.[54] Subsequent decades saw sparse top placements, with aggregate data indicating top 15 finishes in roughly 5% of approximately 70 participations through 2023, reflecting inconsistent preparation efficacy tied to evolving national franchise structures.[55] In recent years, Miss Universe Germany's outcomes have been hampered by organizational disruptions, exemplified by the 2023 case of Helena Bleicher, whose title as national representative was initially terminated by organizers for alleged misconduct and defamatory statements but later saw intervention from the Miss Universe Organization, which found insufficient evidence against her and removed the national director.[56] Bleicher's participation ended without a competitive placement, underscoring how internal conflicts have contributed to declining performance rates post-2000, with no semifinalists since the franchise formalized in 2009 under varying directors.[57] Germany's entries in Miss International have been more sporadic, with participation not annual and modest results until Jasmin Selberg's crowning as Miss International 2022 in Tokyo, Japan, where she outplaced 65 contestants to secure the title for her country.[58] This victory, achieved under the Komitee Miss Deutschland selection, marked a rare high point amid generally unplaced or early-elimination finishes in prior editions, such as the 2014 representative's lack of advancement.[59] Historical top placements remain limited, with the 2022 win highlighting potential in stable franchise periods but overall low contention rates—fewer than 10% reaching semifinals across two dozen entries—attributable to inconsistent national training and selection continuity.[60]| Year | Pageant | Delegate | Placement |
|---|---|---|---|
| 1961 | Miss Universe | Marlene Schmidt | Winner |
| 2022 | Miss International | Jasmin Selberg | Winner |