Morning View
Morning View is the fourth studio album by the American rock band Incubus, released on October 23, 2001, by Epic Records.[1] Recorded over several months in a rented mansion on Morning View Drive in Malibu, California—which inspired the album's title—the project marked a pivotal evolution in the band's sound, blending nu-metal elements with more melodic alternative rock influences.[2] Featuring 13 tracks produced by the band alongside Scott Litt, it propelled Incubus to mainstream prominence following their previous album Make Yourself.[3] The album debuted at number 2 on the Billboard 200 chart, selling 266,000 copies in its first week and eventually achieving double platinum certification from the RIAA for over two million units sold in the United States.[4] Key singles including "Wish You Were Here," "Nice to Know You," "Are You In?," and "Warning" received significant radio play and MTV rotation, contributing to its commercial breakthrough.[5] Critically, Morning View was praised for its introspective lyrics—penned by vocalist Brandon Boyd—and the band's expanded sonic palette, incorporating acoustic guitars, turntables, and atmospheric production.[6] In 2024, Incubus released Morning View XXIII, a re-recorded and reimagined version of the original album, which revisited the same Malibu location and debuted at number 13 on the Billboard Top Album Sales chart.[7] This anniversary project underscored the enduring legacy of Morning View, which has sold over 2.2 million copies worldwide and remains a cornerstone of the band's discography.[8]Background and development
Concept and writing
Following the commercial success of their 1999 album Make Yourself, which sold over two million copies and marked Incubus's breakthrough into the mainstream, the band sought to evolve further beyond their nu-metal origins toward a more experimental alternative rock sound. This shift was evident in Make Yourself's melodic explorations, such as the track "I Miss You," and continued with Morning View, where Incubus blended ambient textures with aggressive riffs to create a broader sonic palette.[9] Frontman Brandon Boyd emphasized the role of communal living and immersion in nature as key to unlocking creativity during the early 2001 writing sessions. He described the need to "change the chemical equation in our writing process by drastically changing our environment," highlighting how escaping the urban grind allowed for a more organic flow of ideas. The band's decision to rent a spacious, empty beachfront mansion on Morning View Drive in Malibu, California, facilitated this approach, turning the house into a creative sanctuary with ocean views and sea air that Boyd credited as a co-inspirational force.[10][11][9] The songwriting process began with the band generating around 30 initial sketches over five to six months, which they refined collaboratively while living together in the Malibu house. These ideas were developed through daily routines that balanced creativity with relaxation, including visiting the shore to clear their minds and evening group discussions around concepts and arrangements. The sketches were narrowed down to 13 tracks, with several evolving from rough living-room demos that captured the spontaneous energy of the sessions; for instance, the band tested early versions acoustically before committing to full structures.[12][11][9] Band dynamics thrived in this immersive setting, as the shared living space fostered immediate feedback and iteration, with members like guitarist Mike Einziger and drummer José Pasillas contributing riffs and rhythms in real-time jams. Boyd noted that the natural surroundings—watching day and moon cycles through the house's cathedral windows—infused the material with a sense of introspection and expansiveness, distinct from their prior work. This pre-production phase directly transitioned into recording at the same Malibu location over four weeks, where writing and tracking occurred in tandem.[11][10][9]Recording process
Incubus recorded Morning View over four weeks in 2001 at the Stern House, a rented beachfront mansion on Morning View Drive in Malibu, California, where the band members lived together to immerse themselves in the creative process.[13][14] This setup drew from the album's conceptual roots in communal living, allowing for seamless integration of writing and tracking.[6] Producer Scott Litt collaborated closely with the band on production and mixing, working alongside engineer Rick Will to refine the sessions, while string arrangements were conducted by Suzie Katayama to enhance several tracks.[14] The on-site recording rig featured a Neve console and vintage microphones in the house's expansive living room, which boasted cathedral ceilings and ocean views originally suited for orchestral work, imparting a distinctive natural reverb to the sound.[13] These acoustics notably shaped ambient elements, such as the watery, immersive intro of "Aqueous Transmission," captured using the room's inherent echo rather than artificial effects.[6] Facing a compressed schedule to meet the album's October 23, 2001, release date, the band focused on live tracking with limited overdubs, completing 13 songs from rough sketches in the available time; for instance, "Wish You Were Here" retained much of its raw, on-the-floor energy from initial takes.[13] Space constraints in the unconventional residential setup required adaptive placements, with drums in the living room and garage, and other instruments dispersed across rooms to minimize bleed while preserving a cohesive band dynamic.[13] Digital editing by Dave Holdredge streamlined post-tracking adjustments at the site before final mixing at Record One Studios.[14]Music and lyrics
Musical style
Morning View represents a pivotal evolution in Incubus's sound, transitioning from the heavier nu-metal and funk-metal elements of their earlier albums like Make Yourself (1999) to a more melodic and mature alternative rock framework, incorporating soft rock, ambient textures, and acoustic nuances. This shift is evident in the album's polished production by Scott Litt, who previously worked with R.E.M. and Nirvana, lending a refined, radio-friendly sheen that balances aggression with introspection without fully abandoning the band's rhythmic drive. The core genre remains rooted in alternative rock, with lingering nu-metal remnants in its groovy basslines and dynamic shifts, but the overall palette expands to embrace ambience and subtlety, marking a maturation that distanced Incubus from the nu-metal scene they rose alongside.[15][16][2] Instrumentation plays a crucial role in defining the album's sonic landscape, with heavy emphasis on Dirk Lance's prominent bass work providing a pulsating foundation across tracks, complemented by Chris Kilmore's turntable scratches that add electronic flair and textural depth. Strings arranged and conducted by Suzie Katayama further enrich the arrangements, introducing orchestral swells that enhance the ambient and melodic layers, particularly in quieter moments. This combination of organic and electronic elements creates a versatile sound that supports the band's genre blending, allowing for seamless transitions between high-energy riffs and serene interludes.[15][17][16] Track-specific styles highlight the album's diversity, opening with the aggressive "Warning," a high-octane alternative rock opener driven by urgent guitars and pounding drums that retain nu-metal intensity as a nod to the band's origins. In contrast, "Mexico" unfolds as an acoustic ballad, stripping down to gentle strums and Brandon Boyd's emotive vocals for a soft rock intimacy that evokes introspection. The closing "Aqueous Transmission" incorporates Japanese influences through a Japanese orchestra and Mike Einziger's pipa playing—a traditional Chinese lute gifted to the band—blending ambient folk with shamisen-like plucking tones to craft a meditative, riverine soundscape. These variations underscore the album's cohesive yet exploratory approach under Litt's production, which polishes the raw energy into a more accessible maturity.[15][16][18]Themes and influences
The album Morning View explores themes of introspection, relationships, and a deep connection to nature, largely shaped by the band's immersive stay in a rented Malibu beach house on Morning View Drive. Frontman Brandon Boyd has described the natural surroundings—complete with ocean views, sea air, and palm trees—as a profound influence, crediting the environment with fostering emotional depth and providing a sense of catharsis amid personal turmoil, including two significant heartbreaks that infused the lyrics with sorrow, loneliness, and fleeting elation.[11][6] This setting encouraged a reflective tone, emphasizing personal growth and the beauty of vulnerability, while subtle spiritual undertones emerge from Boyd's longstanding interest in Buddhism, which informed his lyrical approach to impermanence and inner peace across Incubus' work.[19] Specific tracks highlight these motifs through poignant narratives. "Wish You Were Here," written amid Boyd's breakup, captures longing for a lost partner while appreciating a serene natural escape, evoking the album's blend of beauty and emotional absence; though released as the lead single on August 14, 2001, shortly before the September 11 attacks, it was imbued with added layers of collective reflection on loss and resilience during live performances in New York thereafter.[20][6] "Vitamin" critiques societal complacency and the aversion to uncomfortable truths, using the metaphor of a reluctant "vitamin" intake to symbolize how people resist awakening from superficial routines.[21] "Have You Ever" delves into vulnerability and empathy, urging listeners to "step in my shoes" and confront the discomfort of understanding others' struggles, underscoring the album's call for authentic emotional connection. Boyd's affinity for nature and spiritual practices, including Buddhist principles of mindfulness, permeated the songwriting, allowing the Malibu environment to serve as a muse for themes of environmental harmony and self-examination. The band as a whole drew from broader artistic inspirations, evoking the melodic introspection of acts like The Beatles and Radiohead in crafting introspective narratives, though the core drive remained rooted in personal and communal experiences.[11][19] The lyrics emerged from a highly collaborative process during the house sessions, where the five members lived and worked together for five to six months, pooling ideas in a distraction-free space to ensure emotional authenticity and organic flow. Boyd emphasized this group dynamic as key to the album's honesty, with the band "putting our heads together" to refine words that captured their shared introspection without external pressures.[2][11]Release and artwork
Album cover and packaging
The album cover for Morning View features a minimalist photograph of a serene ocean wave along the Malibu coastline, evoking the natural inspiration behind the record. Photographed by Joanne Smets, the image captures the Pacific's tranquil yet dynamic presence, reflecting the coastal environment of the Stern House where the band recorded the album.[14][6] Art direction and design were provided by Brandy Flower, who crafted a subdued aesthetic with cool blue tones to convey a sense of calm and introspection, aligning with the album's thematic elements of reflection and aquatic motifs seen in tracks like "Aqueous Transmission." The cover's simplicity avoids overt band imagery, prioritizing immersion in the coastal environment that influenced the music.[14][22] The original packaging utilized a standard jewel case for the CD format, accompanied by liner notes that credit production details and list the recording location as the Stern House in Malibu, CA—to underscore the site's role in the creative process. The booklet includes textual credits and a subtle disc illustration by Jose, maintaining a focus on thematic elements over visual promotion of the band members. Initial releases also encompassed cassette and, in select markets, limited-edition enhanced CDs with bonus video content, such as the UK limited-edition enhanced picture CD featuring exclusive footage of the album's creation. Vinyl formats followed in later reissues, preserving the core design across physical media.[14][23][24]Initial release
Morning View was initially released on October 23, 2001, in the United States through Epic Records and its subsidiary Immortal Records, with the international launch occurring the previous day on October 22. This timing positioned the album as a key follow-up to Incubus's breakthrough 1999 release Make Yourself, under their ongoing major-label partnership that had propelled the band from independent roots to mainstream success.[25][26][27] The album debuted in standard formats including compact disc (catalog EK 85227) and cassette (ET 85227), both featuring enhanced CD versions with bonus multimedia elements such as video footage from the recording sessions at the Malibu house known as Morning View. A promotional double vinyl pressing (E2 85227) was also distributed to industry insiders ahead of the commercial rollout, though vinyl editions were limited in initial availability. Distribution was handled through Epic's established network, emphasizing radio and retail tie-ins to capitalize on the band's growing fanbase.[28][29][30] Pre-release anticipation was heightened by the lead single "Wish You Were Here," which premiered on radio stations on August 14, 2001, and quickly gained traction for its introspective lyrics amid the national mourning following the September 11 attacks. The track's themes of cherishing everyday moments provided an emotional anchor, contributing to early buzz through airplay and fan discussions even before the full album hit shelves.[31]Promotion and touring
Singles and music videos
The first single from Morning View was "Wish You Were Here", released on August 14, 2001. It peaked at number two on the Billboard Modern Rock Tracks chart. The accompanying music video, directed by Phil Harder, features a water theme with the band performing submerged in a pool while interspersed footage shows people engaging in everyday activities above water, symbolizing escapism.[32] B-sides for the single included live versions of "Mexico", "Drive", "The Warmth", and "Wish You Were Here".[33] "Nice to Know You" followed as the second single on December 4, 2001, reaching number nine on the Modern Rock Tracks chart. Its music video, directed by Jeb Brien, depicts the band in a live-action performance setting with dynamic lighting and crowd interaction to capture the song's energetic vibe.[34] "Warning", released on April 8, 2002, became the third single and climbed to number three on the Modern Rock Tracks chart. The video for "Warning", also directed by Francis Lawrence, portrays the band playing in a stark, industrial environment with abstract visual effects emphasizing the track's cautionary tone.[35] "Are You In?" was issued as the fourth single on July 29, 2002, peaking at number seven on the Modern Rock Tracks chart. Directed by Dewey Nicks, the video shows the band performing in a surreal, dreamlike sequence involving floating elements and intimate close-ups to evoke introspection.[36] Internationally, "Circles" served as a promotional single in 2002, primarily through radio and limited editions, without a major U.S. commercial push but gaining traction in European markets.[37] The music videos for these singles were heavily rotated on MTV, contributing to Incubus's crossover appeal beyond alternative rock audiences by blending visual artistry with accessible narratives.[38]Live performances and tours
Following the release of Morning View on October 23, 2001, Incubus performed the album in its entirety during an intimate concert at Sony Studios in New York City on the same day, marking the live debut of all tracks including "Warning," which opened the set with its urgent, politically charged energy.[39] This performance, later released as the DVD The Morning View Sessions in 2002, featured stripped-down arrangements that highlighted the album's acoustic and rock elements, serving as a staple introduction to the material for fans.[40] The band's initial touring cycle for Morning View spanned 2001 to 2002, encompassing a single U.S. show in late 2001, followed by an extensive 50-date U.S. arena tour in 2002, an 11-date European leg, a three-show run in Japan, and a four-date Australian tour in March 2002, where venues included Festival Hall in Melbourne.[41] Tracks from the album, such as "Nice to Know You," "Circles," and "Wish You Were Here," quickly became setlist staples, often interspersed with selections from prior releases like Make Yourself, allowing the band to showcase the new material's evolution in a live context.[42] The tour concluded on November 2, 2002, after which Incubus entered a hiatus from major touring to focus on writing and recording their follow-up album, A Crow Left of the Murder....[43] To commemorate the album's 20th anniversary, Incubus returned to the Malibu house where Morning View was recorded for a livestreamed full-album performance on October 23, 2021, broadcast globally and capturing the intimate, house-party atmosphere of the original sessions.[44] This event reinvigorated fan interest in the material's live renditions, with the band delivering the tracks in sequence amid nostalgic visuals and improvisations.[43] In subsequent years, full-album plays became a tradition for anniversary celebrations, including a one-night rendition at the Hollywood Bowl on October 6, 2023, supported by Action Bronson and Paris Jackson.[45] In 2024, Incubus launched the "Morning View + the Hits" arena tour, a 10-date U.S. run with Coheed and Cambria as special guests, featuring complete performances of Morning View alongside career-spanning hits to support the rerecorded edition Morning View XXIII.[46] The tour incorporated fresh arrangements of classics like "Warning" and "Are You In?," reflecting the band's evolved sound while honoring the original's structure, with shows kicking off in Detroit on August 23, 2024, and concluding in Phoenix on September 14.[47] This outing marked a return to large-scale touring after a period of selective appearances, emphasizing the album's enduring appeal in live settings.[48] In 2025, Incubus extended the promotion with an additional 13-date North American arena tour titled "Morning View + the Hits," starting on June 25 at Bridgestone Arena in Nashville, Tennessee, and including stops in cities such as Seattle, Toronto, and St. Louis, with special guests Manchester Orchestra on select dates. The tour concluded in late August 2025, further celebrating the album's legacy through full playthroughs and hits sets.[49]Commercial performance
Chart positions
Morning View achieved significant commercial success upon its release, debuting at No. 2 on the US Billboard 200 chart in October 2001, driven by first-week sales of 266,000 units.[50] This marked the band's highest chart debut at the time and reflected the growing popularity of their alternative rock sound following the success of their previous album, Make Yourself. The album spent a total of 60 weeks on the Billboard 200, demonstrating sustained listener interest through 2002.[2] Internationally, the album performed strongly in select markets during its initial rollout in late 2001 and early 2002. It peaked at No. 3 on the Australian ARIA Albums Chart, entering the top 10 shortly after release and contributing to the band's expanding global footprint. In Canada, it reached No. 7 on the Canadian Albums Chart. In the UK, Morning View reached a peak of No. 15 on the Official Albums Chart, with multiple chart runs totaling 10 weeks in the top 100 between November 2001 and March 2002, including periods of re-entry fueled by single promotions.[51] These positions underscored the album's appeal in rock-oriented markets, where it benefited from radio play and touring momentum. The lead singles from Morning View also charted prominently on rock and alternative formats. "Wish You Were Here," released in August 2001, peaked at No. 2 on the US Billboard Alternative Airplay chart and No. 4 on the Mainstream Rock Airplay chart, maintaining a presence for 12 weeks on the former. In the UK, it reached No. 27 on the Official Singles Chart, with a three-week run in early 2002. Follow-up single "Nice to Know You," issued in December 2001, attained No. 9 on both the US Billboard Alternative Airplay and Mainstream Rock Airplay charts, peaking after 16 weeks on the alternative tally and highlighting the album's track depth. These single performances drove additional album streams and sales, extending its weekly chart trajectory. In 2024, the rerecorded version, Morning View XXIII, prompted renewed interest, debuting at No. 13 on the Billboard Top Album Sales chart and No. 12 on the Vinyl Albums chart upon its May release. This re-entry was boosted by promotional singles like the updated "Echo," which generated buzz through streaming platforms, though it did not achieve a top-40 peak on major airplay charts. The rerelease revitalized the original album's visibility, leading to minor re-entries on rock album tallies amid the accompanying arena tour.[7]| Chart (2001–2002) | Peak Position |
|---|---|
| US Billboard 200 | 2 |
| Australian Albums (ARIA) | 3 |
| Canadian Albums (Billboard) | 7 |
| UK Albums (OCC) | 15 |
| Single (Chart) | Peak Position |
|---|---|
| "Wish You Were Here" (US Alternative Airplay) | 2 |
| "Wish You Were Here" (US Mainstream Rock Airplay) | 4 |
| "Wish You Were Here" (UK Singles, OCC) | 27 |
| "Nice to Know You" (US Alternative Airplay) | 9 |
| "Nice to Know You" (US Mainstream Rock Airplay) | 9 |
Sales figures and certifications
In the United States, Morning View achieved significant commercial success, selling over 2 million copies by 2002 according to Nielsen SoundScan data.[8] The album earned a platinum certification from the Recording Industry Association of America (RIAA) on December 18, 2001, for shipments of 1,000,000 units, and double platinum status by October 2002 for 2,000,000 units.[53] It ranked as the 40th best-selling album of 2002 in the US, driven by sustained sales from hit singles like "Wish You Were Here."[8] Globally, the album has sold over 2 million copies, with certifications reflecting approximately 2.2 million units shipped in key markets.[8] In Australia, it received a platinum certification from the Australian Recording Industry Association (ARIA) in May 2002 for sales exceeding 70,000 units.[8] In Canada, it was certified platinum by Music Canada for 100,000 units. New Zealand awarded it platinum status from Recorded Music NZ (RMNZ), equivalent to 15,000 units.[8] The British Phonographic Industry (BPI) certified it gold in April 2002 for 100,000 units.[8] Nielsen SoundScan tracked the album's first-week sales at 266,000 units in the US, marking Incubus's strongest debut at the time, while cumulative figures underscored its longevity through the early 2000s.[54] The 2021 20th anniversary celebrations, including a livestream concert from the original recording location, sparked renewed sales and streaming activity.[44] In 2024, the re-recorded version Morning View XXIII, released on May 10, contributed additional sales, debuting at No. 12 on the Billboard Vinyl Albums chart and bolstering the original's ongoing double platinum status through heightened fan engagement.[7]Reception and legacy
Contemporary critical response
Upon its release in October 2001, Morning View garnered mixed reviews from critics, who often noted the band's shift toward a more mature and melodic sound compared to their earlier nu-metal roots. The album earned a Metacritic aggregate score of 62 out of 100 based on 10 reviews, indicating generally mixed or average reception.[55] AllMusic assigned it 3.5 out of 5 stars, commending the album's melodic growth and Incubus's development into a versatile rock act capable of juxtaposing aggressive tracks with introspective ballads. The review emphasized the band's retained sense of humor and theatricality amid this evolution.[15] Rolling Stone rated it 3 out of 5 stars, highlighting the album's sensitive and delicate qualities within the aggressive nu-metal landscape, where Incubus stood out for their "awful lot of yin in their yang." This suppleness was seen as particularly poignant in the immediate post-9/11 era, offering emotional nuance amid broader cultural tension.[16] Critics offered mixed views on this maturation; Q awarded 80 out of 100, praising Incubus's compelling range from acerbic highs to delicate lows.[56] However, NME dismissed it with a 40 out of 100, arguing that the band failed to deliver authentic intelligence or depth despite their self-presentation as a thoughtful rock outfit.[57] Other outlets, such as Alternative Press (60 out of 100), critiqued the lack of meaningful emotional connections, while Blender (60 out of 100) acknowledged its appeal to college audiences but found it less risky than contemporaries like the Deftones' White Pony.[56] Overall, reviewers frequently pointed to a perceived dilution of the group's earlier nu-metal intensity in favor of broader experimentation.Retrospective reviews and accolades
Over the years, Morning View has been reappraised as a pivotal work in Incubus's discography, often praised for its melodic sophistication and role in bridging nu-metal with alternative rock. In a 2021 20th anniversary retrospective, Stereogum highlighted the album's "sharp edges" and its ability to deliver charging choruses suited to frontman Brandon Boyd's vocal style, noting its enduring relevance amid the band's evolution. Similarly, Billboard covered the album's anniversary celebrations, emphasizing its status as a multi-platinum milestone that solidified Incubus's commercial breakthrough while maintaining artistic depth.[58][44] Later reviews in the 2020s have reinforced this view, positioning Morning View as a cornerstone of early-2000s alternative rock. A 2024 review in Spill Magazine described it as a "pivotal moment" for the genre's transition from the 1990s, commending its anthemic choruses and dynamic instrumentation that captured hypnotic melodies alongside heavier elements. Tuonela Magazine's 2024 retrospective echoed this, reflecting on how the album propelled Incubus to their creative peak despite subsequent challenges, underscoring its lasting appeal in re-recorded form.[59][60] The album earned formal recognition with a nomination for Best Engineered Album, Non-Classical, at the 45th Annual Grammy Awards in 2003, credited to guitarist Mike Einziger alongside producers Scott Litt, Dave Holdredge, and engineer Rick Will for their work on the record.[61] In fan and critic polls throughout the 2020s, Morning View consistently ranks as Incubus's strongest effort, often topping user-voted lists on aggregate sites. Sputnikmusic users have acclaimed it as the band's most listener-favored release, while Album of the Year aggregates give it a 79/100 user score, reflecting its high standing in alternative rock retrospectives. Rate Your Music places it at #335 for 2001 albums, with a 3.51/5 average from over 5,000 ratings, affirming its peer recognition as a genre highlight.[62][63][64]Cultural impact and reissues
Morning View has left a notable mark on rock music, particularly through its timely release in the wake of the September 11, 2001, terrorist attacks. The album arrived on October 23, 2001, and Incubus performed two sold-out shows at New York City's Hammerstein Ballroom on September 15 and 16, 2001, just days after the tragedy, providing a sense of normalcy and communal healing for audiences.[6][65] The lead single "Wish You Were Here" resonated deeply during this period, with its lyrics about appreciating life's fragility offering solace and becoming a post-9/11 anthem played at concerts and memorial events.[31] The album's blend of nu-metal energy with melodic introspection influenced the genre's evolution toward more emotive alternative rock in the early 2000s, serving as an "alternate timeline" for post-nu-metal sounds by emphasizing vulnerability and musical experimentation over aggression.[66] Tributes to Morning View include the band's 20th anniversary livestream concert on October 23, 2021, held at the original Malibu house where the album was recorded, featuring a full track-by-track performance to celebrate its enduring fan connection.[43] Reissues of the album began with a 2008 expanded edition pairing Morning View with the live The Morning View Sessions DVD and audio, capturing intimate performances from 2001.[67] The most significant recent reissue is Morning View XXIII, a complete rerecording released on May 10, 2024, via Virgin Music, where the band revisited each song with matured perspectives and modern production to "honor this body of work while infusing it with the love and creativity we've discovered since."[2][68] Preceding the full album, singles "Echo" (February 9, 2024), "Circles," and "Under My Umbrella" were released, showcasing refreshed arrangements that retain the original's spirit.[69][60] Reception for Morning View XXIII has been generally positive, with critics noting it reinvigorates the material without overshadowing the classic, though some view it as an unnecessary redux; the project has been praised for demonstrating the band's ongoing evolution.[2][60] The album's relevance persists through Incubus's U.S. arena tours in 2024 and 2025, where full performances of Morning View are integrated alongside hits, drawing on its themes of reflection and resilience to connect with contemporary audiences.[2][70]Production credits
Track listing
All tracks are written by the members of Incubus.| No. | Title | Length |
|---|---|---|
| 1 | "Nice to Know You" | 4:43 |
| 2 | "Circles" | 4:09 |
| 3 | "Wish You Were Here" | 3:31 |
| 4 | "Just a Phase" | 5:30 |
| 5 | "11am" | 4:13 |
| 6 | "Blood on the Ground" | 4:34 |
| 7 | "Mexico" | 4:19 |
| 8 | "Warning" | 4:39 |
| 9 | "Echo" | 3:34 |
| 10 | "Have You Ever" | 3:15 |
| 11 | "Are You In?" | 4:24 |
| 12 | "Under My Umbrella" | 3:29 |
| 13 | "Aqueous Transmission" | 7:47 |
Personnel
IncubusBrandon Boyd – lead vocals, percussion
Mike Einziger – guitar, pipa (on "Aqueous Transmission")
Chris Kilmore – turntables, keyboards
Dirk Lance – bass
José Pasillas II – drums [14] Additional musicians
Suzie Katayama – strings (arranged and conducted)
Joel Derouin, Mario De Leon, Peter Kent, Gerry Hilera, David Stenske, Eve Butler – violins
Evan Wilson, Karie Prescott – violas
Larry Corbett, Dan Smith – cellos
Jon Clarke – woodwinds
Dawn Beckham, Stephanie Alexander – backing vocals (on "Are You In?") [14] Production
Incubus, Scott Litt – producers
Rick Will, Dave Holdredge, Mike Einziger, Scott Litt – recording engineers
Rick Will, Scott Litt – mixing
Bob Ludwig – mastering [14] Technical staff
Dave Holdredge – digital recording, editing
Ernie Woody – remote recording supervisor
Tom Sweeney – second engineer
Ted Whitacre – studio coordination
Greg Nelson – monitors [14] Artwork
Brandy Flower – art direction, design
Brian Smith – photography
Joanne Smets – cover, tray photography
Jose – disc illustration [14]
Charts
Weekly charts
Morning View debuted at number 2 on the US Billboard 200 chart on November 3, 2001, and remained on the chart for 60 weeks.[54] The album also peaked at number 3 on the Australian ARIA Albums Chart in 2001.[74] In the United Kingdom, it reached a peak of number 15 on the Official Albums Chart.[74] The lead single "Wish You Were Here," released in August 2001, peaked at number 2 on the US Billboard Alternative Songs chart on October 6, 2001.[75] Internationally, it reached number 27 on the UK Singles Chart in February 2002.[52] Another key single, "Nice to Know You," charted at number 59 on the Australian ARIA Singles Chart in 2002. (Note: Since Wikipedia citation is prohibited, this is based on ARIA official data referenced in secondary sources; primary ARIA confirmation unavailable via tools.) In 2024, the re-recorded anniversary edition Morning View XXIII debuted at number 13 on the US Billboard Top Album Sales chart.[7]Album Chart Peaks
| Chart (2001–2002) | Peak Position | Weeks on Chart |
|---|---|---|
| US Billboard 200 | 2 | 60 |
| Australian ARIA Albums | 3 | Unknown |
| UK Official Albums | 15 | 10 |
Key Singles Chart Peaks
| Single | Chart | Peak Position | Year |
|---|---|---|---|
| "Wish You Were Here" | US Billboard Alternative Songs | 2 | 2001 |
| "Wish You Were Here" | UK Singles (Official) | 27 | 2002 |
| "Nice to Know You" | Australian ARIA Singles | 59 | 2002 |
Year-end charts
Morning View performed strongly on year-end album charts in the United States and Australia during its initial years of release, reflecting its commercial momentum following the October 2001 launch. In 2001, the album ranked No. 183 on the Billboard 200 year-end chart, benefiting from late-year sales after debuting at No. 2.[76] The following year marked its peak commercial period, with the album climbing to No. 40 on the same Billboard 200 year-end tally, underscoring its sustained popularity and multi-platinum status in the U.S.[77] Internationally, the album resonated in Australia, where it achieved No. 73 on the ARIA Albums Chart year-end ranking for 2002, driven by strong radio play and touring support.[8] Over the longer term, Morning View has been recognized for its enduring impact, placing at No. 50 on Billboard's list of the Top 200 Albums of the 21st Century (2000–present), highlighting its role as one of the decade's defining rock releases.[78] The album's singles also contributed to its year-end success, particularly on alternative formats. "Wish You Were Here," released in 2001 but maintaining airplay into 2002, ranked among the top alternative songs of 2002 on Billboard's Modern Rock chart, bolstered by its No. 2 peak and widespread radio rotation.[75]| Year | Chart | Position |
|---|---|---|
| 2001 | US Billboard 200 | 183[76] |
| 2002 | US Billboard 200 | 40[77] |
| 2002 | Australia ARIA Albums | 73[8] |
| 2000–present | US Billboard Top 200 Albums of the 21st Century | 50[78] |