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Noisemaker

A noisemaker is a device or instrument designed to produce loud, attention-grabbing sounds, often for celebratory, playful, or ritualistic purposes such as parties, holidays, or events.^[1] Common examples include rattles, horns, clappers, bells, and ratchets, which are typically handheld and activated by shaking, blowing, or striking.^[2] These items are especially associated with occasions like New Year's Eve, Halloween, and Purim, where they amplify excitement or symbolically drown out negative elements in traditions.^[3] The concept of noisemakers has ancient roots, with early versions crafted from natural materials like bone, gourds, shells, horns, or wood in various civilizations for ceremonial or signaling uses. By the Middle English period (before 1382), the term "noise-maker" appeared in records, reflecting their longstanding role in human culture.^[4] In more recent history, wooden noisemakers gained popularity in Europe, particularly Germany, during the early 20th century, spreading to the United States by the 1920s as toys for scaring away spirits or marking festivities like Halloween.^[5]^[6] Noisemakers also hold cultural significance in religious contexts, such as the Jewish holiday of Purim, where handheld groggers (a type of rattle) are used by participants to create noise and blot out mentions of the villain Haman during readings of the Book of Esther.^[7] Vintage examples from the mid-20th century, often made of metal or plastic, became iconic party favors, evoking nostalgia for pre-digital eras of communal revelry.^[8] Today, while traditional designs persist, noisemakers continue to appear in sports events, protests, and children's toys, underscoring their versatile role in expressing joy, warning, or disruption.^[9]

Overview

Definition

A noisemaker is a handheld or portable device designed to produce loud, attention-grabbing sounds primarily for recreational, celebratory, or signaling purposes, often without any intent to create tuned music.^[1] These devices are typically employed in social settings to generate excitement or mark occasions, distinguishing them from tools meant for structured auditory performance.^[2] Key characteristics of noisemakers include their simplicity, low cost, and, in basic forms, non-electronic construction, allowing easy use by anyone without specialized skills. They focus on producing raw noise rather than melodic tones, with introductory examples such as rattles, which shake to create rattling sounds, or horns, which emit blasts when blown.^[1]^[2] This emphasis on volume and immediacy over harmony sets them apart from more complex sound-producing items. Noisemakers are often distinguished from traditional musical instruments, which are typically crafted for producing specific pitches or rhythms in formal performances, although some noisemakers like certain rattles or bells can serve as simple percussion instruments.^[1] Unlike industrial alarms intended for safety warnings or operational alerts, noisemakers serve playful or festive roles without functional utility in professional environments.^[2]

Basic Principles

Noisemakers generate sound through mechanical vibrations that disturb the surrounding air, creating pressure waves that propagate outward as audible noise. These vibrations typically arise from rapid oscillations in the device's components, which displace air molecules and initiate longitudinal waves; the amplitude of these vibrations directly influences the perceived loudness, with larger displacements producing higher sound pressure levels.^[10]^[11] This process relies on fundamental acoustic principles where energy from the user's action—such as blowing, spinning, or striking—is converted into vibrational energy, emphasizing the role of efficient energy transfer for effective noise production without delving into complex wave equations. Common mechanisms include air displacement, where exhaled breath forces air through a confined space to vibrate an internal structure or column, as seen in horn-like designs; friction, where rubbing surfaces create intermittent vibrations through resistance; and impact, where colliding parts produce sudden displacements leading to sharp bursts of sound. Materials play a key role in amplifying these vibrations: wood provides resonant qualities for sustained tones, plastic offers lightweight durability for repetitive use, metal enhances high-frequency clarity through its rigidity, and natural elements like dried gourds act as resonators to boost volume by reflecting internal waves.^[12] These choices ensure the device efficiently converts mechanical input into audible output while maintaining portability. Safety considerations are essential when using noisemakers, as prolonged exposure to their high-amplitude sounds can lead to noise-induced hearing loss by damaging delicate hair cells in the inner ear. Sounds exceeding 85 decibels, common in many noisemakers during extended play, pose risks especially in group settings, underscoring the need for moderation and protective measures like earplugs for vulnerable users.^[13]

History

Ancient and Traditional Origins

The earliest evidence of noisemakers dates to the Stone Age, with elk tooth pendants discovered at the Yuzhniy Oleniy Ostrov burial site in Russia's Republic of Karelia, approximately 8,000 years old. These ornaments, often numbering over 300 per individual in more than half of the 177 graves, emitted loud rattling noises when the wearer moved, facilitating rhythmic body movements in communal dances among hunter-gatherer societies.^[14] In the Early Bronze Age, clay vessel rattles appeared across the Near East; fragments of at least 21 such artifacts, containing pebbles or clay pellets for sound, were unearthed in the domestic areas of ancient Hama, Syria, around 4,500 to 4,000 years ago, crafted professionally with consistent materials and designs, indicating mass production for infant amusement and calming.^[15] A similar terra-cotta ball-shaped rattle, sealed with pebbles inside and dating to about 4,200 years ago, was found at the Acemhöyük site in central Turkey, exemplifying early sound-producing devices potentially linked to both play and protective functions.^[16] In ancient Mesopotamia and the broader Near East, noisemakers played roles in religious and ceremonial contexts, as evidenced by iconographic depictions of shaken idiophones like clappers and sistra in musical performances during rites.^[17] Spool-shaped ceramic rattles, popular in the Iron Age Levant adjacent to Mesopotamian influences, were shaken by female dancers in cultic rituals, suggested by figurines showing hand postures gripping such objects amid painted nudity and adornments symbolizing sacred activities.^[17] Across Africa, bullroarers—flat wooden or bone slabs whirled on strings to produce a humming roar—served in traditional rituals among groups like the Ju|'hoansi San of Namibia, where they featured in male initiation ceremonies evoking mythical creators and were used to summon rain by Namibian communities such as the Uukwaluudhi and Kwanyama.^[18]^[19] In southern Africa's Later Stone Age sites like Matjes River and Klasies River (9,600–5,400 years ago), bone pendants and spinning disks showed wear patterns indicating sound production, possibly for ritual purposes tied to funerals or spiritual communication.^[20] Among indigenous peoples of the Americas, gourd, turtle shell, or cocoon rattles filled with seeds, pebbles, or animal teeth have been integral to shamanic ceremonies for thousands of years, symbolizing connections across animal, plant, and mineral realms while accompanying songs and dances to invoke spirits, promote healing, and foster harmony.^[21] These devices facilitated community gatherings and spiritual transitions, with sounds interpreted as voices from the spirit world in Northwestern tribes or as echoes of creation in Eastern Woodlands cultures.^[21] Bullroarers and similar aerophones also extended to signaling in hunting or over distances in various African and global indigenous traditions, where their low thrumming sounds mimicked natural phenomena like wind or thunder to coordinate activities or ward off threats.^[18]^[20] Noisemakers evolved from utilitarian roles, such as scaring animals during agriculture or herding, to cultural tools in pre-modern societies. By the medieval period, devices like wooden cog ratchets—featuring a slatted wheel turned against cogs for sharp, repetitive sounds—were used in festive applications in European ceremonies, often wielded by dancers or priests to amplify communal joy or dispel negative forces during gatherings like Holy Week observances.^[22] This reflected integration into social and ritual life, with practical noises giving way to symbolic expressions in seasonal festivals.

Modern Developments

The industrialization of noisemaker production in 19th-century Europe marked a significant shift toward mass manufacturing, enabling wider accessibility and commercialization of these devices. In Germany, the development of sheet metal stamping machines around 1815 facilitated the inexpensive production of tin toys, including early noisemakers, which transitioned from handmade wooden items to durable metal variants influenced by the era's industrial advancements. Wooden ratchets and simple percussion noisemakers, rooted in traditional designs, began to be produced on a larger scale in regions like Nuremberg and Sonneberg, where toy-making boomed from 1870 to 1914 due to rising demand and technological innovations.^[23]^[24] In the 20th century, noisemakers gained widespread popularity in the United States starting in the 1920s, particularly as Halloween accessories imported from Germany, where they were used to ward off evil spirits with ratcheting or clanging sounds. Mass production peaked in the 1940s through 1960s by American firms like Kirchhof, U.S. Metal Toy Manufacturing Co., and T. Cohn, which created colorful tin lithographed models featuring holiday themes. Post-World War II innovations introduced affordable plastics, replacing heavier tin and wood for lighter, more exportable designs that facilitated global distribution and sustained their role in celebrations.^[5]^[6]^[25] The 21st century has seen noisemakers evolve with electronic components, such as battery-powered models incorporating lights and amplified sounds for enhanced party effects, alongside a push toward eco-friendly materials like recycled plastics and biodegradable alternatives to reduce environmental impact. This trend reflects broader sustainability efforts in toy manufacturing. A notable commercialization milestone occurred during the 2010 FIFA World Cup in South Africa, where vuvuzelas—plastic horns producing a distinctive buzzing tone—experienced explosive global sales, with over 20,000 units sold in a single day and production dominated by Chinese manufacturers, boosting the noisemaker market's international profile.^[26]^[27]^[28]

Types

Mechanical Noisemakers

Mechanical noisemakers encompass a variety of handheld devices that generate sound through manual physical manipulation, without requiring electrical power. These instruments operate on principles of friction, impact, vibration, or air displacement to create audible disturbances, often used in social or performative contexts.^[29] Common materials in mechanical noisemakers include wood, plastic, and metal, selected for their durability, availability, and acoustic properties. Wooden components provide resonant tones through natural vibration, while plastic offers lightweight portability and resistance to wear, eliminating the need for batteries and enhancing ease of use in mobile settings. Metal elements contribute sharp, penetrating sounds via direct percussion. These materials enable simple construction, such as carving or molding, making the devices accessible for both artisanal and mass production.^[30] Historically, mechanical noisemakers evolved from traditional wooden constructions, like cog-based systems in ratchets, to modern plastic variants that improve longevity and reduce breakage during repeated use. This shift, particularly evident in percussion instruments from the mid-20th century onward, allowed for broader adoption in recreational and cultural applications while maintaining acoustic efficacy. Ratchets function through friction-based spinning, where a wooden handle supports a cog wheel engaged by a pivoting slat or board. When swung rapidly, the slat strikes the cog's teeth, producing a rapid clicking or rattling noise. Traditional examples are carved from wood with metal nails for reinforcement, originating in Mesoamerican cultures and measuring around 18.5 cm in length.^[30] Clappers, or hand clappers, generate sound via impact vibration, with two rigid pieces—often plastic or wooden—slapped together to create a sharp clapping resonance. This simple mechanism amplifies manual force into audible bursts, relying on the material's elasticity for tonal variation. Party horns, also known as blowouts, produce noise through air expulsion when blown into, unrolling a coiled paper or plastic tube while vibrating a membrane to emit a rasping honk. The design leverages human breath to extend the tube and sustain the sound wave. Cowbells operate by striking a metal bell with a clapper or external mallet, yielding a clear, ringing tone from the resonant steel or brass body. At Mississippi State University, cowbells emerged as fan noisemakers in the late 1930s, possibly inspired by a lucky Jersey cow, becoming a staple by the 1950s for their loud, distinctive clang during events.^[31] Maracas create sound by shaking enclosed contents against a resonant shell, classified as idiophones where the body and fillers vibrate together. Handmade versions use dried totuma gourds filled with capacho tree seeds, fitted with wooden handles secured by rubber washers, taking months to craft; the seeds' movement varies pitch and volume with wrist strokes or curved motions. Commercial plastic models replicate this for consistency. Thundersticks, or inflatable tube noisemakers, work by clapping two long plastic tubes together, trapping and releasing air to produce a thunderous slap. Introduced as promotional items at U.S. sports events in the late 20th century, pairs are distributed to crowds for synchronized noise generation.^[32]

Electronic Noisemakers

Electronic noisemakers are powered devices that generate amplified sound through electrical or compressed air mechanisms, enabling louder and more consistent outputs compared to manual mechanical alternatives. These devices typically rely on batteries, rechargeable power sources, or compressed gas to drive sound production, making them suitable for environments requiring sustained or high-volume noise without physical exertion from the user. Key subtypes include air horns, which operate by releasing compressed gas through a diaphragm to produce a sharp, piercing tone. For instance, marine-grade air horns like the Fox 40 Ecoblast use this method to emit signals up to 120 dB, ideal for safety and signaling in open water.^[33] Sirens function via electric motors that rotate a slotted impeller or rotor within a stator, chopping airflow to create a wailing or steady tone; traditional electromechanical models, such as those from Hörmann Warnsysteme, employ this rotor-driven design for emergency alerts.^[34] Electronic variants of pea whistles, often used in sports refereeing, replace the traditional pea mechanism with piezoelectric speakers or digital sound chips powered by small batteries, delivering a consistent trill without moisture-related failures.^[35] Amplified vuvuzelas incorporate built-in speakers or electronic enhancements to boost the plastic horn's natural buzz, sometimes adding LED synchronization for visual effects during events.^[36] These devices achieve amplification through battery-operated electronics or gas propulsion, with sound levels varying by model—air horns commonly reaching 120 dB at close range, while electronic sirens can sustain outputs over 100 dB for extended periods.^[37] Modern integrations, such as app-controlled buzzers, use Bluetooth connectivity to trigger sounds remotely via smartphones, as seen in DIY systems built with Adafruit Circuit Playground boards for interactive game shows or events.^[38] Electronic noisemakers offer advantages like superior volume projection in large venues, where electro-acoustic systems enhance audibility across arenas without relying on crowd effort alone.^[39] Innovations include eco-friendly shifts toward rechargeable models, such as battery-rechargeable air horns that reduce disposable canister waste while maintaining high-decibel performance.^[40]

Uses

Celebrations and Holidays

Noisemakers are integral to many celebrations and holidays, where they facilitate joyful communal noise-making to heighten excitement and mark transitions. On New Year's Eve, participants worldwide employ horns, ratchets, and similar devices to generate loud sounds, a practice originating in ancient China with fireworks and other tactics designed to scare away evil spirits during pivotal changes like the new year.^[41] This tradition persists in various forms, such as banging pots and pans or using party noisemakers, symbolizing the expulsion of misfortune and the welcoming of prosperity.^[42] In Halloween observances, especially in the United States, German-style wooden noisemakers gained popularity around the 1920s, featuring ratcheting mechanisms that produce a distinctive clacking or whirring sound to evoke a spooky atmosphere during parades and parties.^[5] These early devices, often handmade with wooden handles and simple geared wheels, were imported and adapted for American festivities, evolving from basic folk toys into colorful Halloween icons by the mid-20th century.^[5] For personal milestones like birthdays, weddings, and graduations, noisemakers such as blowouts—paper horns that unroll with a squawking sound—and clappers serve as accessible party favors that encourage group participation and build communal energy.^[43] These items promote interaction by allowing guests to honk or clap in unison, fostering a sense of shared celebration and amplifying the festive mood without requiring complex setup.^[43] Globally, variations highlight cultural adaptations, as seen in Chinese New Year where firecracker-like noisemakers, including mechanical pellet drums and rattles, are used to drive away bad luck and invite good fortune through rhythmic shaking and explosive bursts.^[44] Overall, these noisemakers fulfill social functions by uniting participants in synchronized auditory expressions, enhancing emotional bonds and transforming ordinary gatherings into vibrant, memorable events.^[45]

Sports and Public Events

In sports stadiums, noisemakers play a key role in amplifying fan support and creating an energetic atmosphere during games. Cowbells, often rung by European soccer fans such as those supporting the Swiss national team, add a distinctive metallic clang to matchday crowds, enhancing the auditory experience in leagues like the Swiss Super League.^[46] Vuvuzelas, plastic horns originating from South African soccer culture, gained global prominence at the 2010 FIFA World Cup, where their continuous buzzing sound filled stadiums like Soccer City in Johannesburg, reaching volumes of up to 130 decibels and becoming synonymous with the tournament's unique ambiance despite initial complaints from broadcasters and players.^[47]^[48] In American football, thundersticks—inflatable plastic tubes clapped together for a sharp popping noise—are commonly distributed to fans at NFL and college games to boost crowd volume, with examples including their use by teams like the Pittsburgh Steelers during home matches.^[49] However, regulations often limit noisemaker use to maintain fairness and safety. The NCAA prohibits artificial noisemakers, such as air horns and electronic devices, during live play in most sports, allowing them only during timeouts or intermissions to prevent excessive interference, with sound levels capped at 85 decibels where permitted.^[50] In the SEC conference, cowbells are an exception for Mississippi State University fans, permitted under controlled conditions since a 2010 compromise following a 1974 ban on artificial noisemakers, though their ringing is restricted to specific zones and times to avoid penalties.^[51] Beyond stadiums, noisemakers like megaphones and air horns energize rallies, protests, and parades by directing chants and signals over large groups. Megaphones, with amplification up to 1 kilometer in quiet areas, are essential for organizers at public demonstrations, such as those during political events, to coordinate participants and amplify messages effectively.^[52] Air horns, capable of blasts reaching 130 decibels, are deployed in parades and sports rallies to punctuate moments of excitement, significantly elevating overall arena noise levels—for instance, contributing to peaks of 110-118 decibels in indoor basketball venues when combined with crowd cheers.^[49]^[53] Commercially, noisemakers are often customized with team logos and colors for promotional distribution at games, fostering fan engagement through branded items like thundersticks and cowbells. Companies produce these for NFL teams, with examples including Pittsburgh Steelers-themed thundersticks sold in bulk for tailgates and stadium use. Sales of such items surge during major events like the Super Bowl, as teams and vendors capitalize on heightened fan enthusiasm to distribute or sell spirit gear, though specific volume spikes vary by season and market demand.^[54]^[55]

Cultural Significance

Religious and Ritual Contexts

In Jewish tradition, noisemakers known as groggers—mechanical ratchets turned by hand to produce a loud rattling sound—are prominently used during the holiday of Purim to drown out the name of Haman, the villain in the Book of Esther, whenever it is mentioned during the public reading of the Megillah. This practice stems from the biblical commandment to "blot out the memory of Amalek" (Deuteronomy 25:19), interpreted as erasing Haman's legacy, with early customs in 14th-century Spain involving children banging stones or wooden boards inscribed with his name to symbolically erase it.^[56] The first documented use of such ratchets specifically for Purim dates to the 1700s in communities across Europe, Italy, Holland, and New York.^[57] Today, groggers are typically crafted from wood for traditional resonance or plastic for affordability and durability, allowing widespread participation in synagogues and homes.^[56] Beyond Jewish practices, noisemakers appear in various other religious rituals worldwide, often serving to invoke spiritual presence or maintain communal focus. In Christian liturgy, bells carried in processions—such as during Easter vigils or feast day parades—ring out to signify divine presence, with their peals historically viewed as driving away evil forces and gathering the faithful for collective worship.^[58] Across these faith-based contexts, noisemakers fulfill symbolic roles in spiritual expression, including representing chaos to confront adversarial forces, warding off malevolent entities through apotropaic sound, and enhancing communal prayer by amplifying voices and creating an immersive sacred atmosphere. In Purim observances, the disruptive clamor of groggers embodies the inversion of Haman's ordered tyranny into joyful disorder, underscoring themes of redemption amid peril.^[59] Christian bells serve as auditory wards against demonic influence, their resonant tones purifying spaces and uniting believers in devotion.^[58]

Symbolism Across Cultures

In many cultures, noisemakers serve apotropaic functions, producing sounds believed to ward off evil spirits, misfortune, or malevolent forces during rituals and transitions. This symbolic role traces back to ancient practices where cacophonous noises disrupted harmful entities, fostering protection and renewal; for instance, bells and rattles in antiquity were employed to scare away demons and signify divine presence or regeneration.^[59]^[60] In Jewish tradition, the gragger—a handheld ratchet noisemaker—is central to Purim celebrations, where it is vigorously shaken to drown out mentions of Haman, the biblical antagonist who plotted the genocide of the Jews. This act symbolizes the communal rejection of evil, the blotting out of persecution's memory, and the triumph of divine deliverance, with origins possibly linked to ancient customs of banging stones inscribed with an enemy's name to erase it ritually.^[56]^[61] Among Hispanic communities in Mexico and the American Southwest, the matraca, a wooden cog rattle, holds profound symbolism during Holy Week (Semana Santa) processions. Twirled after church bells fall silent on Holy Thursday to mourn Christ's death, it substitutes for the bells, evoking the earthquake at the crucifixion and calling the faithful to somber reflection; its harsh clatter also represents ritual mourning and communal solidarity in penitential rites.^[62]^[63] Native American cultures attribute deep spiritual symbolism to rattles, often crafted from natural elements like gourds, turtle shells, or deer hooves to represent the interconnected animal, vegetable, and mineral realms. In Northwest tribes, such as the Tsimshian, raven rattles embody voices from the spirit world, invoking ancestral power, healing, and shamanic authority during dances and ceremonies; similarly, peyote gourds in Plains and Southwest traditions symbolize the cosmos itself, with their sounds channeling prayers and facilitating visionary experiences in the Native American Church.^[21]^[64]^[65] In African contexts, rattles like the Yoruba Ògbóni society's iron implements signify membership in secretive initiatory groups, embodying ethnic identity, ancestral protection, and ritual authority during judicial or spiritual gatherings. Across West African traditions, such noisemakers in funerals or masquerades invoke supernatural forces, symbolizing life's continuity and communal bonds against chaos.^[66]^[67] During Chinese New Year, firecrackers and pellet drums function as noisemakers to scare away the mythical Nian beast, symbolizing the expulsion of bad luck and the invitation of prosperity for the lunar cycle ahead; this explosive clamor underscores renewal, family unity, and harmony with cosmic forces.^[68]

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Jun 4, 2010 · A ban is also unlikely because manufacturers and retailers are hoping to cash in from vuvuzela sales to thousands of visiting supporters. So one ...
[48]
Vuvuzelas: The deafening sound of South Africa's 2010 World Cup
Jun 14, 2020 · The blaring three-foot horns became a phenomenon of their own as they drowned out commentary, distracted players, and left a lasting legacy of sight and sound.
[49]
https://www.perfectimprints.com/blog/loudest-stadium-noisemakers
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[PDF] NCAA Playing Rules Summary: Artificial Crowd Noise (Updated
Jul 19, 2021 · Bands, amplified music or artificial noisemakers are permitted only during timeouts, intermissions and instant replay reviews by officials. 4.
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https://www.clarionledger.com/story/sports/college/mississippi-state/2025/11/08/mississippi-state-cowbells-football-games-georgia/87073392007/
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https://www.thunderpowermegaphones.com/the-ultimate-protest-machine-thunderpower-megaphones-and-tips-for-your-next-rally/
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[PDF] Roar of the Crowd: Noise-Related Safety Concerns in Sport
Morris, Atieh, & Keller (2006) reported decibel levels as high as 118 dBA at some of the larger intercollegiate basketball arenas. As discussed earlier these ...
[54]
Custom Stadium Noise Makers - ThunderStix and Noisemakers
There are many different styles of stadium noise makers and each can be customized. Choose the color of the home team and add their logo to the sound makers.Missing: Super Bowl
[55]
PITTSBURGH STEELERS Huge LOT Thunder Sticks Face Tattoos ...
Free delivery*All brand new in original plastic packaging*. $25 retail value. Perfect for the biggest NFL fan of the. NFL PITTSBURGH STEELERS FOOTBALL.
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The Origins of the Grager: Why We Boo Haman - Chabad.org
Rabbi David Abudraham (14th century, Spain) writes that there had been an earlier custom for children to draw a picture or write the name of Haman on wood ...Missing: tradition | Show results with:tradition
[57]
Grog and Groggers: The Origin of Purim Customs | Sefaria
The theory goes that some French and/or German Jews thought that the Jews were disguising themselves, so they put on costumes on Purim. The main advantage of ...
[58]
(PDF) Apotropaic Sounds Past and Present - Academia.edu
This chapter examines the historically ubiquitous relationship between sound and apotropaic magic, which seeks to ward off evil spirits, avert harm, ...Missing: invoking | Show results with:invoking
[59]
[PDF] American Indians in North Carolina - NC Museum of History
Turtle rattles were used in ceremonies as noisemakers and percussion instruments. A turtle shell was opened, partially filled with pebbles, and bound together ...Missing: invoking | Show results with:invoking
[60]
The History and Meaning of Medieval Church Bells,' Viator 43.1 ...
This article aims to show that the history and meanings of church bells are more complex than often assumed.
[61]
[PDF] The Magical Sound of Priestly Bells - Jewish Bible Quarterly
Throughout antiquity, bells and other noisemakers were used for apotropaic magic: the scaring off of evil spirits. This function seems to be retained in ...
[62]
Purim Reflections: Learning from Noise, Learning from Silence
Mar 9, 2009 · Purim lore teaches that the gragger can be traced to a practice of scrawling Haman's name on two rocks and banging them together in an effort ...Missing: symbolism | Show results with:symbolism
[63]
La Musica Nuevo Mexicana: Religious and Secular Music from the ...
The matraca or cog rattle is also twirled during processions, especially after the bells are silenced after Holy Thursday of Semana Santa (Holy Week).
[64]
[PDF] Mexican Folk Art - Phoebe A. Hearst Museum of Anthropology
Carved and painted wood is the most common material used. Masks are also made from leather, papier-mâché, clay, cloth, cardboard, wire mesh, gourds, and wax.
[65]
Raven rattle - Native American (Tsimshian)
Raven rattles are used in shamanic practices, dance, and healing, often with the beak down. They are personal objects with specific symbolism and power.
[66]
Peyote Gourd - Brooklyn Museum
The peyote gourd is a rattle used in Native American Church ceremonies. The gourd symbolizes the world, and its sound represents prayers. It is made of gourd, ...
[67]
Close Looks: Ògbóni/Òsùgbó Rattle - Ackland Art Museum
Jan 28, 2022 · This ritual rattle ... These “tribal marks” are common in West Africa and often symbolizes belonging to a particular ethnic group or clan.
[68]
[PDF] The KiKongo-speaking Peoples - City Tech OpenLab
Aug 16, 2018 · and wearing bells and other types of noisemakers. The ... However, it has become universally recognized as a symbol of African culture.
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The Lunar New Year: Rituals and Legends - Asia for Educators
For Chinese, in China and in ethnic communities around the world, the lunar new year is the most important and most festive holiday of the year.The Lunar New Year · Preparations for the New Year · New Year's Eve