"Odd Look" is a synthwavesong by French electronic musician Kavinsky, serving as the fourth track on his debut studio album OutRun, released on February 22, 2013, by Record Makers, Vertigo Records, and Mercury Records. The album version features guest vocals by French DJ SebastiAn.[1][2]The track exemplifies Kavinsky's signature retro-futuristic style, drawing heavily from 1980s electronic music with gleaming, monolithic synth riffs and propulsive beats that evoke a cinematic, nocturnal drive.[3] A remix featuring vocals by Canadian singer The Weeknd was issued as the title track and lead single for the Odd Look EP on July 29, 2013, which includes the remix alongside versions by artists including A-Trak, Surkin, Prince 85, and Midnight Juggernauts, as well as the original album version on vinyl formats.[4][5] The EP was released in formats such as 12-inch vinyl and digital download, further highlighting the song's popularity within the synthwave genre.[6]A music video for the Weeknd remix of "Odd Look," directed by Marcus Herring and released on August 6, 2013, presents Kavinsky—real name Vincent Belorgey—in a sci-fi storyline involving high-speed chases and futuristic visuals, starring Belorgey alongside Victoria Geil and Jon-Paul Vertuccio.[7][8] The video complements the song's thematic elements of hesitation and urban nightlife, as reflected in lyrics like "Your hesitation speaks to me louder than a million words per minute."[9] Critically, OutRun earned acclaim for its cohesive 1980s homage, with "Odd Look" noted for cruising sleekly amid the album's bombastic energy, contributing to the project's overall reception as a standout in electronic music.[3][10]
Background and development
Concept and influences
Kavinsky, the stage name of French electronic artist Vincent Belorgey, emerged in the mid-2000s with a distinctive retro-futuristic style heavily influenced by 1980s films and their accompanying soundtracks, including the atmospheric synth scores of director John Carpenter.[11]His early work, beginning around 2003, drew from video games and American cinema classics such as The Goonies, Back to the Future, and E.T., blending these elements into a synthwave aesthetic that evokes neon-lit, dystopian nostalgia.[12]This foundation shaped his alter ego as an undead figure reanimated after a fatal car crash, a persona that permeates his music with themes of eternal cruising and otherworldly romance.[13]The 2013 album OutRun expands this mythology into a full concept narrative, centering on a zombieprotagonist who crashes his Ferrari Testarossa in 1986, fuses with the vehicle, and roams indefinitely in search of a lost love, paying homage to the Segaarcade game of the same name.[12][13]"Odd Look," a track from OutRun, embodies this retro-futuristic vision through its moody synth layers and implied storyline of nocturnal introspection, positioning the zombie character in a hazy, cinematic pursuit.[11]The track's electropop sensibilities also reflect broader influences from the French electronic scene, including the polished, disco-infused production of Daft Punk.[12]"Odd Look" was conceived amid the OutRun recording sessions starting in 2010 but gained form during intensive 2012 collaborations with producer SebastiAn, who contributed vocals and helped integrate narrative-driven elements with dense, synth-heavy arrangements reminiscent of film scores.[11][13]This partnership infused the song with an androgynous edge and dynamic energy, aligning it with electropop's evolution while anchoring it in Kavinsky's undead road-trip lore.[11]
Production and recording
The original version of "Odd Look" was co-produced by Kavinsky (real name Vincent Belorgey) and SebastiAn (real name Sebastian Akchoté), as part of the broader production for Kavinsky's debut album OutRun, which spanned from 2010 to 2012.[12][11][14]SebastiAn played a dual role as co-producer and lead vocalist, delivering raw and distorted male vocals that defined the track's gritty electronic texture.[14]To evoke the 1980s synthwave aesthetic, the production incorporated synthesizers and drum machines for rhythmic elements.[12]The final mixing process enhanced the atmospheric, retro-futuristic quality.[11]
Composition and lyrics
Musical style
"Odd Look" exemplifies the synthwave genre, characterized by its nostalgic evocation of 1980s electronic soundtracks from video games and action films, blended with electropop elements.[15] The track's production emphasizes retro-futuristic aesthetics, featuring slow-motion chord changes and synth-emulated rock textures that prioritize atmospheric immersion over dancefloor urgency.[15] Produced primarily by SebastiAn, it runs for 4:50 at a tempo of 105 BPM in the key of F♯ major.[16]The instrumentation centers on pulsing bass synths and arpeggiated leads that drive the song's propulsion, complemented by layered synth pads and digitally emulated strings for depth.[15] Drums provide a rigid, mechanical backbone with gated reverb effects, enhancing the era-specific sheen without relying on analog hardware—Kavinsky's setup favors digital emulation to achieve the desired warmth.[17] The structure adheres to a conventional verse-chorus form, gradually building tension toward a climactic bridge that intensifies the synth layers.[18]This approach contributes to the track's analog-like warmth through digital processing, aligning with Kavinsky's cinematic 1980s influences.[15]
Themes and structure
The lyrical themes in "Odd Look" center on isolation, an odd attraction, and nocturnal cruising, which tie into Kavinsky's established zombie persona and the broader road-trip motif of his debut album OutRun.[11][19] The song's protagonist, reflecting the album's undead character who resurrects after a fatal 1986 car crash to roam eternally, navigates a desolate nighttime landscape marked by solitude and enigmatic desire.[20] Lines such as "No one around, it's amazing" evoke a haunting isolation amid the empty roads, while phrases like "You are the snake, get around me" and "You were right to enslave me" portray a seductive yet ensnaring pull, underscoring the zombie's detached yearning for connection in his undead existence.[21]The song's structure builds a narrative arc that mirrors this introspective journey, beginning with an atmospheric synth intro that gradually layers tension to establish the nocturnal mood. Verses then shift to fragmented, stream-of-consciousness reflections on the relationship's dynamics, leading into a repeating chorus that reinforces the core hook around riding through rain-soaked isolation—"Where to ride when it's raining? / You were mine"—symbolizing an unending, aimless cruise.[21] This progression culminates in an instrumental breakdown, allowing the synth-driven propulsion to dominate before resolving back to the chorus, encapsulating the album's themes of perpetual motion and emotional limbo without resolution.[22]SebastiAn's vocal delivery, featuring on the original version, employs heavy processing and echoing effects that amplify the song's sense of detachment and otherworldliness, making the lyrics feel distant and ghostly to align with the zombie's spectral presence.[23]
Release and promotion
Original single and EP
"Odd Look" was first released as an album track on Kavinsky's debut studio album OutRun, issued on February 22, 2013, by the French independent label Record Makers.[2] The track, featuring vocals by French producer SebastiAn, served as a key component of the synthwave album inspired by 1980s aesthetics. The original single version followed as a post-release single, available primarily as a digital download through Record Makers.Building on the single's momentum, the Odd Look EP was released digitally on July 29, 2013, with the limited-edition 12-inch vinyl following in August 2013, via Record Makers, Casablanca, and Republic Records.[4][24] The EP compiled the album version of "Odd Look" alongside a remix featuring vocals by The Weeknd, as well as reinterpretations by producers including A-Trak, Surkin, Prince 85, and Midnight Juggernauts. Limited vinyl pressings were occasionally bundled with promotional materials tied to the OutRun album campaign, enhancing collector appeal.[5]The releases capitalized on the heightened profile Kavinsky earned from his 2011 contribution "Nightcall" to the Drive soundtrack, which generated significant buzz in 2012 leading into the album rollout, positioning "Odd Look" as a prominent single to sustain that interest.[25]
Marketing and formats
The marketing campaign for "Odd Look" emphasized Kavinsky's signature retro-futuristic aesthetic, with promotional efforts targeting European audiences through radio airplay. The single was also integrated into live performances, appearing in setlists for Kavinsky's tours starting with the OutRun tour in 2013, with a total of seven performances across various shows as of 2025, enhancing its visibility among fans.[26]The track was released in multiple formats to cater to collectors and digital listeners. Physically, it appeared as a 12-inch vinyl EP on Record Makers, featuring the original version, the remix with The Weeknd, and additional remixes by A-Trak, Surkin, Prince 85, and Midnight Juggernauts, limited to European markets.[24] Digitally, bundles were available on platforms like iTunes and Spotify, including the EP with six tracks, facilitating broader accessibility.[27] Limited merchandise, such as posters tied to the OutRun era, complemented these releases, though specifics for "Odd Look" were bundled with album promotions.[28]A key promotional tie-in was the song's feature in a 2012 BMW i3commercial produced by JWT Paris, which previewed an early version of "Odd Look" to align with Kavinsky's imagery of vintage cars and neon-lit nights, boosting pre-release buzz ahead of the OutRun album.[29]The global rollout prioritized Europe via the Frenchlabel Record Makers, with the U.S. market receiving a digital release through Mercury Records, reflecting a strategy focused on digital streaming and downloads in North America.
Critical reception
Reviews of original version
Upon its release as part of Kavinsky's debut album OutRun in February 2013, "Odd Look" received generally positive reviews from critics, who praised its homage to 1980ssynth-pop and cinematic electronic sounds. Pitchfork highlighted the album's success in evoking nostalgia for 1980s media like video games and films through its "severe case of nostalgia" and soundtrack-like qualities, though the track itself was not singled out, with the overall album scored 6.3 out of 10.[15] The Skinny described "Odd Look" as matching the anthemic appeal of standout track "Nightcall," with its "filthy, sexy vocal riding the synths" capturing a retro vibe akin to Giorgio Moroder's style blended with house elements, awarding the album four out of five stars.[30] Consequence of Sound listed "Odd Look" among the album's essential tracks, commending its contribution to the record's driving, synth-heavy energy that made listeners want to "buckle up and ride again," and gave it a score of 70 out of 100.[18]Some reviews offered mixed feedback, particularly regarding the vocals and production in relation to Kavinsky's instrumental strengths. Silent Radio noted that the vocals on "Odd Look" felt "oddly redundant" amid the "massive, super-dramatic synths," suggesting the track and album as a whole lacked deeper development despite their fun, Tron: Legacy-inspired excitement.[31] Pitchfork further critiqued the album's rigid beats and peripheral role of production elements, arguing it did not fully succeed as dance music, which indirectly applied to tracks like "Odd Look" overshadowed by more atmospheric cuts.[15]Overall, "Odd Look" was viewed as a solid single exemplifying OutRun's 1980s-inspired aesthetic, but it was often eclipsed by "Nightcall," the album's more prominent hit from the Drive soundtrack. The album aggregated a Metacritic score of 75 out of 100 based on 12 reviews, reflecting broad approval for its nostalgic synth pulses while noting limitations in vocal integration and originality.[32] A subsequent remix featuring The Weeknd would later enhance the track's visibility.[25]
Reviews of The Weeknd remix
The Weeknd's remix of "Odd Look" was praised for enhancing Kavinsky's original synthwave production with the artist's distinctive falsetto and lyrics, creating a seductive synergy between electronic and R&B elements. SPIN described it as adding a "seductive touch" to the track, noting how The Weeknd's breathy vocals bring emotional focus and longing to Kavinsky's shadowy, riff-driven house style.[33] Similarly, Gigwise highlighted the "perfect partnership" formed by The Weeknd's strong vocals over Kavinsky's electronic pop beat, emphasizing the remix's polished appeal.[34]In 2013 coverage, the remix stood out as a vibrant addition to both the Odd Look EP and the deluxe edition of The Weeknd's Kiss Land, boosting its exposure amid the album's release. Pitchfork announced the EP's tracklist, featuring the remix alongside contributions from A-Trak and Surkin, positioning it as a key follow-up to Kavinsky's OutRun album.[25] On Kiss Land's deluxe version, BET described it as a Daft Punk-esque club hit with a notably more electronic sound compared to the album's darker tone.[35] This inclusion helped elevate the remix's profile, as Kiss Land debuted at number two on the Billboard 200.[36]While the collaboration was widely appreciated for its vocal upgrades, some feedback pointed to the remix's departure from the instrumental essence of Kavinsky's original, with the added lyrics and structure altering the track's pure synth-driven atmosphere.[37]
Commercial performance
Chart performance
The original version of "Odd Look" featuring SebastiAn achieved limited chart success. In France, it peaked at number 46 on the SNEP Singles Chart and spent 4 weeks on the chart.[38]The song received minor airplay in the United Kingdom and Canada but did not enter the top 100 in any other major markets for the original version. The remix featuring The Weeknd, covered in a later section, achieved additional chart success in regions including Belgium and the US.
Sales and certifications
"Odd Look" received a Diamond certification from SNEP for its export performance, awarded on January 1, 2022, recognizing 50 million equivalent units in international sales and streams.[39] This certification reflects the track's enduring global appeal, primarily driven by digital downloads and streaming following its 2013 release. No additional major certifications, such as from the RIAA or BPI, have been awarded to the single.By November 2025, the remix featuring The Weeknd had surpassed 100 million streams on Spotify, contributing significantly to the song's overall digital footprint.[40] The original version has accumulated over 18 million Spotify streams as of early November 2025.[41] Combined, the original and its remixes have exceeded 100 million streams on the platform, underscoring steady catalog consumption tied to reissues of Kavinsky's albumOutRun.
Music video
Concept and production
The music video for "Odd Look" centers on a retro 1980s aesthetic, portraying Kavinsky as an undead zombie-like driver in a Ferrari Testarossa, awakening in a dimly lit room before embarking on a high-stakes car chase and confrontation with antagonists to rescue a woman in distress. This narrative draws inspiration from the opening sequence of The Terminator and the noir style of Drive, positioning Kavinsky in a Ryan Gosling-esque "Driver" role within a fictional 1980s-inspired universe that ties into the OutRun album's overarching theme of an imaginary 1980s film soundtrack.[42][43][44]Directed by Marcus Herring, who also developed the concept, with cinematography by Tari Segal, the video builds on the visual mythology established in Kavinsky's prior collaboration with Herring on the "Protovision" clip, expanding the undead driver's lore across the OutRun promotional materials. Herring's vision emphasized a loose, cinematic storyline to allow viewer interpretation, incorporating staged action sequences that evoke 1980s action thrillers.[44][8][7]Production took place in the United States, with Kavinsky traveling from France specifically for the shoot, under the auspices of his label Record Makers in an independent production format. The team included producer Sarah Park, executive producer Sue Ahn, stunt coordinator Mindy Kelly for the chase and fight scenes, production designer Ethan Feldbau, and editor Michael Mees, with additional cast members such as Victoria Geil and Jon-Paul Vertuccio portraying key supporting roles. The visual style features slow-motion action, gritty diner interiors, and dynamic car pursuits to underscore the song's synthwave motifs of nocturnal escapism and oddity.[7][44][45]
Release and impact
The music video for "Odd Look" premiered on August 6, 2013, on Kavinsky's Vevo channel via YouTube.[43]Released concurrently with the Odd Look EP, the video served as a central element in the EP's promotional efforts.[46]As of November 2025, it has accumulated over 14 million views on YouTube.[47]The video played a key role in elevating the song's profile, significantly increasing its streams and visibility while contributing to the broader revival of synthwave aesthetics in the 2010s.[48]It received positive mentions in 2013 music blogs for its nostalgic, 1980s-infused superhero storyline.[49][42]No awards or nominations were associated with the video.
In 2012, Kavinsky, whose real name is Vincent Belorgey, was introduced to The Weeknd (Abel Tesfaye) through their mutual collaborator and producer Prince 85, who was a fan of Tesfaye's debut mixtape House of Balloons and encouraged Belorgey to listen to it.[50] Impressed by Tesfaye's voice, Belorgey reached out to invite him to contribute vocals to a remix of "Odd Look," a track from Belorgey's debut album [OutRun](/page/OutRun_(album), which built on the track's original synth-driven production by Belorgey and SebastiAn.[50])The collaboration process was straightforward and efficient, with Tesfaye recording his vocals in Toronto before the release of his debut studio album Kiss Land in September 2013.[50] Tesfaye reinterpreted the lyrics in his signature falsetto style, incorporating additional ad-libs that infused the track with a soulful quality, contrasting the original version's more raw and minimal vocal approach by Belorgey and SebastiAn.[50] The remix was then mixed by SebastiAn in 2013, finalizing the version for inclusion on the Odd Look EP released that July.[50]
Musical differences
The remix of "Odd Look" significantly alters the vocal presentation from the original version. In the original track, SebastiAn delivers vocals in a distorted, gritty style that complements the raw, electronic edge of the synthwave production.[21] In contrast, The Weeknd provides a smooth, emotive R&B-infused delivery, characterized by falsetto runs and layered harmonies in the chorus, which introduce a more polished and soulful texture to the track.[51] This vocal overhaul shifts the song's emotional tone from the original's mechanical detachment to a more intimate, seductive vibe.[52]Arrangement changes in the remix streamline the structure for greater conciseness and impact. The original runs for 4:49, featuring a fuller instrumental build with extended synth layers, while the remix clocks in at 4:12, trimming sections to heighten momentum without an extended intro.[53][54] Both versions maintain a tempo of 105 BPM, but the remix incorporates deeper bass drops and more dynamic builds, enhancing the drop sections with pulsating low-end frequencies that amplify the dancefloor energy.[16][55]The genre blend in the remix fuses the original's synthwave foundation—rooted in 1980s-inspired electronic nostalgia—with prominent R&B elements introduced through The Weeknd's phrasing and melodic phrasing.[51] This hybrid maintains the track's retro-futuristic synth leads and driving beats while adding R&B's rhythmic sway and harmonic richness, creating a more versatile crossover appeal.[56]Production enhancements in the remix emphasize vocal treatment to integrate The Weeknd's contribution seamlessly. Enhanced reverb is applied to the vocals, giving them a spacious, echoing quality that echoes across the synth backdrop, a subtle touch attributed to co-producer SebastiAn's refinements alongside Kavinsky.[51] The Weeknd's involvement as co-writer influences these nuances, infusing R&B sensibilities into the mix without overhauling the core electronic framework.[57]
Reception and usage
The Weeknd's remix of "Odd Look" garnered positive critical reception for its genre-blending qualities, with reviewers highlighting the effective integration of Kavinsky's retro synthwave production and The Weeknd's emotive R&B delivery. Exclaim! praised the track as thriving on its "driving four-on-the-floor beat and shimmering synth strikes," noting that replacing the original vocals with The Weeknd's "seductive croon" resulted in a "perfect crossover between Kavinsky's synthwave and The Weeknd's R&B."[58]The remix played a key role in elevating Kavinsky's international profile, particularly in the United States, by associating him with The Weeknd's rising stardom at the time. It was included as a bonus track on the deluxe edition of The Weeknd's 2013 album Kiss Land, exposing Kavinsky's music to The Weeknd's fanbase and integrating the track into a major R&B release. The collaboration's enduring influence was evident in 2022, when Kavinsky announced plans for a new joint project with The Weeknd during promotion for his album Reborn.[50]In terms of usage, the remix has found prominent placement in contemporary media. It featured on the soundtrack for the 2023 HBO series The Idol, specifically in Episode 4, underscoring its thematic fit with the show's neon-lit, retro-futuristic aesthetic. Additionally, it appears in the official soundtrack for the 2020 video game Watch Dogs: Legion, a title with heavy emphasis on urban driving and cyberpunk elements that align with Kavinsky's sonic style.[59] The track's streaming performance reflects its sustained popularity, exceeding 100 million plays on Spotify as of November 2025.[60]
Usage in media
Advertising
A preview of Kavinsky's "Odd Look" was prominently featured in a 2012 French television and cinema commercial for the BMW i series of electric vehicles, produced by advertising agency JWT Paris on behalf of BMW France. The advertisement showcased the futuristic design and performance features of the BMW i3compact car and i8 sports coupe, with the track's synth-driven sound enhancing the retro-futuristic aesthetic.[29][61]
Other appearances
The remix of "Odd Look" featuring The Weeknd was included in the soundtrack for episode 4 of the HBO series The Idol, which aired in 2023.[9]In addition to its television placement, "Odd Look" inspired a promotional browser-based video game released in 2013, featuring 8-bit style gameplay tied to the song's retro aesthetic and available for free play across platforms.[62]Kavinsky performed "Odd Look" live during his 2013 tour dates, including shows at Webster Hall in New York City, Lot 613 in Los Angeles, and Art Rock Festival in Saint-Brieuc, France, often incorporating the track's synth-driven energy into his OutRun-era sets that extended into 2014.[63][64][65]
Credits and track listings
Personnel
The personnel credited on the original version of "Odd Look" from Kavinsky's 2013 album OutRun include the following key contributors:
Writers: Kavinsky (Vincent Pierre Claude Belorgey) and SebastiAn (Sébastien Akchoté).[21]
Instrumentation: Kavinsky performed on synthesizers, while SebastiAn handled programming.[66]
Engineer: Florian Lagatta.[66]
Track listings
"Odd Look" was first released as a digital single featuring vocals by The Weeknd, consisting of one track: "Odd Look" (feat. The Weeknd) – 4:12.[68]The Odd Look EP, released in 2013, includes the Weeknd version along with remixes and the original album version from OutRun. Both digital and vinyl formats of the EP feature identical track listings.[5][4]