Otherside is a blockchain-powered metaverse developed by Yuga Labs, the creators of the Bored Ape Yacht Club (BAYC) NFT collection, designed as a gamified, interoperable virtual world that combines mechanics from massively multiplayer online role-playing games (MMORPGs) like World of Warcraft with web3 technologies for decentralized ownership and player interaction.[1][2][3]Launched in concept in 2022, Otherside centers on user-generated content and exploration within a persistent digital universe, where participants can build, trade, and socialize using non-fungible tokens (NFTs) as avatars and assets.[4][5] BAYC and Mutant Ape Yacht Club (MAYC) holders can employ their ape NFTs as in-world characters, while virtual land parcels known as Otherdeeds—minted in two phases starting April 2022—enable ownership of customizable plots that generate resources and support building activities.[4][6] The project's economy revolves around ApeCoin (APE), Yuga Labs' utility token, which facilitates transactions, governance, and rewards within the ecosystem.[2][3]Otherside emphasizes interoperability, allowing seamless asset transfer across compatible metaverses and blockchains, and features a customgame engine optimized for large-scale, real-time multiplayer experiences.[5][4] Early alpha tests, called Voyages, conducted in 2022 demonstrated procedural world generation and combat systems, accommodating thousands of players despite technical challenges.[6] By 2025, advancements include AI-driven building tools unveiled in June and a collaboration with Amazon for co-branded NFTs, enhancing 3D content creation and project integration for users.[7]Officially debuted on November 12, 2025, Otherside initially opened the Koda Nexus—a starter hub for exploration and quests—accessible via web browser, with NFT ownership optional to broaden participation while maintaining web3 incentives for token holders.[8][9][10] This launch follows years of development and community events like ApeFest, marking a significant evolution in Yuga Labs' expansion from NFTs to immersive gaming.[11][12]
Background and writing
Development
"Otherside" was conceived during the pre-production phase of the Red Hot Chili Peppers' seventh studio album, Californication, in 1998, following a period of intense personal and professional turmoil for the band. Emerging from a decade marked by severe drug addictions, the tragic loss of founding guitarist Hillel Slovak to a heroin overdose in 1988, and repeated lineup instability—including the temporary departure of guitarist John Frusciante in 1992—the group was in the midst of rebuilding. Frusciante's return in early 1998, after completing rehabilitation for his own substance abuse issues, reinvigorated the creative process and allowed the band to focus on songwriting amid their collective recovery.[13]Lead vocalist Anthony Kiedis drew primary inspiration for the song from Slovak's death and the cyclical nature of drug addiction that had long haunted the band members. In his 2004 autobiography Scar Tissue, Kiedis detailed how the track captured the relentless pull of heroin and the internal battles against relapse, reflecting on how far one might "slide" before seeking redemption. This personal lens was deepened by Kiedis's own sobriety efforts during the late 1990s, which prompted a deliberate confrontation with addiction's grip, transforming the song into a raw acknowledgment of past demons rather than veiled references.[14][13]The songwriting began as a collaboration between Kiedis and bassist Flea, who provided foundational rhythmic and melodic ideas rooted in their shared history of overcoming adversity. Frusciante's contributions came shortly after his rejoining, infusing the track with emotional depth during informal rehearsals that preceded formal sessions; his recent sobriety paralleled Kiedis's journey, fostering a vulnerable yet unified creative environment. This process exemplified the band's evolving approach to introspection on Californication, emphasizing healing over hedonism.[13]
Lyrical content
The lyrics of "Otherside" explore the harrowing cycle of heroinaddiction, framed as an inescapable journey to a metaphorical "otherside" of self-destruction and loss, drawing directly from the personal experiences of vocalist Anthony Kiedis and guitarist John Frusciante with substance abuse.[14][15]A pivotal moment in the first verse sets the tone with the lines: Heard your voice through a photograph / I thought it up and it brought up the past / Once you know you can never go back / I gotta take it on the otherside. These words evoke the sudden resurgence of painful memories—possibly of lost loved ones or past highs—triggered by a static image, underscoring the irreversible nature of addiction's grip and the compulsion to confront its darker realm.[16][17]At the song's core, the "otherside" serves as a potent symbol for the seductive yet ruinous world of heroin, mirroring the band's history of addiction that claimed the life of original guitarist Hillel Slovak in 1988 and plagued Kiedis and Frusciante throughout their careers.[14][15]The chorus intensifies this theme with a desperate plea against relapse: How long, how long will I slide? / Separate my side, I don't / I don't believe it's bad / Slit my throat, it's all I ever. Kiedis interprets the "slide" as the perilous backslide into drug use, a question of endurance amid the denial and self-harm that define addiction's loop, reflecting his own battles with sobriety.[16][14]In his 2004 autobiography Scar Tissue, Kiedis explicitly confirms the song's roots in Slovak's overdose death and the Red Hot Chili Peppers' collective turmoil with addiction, positioning "Otherside" as both a personal lament and a broader commentary on the band's fractured path to recovery.[14]
Production
Recording process
The recording of "Otherside" took place at Cello Studios in Los Angeles, California, during the sessions for the Red Hot Chili Peppers' album Californication, spanning from December 1998 to March 1999 under the production of Rick Rubin.[18][19] The overall album tracking lasted approximately five weeks, with a focus on capturing live band performances in a single room to preserve natural interplay among the instruments, while vocal overdubs extended for about two additional weeks.[19][20]Guitarist John Frusciante developed the song's iconic riff using a Gretsch White Falcon as the primary instrument for the track, routing the signal through Marshall amplifiers like the Major 200W and Super Bass for a clean yet dynamic tone, with effects such as the Boss CE-1 Chorus Ensemble adding subtle modulation.[21] Layering was minimal compared to later works, emphasizing direct amp recordings to maintain the track's atmospheric quality, though Frusciante occasionally incorporated acoustic elements in isolated takes during the album sessions to build texture.[22][19]Frusciante's participation marked his return to the band following a period of heroin addiction and rehabilitation, which required a gradual reacquaintance with collaborative songwriting and performance; engineer Jim Scott noted that this adjustment influenced the deliberate pace of the sessions, ensuring Frusciante's precision in executing parts like the riff's melodic phrasing.[13][23] No major disruptions occurred, as the band prioritized a supportive environment to aid his recovery.[24]Mixing followed tracking, handled primarily by Rubin and engineer Jim Scott over several weeks, with final touches including Anthony Kiedis's lead vocal tracking in a controlled booth setup for clarity and emotional delivery, and Flea's bass lines—recorded with a Music Man StingRay—integrated to provide a steady, melodic foundation that locked in with Chad Smith's drums.[19][25] The process emphasized organic sound over heavy compression, though some critics later debated Rubin's production choices for their polished restraint.[20]
Key personnel
The key personnel for "Otherside" consist of the core members of the Red Hot Chili Peppers, who performed all primary instrumentation and vocals on the track. Anthony Kiedis provided lead vocals, delivering the song's introspective lyrics with a mix of melodic phrasing and rhythmic delivery characteristic of the band's style during this era.[26]John Frusciante handled all guitar parts, including the iconic riff and electric solos that define the song's atmospheric texture.[27]Flea contributed bass lines that underpin the track's groove, emphasizing melodic interplay with Frusciante's guitars.[19]Chad Smith played drums, providing a steady, mid-tempo beat that supports the song's contemplative mood without overpowering the ensemble.[27]Production was overseen by Rick Rubin, who served as the album's producer and guided the overall creative direction, ensuring a cohesive sound across tracks like "Otherside" by focusing on live band energy and minimal overdubs.[19] Jim Scott acted as recording engineer and mixer, capturing the performances at Cello Studios in Los Angeles and achieving the song's clean, dynamic mix that highlights the band's interplay.[19] No additional musicians or background vocalists are credited specifically for "Otherside," with the track relying entirely on the core quartet's contributions.[27]
Composition and structure
Musical elements
"Otherside" is classified as alternative rock, incorporating elements of funk and pop that align with the Red Hot Chili Peppers' signature style.[28][29] The song maintains a moderate tempo of 123 beats per minute, set in the key of A minor, which contributes to its introspective and driving feel.[30][31]The instrumentation highlights guitarist John Frusciante's clean, compressed tones and melodic solos, which provide a shimmering texture through single-note riffs and arpeggiated patterns.[32][33] Bassist Flea delivers a prominent, groovybass line that anchors the track with its melodic and rhythmic drive, often doubling the root notes for emphasis.[34] Drummer Chad Smith's performance features restrained, subtle grooves that support the song's emotional build without overpowering the ensemble.[35]Harmonically, "Otherside" follows a verse-chorus structure based on the progression Am–F–C–G, employing arpeggios in the verses and fuller power chords in the choruses to create tension and release.[36] The bridge intensifies through layered dynamics and a shift toward E minor, heightening the emotional arc before resolving back to the core progression.[37]
Song form
"Otherside" follows a conventional pop-rock structure consisting of an intro, two verses, two choruses, a bridge, a final chorus, and an outro, with a total runtime of 4:15.[38] The song opens with a brief instrumental intro featuring clean guitar arpeggios on the Am-F-C-G progression in A minor, establishing a moody atmosphere before transitioning into the full band arrangement during the first verse.[37][39]The verses maintain a relatively sparse and intimate sound, with Anthony Kiedis delivering introspective vocals over subtle bass and drum grooves, building tension through gradual instrumental layering. This leads into the choruses, which expand dynamically into anthemic peaks characterized by layered vocal harmonies—primarily Kiedis's lead supported by John Frusciante's backing vocals—and fuller instrumentation including driving rhythm guitar and percussion.[40] The bridge introduces a key shift to E minor, featuring Frusciante's emotive guitar solo over a sustained tension, before resolving back to the chorus for a climactic repeat. The track concludes with an outro that fades out on repeated iterations of the chorus hook, "Take it on the otherside," gradually reducing volume and intensity.[37][41]In comparison to other tracks on Californication, "Otherside" exemplifies the album's shift toward more accessible, pop-oriented structures with clear verse-chorus delineations and melodic hooks, akin to "Scar Tissue" and the title track, which prioritize radio-friendly progression over the band's prior emphasis on extended funk jams.[42][20] This format contributes to the song's broad appeal while retaining subtle dynamic contrasts for emotional depth.
Promotion
Music video
The official music video for "Otherside," directed by Jonathan Dayton and Valerie Faris, premiered on January 11, 2000.[43][44]The video depicts the band members as marionettes wandering through a stylized, surreal version of Los Angeles, drawing inspiration from German expressionist cinema such as the works of Fritz Lang.[45]Central to its visual themes are addiction and loss of control, with the omnipresent puppet strings symbolizing the manipulative power of external forces like drugs over the individual.[45]This imagery directly parallels the song's lyrical metaphors of battling dependency and the pull toward self-destruction.[45]Stop-motion animation techniques are employed throughout to animate the puppets and cityscape, creating a dreamlike, otherworldly atmosphere that underscores the narrative of entrapment and escape.[45]Produced by Bob Industries, the video received acclaim for its innovative style.[46]
Live performances
"Otherside" debuted live on May 25, 1999, at Clutch Cargo's in Pontiac, Michigan, during the early promotional phase leading into the band's Californication tour.[47] The song quickly became a staple in the band's setlists, frequently performed throughout the subsequent tours and integrated into their high-energy stage shows.[48]Notable renditions include the band's performance at the 2000 VH1 My Music Awards, where they delivered an electrifying version that highlighted the track's anthemic quality.[49] During the 2022 Unlimited Love tour, "Otherside" was often featured with extended improvisational jams, allowing guitarist John Frusciante and bassist Flea to showcase dynamic interplay.[50] Stage visuals during these tours occasionally drew from the song's music video themes of urban grit and introspection, enhancing the atmospheric delivery.[51]The band has varied the arrangement over the years, including acoustic interpretations in intimate settings, such as a stripped-down version performed for the Silverlake Conservatory of Music benefit.[52] Full-band electric performances typically emphasize crowd sing-alongs during the chorus, fostering a communal energy that has defined the song's live appeal.By November 2025, Red Hot Chili Peppers had performed "Otherside" over 500 times in concert, often positioning it as an encore closer to cap off shows with its soaring finale.[48]
Reception
Critical response
The initial mint of Otherdeeds—virtual land parcels for Otherside—in April 2022 drew significant backlash due to overwhelming demand that crashed the Ethereumblockchain, causing gas fees to spike to $5,000–$14,000 and resulting in over $200 million in failed transactions. Critics and users accused Yuga Labs of poor planning and potentially profiting from inflated fees, while phishing scams during the event led to $6.2 million in stolen NFTs. Despite raising over $300 million, the event highlighted scalability issues in web3 projects.[53]Early demos, such as the 2022 preview and 2024 alpha tests, received mixed reviews. Positive feedback praised the graphics, procedural generation, and immersive MMORPG-style mechanics, with some users comparing it favorably to Fortnite and noting its "ethereal" details. However, others felt underwhelmed, describing it as a basic "proof of concept" not justifying the project's multi-million-dollar investment and years of development.[54]The November 12, 2025, launch of the Koda Nexus—a persistent social hub accessible via web browser—has been generally well-received as of November 18, 2025. Community feedback highlights the engaging exploration, daily quests, XP progression, and mini-games, with users reporting hours of playtime and praising the "always-on" world as a step toward reviving NFT interest. Early testers noted the engine's smoothness and detailed districts, though some expressed concerns over optional NFT integration potentially limiting depth for non-holders.[55]
Legacy and rankings
Otherside has faced ongoing controversies, including multiple lawsuits against Yuga Labs. A 2022 class-action suit alleged that BAYC NFTs, ApeCoin, and Otherdeeds were unregistered securities, though it was dismissed in October 2025. Trademark disputes, such as Yuga Labs v. Ryder Ripps over derivative NFTs, resulted in a mixed Ninth Circuit ruling in July 2025 classifying NFTs as goods under U.S. law but overturning an $8.8 million award. These legal battles underscore debates on web3 regulation and intellectual property in metaverses.[56][57]Culturally, Otherside represents Yuga Labs' pivot from static NFTs to interactive gaming, influencing web3 projects by emphasizing interoperability and user-generated content. As of 2025, it has contributed to over $600 million in NFT sales (including resales) and bolstered ApeCoin's ecosystem, though floor prices for Otherdeeds remain 30% below mint levels amid a cooling crypto market. The project's delays and AI tools unveiled in June 2025 have sparked discussions on metaverse viability, with some viewing it as a potential savior for BAYC amid declining hype.[58][59]
Commercial performance
Otherside's commercial success is primarily driven by non-fungible token (NFT) sales, particularly the minting of virtual land parcels known as Otherdeeds, and broader ecosystem funding tied to Yuga Labs' web3 initiatives. The project's economy integrates ApeCoin (APE), a utility token launched in March 2022, which powers transactions, governance, and in-world activities. As of November 2025, APE has a market capitalization exceeding $1 billion, though it experienced significant volatility post-launch, peaking at over $8 billion in April 2022 before stabilizing around $1.5 billion by late 2025.[60]
NFT sales and mints
The initial public mint of Otherdeeds occurred on May 1, 2022, offering 55,000 parcels at 305 APE each (approximately $5,800 USD at the time), generating $317 million in primary sales revenue for Yuga Labs—the largest NFT mint event in history at that point. Including reserved parcels for BAYC/MAYC holders and Koda NFTs, the total collection comprises 200,000 Otherdeeds, with secondary market trading volume surpassing $500 million within the first year on platforms like OpenSea. Floor prices for Otherdeeds fluctuated from a high of 3.5 ETH ($10,000 USD) in mid-2022 to around 0.5 ETH ($1,200 USD) by November 2025, reflecting broader NFT market trends.[61][62]Subsequent developments, including the June 2025 unveiling of AI-driven building tools, have boosted secondary market activity, with over 10,000 Otherdeeds transacted in Q3 2025 alone, contributing to cumulative sales exceeding $800 million across primary and secondary markets. The mint event also incurred high Ethereum gas fees, totaling over $150 million, highlighting scalability challenges in blockchain-based virtual economies.[63]
Funding and valuation
In March 2022, ahead of the Otherside reveal, Yuga Labs secured $450 million in a funding round led by Andreessen Horowitz (a16z), valuing the company at $4 billion—the highest for an NFT-focused entity at the time. This capital supported metaverse development, including the custom game engine and alpha tests like the 2022 Voyages. By 2025, Yuga Labs reported annual revenues approaching $500 million, largely from Otherside-related assets and BAYC ecosystem expansions, though exact figures remain private. The November 12, 2025, launch of the Koda Nexus has yet to yield quantifiable revenue data as of November 18, 2025, but early user engagement metrics suggest potential for in-game purchases and APE staking rewards.[64][65]
Otherside's model emphasizes decentralized ownership, with no traditional "certifications" but blockchain-verified transactions ensuring transparency. Post-launch growth in 2025, including integrations with Amazon for NFT tools, positions it as a key player in web3 gaming economies.[7]
Release details
Track listings
The "Otherside" single was issued in multiple physical formats with varying track listings, often including non-album B-sides and live or alternate versions to complement the album cut from Californication. CD singles were the most common format in the US and Europe, typically featuring four tracks. Cassette and 7" vinyl releases were more limited, focusing on the lead track and a key B-side.
CD single (US/EU)
The standard CD single for the US and European markets contained the album version of the title track alongside exclusive bonus material.
No.
Title
Duration
Notes
1
"Otherside" (album version)
4:16
From Californication
2
"How Strong" (bonus track)
4:43
Previously unreleased non-LP track, mixed by David Schiffman
3
"My Lovely Man" (live)
5:18
Recorded live in 1999
4
"Road Trippin'" (without strings)
3:25
Alternate mix, without orchestral strings
[66]
Cassette and 7" vinyl variants
Cassette singles and 7" vinyl pressings were primarily available in the US, with a simplified two-track configuration. These formats emphasized the core single and B-side without additional content.
Side
Title
Duration
Notes
A
"Otherside"
4:16
Album version
B
"How Strong"
4:46
Non-album bonus track
In select international markets, these analog formats were released as double A-sides pairing "Otherside" with "Californication" to capitalize on the album's title track synergy.[67][68]
Digital download additions post-2000s
Digital releases of "Otherside," available following the rise of platforms like iTunes in the early 2000s, centered on the original album version but expanded in remastered editions. Remastered versions, such as the 2014 edition, are available on streaming services, with B-sides like "How Strong" accessible separately.[69]
Regional differences
The Japanese CD maxi-single mirrored the US/EU track list but included exclusive obi strip packaging and artwork featuring localized promotional imagery. It also added the official music video as an enhanced track, exclusive to this edition for video-capable CD players.[70]
Release history
"Otherside" first appeared as the fourth track on Red Hot Chili Peppers' seventh studio album, Californication, released on June 8, 1999, by Warner Bros. Records. The album, produced by Rick Rubin, marked the band's return to form following the departure and subsequent rejoining of guitarist John Frusciante.[71]The song was released as a single beginning in late 1999 in select international markets, including Australia, New Zealand, and Japan, with the U.S. commercial single following on January 11, 2000. International rollouts continued through March 2000 across various regions, available in formats such as CD, cassette, and vinyl through Warner Bros. Records and its global subsidiaries.[72]In 2019, to commemorate the 20th anniversary of Californication, Warner Bros. Records issued a limited-edition picture discvinyl repressing of the album, featuring "Otherside" among its tracks. This reissue highlighted renewed interest in the band's early work and was distributed worldwide by Warner Music Group.[73]