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Super Bass

"Super Bass" is a song by Trinidadian-American rapper and singer , released as the fifth single from the deluxe edition of her debut studio album on April 5, 2011. Featuring background vocals by singer-songwriter and produced by , the track combines verses with a pop , centered on a playful depiction of infatuation with a charismatic man who captivates with his booming car system and confident presence. The song garnered widespread acclaim for its catchy hooks and Minaj's energetic delivery, marking a breakthrough in blending rap with mainstream pop appeal. Commercially, "Super Bass" peaked at number three on the US Billboard Hot 100 chart, becoming Minaj's highest-charting single at the time and the first by a female rapper to reach the top five since Missy Elliott's "Work It" in 2002. It has been certified 12-times platinum by the RIAA as of March 2024, reflecting over 12 million units consumed in the United States, including streams and sales, and surpassing one billion streams on by May 2025. The music video, directed by and premiered on May 5, 2011, showcases Minaj in vibrant, candy-colored outfits leading a troupe of dancers in a whimsical, high-energy performance that amplified the song's fun, flirtatious vibe. "Super Bass" played a pivotal role in establishing Minaj as a pop culture phenomenon, influencing her subsequent hits and solidifying her status as a trailblazing female artist in .

Background and development

Writing and inspiration

"Super Bass" was conceived during the recording sessions for Nicki Minaj's debut studio album, , in 2010. The track was co-written by Minaj alongside songwriter , Roahn Hylton, and producers Daniel "Kane Beatz" Johnson and JMIKE (Jeremy Coleman), with Dean also providing background vocals. Minaj drew inspiration from her personal experiences with and romantic relationships, channeling the excitement of real-life crushes into the song's lighthearted narrative. She explained in an that the capture the thrill of attraction, stating, "'Super Bass' is about the boy that you are crushing over… you’re taking the playful approach." This approach allowed her to infuse the track with a flirtatious energy, using the "super bass" to symbolize the pounding and intense physical pull of desire. Early drafts emerged from collaborative sessions where contributed melodic hooks to complement Minaj's verses, aiming for a vibrant, accessible sound. Dean later reflected on the song's creation, noting its "liberating, colorful, fun" vibe as a key element in blending pop accessibility with flair. Minaj penned the core sections herself, ensuring the playful tone aligned with her goal of crafting an engaging that resonated beyond her hardcore roots.

Recording and production

"Super Bass" was recorded during sessions for Nicki Minaj's debut album Pink Friday in 2010 at Glenwood Place Studios in Burbank, California. The track's production was led by Kane Beatz (Daniel Johnson) and JMIKE (Jeremy Coleman), who crafted a pop-rap beat featuring electronic synths, pulsating rhythms, and heavy bass drops to emphasize the song's energetic hook. Kane Beatz created the initial beat in collaboration with JMIKE while in Orlando, sending it to Minaj as she finalized the album; additional production came from First Born. Minaj recorded her vocals at the same studio, delivering rapid-fire rap verses, melodic choruses, and ad-libs in multiple layered takes to infuse the performance with high energy and playful dynamics. Ariel Chobaz served as recording and mixing engineer, with assistance from Lyttleton "Cartwheel" Carter, handling the mix at to balance the dense vocal stacks and instrumental elements. The final mastering was completed by Chris Gehringer at Sterling Sound, ensuring the track's polished, radio-ready sound with enhanced clarity and impact.

Composition and lyrics

Musical structure

"Super Bass" is classified as a pop rap song incorporating hip hop, dance-pop, and electronic elements. The track features a tempo of 127 beats per minute and is composed in the key of G♯ minor. With a duration of 3 minutes and 20 seconds, it follows a verse-chorus form that alternates between rapped verses and a sung, sing-song chorus, beginning with an introductory synth hook, incorporating a bridge that builds vocally, and concluding with a fade-out outro. The instrumentation emphasizes a bass-heavy driven by 808-style bass drums and minimalistic beats, which highlight Minaj's rapid-fire delivery and vocal flow. Prominent synth leads provide the melodic foundation, including the opening crystalline synth and supporting elements that contribute to the track's energetic, radio-friendly polish. A key choice is the repetitive, booming —echoing the "boom-boom-bass" —which enhances the song's catchiness and danceable appeal.

Thematic content

The lyrics of "Super Bass" center on the of intense romantic attraction, portraying a flirtatious with a charismatic man whose presence evokes a powerful, pulsating energy. has described the song as being "about the boy that you are crushing over," where the narrator adopts a playful approach to rather than overt aggression. The titular "super bass" serves as a multifaceted , symbolizing both the booming in his car—evoking hip-hop culture's emphasis on impressive vehicles—and the accelerated heartbeat triggered by desire, as in the chorus line "Boy, you got my heartbeat runnin' away / Beatin' like a ." This dual imagery underscores the physical and emotional pull of attraction, blending auditory excitement with visceral passion. Minaj's lyrical style in "Super Bass" combines playful and double entendres, hallmarks of her technique, to infuse the track with wit and energy. For instance, phrases like "boomin' system" double as references to a car's audio setup and the man's magnetic charisma, while "stacks on deck" alludes to both financial wealth and readiness for romance. Her delivery features rapid-fire rhymes and similes, such as comparing the love interest to a "pelican fly," which adds a whimsical, exaggerated flair to the seduction. Although "Super Bass" does not explicitly invoke her Roman Zolanski—known for more aggressive personas in other works—it reflects Minaj's signature use of playful personas, like the confident "Barbie" elements in the verses, to explore with bold humor. This stylistic blend creates a "candy-coated " vibe, as noted by critics, prioritizing fun over confrontation. The progresses from initial flirtation to deepening , structured around vivid scenes of and pursuit. It opens with for the man's stylish arrival at the —"top down, with the cooler system"—escalating through the chorus's rhythmic confession of acceleration, and culminates in the verse's assertive claim: "I need you in my life for me to stay." Pop culture references ground this progression in and , including convertibles ("back coupes up"), celebrations ("pop bottles"), and high-status travel ("he never fly coach"), which evoke the glamour of lifestyles and material success as enhancers of allure. These elements heighten the song's escapist fantasy, turning personal desire into a culturally resonant story of pursuit. Through collaborative refinement, the evolved from initial concepts into a polished expression of , emphasizing unapologetic desire in a male-dominated genre. Co-written by Minaj with and others, the track was intentionally crafted to be "really colorful and cutesy," transforming raw ideas of into liberating verses where the female narrator actively "macks" her interest. This process highlights by centering women's in romance, with Minaj asserting her —"I am , I mack them dudes' interest"—in a way that celebrates bold without . The final version's sugar-glazed hooks and confident tone thus position "Super Bass" as a playful for female desire, influencing pop-rap's portrayal of romance.

Release and promotion

Single release

"Super Bass" first appeared on the deluxe edition of Nicki Minaj's debut studio album , which was released on November 22, 2010, by , , and . The track was later issued as the fifth single from the album on April 5, 2011, debuting as a digital download in the United States through Young Money, Cash Money, and Universal Republic Records. It simultaneously impacted American radio stations on the same date, marking its official rollout as a standalone . Promotional formats included CD distributed in the and select international markets, such as the and , to support radio and retail promotion. The release aligned with ongoing strategies to extend the lifespan of following its initial November 2010 launch, capitalizing on the album's growing popularity.

Marketing and live performances

The campaign for "Super Bass" emphasized its vibrant, pop-infused energy to broaden Nicki Minaj's appeal beyond audiences, leveraging visual media and radio airplay to drive momentum from her debut album . The music video, directed by , premiered on May 5, 2011, via Minaj's official channel, quickly amassing millions of views. Promotion extended to rhythmic radio stations starting April 5, 2011, where the track climbed to No. 1 on the Rhythmic Airplay chart by August 6, 2011, marking Minaj's first leader in the format. The song was integrated into broader tie-ins, including its inclusion in the setlist for the 2012 , which supported both and the follow-up Pink Friday: Roman Reloaded, allowing Minaj to showcase the track during international dates across , , and . Live performances of "Super Bass" played a key role in building hype, often featuring elaborate staging, colorful costumes, and surprise guests to highlight its playful, high-energy vibe. At the on May 22, Minaj delivered a dynamic rendition joined by for a segue into "," complete with synchronized dancers and neon visuals that mirrored the video's aesthetic. Later that year, on November 9, she performed the song at the , strutting the runway in a pink ensemble amid models, blending the track's flirtatious with the event's glamorous runway spectacle broadcast on . The track remained a concert staple in subsequent years, underscoring its enduring popularity. During the 2012 , "Super Bass" was a highlight in Minaj's high-production shows, often closing segments with bass-heavy drops and fan interactions to energize crowds. In a 2014 revival at the on September 20, Minaj reprised it alongside hits like "Anaconda" and an "Flawless" remix, drawing massive applause for its nostalgic pop-rap fusion during the two-night event.

Critical reception

Contemporary reviews

Upon its release as a single in April 2011, "Super Bass" garnered widespread praise from critics for its infectious energy, blending of pop and elements, and Nicki Minaj's vibrant performance, positioning it as a key track in her rise to mainstream prominence. designated it a Best New Track, lauding its effervescent quality that evoked the onset of summer, its booty-bass influenced production by , and Minaj's ability to deliver a perfect fusion of pop accessibility and rap prowess, marking her first major solo breakthrough after high-profile guest appearances. Billboard highlighted the song's explosive appeal in contemporary coverage, describing it as a booming hit that showcased Minaj's crossover potential and became one of the year's defining rap-pop singles. praised its clever execution, noting how Minaj elevated potentially cheesy pop tropes into something fun and intelligent through her mature lyrical delivery and charismatic flow. While some critics offered mixed perspectives, others commended its broad accessibility, which facilitated Minaj's mainstream breakthrough on the album Pink Friday deluxe edition. Early 2011 features in Rolling Stone and Spin further emphasized the track's role in solidifying Minaj's profile, with Rolling Stone later ranking it among the year's top 25 songs for its playful seduction narrative and club-ready hook.

Retrospective assessments

In later years, critics have reevaluated "Super Bass" for its role in bridging and pop, cementing its status as a pivotal track in Nicki Minaj's career and broader genre evolution. Publications from the have highlighted its enduring appeal, noting how its infectious energy and playful structure continue to resonate with listeners across generations. In 2021, included "Super Bass" at number 426 on its list of the 500 Greatest Songs of All Time, describing it as Minaj's seminal pivot to pop that risked blending and to achieve massive crossover success, marking the highest-charting song by a female rapper since Missy Elliott's "Work It." The publication emphasized its bold experimentation, which paid off by establishing Minaj as a dominant force in both and mainstream music. Billboard's 2023 ranking of the 500 Best Pop Songs placed "Super Bass" at number 13, underscoring its catchiness, emotional impact, and memorability as one of the most enduring entries on the Hot 100 since 1958. The list's staff selection praised the track's ability to captivate through its vibrant production and Minaj's versatile delivery, positioning it among timeless pop staples like Whitney Houston's "I Wanna Dance with Somebody." Analyses in 2020s outlets like The Ringer have examined "Super Bass" as a key influence on female -pop hybrids, portraying it as a bright, poppy single with a breathless double-time flow that served as a decidedly girly , challenging traditional notions of in while reconciling the genres for future artists. Billboard's 2019 feature on songs that defined the similarly noted the track's effective genre fusion of rhythms and pop hooks. In October 2024, Billboard ranked Minaj the 13th greatest pop star of the 21st century, citing "Super Bass" as the ultimate expression of her candy-coated pop-rap fusion with its cheeky choreography and suggestive bars. A November 2025 analysis in Senses of Cinema further explored the song's music video as a case study in Minaj's camp aesthetics and her role as a digital diva and queer icon.

Commercial performance

Chart performance

"Super Bass" debuted at number 98 on the chart dated May 14, 2011, and gradually climbed the ranks, reaching its peak position of number 3 on the chart dated August 13, 2011. The song's ascent was significantly driven by strong radio airplay, which propelled it into the top 10 after initial digital sales momentum from its status as a promotional buzz single. It spent a total of 39 weeks on the . Additionally, "Super Bass" topped the chart, marking Minaj's first number-one hit on that ranking. Internationally, the song entered the on May 14, 2011, at number 46 the following week, and peaked at number 8 after several weeks of steady progress. In , it achieved a peak of number 4 on the ARIA Singles Chart in August 2011, following an entry in late April. In , "Super Bass" debuted at number 92 on the dated May 21, 2011, and rose to a peak of number 6 on July 30, 2011. The track experienced notable resurgences between 2020 and 2023, fueled by viral popularity on , which led to renewed streaming and sales activity, enabling it to re-enter the Digital Song Sales chart within the top 10 during this period. This contributed to Minaj charting on the Hot 100 for 16 consecutive years from 2010 to 2025. On Billboard's decade-end Hot 100 chart for the , "Super Bass" ranked at number 94, reflecting its enduring impact and longevity during that era.

Sales and certifications

"Super Bass" achieved substantial sales success , surpassing 5 million downloads by 2014 according to tracking. Nielsen SoundScan indicated that the song's peak sales week occurred in , with 250,000 downloads sold. The (RIAA) first certified "Super Bass" as on November 9, 2021, denoting 10 million equivalent units in the , including downloads and streams. This certification was upgraded to 12× on March 29, 2024, reflecting 12 million units and marking it as the highest-certified by a female rapper in RIAA history. Internationally, the song earned 3× Platinum certification from the (BPI) in the , equivalent to 1.8 million units. In , the Australian Recording Industry Association (ARIA) awarded 11× status as of 2024, representing 770,000 units. Global estimates place "Super Bass" at 7.6 million pure sales as of September 2025, with total equivalent units exceeding 29 million, propelled by robust streaming performance, including more than 1.1 billion streams on as of November 2025.
RegionCertifying BodyCertificationUnits (as of certification)Date
RIAA12× Platinum12,000,000March 29, 2024
BPI3× Platinum1,800,0002022
ARIA11× Platinum770,0002024

Music video

Production

The music video for "Super Bass" was directed by , a Moroccan-American filmmaker known for her work in music videos and feature films. Filming took place over two days in late March 2011 in , , capturing the high-energy essence of the track through dynamic choreography and set designs. Production involved extensive casting for a ensemble of dancers to perform synchronized routines that amplified the song's playful and rhythmic vibe, alongside cameo appearances including , Minaj's then-boyfriend, integrated into whimsical dream sequences. The visual style emphasized vibrant, saturated colors and candy-themed sets—featuring pinks, lollipops, and whimsical props—to evoke a fantastical, youthful atmosphere that mirrored the song's flirtatious lyrics and upbeat tempo. Quick cuts and fluid camera movements were employed throughout to maintain momentum, blending live-action performance with stylized transitions for an immersive, energetic feel. Post-production was handled by editor Katie Hetland, who focused on seamless pacing and to enhance surreal elements, such as floating, dreamlike rooms and glowing accents that added a layer of otherworldly charm to the sequences. These effects were achieved through digital compositing and , ensuring the final cut aligned with Minaj's bold artistic persona while highlighting the song's pop-rap fusion.

Synopsis

The music video for "Super Bass," directed by and released on May 5, 2011, opens with a of awakening in a vibrant, candy-colored adorned with pink hues and whimsical decorations, her eyes blinking as she transitions into a dreamlike state. As the track begins, Minaj lip-syncs the opening verses while lounging on her bed, surrounded by floating objects like stuffed animals and hearts that evoke a surreal, playful fantasy. The narrative then shifts to dream sequences where Minaj encounters a series of male suitors, portrayed through energetic breaks in a grand setting filled with lights and mirrored walls. Key scenes include Minaj playfully chasing and interacting with the suited men, symbolizing flirtatious attraction, interspersed with her performing choreographed routines alongside backup dancers in matching outfits. The video culminates in a blend of fantasy and as Minaj returns to her bedroom, waking up with a , suggesting the suitors and dances were part of a vivid . Running for 3:32, the visuals incorporate surrealistic elements reminiscent of pop videos, such as exaggerated colors and dream logic, enhancing the song's themes of .

Critical response

Upon its release in May 2011, the "Super Bass" music video garnered praise for its innovative direction by Sanaa Hamri and Nicki Minaj's charismatic performance, earning a nomination for Best Female Video at the 2011 MTV Video Music Awards while winning Best Hip-Hop Video. Reviews from the time highlighted the video's empowering perspective through a female gaze, with Rap-Up describing it as a "vibrant" showcase of Minaj's playful energy amid colorful sets and male dancers. Similarly, Spin commended the "eye-popping visuals" and Minaj's flirty, fun demeanor in scenes like the candy-colored striptease, noting how it flipped traditional hip-hop tropes. The video's bold aesthetics drew some mixed reactions, with an early piece acknowledging the over-the-top elements like the troupe of "bizarro Minajes" as potentially gimmicky yet ultimately engaging. Despite this, it received significant accolades, and was ranked #7 on VH1's Top 40 Music Videos of 2011. By 2023, the video's lasting impact was underscored when it surpassed 1 billion views on , and as of November 2025, it has exceeded 1.08 billion views, cementing its status as a cultural staple. Retrospective critiques have further praised its campy style for subverting norms and empowering female representation.

Legacy

Cultural impact

"Super Bass" significantly contributed to the popularization of female-led -pop crossovers, blending Minaj's rapid-fire verses with infectious pop hooks and production, which helped bridge and mainstream pop audiences. This fusion marked a turning point in Minaj's career, establishing her as a versatile artist capable of topping charts in multiple genres and paving the way for subsequent female rappers to experiment with similar hybrid styles. The track's success inspired a wave of female artists, including and , who have drawn from Minaj's blueprint of confident, genre-blending performances to assert their presence in and pop. Minaj's innovative approach in "Super Bass" exemplified how female rappers could dominate spaces traditionally reserved for male artists, influencing the resurgence of women in during the and beyond. In retrospective rankings, "Super Bass" was placed at number 13 on Billboard's list of the 500 Best Pop Songs of All Time in 2024 and included in Rolling Stone's 500 Greatest Songs of All Time (2021 update). Between 2020 and 2024, "Super Bass" saw renewed popularity on through dance challenges and lip-sync videos, amassing over 161,000 uses of the sound and fueling centered on its playful, booming hook like "boom, badoom boom." This digital revival extended the song's lifespan, introducing it to younger audiences and reinforcing its status as a pop staple. The song has been sampled and interpolated in tracks by emerging rappers, such as Jane Remover's "0-0" in 2020 and jalen #vlm's "Think Pink" in 2024, demonstrating its enduring influence on new production. Its themes of female agency and desire have been examined in feminist music studies for promoting , with scholars noting how Minaj's portrayal subverts traditional by reclaiming sexuality on her terms.

Cover versions and remixes

An official remix featuring singer-songwriter , who co-wrote the original track, was released as a promotional in 2011, with Dean performing the chorus vocals in place of Minaj's original delivery. Various club-oriented , including the DJ IZK Club Mix and the Anthem Kingz Remix, were also issued officially on a 12-inch that same year, extending the song's dance appeal. The song has inspired numerous covers across media platforms. In 2022, ranked "Super Bass" at number 94 on its list of the 100 Greatest Songs of All Time, highlighting its enduring popularity for sing-alongs due to its catchy chorus and rhythmic flow. , a frequent collaborator with Minaj, has incorporated live covers of "Super Bass" into her early concert sets, including performances during her 2014 tour dates where she rapped portions of the track to showcase her versatility. Unofficial adaptations have proliferated on social media, particularly TikTok, where viral covers and mashups have amassed millions of views since 2021, often reimagining the song in acoustic, folk, or sped-up formats. Instrumental reinterpretations, such as string quartet and violin arrangements, have appeared in online media and wedding repertoires, transforming the hip-hop track into elegant chamber music versions.

Awards and nominations

"Super Bass" received several accolades following its release, recognizing its commercial success and cultural impact in the hip-hop and pop music landscapes. The song's music video earned a win at the 2011 MTV Video Music Awards, while the track itself was honored at the BMI R&B/Hip-Hop Awards in 2012. The following table lists the major awards and nominations received by "Super Bass":
YearCeremonyCategoryResult
20114Music Video HonoursBest Big BeatWon
20114Music Video HonoursBest VideoNominated
2011MP3 Music AwardsMusic Industry Choice AwardWon
2011MTV Video Music AwardsBest Hip-Hop VideoWon
2011MTV Video Music AwardsBest Female VideoNominated
2011Teen Choice AwardsChoice Summer SongNominated
2012Billboard Music AwardsTop Rap SongNominated
2012Billboard Music AwardsTop Streaming Song (Audio)Nominated
2012Billboard Music AwardsTop Streaming Song (Video)Won
2012BMI Pop AwardsAward-Winning SongWon
2012BMI R&B/Hip-Hop AwardsSong of the YearWon
2012BMI R&B/Hip-Hop AwardsAward-Winning SongWon
2012International Dance Music AwardsBest R&B/Urban Dance TrackNominated
2012International Dance Music AwardsBest Rap/Hip Hop Dance TrackWon
2012MTV Platinum Video Plays AwardsMost-Played Music VideoWon
"Super Bass" has received 6 nominations and 9 wins across various music awards ceremonies worldwide, solidifying its status as one of 's signature hits.

Credits and releases

Personnel

"Super Bass" features lead vocals by , with additional background vocals provided by . The song was produced by , with co-production from J Mike and additional production by "First Born". Songwriting credits are attributed to (Onika Maraj), , and (Daniel Johnson). Mixing was handled by Ariel Chobaz, assisted by Lyttleton "Cartwheel" Carter. Mastering was performed by at Sterling Sound. A&R direction for was overseen by Joshua Berkman, with A&R coordination by James "Cruz Control" Cruz and Safaree "SB" Samuels, while Bryan "Birdman" Williams served as executive producer alongside Dwayne "The President" Carter and Ronald "Slim Tha Don" Williams. Recording took place with engineers Ariel Chobaz and Chris "Tek" O'Bannon, assisted by Lyttleton "Cartwheel" Carter.

Track listing

"Super Bass" was released as a digital single in explicit and clean versions, both running 3:20. The song appears on the deluxe edition of Nicki Minaj's debut album Pink Friday as track 14. A physical was issued in the United States, featuring the following tracks:
No.TitleDuration
1."Super Bass"3:21
2."" (featuring )4:39
International promotional s were released in regions including the , , and , typically containing the standard "Super Bass" track in explicit form at 3:21. On streaming platforms, both clean and explicit versions are available, with the clean variant edited to remove profanity while maintaining the original 3:20 length.

Release history

"Super Bass" was released as the fifth single from Nicki Minaj's debut album Pink Friday on April 5, 2011, initially through digital download in the United States via iTunes, distributed by Young Money Entertainment, Cash Money Records, and Universal Republic Records. The track was simultaneously added to rhythmic contemporary radio playlists in the US on the same date. The single saw international rollout shortly thereafter, with digital download availability in the United Kingdom on April 10, 2011, followed by a physical CD single release there on May 2, 2011. In Australia, the digital version was issued on April 15, 2011. From 2011 onward, "Super Bass" was made accessible for global streaming on platforms such as Spotify and Apple Music, contributing to its widespread digital distribution. A vinyl reissue of the Pink Friday deluxe edition, featuring "Super Bass," was released in 2022 to commemorate the album's 10th anniversary, marking the song's first official appearance on the format. Initially handled under the Universal Republic Records imprint, the track's later reissues and certifications shifted to Republic Records following the label's integration into Universal Music Group in 2018.

Charts

Weekly charts

"Super Bass" demonstrated strong and sustained performance on weekly music charts across multiple territories, reflecting its enduring popularity through radio airplay, sales, and streaming. , the track debuted on the at number 98 on the chart dated May 14, 2011, before ascending to its peak position of number 3 on August 13, 2011, where it held for one week. It spent a total of 39 weeks on the chart initially, bolstered by resurgences driven by streaming in the , accumulating over 52 weeks as of November 2025. The song's trajectory on the Hot 100 included steady climbs in its early weeks, reaching the top 10 by , 2011, at number 10, and maintaining top-five presence for several months amid competition from contemporaries like Adele's "." Representative weekly positions during its peak period illustrate this momentum:
Chart Date (2011)Position
May 1498
June 415
10
July 165
August 133
September 36
In the , "Super Bass" entered the Official Singles Chart at number 46 on the week ending May 21, 2011, peaking at number 8 on the chart dated August 13, 2011, and charting for an initial 36 weeks before additional resurgences extended its total to 49 weeks as of 2024. The track re-entered sporadically due to digital download spikes and streaming, last appearing in 2012. Key positions from its primary run highlight its rapid ascent and longevity:
Chart Week Ending (2011)Position
May 2146
May 2831
June 425
July 217
August 138
October 137
On the Canadian Hot 100, the single debuted at number 92 on May 21, 2011, achieving a peak of number 6 on August 20, 2011, and totaling 36 weeks on the chart. Its performance mirrored the U.S. success, with consistent top-20 presence for much of its run. In , "Super Bass" entered the Singles Chart at number 47 in the week of June 12, 2011, peaking at number 6 for one week on August 14, 2011, and accumulating 26 weeks overall through sustained digital sales. The track also charted strongly in New Zealand, debuting at number 32 on May 23, 2011, reaching a peak of number 3 for two weeks in July 2011, and logging 23 weeks on the Singles Chart. Select positions from its climb include number 17 on June 20, 2011, and number 4 on July 11, 2011.

Year-end and decade-end charts

"Super Bass" demonstrated strong annual performance in 2011, ranking number 8 on the year-end chart, a testament to its widespread airplay, sales, and streaming impact throughout the year. The song's ranking was determined by Billboard's points system, which awards points based on weekly positions to measure overall chart performance and sustained popularity. In the , "Super Bass" placed at number 30 on the Official Charts Company's year-end top 40 singles for 2011, reflecting its solid sales and digital downloads in the market where it peaked at number 8. The track's longevity across the 2010s is highlighted by its number 94 position on the decade-end chart, underscoring its role as one of Nicki Minaj's breakthrough hits amid evolving metrics that incorporate streaming data post-2014.
Year-End Chart (2011)Position
US 8
UK Singles (Official Charts Top 40)30
Decade-End Chart (2010s)Position
US 94
In the 2020s, "Super Bass" has experienced renewed interest through streaming platforms, surpassing 1 billion global streams on on May 2, 2025, and reaching over 1.08 billion as of October 2025, driven by viral social media usage and playlist inclusions that have extended its cultural relevance.

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