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Pointfest

Pointfest is an annual outdoor held in , Missouri, organized by radio station 105.7 The Point (KPNT) at the Hollywood Casino Amphitheatre, featuring a lineup of , , and bands from national and local scenes. Established in 1993, Pointfest has grown into a longstanding tradition in the community, celebrating its 32nd edition in 2025 and drawing thousands of attendees each year with performances across multiple stages, including a main amphitheater stage for headliners and secondary setups for emerging acts. The event originated as a promotion for the station's format and has historically hosted major acts such as , , , and , while incorporating local talent through initiatives like the "Road to Pointfest" competition at Pop's Nightclub. Over its three decades, Pointfest has occasionally featured two events in a single year during its early years and adapted its sound to include a mix of established favorites and newer bands, maintaining its reputation as a key platform for rock music in the Midwest. The festival typically runs for a full day in May, with sets alternating between stages to keep the energy high, and emphasizes through radio promotions and fan-voted elements.

Overview

Background and Origins

Pointfest was launched in 1993 by KPNT, operating as 105.7 The Point, as a one-day outdoor festival designed to promote in the metropolitan area. The station, which had adopted its format earlier that year after ending a simulcast with another outlet, sought to build through live performances of emerging and established acts in the genre. The inaugural event, known as Pointfest 1 or Pointfest '93, occurred on September 11, 1993, at Riverport Amphitheatre in . The lineup featured artists including , They Might Be Giants, , , , and , drawing an audience eager for a dedicated platform for alternative sounds. Music director and midday host Donny Fandango was instrumental in the festival's conceptualization, leveraging his role at the station to curate programming that aligned with The Point's mission of showcasing "everything ." Station DJs contributed to early planning, helping to establish Pointfest as a signature event for the broadcaster. Due to growing popularity, Pointfest evolved from a single annual gathering to occasionally featuring double festivals in the mid-1990s, allowing for expanded lineups and broader artist representation while maintaining its focus on , , and music. Initial efforts involved navigating logistical hurdles, such as coordinating with the venue and attracting corporate sponsors to support the new format in a competitive local music scene.

Cultural Significance

Pointfest has served as a cornerstone event for Midwestern rock fans since its inception in , fostering a strong sense of community among enthusiasts in the region. The annual festival has created a shared space for fans to connect over live performances, building lasting bonds through decades of consistent programming that reflects the evolving tastes of its audience. This communal aspect has positioned Pointfest as a vital tradition, drawing attendees from across the Midwest to celebrate rock music's cultural role in everyday life. The festival has significantly impacted local bands through its dedicated "Pop's Local Stage," an annual feature that provides emerging St. Louis acts with high-visibility exposure via a battle-of-the-bands competition. This platform has launched several artists toward national recognition, including St. Louis natives Greek Fire, whose multiple appearances helped amplify their profile beyond the region, and The Urge, whose enduring presence underscores the event's role in sustaining local musical legacies. By prioritizing homegrown talent, Pointfest has nurtured the St. Louis music ecosystem, enabling bands to transition from regional obscurity to broader acclaim. Economically and socially, Pointfest contributes to regional by attracting growing crowds, with attendance evolving from smaller gatherings in its early years to tens of thousands, as evidenced by the 20,000 fans reported in 2018. The event bolsters local businesses through increased visitor spending on lodging, food, and merchandise, while enhancing social cohesion in the . milestones, such as the 30th anniversary celebration in 2023, highlight its resilience amid economic fluctuations and the , during which the festival was postponed in 2020 but successfully returned in 2021. Criticisms of Pointfest have centered on shifts in genre emphasis, evolving from punk and ska influences in the and to heavier rock and lineups in recent years, which some longtime fans have viewed as a departure from its . Organizers have adapted by incorporating fan feedback, diversifying stages to balance classic acts with newer, heavier sounds, ensuring the festival remains relevant while addressing concerns about lineup evolution.

Organization and Format

Radio Station Role

105.7 The Point, a station licensed to , and serving the area, founded Pointfest in 1993 as an annual music festival to promote and foster listener loyalty through immersive live music experiences. The event emerged alongside the station's launch as St. Louis's original alternative radio outlet, serving as a key promotional tool to engage its audience and establish a cultural marker in the region. The station maintains ongoing operational responsibilities, including lineup curation led by its music directors, who select acts aligned with the format to reflect current and . Ticket distribution occurs primarily through radio contests and on-air giveaways, such as hourly promotions and app-based , allowing listeners to win pairs or groups of tickets. On-air hype is amplified via DJ-hosted segments, where personalities preview the event, share artist insights, and build excitement through dedicated programming blocks. Pointfest involves partnerships with entities like Live Nation for venue management, ticketing logistics, and production support at Hollywood Casino Amphitheatre, alongside sponsors such as Sheet Metal Workers Local 36. The station's involvement has evolved from grassroots efforts in the , when it organized smaller-scale events, to more professional productions in the 2000s and beyond, incorporating digital elements like online streaming and integrations by the 2020s to enhance and . Key personnel play pivotal roles in event planning and execution, with and Midday Host Donny Fandango contributing to lineup decisions, conducting backstage interviews, and serving as an on-site emcee to connect with performers and fans. The Rizzuto Show, the station's flagship morning program, handles promotional announcements, contest coordination, and live activations like interactive fan events during the festival, further embedding the station's presence.

Event Structure and Stages

Pointfest events generally follow a one-day format that begins in the midday and concludes at nightfall, though some years in the festival's early history featured two separate one-day events, such as in 1995, to accommodate larger lineups overall. The festival typically features 8 to 12 acts, with performances running from approximately 1 PM to 10 PM, allowing for a full day of music interspersed with DJ interludes hosted by 105.7 staff. Gates open around noon to facilitate early entry and setup. Central to the event is the main stage, which hosts national headliners in genres like and , exemplified by acts such as and . Complementing this is the secondary "Local 105.7 Stage," dedicated to regional and emerging talent, often in partnership with Pop's Nightclub. Slots on this stage are awarded through , including the annual Road to Pointfest contest, where local bands vie for performance opportunities based on fan votes and judging criteria. Beyond the music, Pointfest incorporates various on-site elements to enhance the attendee experience, including food vendors offering diverse options and merchandise booths selling festival- and artist-branded items. In later years, zones have been added, providing activities suitable for amid the rock-focused atmosphere. VIP areas, introduced in the 2000s, offer upgraded seating, expedited entry, and exclusive amenities for premium ticket holders. Event adaptations have included health measures, such as proof of vaccination or negative COVID-19 testing during the edition, aligning with broader venue guidelines at the time.

Venue and Logistics

Primary Venue

The Hollywood Casino Amphitheatre, located in , approximately 15 miles northwest of , has served as the primary venue for Pointfest since the festival's inaugural event there in 1993. Originally opened as the Riverport Amphitheatre in , the outdoor concert facility was designed as an open-air amphitheater to optimize acoustics for large-scale rock performances, featuring a covered seating area and expansive lawn for general admission. Its total capacity reaches 19,000 attendees, with about 7,000 reserved seats under the pavilion and 12,000 spaces on the lawn, making it well-suited to accommodate the crowds drawn by Pointfest's lineup of alternative and rock acts. The venue's amphitheater layout ensures clear sightlines and sound distribution, enhancing the festival experience for diverse audience sections. Over the years, the venue has undergone several naming changes tied to corporate sponsorships, transitioning from Riverport Amphitheatre to UMB Bank Pavilion in 2002, then to Wireless Amphitheater in 2006, and finally to Hollywood Casino Amphitheatre in 2014 following a agreement with Live Nation and Casino. These shifts in ownership and branding have had minimal impact on Pointfest operations, allowing the festival to maintain its annual presence without significant disruptions to setup or programming. Renovations, such as upgrades to VIP areas and facilities in the , have improved artist backstage amenities, including dressing rooms and production spaces tailored for multi-band events like Pointfest. A $3 million VIP area upgrade was announced in March 2025. Key advantages of the Hollywood Casino Amphitheatre for Pointfest include its suburban location, which provides easy access via major highways like , and extensive parking facilities capable of handling thousands of vehicles to support high-attendance days. This proximity to facilitates strong regional draw while the venue's infrastructure, including robust sound systems and stage configurations, aligns with the festival's needs for dual stages and efficient artist transitions.

Attendance and Safety Measures

Pointfest events generally draw crowds ranging from 10,000 to 20,000 attendees, aligning with the Hollywood Casino Amphitheatre's total capacity of approximately 19,000, including 7,000 reserved seats and 12,000 lawn spaces. Peak attendances, such as the sold-out in 2018 featuring and , highlight the festival's draw during strong lineups. The 2023 edition was noted for larger-than-usual turnout amid favorable weather and no delays. The 32nd edition on May 17, 2025, continued at the venue with a lineup including and . Safety measures at Pointfest have evolved significantly since the festival's inception in 1993. Early 1990s events relied on basic security protocols, including perimeter patrols and bag checks limited to prohibiting , drugs, weapons, and glass containers. Following the 1999 shooting, the Hollywood Casino Amphitheatre introduced walk-through metal detectors in the early as part of broader venue security enhancements to screen for prohibited items. By the , policies expanded to restrict bag sizes to clear plastic/vinyl/PVC bags no larger than 12" x 6" x 12" and small clutch bags up to 6" x 9", and ban chairs, umbrellas with metal tips, and outside food or beverages, with roaming security ensuring compliance. In the 2020s, safety emphases shifted toward health and environmental protections, particularly post-COVID-19. The edition proceeded after pandemic-related postponements, with restrictions lifted by and no mandatory masking or vaccinations required. stations and allowances for up to two empty or factory-sealed reusable water bottles (up to 1 gallon or 128 oz each) were added to combat , alongside medical tents and on-site EMTs. Weather contingencies include rain-or-shine operations with delays for severe conditions, notified via venue screens and . Logistics feature shuttle services from the nearby Hollywood Casino and select hotels to manage traffic on Riverport Drive, with a 7,000-space and no re-entry privileges to prevent overcrowding. Incidents remain rare, though enhanced barriers were implemented after minor overcrowding reports in the mid-2000s.

Pointfest Editions

1990s Editions

Pointfest's inaugural decade began with the festival's launch on September 11, 1993, at Riverport Amphitheatre in , where Pointfest 1 introduced its format centered on performers. The event showcased a diverse lineup including , They Might Be Giants, , , , and , drawing an initial audience to establish the one-day outdoor concert model promoted by radio station KPNT. The following year, Pointfest 2 occurred on August 20, 1994, building on the debut with acts such as , , , & Nine Stories, , , , and They Might Be Giants, further solidifying the event's appeal to fans of emerging and sounds. Rapid growth in popularity led to the introduction of double events starting in 1995 to accommodate demand. Pointfest 3, held on May 26, 1995, featured headliners and alongside , Live, , and The Watchmen. Later that year, Pointfest 4 took place on August 19, highlighting the , , , , , and . This pattern of paired festivals continued in 1996, with Pointfest 5 on May 27 presenting , , , Love & Rockets, , , , , and , emphasizing the rising and influences. Pointfest 6 followed on September 8, including , , , , , Stir, , They Might Be Giants, , , and The Refreshments. In 1997, the dual format persisted amid escalating attendance. Pointfest 7 on May 17 spotlighted , , L7, , Stir, , and . Pointfest 8 on May 26 brought , , , , , Cunninghams, and K’s Choice, blending pop-rock and hardcore elements. The 1998 edition maintained the expansion, with Pointfest 9 on May 24 hosting , , , , , and in a high-energy alternative showcase. Pointfest 10 on September 5 included , , , , , , , They Might Be Giants, and . Closing the decade, Pointfest 11 on May 23, 1999, marked a pivot toward heavier and more eclectic lineups, headlined by with Blink-182, , , Lit, , , and The Flys. Over seven years, the festival hosted 11 events, reflecting its swift rise as a cornerstone of the scene through fan enthusiasm and strategic expansions.

2000s Editions

The represented a phase of significant growth for Pointfest, as the festival expanded its to include multiple events per year, attracting larger crowds and featuring a mix of established rock acts and emerging local talent. This period saw the continuation of double-header editions that had begun in the , allowing for broader lineups that spanned nu-metal, , and influences, reflecting the commercial peak of the event amid rising popularity of the genre. Headliners became more prominent, with budgets supporting bigger productions at the Riverport Amphitheatre (later renamed Wireless Amphitheatre), contributing to the festival's status as a major regional draw. Pointfest 12, held on May 21, 2000, highlighted the festival's rising appeal with a lineup anchored by and , alongside ; performers actively urged fans on the lawn to relocate to underfilled seating areas, fostering an energetic atmosphere that underscored the event's growing attendance. Subsequent editions built on this momentum, such as Pointfest 15 on June 8, 2003, where local contest winner New Empire earned a performance slot, exemplifying the festival's support for regional artists. A notable challenge occurred during Pointfest 17 on May 15, 2005, when scheduled performers withdrew due to illness, and TRUSTcompany canceled their appearance, yet the event proceeded with other acts, demonstrating logistical resilience. Local bands continued to gain visibility, as seen in Pointfest 20 on May 12, 2007, which spotlighted St. Louis-area groups like , (the main stage contest winner), Dead By Tuesday, and Bi-Level on its lineup. The double-header tradition solidified in 2007 with Pointfest 21 on September 30, featuring main stage acts , , and , though pulled out after their lead singer lost his voice. This format persisted into 2008, with Pointfest 22 on May 18 introducing stronger production elements, despite canceling their main stage slot. Pointfest 23 on September 20 marked an innovation with side-by-side stages for seamless transitions between sets, though headliner withdrew. By 2009, the festival reached new heights in scale, as evidenced by Pointfest 24 on May 23, which boasted , , and on the main stage, complemented by side stage performers like (hed) P.E. and . Pointfest 25 later that year on August 23 highlighted and with and headlining, alongside and , further emphasizing the event's ability to draw diverse rock audiences. These editions exemplified the ' trends toward enhanced staging and bigger-name bookings, solidifying Pointfest's role in the scene.

2010s Editions

The 2010s marked a period of experimentation and adaptation for Pointfest, with the festival holding multiple events in some years before settling into an annual single-day format, reflecting shifts in the rock landscape amid rising digital streaming. Early in the decade, organizers hosted two editions in both and , signaling a return to more frequent programming after the economic challenges of the late . Lineups continued to emphasize , nu-metal, and acts, drawing crowds to the Wireless Amphitheater (later rebranded as Hollywood Casino Amphitheatre) in . Attendance typically ranged from 12,000 to 15,000 per event, stabilizing as the festival balanced high-profile headliners with emerging bands. Pointfest 26, held on June 6, 2010, featured headliners , , and , alongside , , , , and others such as and on secondary stages. Originally scheduled performer Hurt canceled due to illness, with Autovein stepping in as a replacement. Just two months later, Pointfest 27 on August 14, 2010, showcased and as co-headliners, with Flyleaf, , and Hurt (now recovered) on the main stage, highlighting the festival's aggressive scheduling to capitalize on summer touring seasons. These back-to-back events in 2011—Pointfest 28 on May 15 (headlined by Korn, , and ) and Pointfest 29 on September 10 (featuring a reunion set by local favorites )—further demonstrated this intensified pace before reverting to one annual show. Mid-decade innovations included Pointfest 30, the only two-day edition in the festival's history, spanning May 19 and 20, 2012, at Verizon Wireless Amphitheater. Day one highlighted Incubus, Chevelle, Cypress Hill, and P.O.D., with AWOLNATION and Neon Trees providing alternative rock support, while day two brought metal focus via Rob Zombie and Megadeth, joined by Sevendust, 10 Years, and Trapt. This expanded format aimed to accommodate diverse subgenres but was not repeated, as single-day events proved more logistically feasible. In 2014, Pointfest 32 (promoted simply as Pointfest 2014, the first such branding since 1995) drew criticism for its "mellower" lineup of The Offspring, Queens of the Stone Age, AFI, Neon Trees, and Blue October, which some fans viewed as a departure from the heavier acts of prior years like Alice in Chains and Papa Roach in 2013's Pointfest 31; organizers adjusted subsequent bookings to incorporate more aggressive rock elements in response to the backlash. Pointfest 33 on May 23, 2015, featured Breaking Benjamin, Seether, Chevelle, and The Used, while Pointfest 34 in 2016 highlighted Deftones and Bring Me the Horizon. Pointfest 36 on May 12, 2018, was headlined by , with , , , Brookroyal, , , , and Common Jones. Later editions faced logistical hurdles, exemplified by Pointfest 35 in 2017, which was planned as a two-day event on May 13 and 20 but ultimately canceled entirely. Korn's May 13 performance was scrapped due to lead singer requiring vocal rest, and the May 20 show—headlined by —was axed following the death of frontman on May 18. The decade closed on a high note with Pointfest 37 on May 25, 2019, headlined by LIVE and , featuring , Fuel, Filter, P.O.D., and rising acts like and , representing a pre-pandemic peak in genre diversity blending '90s alt-rock revival with modern . Throughout the , Pointfest increasingly adopted digital ticketing platforms for sales and entry, aligning with broader industry shifts, while lineups trended toward a heavier rock emphasis—evident in frequent bookings of metal-influenced bands like (2016) and (2015)—to retain core audiences amid streaming's rise.

2020s Editions

The 2020 edition of Pointfest was canceled due to the COVID-19 pandemic, marking the first interruption in the festival's annual run since its inception. Pointfest returned in 2021 as the 38th edition on September 19 at Hollywood Casino Amphitheatre, headlined by Shinedown and Seether, with supporting acts including Badflower, Grandson, Greek Fire, and Zero 9:36. The event implemented COVID-19 protocols in line with Missouri guidelines at the time, including masking recommendations and capacity considerations for large gatherings during the ongoing recovery phase. In 2022, Pointfest 39 took place on September 24, headlined by and featuring , , , & , Shaman’s Harvest, , The Warning, and Brookroyal. This edition signified a return to full capacity operations as pandemic restrictions eased significantly, allowing for a more traditional festival experience with expanded attendance. Pointfest 40 occurred on May 27, 2023, celebrating the festival's 30th anniversary with headliners Incubus and Coheed and Cambria, alongside The Pretty Reckless, Bad Omens, Badflower, Greek Fire, Band-Maid, Des Rocs, and Tigercub. The event included nostalgic elements honoring the festival's history, such as references to past lineups and its role in St. Louis rock culture since 1993. The 2024 edition, held on May 18 without a numerical designation, shifted toward newer acts in the and alternative scenes, headlined by and , with , , Sleep Theory, , , Letdown., and Inimical Drive rounding out the bill. This lineup emphasized emerging talent while maintaining the festival's rock foundation. Pointfest 2025, on May 17, featured a blend of veteran rock acts and local favorites, headlined by , with , , , , , , Post Sex Nachos, and . The event highlighted St. Louis roots through acts like and drew strong attendance reflective of the festival's enduring appeal. Throughout the 2020s, Pointfest has adapted to post-pandemic realities by transitioning from numbered editions (38 through 40) to year-based naming starting in 2024, while retaining some health measures like enhanced . The lineups have diversified across rock subgenres, from and nu-metal veterans to rising bands, ensuring broad appeal amid evolving listener preferences.

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