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Rahab

Rahab was a woman identified in the as a residing in the city of , where she played a pivotal role in aiding two Israelite spies sent by prior to the Israelite conquest of , an act that demonstrated her faith in the and led to the sparing of her life and family. In the narrative of Joshua chapter 2, the spies entered and lodged at Rahab's house, which was located on or near the city's , providing strategic access. When of Jericho learned of their presence and demanded Rahab surrender them, she concealed the men on her rooftop under stalks of and deceived 's messengers by claiming the spies had already departed. Rahab then confessed her belief in Yahweh's power, stating, "I know that has given you this land and that a of you has fallen on us," and negotiated a for her family's protection in exchange for her assistance. The spies instructed her to bind a scarlet cord in the window through which she lowered them to safety using a rope, serving as a marker for the to spare her household during the impending attack. Following the miraculous fall of Jericho's walls in 6, Rahab and all within her house were rescued by the and integrated into their community. Her story extends into the , where she appears in the Christ as the wife of from the and the mother of , linking her legacy to the . Rahab is also cited as an exemplar of in Hebrews 11:31, which notes she "was not killed with those who were disobedient" due to welcoming the spies, and in James 2:25, which praises her actions as of combined with works. Scholarly analysis suggests her residence in a wall structure may reflect later editorial influences on the text, potentially aligning with fortifications rather than the Late setting of the conquest.

Biblical Narrative

Account in the Book of Joshua

In the Book of Joshua, the narrative begins with , son of Nun, sending two Israelite spies from Shittim to reconnoiter the land of , with a particular focus on the fortified city of . The spies enter and lodge at the house of a woman named Rahab, identified in the text as a zonah, or . Upon learning of the spies' presence from the king of , who demands their surrender, Rahab conceals them by hiding the men on her rooftop under stalks of . She deceives the king's messengers by claiming the spies had already departed at dusk, allowing the visitors time to evade capture. After the danger passes, Rahab approaches the spies and confesses her knowledge of the ' , recounting reports of the 's miraculous parting of the during from and the subsequent defeats of the Amorite Sihon and east of the . These events have instilled terror among the Canaanites, leading Rahab to declare, "The your is indeed in heaven above and on earth below." Her fear of the and recognition of divine power prompt her to seek protection for herself and her family. Rahab negotiates an oath with the spies, requesting that they spare her household in exchange for her aid; the spies agree, binding themselves to deal kindly and faithfully with her as she has done with them. To facilitate their escape, she lowers them by a rope through her window in the city wall, instructing them to hide in the hill country for three days to avoid pursuers. In return, the spies specify that her house must be marked with a scarlet cord in the window, and her family—including parents, siblings, and their households—must remain inside during the impending conquest, serving as the sign for their preservation. Rahab affirms the agreement by tying the cord in place. The spies return to Joshua and report the fear gripping Jericho's inhabitants, confirming the city's vulnerability. Later, during the Israelite conquest of in Joshua 6, after the city walls collapse following the procession of priests and the army around it for seven days, commands the two spies to retrieve Rahab and her family from her house on the wall. They bring her out along with her father, mother, brothers, and all her relatives, sparing them as sworn while the city is devoted to destruction; Rahab and her household thus integrate into Israelite society thereafter.

Rahab's Role and Covenant

In the , Rahab emerges as a outsider who actively aligns herself with the , marking a pivotal moment of inclusion for non- within God's community. By hiding the Israelite spies sent to scout and confessing her faith in Yahweh's supremacy, Rahab transitions from an enemy of to a participant in its divine mission, symbolizing the potential for Gentiles to join the through recognition of His power. This alignment underscores themes of divine favor extended to the marginalized, as Rahab's actions demonstrate how Yahweh's purposes encompass those outside the boundaries. Rahab's motivations stem from her awe and fear of Yahweh, informed by reports of His miraculous acts, including the parting of the Red Sea and the defeats of the Amorite kings Sihon and Og. In Joshua 2:9-11, she declares to the spies, "I know that the Lord has given you the land, and that the fear of you has fallen upon us... For we have heard how the Lord dried up the water of the Red Sea before you when you came out of Egypt... The Lord your God, he is God in the heavens above and on the earth beneath." This confession reflects her theological insight into Yahweh's sovereignty, prompting her to seek protection for herself and her family amid the impending conquest. Central to Rahab's alliance is the protective she negotiates with the spies, sealed by the placement of a cord in her window as a sign for the to spare her household during Jericho's fall. The Hebrew term tiqwâ for this cord carries a dual meaning, evoking both a literal line and the concept of "," thus termed a "cord of " in interpretive . This marker parallels the blood on the ' doorposts during the in , serving as a of divine and deliverance from judgment for those who align with Yahweh's people. Following the , Rahab and her family are integrated into Israelite society, as 6:25 states: "But Rahab the and her father's household and all who belonged to her, saved alive... So she has lived in the midst of to this day." This inclusion highlights themes of and , as Rahab's trust in and her welcoming of the spies result in her full incorporation into the community, exemplifying how divine favor redeems and elevates the outsider.

Identity and Background

Etymology of the Name

The Hebrew name for Rahab, רָחָב (Rāḥāḇ or Rachav), derives from the root רָחַב (rāḥab), which means "to be broad," "wide," or "spacious." This etymology suggests connotations of expansiveness, potentially evoking or openness, as the adjective form רָחָב can imply something lofty or arrogant in certain biblical contexts. Some scholars propose it as a shortened form of the Rechavya (Rehabiah), incorporating a divine , though this remains speculative without direct textual support. The name bears a phonetic resemblance to רַהַב (Rahab), a term used in poetic biblical passages such as Isaiah 51:9 and Psalm 89:10 to denote a mythical sea monster symbolizing primordial chaos and defeated by God. However, the woman's name features a ḥet (ח) while the monster's uses a he (ה), indicating distinct Hebrew spellings despite English transliteration similarities, which has led to scholarly debate over any intentional linkage. Some interpretations view this as symbolic, portraying Rahab of Jericho as a figure of conquered chaos aiding Israel's expansion, though others dismiss direct connections as coincidental. Alternative etymologies are less attested but include broader parallels implying spaciousness akin to terms for "open" areas. Symbolically, the name's association with "broadness" has been linked to themes of territorial expansion, as in the broadening of Israel's borders through , or to Rahab's act of expansive hospitality in sheltering the spies.

Profession and Scholarly Interpretations

In the , Rahab is described using the Hebrew term zonah (זֹנָה) in 2:1, which is traditionally translated as "" or "harlot" in English versions of the . However, scholars have debated this rendering, proposing alternatives such as "innkeeper" or "hostess" based on linguistic and cultural evidence from the . The term zonah appears in contexts suggesting a who provides lodging or services at a , where such establishments often doubled as places for commercial sex or . Rahab's house, explicitly located on the city wall of (Joshua 2:15), further supports this interpretation, as such positions were strategic for , , or welcoming travelers, aligning with the functions of an innkeeper rather than a solely isolated . Scholarly debates on Rahab's encompass feminist readings that portray her as an empowered navigating in a patriarchal and colonial context, rather than a passive of . Historical analyses also explore connections to in culture, where zonah could denote cultic roles involving ritual sexuality in worship of deities like , though evidence for widespread remains contested and not definitively tied to Rahab's narrative. Archaeological context from () underscores the gate and wall areas as hubs for commercial activities, including those of innkeepers or sex workers, during the Late ; however, the site's destruction layers and dating around 1400–1200 BCE are disputed, complicating direct correlations to the biblical timeline. In 20th- and 21st-century , figures like Tikva Frymer-Kensky have emphasized Rahab's role without moral judgment, highlighting her as a complex figure embodying gender dynamics in ancient Israelite and avoiding reductive stereotypes of her occupation. Modern analyses similarly prioritize cultural and social implications over ethical condemnation, focusing on how her profession facilitated her interactions with outsiders.

Jewish Interpretations

In Rabbinic Literature

In rabbinic literature, Rahab is portrayed as a paradigmatic convert to , whose sincere repentance elevated her from a life of and to a position of honor within the Israelite community. According to the Babylonian , Rahab converted at the age of fifty after forty years of harlotry, and she subsequently married , becoming the ancestress of eight prophets, including , , and their descendants. This union is also noted in Megillat , emphasizing her full integration into Jewish life as a reward for her and actions during the conquest of . Rabbinic sources highlight Rahab's profound repentance (teshuvah) as a central theme, presenting her as a model for proselytes and the transformative power of turning to . In the Babylonian , she is described as one of the four most beautiful women in history—alongside , , and —whose allure was so great that the sun and moon delayed their setting to extend her time on ; yet, upon hearing of at the and , she abandoned idolatry and sought the . The contrasts her brief, heartfelt plea for mercy with ' prolonged prayers, which were not fully granted, to illustrate the superiority of genuine over . Her story underscores ethical lessons on , , and the potential for , positioning her as an exemplar of how even the most marginalized outsider can achieve spiritual elevation through sincere . Some traditions identify Rahab with other biblical figures associated with , such as the "woman of Jericho" mentioned in broader chronological accounts, linking her legacy to the continuity of prophetic lines in . Rabbinic interpretations emphasize Rahab's role in demonstrating God's mercy toward repentant Gentiles and the inclusive nature of Jewish ethical teachings.

Later Jewish Traditions

In medieval Jewish commentaries, Rahab is often reinterpreted to emphasize her moral and spiritual qualities rather than her biblical profession. (1040–1105), in his commentary on 2:1, explains the term zonah (commonly translated as "") as referring to an innkeeper, portraying Rahab as a respectable businesswoman who provided to travelers, thus mitigating any negative connotations and highlighting her as a virtue that facilitated the spies' mission. These interpretations build on earlier rabbinic foundations of her conversion, viewing her as a model whose led to into the Israelite community. Modern Jewish scholarship from the 19th and 20th centuries expands on these themes, positioning Rahab as a figure of and . Yehezkel (1889–1963), in his seminal work The Religion of Israel, interprets Rahab's confession of YHWH's sovereignty in Joshua 2:11 as emblematic of the Bible's universal , where even a outsider recognizes the as supreme, underscoring the inclusive potential of Israelite faith beyond ethnic boundaries. Feminist readings, such as those by Avivah Gottlieb Zornberg in her explorations of biblical narratives, emphasize Rahab's agency and marginality; in works like The Murmuring Deep, Zornberg highlights how Rahab's bold negotiation with the spies subverts her outsider status, transforming vulnerability into strategic power and illustrating women's subversive roles in patriarchal texts. Rahab's story echoes the motif of protection through a marked doorway, reinforcing themes of redemption for all who align with divine will. In 21st-century Israeli scholarship, influenced by post-1948 archaeological findings, Rahab's narrative is tied to models of rather than violent . Excavations at sites like and discussions in works on Israelite settlement, such as those exploring ethnic integration, view Rahab as a historical of who peacefully joined emerging Israelite society, reflecting gradual cultural blending evidenced by shared from the Late transition. This perspective, advanced by scholars like , aligns her story with evidence of non-catastrophic infiltration and in around 1200 BCE.

Christian Interpretations

Mentions in the New Testament

In the , Rahab is commended as an exemplar of within the chapter's renowned catalog of faithful figures from the Hebrew Scriptures. :31 states: "By the Rahab, because she welcomed the spies, was not killed with those who were disobedient." This reference draws from the account in where Rahab sheltered Israelite spies in , highlighting her obedience as an expression of trust in Israel's God amid the city's impending destruction. The emphasis here is on her -driven actions that spared her from perishing with the unbelieving inhabitants of . The similarly invokes Rahab to illustrate the inseparability of and works. James 2:25 declares: "In the same way, was not even Rahab the considered righteous for what she did when she gave to the spies and sent them off in a different direction?" Positioned alongside Abraham as a of justification, Rahab's reception and assistance of the spies demonstrate how genuine manifests in concrete deeds, countering any notion of inert belief. In this epistolary context, her story underscores that works serve as the evidence of living , aligning with the broader that "faith by itself, if it is not accompanied by action, is dead." Rahab also appears in the Gospel of 's , linking her directly to the messianic lineage. 1:5 records: " the father of , whose mother was Rahab, the father of Obed, whose mother was , Obed the father of ." This placement integrates the woman from into the ancestry of and ultimately , portraying her as the wife of and mother of . By including her among the forebears, the emphasizes themes of and inclusion for outsiders in God's covenant people.

Theological Significance

In patristic theology, interpreted Rahab as a symbol of the , representing the inclusion of into God's through , emphasizing her role in foreshadowing extended to outsiders. Similarly, viewed Rahab as a type of the , highlighting her conversion as an for the incorporation of non-Jews into the Christian community. During the Reformation, regarded Rahab's as a model of justification by alone, illustrating how trust in God's promises saves regardless of one's past, in contrast to reliance on moral works. echoed this by stressing that Rahab's actions demonstrated genuine leading to by , not earned merit, while her deception underscored the primacy of divine favor over human perfection. In , Rahab is viewed through patristic as a figure representing the Church's inclusion of sinners, though she is not formally canonized. Protestant theologians, meanwhile, frequently highlight her as a "hero of ," celebrating her bold trust in as evidence of accessible to all sinners through belief alone. Feminist and theologies in the 20th and 21st centuries reinterpret Rahab as a subversive woman who challenges patriarchal and imperial structures by allying with the oppressed , reclaiming her agency as a model of and for marginalized voices.

Cultural Depictions

In Literature and Fiction

In classical literature, retells the story of Rahab in his (c. 93–94 ), portraying her as a cunning innkeeper who shrewdly hides the Israelite from the king of Jericho's men, emphasizing her quick thinking and resourcefulness in securing their escape via a from her window. This adaptation adds narrative details to the biblical account, highlighting her strategic as key to her survival and alliance with the . During the medieval period, the themes of justification by works in Geoffrey Chaucer's , specifically in "" (late 14th century), draw from James 2:25, which cites Rahab as an exemplar, to underscore the importance of actions demonstrating piety and loyalty. Medieval mystery plays, part of broader biblical cycle dramas performed in , occasionally featured her story within sequences on the conquest of , presenting her as a redeemed figure whose leads to amid Jericho's destruction. In 20th- and 21st-century , Rahab's has been humanized in historical novels that explore her marginality and agency. ' Unashamed: Rahab (2000), part of the A Lineage of Grace series, delves into her exploitative past as a woman, her growing faith, and her integration into Israelite society, emphasizing themes of . Afshar's Pearl in the Sand (2010) focuses on her romance with and challenges of , portraying her as resilient and resourceful in a patriarchal world. Similarly, Jill Eileen Smith's The Crimson Cord: Rahab's Story (2015) imagines her early life in , her profession's hardships, and her bold decision to aid the spies, underscoring her courage and foresight. Contemporary poetry often reexamines Rahab through a feminist lens, celebrating her and of stereotypes. Philip C. Kolin's poem "Rahab" (2024) casts her as a "woman of stone and stars" who navigates desire and danger on Jericho's walls, transforming her biblical role into one of empowered defiance. The Rev. Wil Gafney's "Remixed Gospel of Rahab" (2016) reframes her as a sister to other precarious biblical women, questioning derogatory labels and affirming her protective instincts toward her family.

In Art, Music, and Media

Rahab has been depicted in visual art from onward, often emphasizing her role in hiding the Israelite spies and the scarlet cord as a . In Byzantine illuminated manuscripts, such as those from the post-iconoclastic period, Rahab is portrayed either as a harlot or a penitent figure, highlighting contrasts in scenes from 2. A 17th-century school , "Rahab and the Emissaries of ," captures the tension of the spies' escape through her window, underscoring themes of risk and alliance. In the 19th century, Gustave Doré's engraving " Spares Rahab" (1866) dramatizes the conquest of , with Rahab and her family spared amid the city's destruction, using dynamic composition to convey mercy and drama. In music, Rahab appears in classical s that retell the narrative. George Frideric Handel's "Joshua" (HWV 64, 1748) includes references to her hospitality, with the chorus and arias noting the command to "spare the hospitable Rahab's life" during the fall of . In the 20th century, Franz Waxman's "Joshua" (1959) features "Rahab's Plea," a expressing her faith and plea for protection, blending dramatic scoring with biblical dialogue. Filmic representations of Rahab often dramatize her encounter with the spies and the conquest. The 2013 miniseries "The Bible" portrays her in the episode "," with actress as Rahab aiding the spies and securing her family's safety via the scarlet cord. Animated adaptations, such as the Superbook episode "Rahab and the Wall" (2011), depict her story for younger audiences, focusing on themes of courage and divine protection during the city's fall. Contemporary media extends Rahab's story into interactive and thematic works exploring borders and . In graphic novels like the manga-style "Rahab: A Woman of " (2015), her tale is retold with vivid illustrations emphasizing redemption and outsider status. Video games and educational animations, such as those in the Superbook series, incorporate her narrative to teach amid conflict. Modern art installations, including Khaled Jarrar's contributions to the Visual Commentary on Scripture exhibition "Rahab of " (2020), reinterpret her as a figure of border-crossing and reluctant , using photography and to address contemporary and refuge.

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    Rating 5.0 (1) Take your child through the drama-filled moments of Rahab's journey to redemption with this attractively-illustrated manga! A real page-turner for the young ...
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    Like the artist, the biblical figure of Rahab negotiates a hybrid identity. A foreign woman and sex worker, this alluring outsider poses 'the ultimate risk ...