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Reuben Langdon

Reuben Christopher Langdon (born July 19, 1975) is an American stunt performer, voice actor, motion capture artist, and filmmaker, best known for voicing and providing motion capture performance for the character Dante in Capcom's Devil May Cry video game series beginning with Devil May Cry 3: Dante's Awakening. Langdon began his career in Japan as a series regular on the tokusatsu television program B-Fighter Kabuto, later transitioning to Hollywood stunt work that included ensemble performances in major films such as Pirates of the Caribbean: At World's End, for which he received a Screen Actors Guild Award as part of the stunt ensemble in 2007, and uncredited Na'vi motion capture contributions to Avatar. His stunt portfolio extends to action sequences in Kingsman: The Secret Service and other high-profile productions, establishing him as a versatile performer in martial arts and physical effects. In , Langdon has portrayed iconic characters including in the Street Fighter series up to Street Fighter V, as well as contributions to vocal ensemble that earned a Behind The Voice Actors Award in 2013; however, he was recast from Ken in Street Fighter 6, which he attributed to political differences amplified by media coverage of his personal views. Beyond , Langdon has pursued and focused on disclosure, producing the 2013 Citizen Hearing on UFO Disclosure event and creating the documentary series Interview with E.D., which explores channeled communications with alleged extra-dimensional entities, reflecting his interest in consciousness expansion and alternative scientific paradigms. His public expressions of skepticism toward movements like #MeToo and , alongside endorsements of conspiracy-oriented topics such as UFOs and government cover-ups, have drawn criticism from gaming communities and contributed to professional repercussions, including fan backlash and role losses amid broader sensitivities to non-conformist opinions.

Early Life

Childhood and Family Background

Reuben Christopher Langdon was born on July 19, 1975, in Anchorage, Alaska. He spent much of his childhood in the suburbs of Atlanta, Georgia, after his family relocated there. During his early years in Georgia, Langdon developed a strong interest in Japanese animation, particularly after encountering the imported cartoon Robotech in 1985, which aired briefly and ignited his fascination with anime storytelling and martial arts elements depicted in such media. This exposure occurred amid a conventional suburban upbringing, though specific details about his parents or siblings remain undocumented in primary biographical accounts.

Initial Career Aspirations

Born in on July 19, 1975, and raised in the suburbs of , , Reuben Langdon developed an early fascination with Japanese animation after encountering the imported cartoon series in 1985, when he was approximately 10 years old. This exposure ignited his interest in anime's storytelling elements, particularly themes of relationships and epic narratives, prompting him to explore related works like at a convention, where he recognized as embodying "everything I loved." Langdon's aspirations centered on entering the action-oriented entertainment industry, specifically emulating the high-energy stunts of performers like , whom he sought to replicate through physical feats such as "flipping off a wall." In high school, he enrolled in classes to facilitate immersion in that culture, while working at Atlanta's Hartsfield-Jackson International Airport to practice conversational skills. These efforts reflected his goal of breaking into media for stunt and roles, culminating in his relocation to shortly after graduation to pursue modeling and action opportunities.

Professional Career

Entry into Stunt Work

Langdon initiated his professional involvement in action performance through his debut role in the Japanese series in 1996, portraying Mac Windy (B-Fighter Yanma), a character requiring physical feats in combat sequences inherent to the Metal Hero format. This opportunity arose shortly after his relocation to , marking his initial exposure to demanding on-set action work as one of the few actors in such productions. Returning to the United States around 1998, Langdon formally entered the stunt industry via the Power Rangers series, contributing uncredited stunts to Power Rangers Lost Galaxy in 1999. He advanced in 2000 by doubling for lead characters, including Carter Grayson (Red Lightspeed Ranger) and Ryan Mitchell (Titanium Ranger) in Power Rangers Lightspeed Rescue, executing wire work, fights, and pyrotechnic sequences that defined the show's high-risk choreography. These assignments, coordinated through established stunt teams, capitalized on Langdon's martial arts background and built his portfolio for subsequent Hollywood projects, emphasizing practical effects over emerging CGI reliance in early 2000s action media. His Power Rangers tenure, spanning multiple episodes across seasons, provided consistent employment and networking, with over a dozen credited stunt performances logged by 2001.

Transition to Voice Acting and Motion Capture

Langdon's entry into stemmed from his established stunt background, where his physical agility and proficiency aligned with the emerging demands of digital performance capture in video games. In 1997, he was selected to provide for in the port of : Code Veronica, marking his initial foray into the field and predating his voice work. Building on this, Langdon co-founded Productions in 2001, a studio that facilitated expanded opportunities in by integrating coordination with performance capture techniques. This venture positioned him as a key contributor to early pipelines, leveraging his real-world experience—such as flips, tumbles, and high falls—to inform virtual character animations. A pivotal advancement occurred with Devil May Cry 3: Dante's Awakening (2005), where Langdon supplied both motion capture and voice performance for the protagonist Dante, combining his physical stunt capabilities with vocal delivery to define the character's cocky, acrobatic persona. This role elevated his profile in the industry, transitioning him from primarily stunt-driven mo-cap to integrated voice acting, as prior work like Resident Evil: Code Veronica focused solely on movement without dialogue. Subsequent projects, including Devil May Cry 4 (2008), solidified this dual expertise.

Directing and Production Ventures

In 2001, Langdon co-founded Productions with Takuya Shibata, establishing a Los Angeles-based company specializing in , 3D , production, and post-production services primarily for the . The firm contributed to work on titles such as 3: Dante's Awakening (2005), (2009), and other projects requiring high-fidelity performance capture for action sequences. Langdon served as and action director, leveraging his and performance expertise to oversee realistic animations that enhanced gameplay authenticity in fighting and survival genres. Expanding beyond gaming, Langdon ventured into documentary production centered on extraterrestrial and paranormal themes. In 2013, he co-produced the Citizen Hearing on UFO Disclosure, a five-day public event held at the National Press Club in Washington, D.C., featuring testimony from over 40 witnesses, including former military and government officials, presented before six ex-members of Congress to advocate for governmental transparency on unidentified aerial phenomena. The proceedings were documented and later distributed as footage simulating congressional hearings, aiming to compile empirical accounts of UFO encounters. Langdon also spearheaded Interview with E.D. (Extra Dimensionals), a 2015 docu-series in which he conducted interviews with individuals claiming to channel or extra-dimensional entities, exploring purported insights into human identity, , and extraterrestrial interactions. Aired on platforms like , the series positioned Langdon as the primary filmmaker and host, emphasizing firsthand narratives over institutional analyses, though it drew from rather than peer-reviewed data. These projects reflect Langdon's shift toward independent production in niche, disclosure-oriented content, distinct from mainstream or gaming pipelines.

Notable Roles and Contributions

Video Game Performances

Reuben Langdon established himself in the through and voice performances, particularly with titles, beginning in the mid-2000s. His breakthrough came in 2005 with 3: Dante's Awakening, where he supplied both the voice and full for the protagonist Dante, a stylish demon hunter central to the game's action-hack-and-slash gameplay. This role involved capturing Dante's acrobatic combat animations and delivering the character's cocky, irreverent dialogue, which helped define the series' tone and contributed to the game's commercial success, selling over 2 million units worldwide by 2007. Langdon reprised Dante in Devil May Cry 4 (2008), again handling voice and motion capture, and returned for Devil May Cry 5 (2019), where his performance emphasized the character's evolved maturity amid high-stakes battles against demonic forces. He also voiced Dante in crossover titles, including Marvel vs. Capcom 3: Fate of Two Worlds (2011), Ultimate Marvel vs. Capcom 3 (2011), and Super Smash Bros. Ultimate (2018) as an Echo Fighter echo of Ken Masters. These appearances extended Dante's reach into multiplayer fighting genres, leveraging Langdon's capture of fluid swordplay and gun-fu mechanics. In the Street Fighter series, Langdon voiced starting with (2008), portraying the fiery American martial artist with a brash, competitive edge across arcade and story modes. He continued in (2010), (2012), and (2016), providing English dub lines that highlighted Ken's rivalry dynamics and family themes, with his tenure spanning over 15 years until replacement in (2023). Langdon contributed to the Resident Evil franchise primarily through motion capture for Chris Redfield, the muscular S.T.A.R.S. operative, in Resident Evil 5 (2009) and Resident Evil 6 (2012), capturing intense survival-horror action sequences involving bioweapon combat. He also handled Chris's mocap in earlier entries like Resident Evil: Code Veronica (2000 remake elements) and the CG film Resident Evil: Vendetta (2017). Additionally, he voiced minor character Dave Johnson in Resident Evil 5.
YearTitleRolePerformance Type
2005Devil May Cry 3: Dante's AwakeningDanteVoice &
2008DanteVoice &
2008Voice
2009 (mocap); Dave Johnson (voice) & Voice
2012
2016Voice
2019DanteVoice &
Beyond these, Langdon provided uncredited motion capture for various characters in titles like Deluxe Remaster (2024) and (2022), showcasing his background in realistic animations.

Film and Television Work

Langdon entered the film industry as a , contributing to action sequences in several major productions during the early . His credits include (2003), a starring , where he performed utility stunts. He also provided stunts for : The Curse of the (2003) and : At World's End (2007), involving pirate battle choreography. Additional film work encompasses (2004), Night at the Museum: Battle of the Smithsonian (2009), (2010), The Green Hornet (2011), (2015), and (2009), where he doubled for Na'vi characters in motion capture-enhanced scenes. In television, Langdon's contributions were similarly stunt-focused, supporting episodes of procedural dramas such as (2002–2012) and the serial killer series (2006–2013), where he executed fight and action stunts. Earlier, he appeared in a cameo acting role in (2001) and performed stunts for (1999–2000) and (2000). He later portrayed Dickerson in the fan-produced series (2013–2017). Langdon's on-screen acting roles remained limited but included the part of Number 3's Guardian in the science fiction thriller I Am Number Four (2011). In animation, he voiced Ken in the Disney film Wreck-It Ralph (2012). Later credits feature Adam Cross in the action film Kill Order (2017) and a passenger in Sleepless (2017). He also supplied motion capture performance for Chris Redfield in the computer-animated Resident Evil: Vendetta (2017).

Personal Beliefs

Spiritual Awakening and Paranormal Interests

Langdon experienced a pivotal shift in his worldview during the production of James Cameron's in 2009, when he reported his first UFO sighting, which he credits with igniting his deep interest in and broader phenomena. This event, occurring amid the film's immersive otherworldly themes, prompted him to explore extraterrestrial contact, extra-dimensional entities, and consciousness expansion beyond conventional materialist perspectives. Following this encounter, Langdon launched the podcast Interview with E.D. (Extra Dimensionals), where he engages with individuals claiming communication with non-physical beings, energies, and realms, often framing these discussions around themes of humanity's collective spiritual awakening and ascension to higher-dimensional awareness. Episodes frequently delve into ego dissolution, cosmic frequencies, and integrative experiences, reflecting Langdon's self-described role as a "5D explorer" and "integrator of cosmic frequencies," as stated in his social media profiles. He has hosted content on platforms like Gaia TV, examining UFOs, extraterrestrial disclosures, and shamanic encounters such as those induced by ayahuasca, positioning these as pathways to personal and societal enlightenment. Langdon's paranormal pursuits extend to advocacy for official extraterrestrial disclosure, including his production involvement in the 2013 Citizen Hearing on UFO Disclosure, a mock congressional hearing presenting witness testimonies on unidentified aerial phenomena to push for governmental transparency. He promotes archival footage and sessions from this event, emphasizing pilot and expert accounts of UFO encounters as empirical support for intelligences interacting with . These interests intertwine with elements, as Langdon interprets such phenomena through lenses of multidimensional and inner awakening, often citing personal "waking up" experiences that challenge mainstream scientific dismissal of anomalous data.

Advocacy for Extraterrestrial Disclosure

Langdon served as a producer for the Citizen Hearing on UFO Disclosure, a five-day mock congressional hearing held in , from April 29 to May 3, 2013, which featured testimony from over 40 witnesses, including former members of , military officers, and intelligence officials, aimed at pressuring the U.S. government to hold official hearings on unidentified aerial phenomena and potential involvement. The event, organized by the Paradigm Research Group, sought to compile evidence of UFO sightings and alleged cover-ups, positioning itself as a citizen-led alternative to congressional inaction on the topic since 1968. In media productions, Langdon created and hosted the docu-series Interviews with Extra Dimensionals for , premiering in 2015, wherein he interviewed individuals claiming to channel extraterrestrial or entities to explore themes of non-human , , and the implications for societal . The series, spanning multiple seasons, emphasized personal accounts of contact experiences and metaphysical interpretations of UFO phenomena, arguing that such communications provide empirical support for presence beyond physical sightings. Langdon actively promotes Close Encounters of the Fifth Kind (CE-5) protocols—meditation and intention-based techniques for human-initiated extraterrestrial contact, originally developed by physician Steven Greer in the 1990s—as a means to demonstrate ongoing interactions and accelerate disclosure. He has facilitated CE-5 group sessions in UFO hotspots such as , and , reporting participant sightings of anomalous lights and craft during these events as evidence of verifiable contact. Publicly, Langdon has stated that the U.S. possesses at least 12 recovered craft, citing whistleblower testimonies and urging to counter perceived narratives of fear surrounding disclosure. In a 2021 , he criticized aspects of UFO revelations as manipulative "fear porn," advocating instead for awareness and direct experiential evidence to foster public readiness for full acknowledgment of non-human intelligences. Through and , he links these efforts to broader spiritual paradigms, including rather than solely origins for UFOs, while emphasizing empirical validation via collective witness accounts.

Political Views and Public Stance

Alignment with Conservative Principles

Langdon has publicly supported former President , including a July 14, 2024, post praising a response to an attempt on as exemplary. This endorsement aligns with conservative emphases on strong leadership, national sovereignty, and resistance to narratives, as Trump's platform prioritized deregulation, border security, and —principles Langdon's advocacy echoes through his broader critique of cultural overreach. He has consistently criticized the and MeToo movements for "going too far" and causing societal harm, arguing in a March 2019 livestream that these initiatives promote victimhood over accountability and fail to address root causes like personal responsibility in cases. Such positions reflect conservative skepticism toward identity-driven activism, favoring empirical focus on individual agency, family structures, and over collective grievance narratives that conservatives view as divisive and empirically unsubstantiated in reducing crime or abuse rates. Langdon advocates vigorously for free speech protections, decrying cancellation as suppression akin to historical censorship, as evidenced by his February 2021 criticism of efforts to silence comparative historical analogies and his 2024 claims of recasting due to politicized misinterpretations of his views. This stance mirrors core conservative commitments to First Amendment absolutism, limited institutional power over expression, and opposition to corporate or cultural enforcement of ideological conformity, particularly in entertainment where left-leaning biases often prioritize progressive orthodoxy over merit. His rejection of COVID-19 vaccine mandates and related narratives further demonstrates alignment with conservative priorities of bodily autonomy and distrust in centralized authority, positioning him against what he and like-minded conservatives see as overreach by and in imposing unproven measures without robust consent. These views, while leading to professional repercussions, underscore a principled defense of over collectivist mandates.

Responses to Cultural and Industry Shifts

Langdon has expressed criticism of the , arguing that it has overreached and exhibited hypocrisy in its application. In a January 9, 2024, post on X (formerly ), he stated that he had faced cancellation for years due to labeling participants as hypocrites, particularly after high-profile figures associated with the movement faced their own allegations. This stance emerged prominently in 2019 following the release of , where Langdon commented in interviews that and had "gone too far," emphasizing agreement with their core principles but opposition to excesses that he believed stifled and fair critique. Regarding industry shifts, Langdon has highlighted the increasing politicization of , particularly in and , where dissenting views lead to professional repercussions. He confirmed in February 2024 that his recasting as in (initially noted in September 2022) stemmed from a 2019 article that he described as misrepresenting his comments on #MeToo, , and other topics, portraying him as a "right-wing extremist." Langdon recounted that producer Yoshinori Ono reacted to the unverified backlash by removing him, contrasting this with the team's independent verification that cleared him of offensive intent, allowing his retention. He attributes such decisions to broader media-driven pressure, framing them as evidence of an industry intolerant of non-conforming beliefs, including his interests in UFOs and extraterrestrial disclosure. In more recent discussions, Langdon has critiqued what he terms the "woke mind virus" as a detrimental force infiltrating and narratives. During a November 2024 interview, he referenced this concept—popularized by figures like —to describe ideological pressures that prioritize conformity over merit, echoing concerns about (DEI) initiatives warping creative output. Langdon maintains that these shifts prioritize outrage over evidence, as seen in his own career interruptions, while advocating for resilience against cancellation attempts.

Controversies and Industry Conflicts

Recasting Due to Political Beliefs

In September 2022, Capcom announced that Reuben Langdon would not reprise his role as the voice of Ken Masters in Street Fighter 6, with Matthew Mercer cast in the part instead. This followed public scrutiny of Langdon's social media activity, which included expressions of conservative viewpoints, skepticism toward COVID-19 vaccines, and criticism of Black Lives Matter activism. Fans and commentators speculated that these statements prompted the decision, amid broader industry trends of distancing from actors with non-progressive public positions. Langdon addressed the matter directly in a February 20, 2024, discussion, stating that his recasting stemmed from his political beliefs rather than 's official explanation of budgetary limitations. He attributed pressure to a 2019 article that resurfaced videos of controversial statements by Langdon and other voice actors, including past instances of and politically charged opinions, though the piece focused more on co-actor . Langdon maintained that his views on topics like election integrity and extraterrestrial disclosure amplified industry backlash, but he emphasized that relations with regarding his roles remained intact, with no similar recasting for Dante in subsequent projects. No other verified instances of Langdon's recasting from major roles have been directly linked to his political stances, though unconfirmed rumors persist around adaptations like the Devil May Cry , where he did not voice Dante. Langdon has continued voicing characters in titles such as Punishing: Gray Raven, suggesting selective rather than wholesale exclusion from the industry. This episode highlights tensions in , where public expressions of heterodox views can lead to professional repercussions, even as Langdon disputes claims of full "cancellation."

Criticisms of Paranormal Endorsements

Langdon's public endorsements of topics, including personal UFO sightings reported in the late and advocacy for disclosure, have elicited from gaming enthusiasts and online commentators who argue that such claims lack empirical verification and veer into . Forums like have characterized his interests as "wacky" and indicative of eccentricity, with users expressing preference for eras when his views were confined to aliens rather than broader controversies. Similarly, discussions on ResetEra—a platform with documented left-leaning user demographics and against non-progressive viewpoints—dismiss his paranormal pursuits as "alien and shit," framing them as longstanding indicators of . His podcast Interview with E.D. (Extra Dimensionals), launched to feature individuals claiming to channel messages from or beings, has amplified these critiques by positioning Langdon as a promoter of unverified communications, potentially undermining his credibility in rationalist circles. Detractors contend that endorsing such endorsements without rigorous evidence contravenes first-principles standards of causality and observation, akin to historical claims debunked by scientific inquiry (e.g., lack of reproducible data in UFO encounters). While no formal scientific rebuttals target Langdon specifically—given his status as an rather than a researcher—these views have been cited in broader industry discourse as factors eroding professional opportunities, with Langdon himself referencing labels like "UFO pushing nut job" in explanations of recasting decisions. Criticisms remain relatively muted compared to backlash against his political stances, often appearing in aggregated scandals where beliefs are bundled with affiliations, such as government manipulation of UFO narratives for "fear-porn." This conflation highlights a pattern in media and forum coverage, where empirical dismissal of claims intersects with ideological opposition, though sourced primarily from rather than peer-reviewed analysis.

Recent Developments

Career Hiatus and Return

Following the release of Devil May Cry 5 in March 2019, where Langdon provided voice and motion capture for Dante, he took an extended hiatus from major voice acting roles, with no credited performances in video games or animation until 2025. During this period, Langdon shifted focus to stunt coordination, independent filmmaking, and advocacy projects, including documentaries exploring paranormal and extraterrestrial topics. In September 2024, voice actor reported that Langdon had quit acting entirely to prioritize producing documentaries, describing the decision as non-negative. Langdon refuted claims of the following month, stating he was intentionally pausing voice work to pursue personal and professional interests outside the industry, amid a landscape where his political views had led to recasting in projects like the Netflix adaptation. Langdon resumed voice acting in April 2025, reprising Dante for the collaboration in Punishing: Gray Raven, a mobile action RPG, where he recorded character voice lines and promotional messages alongside Daniel Southworth as Vergil. This return coincided with public appearances and interviews, including an April 2025 discussion on the anime where he accidentally alluded to work on Devil May Cry 6, signaling potential future involvement in the franchise.

Ongoing Advocacy and Projects

Langdon continues to produce the docu-series and podcast Interview with E.D. (Extra Dimensionals), which explores claims of communication with or extra-dimensional entities, emphasizing themes of ET disclosure, multidimensional reality, and . The series features interviews with individuals reporting contact experiences, including discussions on timelines, base frequencies, and potential disclosure events around , as articulated by guests like channelers and researchers. Available on platforms such as , , and , recent episodes address topics like the illusion of time, ancient civilizations such as and , and humanity's role in interdimensional interactions. In advocacy efforts, Langdon promotes greater public awareness of unidentified aerial phenomena (UAPs) and non-human intelligences through , sharing updates on UFO sightings and classified briefings, while framing these as evidence of or time-traveler origins rather than conventional craft. He positions his work as part of a toward sovereignty and cosmic integration, drawing from personal UFO sightings since the late 2000s to advocate for in disclosures. Upcoming projects include a speaking engagement and soul-activating workshop at the Lemurian Life Expo, scheduled for August 7–11, 2025, in a location described as a sacred vortex site, focusing on spiritual and paranormal themes aligned with his broader interests in inner earth cities and ascension processes. Langdon also participates in related podcasts and discussions on platforms exploring Mount Shasta as a portal to Lemurian civilizations and ET encounters, reinforcing his commitment to blending paranormal inquiry with meditative and martial arts practices. These activities sustain his transition from entertainment to a platform for experiential claims of higher intelligences, without institutional verification.

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