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Rime

Rime may refer to:
  • A natural phenomenon involving the deposition of ice, known as rime ice (see Natural phenomenon).
  • An archaic spelling of "rhyme" in linguistics and poetry, including concepts like rime riche and rime tables (see Linguistics and poetry).
  • Literary works, such as Samuel Taylor Coleridge's ''The Rime of the Ancient Mariner'' and Dante Alighieri's ''Le Rime'' (see Literature).
  • Other uses, including the Rimé movement in Tibetan Buddhism and the 2017 puzzle video game ''Rime'' (see Other uses).

Natural phenomenon

Definition and characteristics

Rime ice is a type of white, opaque ice deposit that forms when supercooled droplets in or clouds rapidly freeze upon contact with surfaces below 0°C, such as trees, power lines, or aircraft wings. This process results in a granular, milky appearance due to the entrapment of numerous tiny air bubbles during the instantaneous freezing of the small droplets. Physically, rime ice exhibits lower density compared to other ice forms, typically ranging from 200 to 900 kg/m³, making it less compact and more brittle than clear ice. It often develops irregular, spiky accretions oriented into the wind, with two main variants: soft rime, which is feathery and fragile like crystalline needles under calm conditions, and hard rime, which is denser, more opaque, and solid in stronger winds. These characteristics arise from the rapid freezing that prevents the droplets from spreading or coalescing smoothly, leading to a rough, non-adhesive surface. Rime ice differs from hoar frost, which forms directly from the deposition of water vapor onto surfaces without involving liquid droplets, resulting in delicate, feathery crystals rather than granular deposits. In contrast to glaze ice, which is transparent, denser (over 900 kg/m³), and highly adhesive due to slower freezing of larger supercooled droplets or freezing rain, rime ice appears milky and opaque with lower adhesion. Observed primarily in sub-zero temperatures amid freezing fog or low-lying clouds, rime ice can accumulate to weigh down vegetation and structures, potentially causing branches to snap or power lines to fail. On aircraft, it disrupts aerodynamics by roughening surfaces, reducing lift, and increasing drag and weight, posing significant hazards during flight in icing conditions.

Formation and types

Rime ice forms when supercooled water droplets, typically in the temperature range of -2°C to -10°C, present in freezing fog or cloud, collide with surfaces below 0°C and freeze instantaneously upon impact. This process traps air bubbles within the ice, resulting in an opaque, rough deposit, with the direction and density of accretion influenced by wind speed, which drives the droplets toward the windward side of objects. The droplets must remain liquid despite subfreezing temperatures due to supercooling, requiring high relative humidity in the fog or mist, and overall air temperatures below 0°C but generally not lower than -20°C to sustain the necessary liquid water content. The primary types of rime ice are distinguished by wind conditions and resulting structure. Soft rime develops in calm or light wind environments, where supercooled droplets from light deposit evenly on all sides of objects, forming a feathery, fragile layer of thin needles or scales resembling sugar crystals, often at temperatures below -8°C. In contrast, hard rime accretes under moderate to high winds, creating a denser, comb-like or granular opaque white deposit primarily on windward surfaces, which is more adhesive and difficult to remove. Clear ice, while related, arises from slower freezing of larger supercooled droplets, producing a transparent, dense layer without trapped air, distinguishing it from the opaque rime forms. These conditions are prevalent in mountainous regions, such as in , where persistent and strong winds lead to heavy rime accumulation on exposed structures like flagpoles and trees. In atmospheric processes, rime accretion on falling snow crystals within clouds can produce , rounded pellets of soft 2-5 mm in diameter. For , rime ice poses hazards by forming rough deposits on propellers and airfoils, disrupting airflow and increasing drag, while the associated reduces visibility.

Linguistics and poetry

Archaic spelling of rhyme

"Rime" serves as an archaic spelling of "," referring to the correspondence of sounds, particularly at the ends of words or lines in . This variant entered English through rime (meaning "rhythm" or "measured flow"), borrowed from rhythmus, ultimately tracing back to rhythmos ("proportion, measured motion"). The term first appeared in English around the late , initially denoting a structured in rather than solely sound similarity, reflecting its rhythmic origins. In historical usage, "rime" was the predominant spelling in , as seen in works by , where it described poetic meter and sound harmony. This form persisted through the , appearing in texts by and other contemporaries, before a shift occurred in the . Influenced by Renaissance classical scholarship aiming to align with the Latin rhythmus, the spelling evolved to "rhyme" by incorporating the 'h', becoming standardized by the late . By the mid-, "rhyme" became standardized in , though "rime" lingered in some poetic circles to evoke medieval authenticity. Within linguistics, "rime" also denotes a specific phonological unit: the portion of a syllable comprising the vowel (nucleus) and any following consonants (coda), excluding the initial consonant cluster (onset). For instance, in the syllable "ing" from "string," the rime is "ing" while the onset is "str." This technical usage, rooted in syllable structure analysis, parallels the poetic sense by emphasizing sound patterns but applies broadly to rather than versification. Today, "" is considered for "" and is rarely used in , though it persists in scholarly discussions of orthographic and historical . Its retention in titles like Coleridge's The Rime of the Ancient Mariner (1798) intentionally invokes an antique tone, distinguishing it from the modern "" to enhance atmosphere. This choice underscores ongoing interest in how reflects etymological and cultural shifts.

Rime riche

Rime riche, or "rich ," is a form of in which the rhyming words share not only the identical sound from the stressed onward but also the preceding , typically involving at least three to create a near-homophonic effect, making it stricter and more emphatic than standard rime suffisante (sufficient ). This technique produces a heightened auditory and semantic , often between words of different meanings, enhancing the poetic through . In , rime riche emerged as a valued device during the classical period beginning in the with de Malherbe's reforms, which emphasized precision and harmony in versification, and persisted through the era to , where it served to underscore emphasis, irony, or emotional depth. By the , its use proliferated among and Parnassian poets, becoming a key element in their aesthetic, as Théodore de Banville declared it essential for poetic salvation ("Sans rime riche, point de salut"). In , rime riche has been adopted more sparingly due to the language's relative of homophones compared to , though it appears occasionally for deliberate effect in works influenced by French prosody. Classic French examples include "" (sea) rhyming with "mère" (mother), both pronounced /mɛʁ/ but with different meanings, where the full stressed syllable aligns identically, and in Victor Hugo's "" (1856), the rimes riches in stanza three—such as "" (falls/grave) repeated as homonyms—intensify the poem's themes of loss and foreboding, prefiguring the speaker's grief at his daughter's . In English, examples like "write" and "right" or "" and "deport" demonstrate the technique, linking distinct concepts through sonic overlap for ironic or emphatic . The significance of rime riche lies in its ability to amplify musicality and multilayered meaning via homophonic interplay, positioning it as an advanced tool in forms like sonnets and ballads, though occasionally critiqued for potential facileness in resolution; nonetheless, it remains prized for elevating emotional and thematic intensity in verse.

Rime tables

Rime tables, known in Chinese as yùntú (韻圖) or děngyùntú (等韻圖), are tabular charts that systematically categorize Chinese syllables according to their phonological components, extending the fǎnqiè (反切) spelling system used in earlier rime dictionaries. They organize syllables by initial consonants (onsets, or shēngmǔ 聲母), rhyme groups (finals, or yùnmǔ 韻母), and the four tones of Middle Chinese—level (píng 平), rising (shǎng 上), departing ( 去), and entering ( 入)—providing a visual framework for pronunciation and rhyme analysis. Originating as an analytical tool from the Qieyun rime dictionary compiled in 601 AD during the Sui dynasty, rime tables represent a native Chinese phonological model that tabulates syllables from such dictionaries to facilitate learning and composition. The structure of rime tables typically features a grid-like , with columns representing the initials (often grouped into categories such as labials, dentals, and velars) and rows delineating rime groups subdivided into four děng (等, divisions or grades) that account for variations in medial vowels and other articulatory features. For instance, the influential Yunjing (韻鏡, "Mirror of Rhymes"), a key text from 1161 AD, contains 43 such charts, each with 23 columns for 36 initials and 16 rows covering finals across the four tones, using representative characters to denote homophonous . Additional distinctions include kāikǒu (開口, open mouth) versus hékǒu (合口, gathered mouth) for and shè (攝, groupings) for broader rhyme classifications, enabling precise mapping of types without listing every character. This tabular format contrasts with linear rime dictionaries by emphasizing intersections of onsets and rimes, revealing the structure as initial plus rime. Rime tables evolved during the late and early dynasties (roughly 9th to 11th centuries), likely influenced by Buddhist monks adapting syllabaries to , as a means to interpret and expand upon the system's 193 rhymes into more comprehensive frameworks like the 206 rhymes of the Song-era Guangyun. They were primarily developed to assist in composition, scriptural , and standardized , with subsequent texts like the Qieyun zhǐnán (切韻指南, 1336 AD) refining the model for Ming and Qing dialect studies. In modern scholarship, rime tables serve as foundational resources for reconstructing sounds, informing the development of and comparative analyses of dialects. The significance of rime tables lies in their provision of a structured phonological grid that underpins historical , allowing scholars to trace evolutions in Chinese inventory and articulatory features across eras. By integrating the four tones with 206 rhyme groups, they offer a complete schematic of , essential for understanding how initials and rimes combine to form the 's monosyllabic morphemes, and continue to influence phonological theory in East Asian .

Literature

The Rime of the Ancient Mariner

The Rime of the Ancient Mariner is a poem by , originally published under the spelling "Rime of the Ancyent Marinere" to evoke an older English poetic tradition. Composed between 1797 and 1798 in collaboration with , it appeared as the opening piece in their joint collection (1798), marking a pivotal work in English Romantic literature. The poem spans 625 lines in its 1817 version, structured as a in seven parts, and underwent numerous revisions across 18 known editions, including significant changes in 1800, 1817 (with added marginal glosses in Sibylline Leaves), and 1834, where Coleridge modernized spellings, deleted lines, and refined the for clarity and rhythm. The plot follows an unnamed ancient mariner who stops a guest to recount his voyage. His ship, driven by a storm to icy waters, is freed by the arrival of an , seen as a good omen. In a moment of irrational impulse, the mariner shoots the bird with his , unleashing a : the wind dies, leaving the becalmed and tormented by under a scorching sun, while ghostly figures— and Life-in-Death—appear, for the sailors' souls and claiming all but the mariner. The dead hang the around his neck as a of guilt. In , the mariner blesses the of snakes, allowing the to fall away; the ship moves homeward, revived briefly by spirits before perishing, and the mariner is left to wander eternally, compelled to retell his tale as . Central themes include and its consequences, profound guilt, and the path to , as the mariner's thoughtless act disrupts , drawing retribution. The poem critiques , portraying nature as a interconnected force that demands reverence, with the mariner's redemption arising from empathetic appreciation of its creatures. elements, such as spectral ships and animistic visions, underscore and moral allegory, influenced by biblical motifs like Cain's and the legend. As a cornerstone of , the poem exemplifies the movement's emphasis on , , and the power of over , introducing Coleridge's concept of "" in . It popularized the "an around one's neck," denoting a burdensome guilt or hindrance derived directly from the mariner's ordeal. The work's blend of narrative and ethical has profoundly influenced modern , inspiring adaptations in verse, music, and visual art by emphasizing psychological depth and ecological awareness.

Le Rime

Le Rime is a collection of lyric poems composed by throughout his life, spanning the late 13th and early 14th centuries, and encompassing themes of , , and . Unlike Dante's more structured works, these poems remained uncompiled during his lifetime, forming a diverse body of sonnets, canzoni, ballate, and sestine that reflect his evolving poetic voice. Modern scholarly editions, such as that by Domenico De Robertis, organize them thematically to highlight their progression from youthful experimentation to mature introspection. A notable subset within Le Rime is the Rime Petrose, consisting of four canzoni written around 1296, which depict an intense, for a woman allegorically named "" (stone). These poems employ stark, rocky imagery—such as crystalline hardness and wintery desolation—to convey emotional turmoil and physical desire, departing from the idealized of Dante's earlier verse. The series culminates in a shift toward and philosophical , foreshadowing deeper existential concerns in his later writings. Le Rime serves as a crucial bridge between Dante's early prosimetrum La Vita Nuova, which embodies the "sweet new style" of tender devotion, and the epic grandeur of the Divine Comedy, marked by its sublime theological scope. Comprising approximately 90 poems in total, the collection illustrates Dante's stylistic evolution, from sensual and rhetorical flourishes to contemplative depth, while incorporating elements that would influence Petrarchan lyric traditions, such as intricate rhyme schemes (rime) and personal introspection. It also explores existential themes like human frailty and divine order, positioning these lyrics as experimental groundwork for his major works. Composed largely during Dante's exile from beginning in 1302, Le Rime captures the turbulence of his political banishment and intellectual pursuits, contributing to the standardization of the as a literary . This historical context infuses the poems with a sense of displacement and urgency, transforming personal expression into a broader commentary on civic and moral life.

Other uses

Rimé movement

The , meaning "unbiased" or "non-sectarian," emerged in the mid-19th century in eastern , particularly in the Khams region around Derge, as a response to increasing sectarian divisions exacerbated by the dominance of the school. This initiative sought to preserve and compile overlooked teachings from various Tibetan Buddhist lineages, including , , and , amid political upheavals like the Nyarong War and the need to maintain cultural and religious heritage. The movement's compilation efforts spanned from the 1840s to the 1890s, fostering an ecumenical approach that countered the exclusionary tendencies of the time without attempting to merge distinct traditions. Key figures in founding the Rimé movement included Jamyang Khyentse Wangpo (1820–1892), a lama renowned for his broad studies across traditions, and Jamgön Kongtrül Lodrö Thayé (1813–1899), a scholar who also engaged deeply with practices. They collaborated closely with Chokgyur Lingpa (1829–1870), a prominent tertön ( revealer), on projects like the revelation and dissemination of terma texts. The movement drew inspiration from earlier ecumenists such as (1308–1364), a master who emphasized the unity underlying diverse teachings. Later leaders, including the and the 16th Karmapa, have endorsed and perpetuated its principles, integrating them into contemporary Tibetan Buddhist discourse. At its core, the Rimé approach promoted non-sectarianism by encouraging practitioners to remain rooted in their primary while studying and appreciating others, thereby ensuring universal access to the without bias or . It stressed personal choice in spiritual paths and cross-lineage dialogue, viewing all authentic teachings as valid expressions of the same ultimate truth. This philosophy avoided creating a new school, instead serving as a meta-tradition that safeguarded diversity amid historical pressures toward uniformity. The movement's enduring impact is evident in its major scholarly output, particularly Jamgön Kongtrül's Five Treasuries (mdzod lnga), a vast compilation inspired by Jamyang Khyentse Wangpo that preserved endangered texts and rituals. Notable among these are the Rinchen Terdzö, a 63-volume collection of Nyingma terma teachings, and the Sheja Dzö (Treasury of Knowledge), a comprehensive philosophical completed in 1863. These works, along with others like the Treasury of Precious Instructions, reduced sectarian barriers by making diverse instructions widely available and have profoundly shaped modern Tibetan Buddhism's inclusive ethos.

Rime (video game)

Rime is a puzzle-adventure developed by the Spanish studio and published by Grey Box. Released in 2017, it follows a young boy who awakens on a mysterious Mediterranean-inspired after a , guided by a fox companion as he explores ruins, solves environmental puzzles, and uncovers the island's secrets through a told without . The game emphasizes emotional , , and non-violent interaction, drawing inspiration from titles like and .

Gameplay

Played from a third-person perspective, Rime centers on exploration across a vibrant, open island filled with ancient structures, wildlife, and optical illusions. The player controls a boy dressed in white who climbs sheer cliffs, manipulates objects to redirect light or sound, and shifts perspectives to align patterns and reveal hidden paths. A key mechanic involves the boy's ability to emit "shouts"—sonic bursts that interact with the environment, such as activating mechanisms, startling animals, or illuminating dark areas to progress. There is no combat; instead, the focus is on puzzle-solving through observation and environmental manipulation, with collectibles like glowing orbs revealing backstory fragments via flashbacks. The experience typically lasts 5 to 8 hours, encouraging multiple playthroughs to uncover optional secrets and reinterpret the narrative.

Development

Development of Rime began in 2013 at Tequila Works under the working title Echoes of Siren, initially pitched to Microsoft for Xbox Live Arcade but rejected due to scope concerns. The project was then funded by Sony as a PlayStation 4 exclusive, allowing the small team of around 20 developers to refine its artistic vision influenced by Studio Ghibli films, surrealist art, and emotional adventure games like Ico and Journey. Built using Unreal Engine 4, the game evolved from an isometric RPG prototype during Deadlight's production into a linear yet exploratory title. In 2016, publishing rights reverted to Tequila Works after Sony's exclusivity ended, enabling a multiplatform release under Grey Box. The studio aimed to create an emotionally resonant experience prioritizing atmosphere over complex mechanics.

Release

Rime launched on May 26, 2017, for PlayStation 4, Windows, and Xbox One, followed by a Nintendo Switch port on November 14, 2017, in North America. It later became available on Amazon Luna in October 2020. Priced at around $30, the game received a "Teen" rating for fantasy violence and mild language. No major expansions or sequels were developed, though Tequila Works referenced its IP in later projects before the studio's insolvency in 2024. Following the insolvency, the intellectual property rights for Rime were auctioned in April 2025 as part of the studio's liquidation process. Auction results were not publicly detailed, but the IP was offered for bids until May 14, 2025.

Reception

Critics gave Rime mixed-to-positive reviews, with Metacritic scores averaging 72/100 across platforms, praising its stunning visuals, evocative soundtrack by David García Díaz, and but critiquing simplistic puzzles, technical issues, and a narrative twist revealed too early via trailers. It was lauded for evoking emotion through exploration rather than words, though some found it derivative of its influences. The game earned a for Best Puzzle Game at IGN's Best of 2017 Awards and sold approximately 500,000 units worldwide, considered a modest success for an title.

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