Roxette
Roxette was a Swedish pop rock duo consisting of lead vocalist Marie Fredriksson and songwriter Per Gessle, formed in 1986 and achieving international success with melodic hits in the late 1980s and 1990s.[1] Fredriksson and Gessle, both established solo artists in Sweden, debuted Roxette with the single "Neverending Love" in 1986, followed by their first album Pearls of Passion that year. Their breakthrough came in 1989 with the album Look Sharp!, which spawned the global hit "The Look," reaching number one on the US Billboard Hot 100 and propelling them to international fame. Over the next few years, Roxette released successive multi-platinum albums, including Joyride (1991) and Crash! Boom! Bang! (1994), featuring additional US number-one singles such as "Listen to Your Heart," "It Must Have Been Love" (featured in the film Pretty Woman), and "Joyride."[1] The duo sold over 75 million records worldwide, making them Sweden's second-best-selling music act after ABBA, with four number-one singles and multiple top-ten albums on the Billboard charts. They toured extensively, performing nearly 300 concerts globally during their peak years. In 2002, Fredriksson was diagnosed with a brain tumor, leading to a hiatus, but she recovered sufficiently to resume performing with Roxette in 2004; the band released further albums including Charm School (2011) and Good Karma (2016) before retiring from touring in 2016 due to her health. Fredriksson died in 2019 at age 61.[1][2] Following Fredriksson's death, Gessle revived the Roxette catalog for live performances, launching the "Roxette in Concert 2025" world tour with Swedish singer Lena Philipsson as guest vocalist, which began in February 2025 in South Africa, with subsequent legs in Australia and Europe, and is currently ongoing as of November 2025, along with the release of the duet single "Bad Blood" with Philipsson in November 2025.[3]History
1979–1987: Formation and Pearls of Passion
Per Gessle founded the Swedish pop rock band Gyllene Tider in 1978 after recruiting key members including Mats "MP" Persson, Micke "Syd" Andersson, Anders Herrlin, and Göran Fritzon from local Halmstad groups.[4] The band's self-titled debut album, released in 1980 by Parlophone, marked their breakthrough in Sweden, driven by the lead single "Flickorna på TV2," which became their first major hit and topped the Swedish charts.[5] Their follow-up album, Moderna Tider, arrived in March 1981 and achieved even greater commercial success, selling over 500,000 copies and earning five-times platinum certification in Sweden through upbeat pop tracks that captured the era's new wave influences.[5] Meanwhile, Marie Fredriksson established her solo career in the mid-1980s, signing with EMI after an audition arranged by Gessle.[1] Her debut album, Het vind, co-written and produced by Lasse Lindbom, was released in September 1984 and reached the top 20 on the Swedish album charts.[6] The lead single, "Ännu doftar kärlek," became a summer hit in Sweden, showcasing Fredriksson's powerful vocals and power ballad style, and helped propel the album to commercial viability as one of her early solo successes.[1] By 1986, Het vind had contributed to Fredriksson's rising profile as a prominent artist in the Swedish music scene.[6] Gessle and Fredriksson first crossed paths in the early 1980s while sharing rehearsal spaces in Halmstad, with Fredriksson providing backing vocals on Gyllene Tider's 1981 tour and album Moderna Tider.[7] Their initial joint project emerged in 1986 when Gessle, planning a solo single called "Svarta glas," instead collaborated with Fredriksson on an English adaptation titled "Neverending Love" at the suggestion of their label EMI.[8] This marked the official formation of Roxette as a duo in 1986, with the name drawn from the 1974 Dr. Feelgood song "Roxette" written by Wilko Johnson, evoking a gritty pub rock vibe that appealed to Gessle's influences.[9] Roxette's debut album, Pearls of Passion, produced by Clarence Öfwerman, was released on October 31, 1986, in Sweden and select markets, blending pop rock with synth elements reflective of both artists' backgrounds.[10] The album spawned the lead single "Neverending Love," which debuted at No. 1 on the Swedish singles chart and became a domestic smash, followed by "Goodbye to You," which also charted in the top 20.[11] Pearls of Passion itself peaked at No. 2 on the Swedish albums chart and was certified platinum for sales exceeding 100,000 units, though it garnered limited attention outside Scandinavia at the time.[11] To promote the album, Roxette embarked on their first major tour, "Rock Runt Riket" (Rock Around the Kingdom), in the summer of 1987—a 15-date co-headlining trek across Sweden alongside Eva Dahlgren and Ratata, with Orup as an opening act.[12] The tour solidified their domestic popularity, drawing large crowds and fostering a loyal fanbase through energetic live performances of album tracks like "Soul Deep" and covers from their individual catalogs.[13]1988–1991: Look Sharp! and international breakthrough
Roxette released their second studio album, Look Sharp!, on October 21, 1988, following moderate domestic success with their debut Pearls of Passion. The album was remixed for international markets by American producers, including Chris Lord-Alge, to appeal to a broader audience, and it debuted at No. 1 on the Swedish Albums Chart, where it remained for several weeks while also charting across Europe.[14][15] The breakthrough came with the lead single "The Look," released in early 1989, which reached No. 1 on the US Billboard Hot 100 and topped charts in multiple countries, selling over four million copies worldwide and earning platinum certification in several markets. Follow-up singles included "Dressed for Success," which peaked at No. 14 on the Billboard Hot 100, "Listen to Your Heart," which also hit No. 1 in the US and became a power ballad staple later covered by artists like DHT, and "Dangerous," reaching No. 2 on the Hot 100. These tracks propelled Look Sharp! to global sales exceeding six million copies, establishing Roxette as a major act in North America and Europe.[16][17][18][19] In 1990, Roxette contributed a re-recorded version of "It Must Have Been Love"—originally a 1987 Swedish Christmas single—to the soundtrack of the film Pretty Woman. The track became a massive hit, topping the Billboard Hot 100 and charts in over ten countries including Australia, Canada, Norway, and Switzerland, while selling nearly nine million copies worldwide. Its success significantly boosted Look Sharp! sales, adding over 75,000 units in the US alone through a reissue that included the song. That year, Roxette embarked on their first US tour, solidifying their international presence.[20][21] During this period, Roxette formed their core touring band, which included longtime drummer Pelle Alsing and keyboardist Micael Griel, supporting the duo's live performances as their popularity surged.[22]1991–1993: Joyride and Tourism
Roxette's third studio album, Joyride, was released on 25 March 1991 by EMI, serving as a follow-up to their international breakthrough Look Sharp!. Produced by Clarence Öfwerman at EMI Studios in Stockholm, the album blended pop rock with melodic hooks, capturing the duo's signature sound during sessions that emphasized live energy and vocal interplay between Per Gessle and Marie Fredriksson. It debuted at number one on charts in Sweden, Australia, and several European countries, including Austria where it held the top spot for eleven weeks.[23][24] In the United States, Joyride peaked at number two on the Billboard 200 and received platinum certification from the RIAA in July 1991 for one million units shipped, with sales exceeding 1.3 million copies by 2005. The lead single, "Joyride," topped the Billboard Hot 100 for one week in May 1991, marking Roxette's fourth number-one hit there and achieving similar success internationally. Subsequent singles included "Fading Like a Flower (Every Time You Leave)," which reached number two on the Hot 100 in August 1991, while "The Big L." and "Church of Wildlife" contributed to the album's momentum with moderate airplay and European chart placements.[25][26] To promote the album, Roxette embarked on the Join the Joyride! World Tour from October 1991 to January 1992, their first major global outing with over 100 concerts across Europe, North America, Australia, and South America, drawing an estimated 1.5 million attendees. Support acts included Glass Tiger for European legs, and setlists heavily featured Joyride tracks alongside staples from Look Sharp!, such as "The Look" and "Listen to Your Heart," emphasizing high-energy performances and audience interaction. The tour marked a pivotal expansion of their live presence, solidifying their status as a stadium-level act.[27][28] In the tour's aftermath, Roxette released Tourism: Songs from Studios, Stages, Hotelrooms & Other Strange Places on 28 August 1992, a non-live studio album compiled from road recordings that included fresh material alongside reworked hits. The lead single, "How Do You Do!," topped the Swedish Singles Chart and reached the top ten in multiple European countries, peaking at number 23 on the US Billboard Hot 100. Tourism itself entered the Swedish Albums Chart at number two. By 1993, cumulative global sales of Roxette's albums surpassed 20 million units, driven primarily by Look Sharp! and Joyride, with increased media exposure including MTV interviews in 1991 and an acoustic performance taped for MTV Unplugged in January 1993.[29][30][31][32]1994–1998: Crash! Boom! Bang! and greatest hits compilation
Roxette's fifth studio album, Crash! Boom! Bang!, was released on April 9, 1994, by EMI, following an extended recording period that spanned from February 1993 to January 1994 across studios in Sweden (including Tits & Ass Studio in Halmstad and EMI Studios in Stockholm), England (Mayfair Studios in London), and Italy (Capri Digital Studios). Produced by Clarence Öfwerman, the album marked a shift toward a more rock-oriented sound compared to their previous works, though it retained the duo's signature pop sensibilities. It debuted strongly in Europe, peaking within the top 10 on over 20 national charts, including number one in Sweden and Australia. Three singles were released from the album: "Sleeping in My Car" on March 7, 1994, which debuted at number one in Sweden and reached the top 10 in several other European countries; the title track "Crash! Boom! Bang!" on May 9, 1994, which achieved top 10 positions in markets like Belgium (number four) and Finland while entering the top 20 across much of Europe; and "Fireworks" on September 5, 1994, which received moderate airplay but did not chart as highly.[33][34][35] In the United States, Crash! Boom! Bang! achieved gold certification from the RIAA for sales exceeding 500,000 units, though a special edition bundled with McDonald's meals sold over one million copies but was ineligible for Billboard charting due to promotional policies at the time. The album's performance was impacted by the dominant grunge and alternative rock scene, leading to lower commercial traction compared to Roxette's earlier releases; it peaked at number 56 on the Billboard 200. Critically, the record received mixed reviews, with praise for Marie Fredriksson's vocals and Per Gessle's songwriting but criticism for its polished pop elements feeling out of step with the era's edgier trends—AllMusic noted it was "too pop for rock listeners and too rock for middle-of-the-road fans." Despite these challenges, the album sold over four million copies worldwide, solidifying Roxette's international fanbase.[36] To support the album, Roxette embarked on the Crash! Boom! Bang! World Tour from September 1994 to May 1995, performing over 80 concerts across Europe, Asia, Australia, South Africa, and North America to audiences totaling more than one million people. The production was notably elaborate for the duo, incorporating pyrotechnics, elaborate lighting, and a larger stage setup to match the album's explosive themes, with shows often featuring high-energy renditions of new material alongside earlier hits. The tour concluded with a historic performance in Moscow on May Day, making Roxette the first Western act to play on the Russian public holiday since 1917.[37][38] In October 1995, Roxette capitalized on their catalog's enduring popularity with the release of their first greatest hits compilation, Don't Bore Us... Get to the Chorus! Roxette's Greatest Hits, which included 16 tracks spanning their career up to that point, alongside four new songs. The new material propelled the album's success, particularly "You Don't Understand Me," co-written by Per Gessle and Desmond Child and released as the lead single in late 1995, which peaked at number 14 on the US Billboard Hot 100—marking Roxette's first top 20 hit in the US since 1991—and reached the top 20 in several European countries. Another new track, "June Afternoon," followed as a single in early 1996, achieving top 40 positions in markets including the UK (number 32), Germany (number 24), and Australia (number 37). The compilation, which briefly referenced the blockbuster hits from the Joyride era, sold over three million copies worldwide within its first year and has since exceeded six million in total sales.[39][31][40]1999–2001: Have a Nice Day and Room Service
Following the relative commercial disappointment of their previous album in international markets, Roxette shifted their focus primarily to Europe for their sixth studio album, Have a Nice Day, released on 22 February 1999 by EMI.[41] The record was self-produced by the duo alongside longtime collaborator Clarence Öfwerman and engineer Michael Ilbert, with Per Gessle handling the majority of songwriting and Marie Fredriksson contributing vocals and co-production input, marking an increased emphasis on their collaborative creative process.[42] Recorded over 18 months in studios across Sweden and Spain, the album blended pop rock with electronic elements, aiming to recapture their signature sound for European audiences.[43] The lead single, "Wish I Could Fly", was released in advance and achieved top-10 success in Sweden, peaking at number 4, while reaching number 11 on the UK Singles Chart.[44] Follow-up singles "Anyone" and the Spanish-language "Sal Si Puedes" followed, with "Anyone" charting at number 35 in Sweden but receiving limited international promotion. Have a Nice Day debuted at number 1 on the Swedish Albums Chart, spending 33 weeks in the top ranks and earning platinum certification for sales exceeding 80,000 units in the country.[45] Globally, the album sold approximately 554,000 copies across reported markets, with strong performance in Germany (250,000 units) and Spain (100,000 units), supported by promotional activities including appearances and interviews in Germany and the UK during early 1999.[45][46] In 2001, Roxette returned with their seventh studio album, Room Service, released worldwide on 2 April by EMI, featuring an energetic pop rock sound that highlighted the duo's revitalized live-oriented approach.[47] Gessle again led songwriting efforts, with Fredriksson's vocal performances emphasizing raw energy, and the production team of Öfwerman and Ilbert maintaining the self-directed ethos from the prior record. The lead single, "The Centre of the Heart (Is a Suburb to the Brain)", topped the Swedish Singles Chart, while subsequent releases "Real Sugar", "This Is My Life", and "Milk and Toast and Honey" achieved moderate success, with "Real Sugar" peaking at number 23 and "Milk and Toast and Honey" at number 21 in Sweden. Room Service debuted at number 1 on the Swedish Albums Chart for 23 weeks and received gold certifications in Germany (150,000 units) and Denmark (25,000 units), alongside sales of over 23,000 in Finland, contributing to estimated global figures exceeding 400,000 copies.[48] To promote the album, Roxette embarked on the Room Service Tour in late 2001, performing over 20 shows across Europe, including dates in Spain, Germany, Italy, Sweden, and other countries from October to December, showcasing heightened live energy with setlists blending new tracks and earlier hits.[49][50] By the end of 2001, Roxette's cumulative worldwide record sales had surpassed 40 million units, reflecting sustained popularity in Europe amid their deepened songwriting partnership.[51]2002–2008: Fredriksson's illness and solo projects
In September 2002, Roxette's lead singer Marie Fredriksson collapsed at her home in Stockholm due to a malignant brain tumor discovered during subsequent medical examinations.[52][53] The diagnosis prompted the immediate cancellation of the duo's planned "Night of the Proms" performances and an indefinite hiatus for Roxette, as Fredriksson underwent surgery to remove the tumor followed by intensive chemotherapy and radiation treatments.[53][54] The illness severely impacted her health, resulting in permanent vision loss in her right eye and a prolonged recovery period that sidelined her from major musical activities.[55] Fredriksson's rehabilitation involved gradual steps toward normalcy, including limited solo performances in Sweden by 2004 as she regained strength.[53] That year, she released her solo album The Change exclusively in Sweden through Capitol Records, featuring 12 tracks in English that reflected personal themes of transformation amid her health struggles; the album included the single "2nd Chance" but received limited international promotion due to her ongoing recovery.[56] Concurrently, Fredriksson co-authored the autobiography Listen to My Heart (originally published in Swedish as Lyssna med hjärtat), a candid account of her life, career with Roxette, and battle with cancer, which provided emotional insight into her experiences during this challenging phase.[57] Meanwhile, Per Gessle focused on his solo career, releasing the Swedish-language album Mazarin in June 2003, which debuted at number one on the Swedish charts and yielded hits such as "En hjärtats sång."[58] Gessle supported the album with a European tour in late 2003, performing in venues across Scandinavia and select cities like Helsinki.[59] He followed this with his third English-language solo album, Party Crasher, in November 2008, featuring upbeat pop-rock tracks like "Silly Really"; the release was accompanied by the Party Crasher Tour, including stops in Europe where Gessle occasionally invited Fredriksson for guest appearances in Stockholm and Amsterdam.[60][61] During this period, Roxette issued no new original material as a duo, instead relying on compilations such as The Pop Hits (2003), which collected their synth-pop and soft rock singles, and Roxette Rocks (2002), emphasizing their harder-edged tracks like "The Look" and "Dressed for Success."[62][63] The duo's activities remained on hold, with both members prioritizing Fredriksson's health and their individual pursuits, marking a shift toward separate professional paths until her recovery allowed for future collaboration.[64]2009–2016: Reunion, tours, and final studio album
Following a hiatus prompted by Marie Fredriksson's brain tumor diagnosis in 2002, Roxette announced their reunion in May 2009, initially for a series of performances at the Night of the Proms orchestral-pop concert series across Belgium, the Netherlands, and Germany in October and November that year.[65] The shows, totaling around 10 dates, featured a setlist of their classic hits accompanied by a full orchestra, marking the duo's first live appearances together in nearly eight years and receiving enthusiastic responses from audiences.[66] Emboldened by the success, Per Gessle and Fredriksson expanded their activities into a full-scale world tour under the banner of the Neverending World Tour, which began with additional European dates in late 2009 and gained momentum in 2010–2011. This leg encompassed approximately 45 concerts across Europe, South America, and Australia, with setlists emphasizing over 20 of their biggest hits such as "The Look," "Listen to Your Heart," and "It Must Have Been Love."[67] The performances highlighted Fredriksson's recovery, though she often sang seated to manage lingering health effects from her illness.[68] In February 2011, Roxette released Charm School, their first studio album in a decade, produced by Clarence Öfwerman, Gessle, and Christoffer Lundquist at studios in Sweden. The record, blending pop-rock melodies with introspective lyrics, debuted at number one in Sweden and reached the top 10 in several European countries including Germany, Switzerland, and Austria. Lead single "She's Got Nothing On (But the Radio)" was followed by "Way Out," both promoting the album's themes of resilience and relationships.[69] The duo maintained an intensive touring schedule, including a return to Night of the Proms in 2013 for headline slots in multiple European cities, where they again integrated their hits with symphonic arrangements.[70] The Neverending World Tour continued with major legs from 2014 to 2016, comprising over 100 concerts worldwide, adapting further to Fredriksson's health by incorporating seated segments and shorter sets while preserving high-energy fan interactions. By April 2012 alone, the tour had already drawn over a million attendees, underscoring Roxette's enduring popularity. The overall effort from 2009 to 2016 reached more than 1.5 million fans across its various phases.[71] Charm School's momentum carried into Roxette's tenth and final studio album, Good Karma, released in June 2016 and produced by the same core team of Öfwerman, Gessle, and Lundquist.[72] The album debuted at number one in Sweden and featured collaborations, including "Some Other Summer" with backing vocals from Helena Josefsson, blending nostalgic pop with contemporary production.[73] Lead single "It Just Happens" captured the duo's signature upbeat style, while tracks like "Good Karma" reflected on their career longevity. The release coincided with the tour's closing shows in early 2016, after which Roxette retired from live performances due to Fredriksson's ongoing health challenges.[74]2017–2023: Deaths, vault releases, and PG Roxette
Following the release of their final studio album Good Karma in 2016, Roxette retired from full-scale touring due to Marie Fredriksson's ongoing health challenges stemming from her 2002 brain tumor diagnosis.[75] In 2017, Per Gessle embarked on his solo tour En Vacker Afton, during which Fredriksson made limited guest appearances, including a performance in Stockholm where she joined him onstage for select Roxette songs. These rare outings marked Fredriksson's final public performances with Gessle, as her condition continued to limit her involvement in live music.[55] Fredriksson passed away on December 9, 2019, at the age of 61, from complications related to her long battle with cancer.[76] Gessle paid tribute to his longtime collaborator, describing their 40-year friendship as "wonderful" and praising her as "an outstanding musician, a master of the voice, and an amazing performer."[77] Global artists and fans also mourned her loss, with tributes highlighting her powerful vocals on hits like "It Must Have Been Love" and her resilience in returning to the stage after years of treatment.[78] Her death brought renewed attention to Roxette's catalog, emphasizing Fredriksson's central role in the duo's international success. The band suffered another profound loss on December 20, 2020, when longtime drummer Pelle Alsing died of a heart attack at age 60.[79] Alsing had been a key member of Roxette's lineup for over 30 years, contributing to both studio recordings and worldwide tours since the late 1980s.[80] Gessle announced the news, calling Alsing a "beloved" figure whose passing was "almost impossible to grasp," further deepening the grief following Fredriksson's death just a year earlier.[81] In the wake of these tragedies, archival material from Roxette's career was released to honor their legacy. Bag of Trix: Music from the Roxette Vaults, a four-volume collection of 46 previously unreleased or rare recordings—including demos, alternative mixes, and Spanish-language versions—was issued in December 2020 by Parlophone and Roxette Recordings.[82] Dedicated to Fredriksson and released shortly after the first anniversary of her death, the set spanned the duo's four-decade history and celebrated their creative process.[83] To continue elements of Roxette's sound amid the losses, Gessle formed PG Roxette in 2021, enlisting vocalists Helena Josefsson and Dea Norberg alongside longtime collaborator Christoffer Lundquist.[84] The project reinterpreted Roxette's hits with fresh arrangements, releasing the single "The Loneliest Girl in the World" in June 2022 and the full-length album Pop-Up Dynamo! later that year, which included covers like "Watch Me Come Undone" and original tracks infused with the duo's pop-rock style.[85] PG Roxette toured Europe from 2021 to 2023, performing at venues across Sweden, Germany, and the UK, allowing Gessle to pay homage to Fredriksson's contributions while exploring new material.2024–present: Live reformation, tours, and musical project
In 2024, Per Gessle announced the development of "Joyride the Musical," a jukebox production adapting Roxette's hit songs for the stage, in collaboration with producers including the British team behind the project, with its world premiere at Malmö Opera in Sweden on September 13.[86] The musical features a narrative centered on themes of love and adventure, drawing from the band's catalog including tracks like "Joyride" and "It Must Have Been Love," and Gessle co-produced a subsequent Stockholm run set for September 2025 at China Teatern, emphasizing a more intimate arrangement of the music.[87] The Roxette in Concert 2025 tour launched in February 2025 under Gessle's leadership, marking a live reformation of the band's performances with Swedish singer Lena Philipsson joining as co-vocalist to honor the duo's legacy.[3] The tour began with shows in Cape Town and Pretoria, South Africa, followed by dates in Australia in March, and continued into autumn with European stops including Prague, Budapest, and the Bergenfest festival in Norway.[88] Accompanying the tour, Gessle and Philipsson released the collaboration single "Bad Blood" on November 7, 2025, via Warner Music Sweden, which merges Roxette's signature pop-rock sound with Philipsson's dynamic vocals and was produced during tour preparations.[89] The touring ensemble includes returning Roxette members such as Christoffer Lundquist on guitar and bass, alongside Magnus Börjeson on keyboards, drummer Magnus "Norpan" Eriksson, backing vocalist Dea Norberg, guitarist Jonas Isacsson, and bassist Staffan Liljas, delivering classic hits like "The Look" and "Listen to Your Heart" with refreshed arrangements to suit the live duo format.[90] Ongoing explorations of the Roxette vaults have yielded potential digital releases tied to anniversary editions, including expanded reissues of albums like Crash! Boom! Bang! in late 2024, sustaining the band's catalog into 2025.[91] By 2025, Roxette's global record sales had surpassed 75 million units, reflecting the enduring impact of Fredriksson's vocal contributions alongside Gessle's songwriting.[92]Musical style and influences
Musical style
Roxette's primary genre is pop rock, incorporating elements of synth-pop and new wave, resulting in a sound defined by catchy melodies and radio-friendly hooks.[93][94] The duo's core style features Per Gessle's prominent guitar riffs and Marie Fredriksson's versatile vocals, which ranged from soaring highs to more intimate, husky tones, creating anthemic tracks that blended emotional depth with accessible pop structures.[95][96] Fredriksson's voice often elevated Gessle's compositions, adding layers of expressiveness to the melodies.[95] The band's sound evolved significantly over their career, starting with the bright, synth-driven pop of their 1986 debut Pearls of Passion, which captured a formative, energetic phase influenced by 1980s production trends.[97] By the early 1990s, albums like Joyride introduced more mature ballads and polished arrangements, while Crash! Boom! Bang! in 1994 shifted toward harder rock edges compared to their earlier pop-friendly material.[98] Later works, such as Room Service in 2001, incorporated electronic touches and modern production techniques, reflecting Gessle's desire to combine guitars with technical and electronic elements for an up-to-date feel.[95][97] Songwriting was predominantly handled by Gessle, who crafted both lyrics and music for nearly all Roxette tracks—often writing with Fredriksson's voice in mind—exploring themes of love, longing, and escapism drawn from personal experiences like relationships and emotional turmoil.[95][96] Fredriksson contributed by refining melodies and bringing the songs to life through her interpretive performances. Production, led by longtime collaborator Clarence Öfwerman, emphasized layered harmonies, prominent keyboards, and a versatile palette that spanned classic pop singles, arena anthems, and sophisticated arrangements, ensuring broad stylistic shades without adhering to a single mode.[96] In live settings, Roxette expanded their studio-minimalist approach into full band arrangements, enhancing the dynamic range of their performances.[99]Influences
Per Gessle, Roxette's primary songwriter, drew significant inspiration from 1960s and 1970s rock acts, particularly The Beatles, whose melodic structures shaped his approach to pop songcraft.[100] Gessle has cited growing up listening to The Beatles and The Hollies through his older brother as a formative influence during his early years.[100] The band's name itself originated from the 1974 Dr. Feelgood song "Roxette," reflecting Gessle's affinity for British pub rock and rhythm-and-blues roots.[9] While Gessle has distanced himself from direct influence by Swedish predecessors like ABBA, the post-ABBA Swedish music scene's emphasis on polished pop craftsmanship and English-language exports for global markets profoundly impacted Roxette's career strategy and sound.[101][102] Marie Fredriksson's influences encompassed soul, folk, and progressive elements, with artists like Joni Mitchell serving as key inspirations for her vocal and songwriting style. She discovered Mitchell, along with The Beatles and Deep Purple, during her teenage years, which fueled her interest in expressive, narrative-driven music. Fredriksson's early exposure to punk came through her involvement in the Swedish band Strul, a punk group that organized its own music festival in 1979, and later via backing vocals for Gessle's Gyllene Tider, bridging punk energy with pop sensibilities.[103] Roxette's debut era was shaped by the 1980s synth-pop wave, with contemporaries like Duran Duran and a-ha influencing their incorporation of electronic elements and polished production.[104] Later albums reflected American rock influences, particularly Tom Petty and the Heartbreakers, whose blend of country and rock informed Gessle's songwriting on tracks evoking heartfelt, rootsy narratives.[105] In their post-reformation phase, the 2016 album Good Karma nodded to 1990s alternative rock textures, merging them with classic pop hooks for a more electronic, mature sound.[106]Band members and personnel
Core members
Roxette was founded as a duo by Per Håkan Gessle and Gun-Marie Fredriksson in 1986, with Gessle serving as the primary songwriter, guitarist, and co-vocalist, while Fredriksson took on lead vocals and keyboards. Born on January 12, 1959, in Halmstad, Sweden, Gessle had already established himself in the Swedish music scene as the founder of the pop band Gyllene Tider in 1976, where he honed his skills as a melodic songwriter and performer. In Roxette, Gessle's pop-oriented songcraft drove the band's international success, penning hits like "The Look" and "Joyride," and he managed key business decisions, including the band's direction after Fredriksson's death, continuing as its leader through projects like PG Roxette and the 2025 tour reformation. Gun-Marie Fredriksson, born on May 30, 1958, in Össjö, Sweden, brought her powerful, emotive vocal style to the forefront of Roxette, complemented by her keyboard contributions and occasional songwriting input on tracks like "Fading Like a Flower." Prior to Roxette, she had built a successful solo career in Sweden, releasing her debut album Het vind in 1984 and eight studio albums overall, which she balanced with the duo's activities even during their peak years. Fredriksson's rock-infused delivery added depth and edge to Gessle's compositions, creating a signature blend that propelled Roxette to sell over 75 million records worldwide; she passed away on December 9, 2019, at age 61, after a long battle with cancer. The duo's dynamic was marked by complementary strengths: Gessle's accessible pop sensibilities paired with Fredriksson's rawer rock influences, resulting in equal billing despite his dominant role in writing. This partnership, rooted in their prior solo successes in Sweden, allowed Roxette to transition from local acts to global stars without relying on session players for their core sound. Swedish producer Clarence Öfwerman joined as a key collaborator from Roxette's inception in 1986, handling production on all 10 studio albums and contributing keyboards in the studio, earning him recognition as a de facto third member essential to the band's polished sound.Touring and session members
Throughout their career, Roxette relied on a core group of touring and session musicians to expand their sound beyond the duo of Per Gessle and Marie Fredriksson, with the live band often featuring five to seven additional members for performances.[3] Drummer Per "Pelle" Alsing joined in 1987 and became a fixture, contributing to every Roxette studio album from Pearls of Passion (1986) through Good Karma (2012) while performing on all major tours until the band's 2016 retirement from live shows; he passed away in 2020 at age 60.[79][107] Keyboardist and producer Clarence Öfwerman, involved since the duo's inception, provided session keyboards on nearly all albums and joined tours intermittently, including the 1991–1992 Join the Joyride world tour and the 2025 reformation lineup.[3][108] Guitarist Jonas Isacsson was a key session player from the outset, contributing guitar tracks to Pearls of Passion, Look Sharp! (1988), Joyride (1991), and subsequent releases, while also touring with the band in the late 1980s and early 1990s; he rejoined for the PG Roxette project in 2021 and the 2025 tour.[109][110] Christoffer Lundquist joined as bassist and backing vocalist for the 1994–1995 Crash! Boom! Bang! tour, later expanding to guitar and production roles on albums like Have a Nice Day (1999) and Room Service (2001), and remains a multi-instrumentalist in live settings through 2025.[111][3] Backing vocalist Helena Josefsson supported tours from the 2001 Room Service promotion through the 2015–2016 farewell shows, adding harmonies to hits like "It Must Have Been Love" and contributing to sessions on Room Service and Good Karma; she later participated in the PG Roxette lineup for vault releases.[112][113] Bassist Magnus Börjeson has been a consistent touring member since the late 1990s, playing on albums including Don't Bore Us, Get to the Chorus! (1995) and joining the 2025 itinerary.[3] Following Alsing's death, drummer Magnus "Norpan" Eriksson took over percussion duties for the PG Roxette era and the 2025 world tour.[3][114] For the 2025 Roxette in Concert reformation, Gessle fronts the band with lead vocalist Lena Philipsson, alongside returning members Lundquist (guitar and vocals), Börjeson (bass), Öfwerman (keyboards), Isacsson (guitar), Eriksson (drums), and backing vocalist Dea Norberg, who has toured since 2011 and featured on Good Karma.[3][115] This configuration emphasizes Roxette's classic sound while honoring the legacy through select session contributions from past collaborators.Discography and tours
Discography
Roxette released ten studio albums between 1986 and 2016, achieving significant commercial success with several reaching number one on international charts and earning multi-platinum certifications across Europe and North America. Their debut, Pearls of Passion (1986), was a domestic hit in Sweden, while subsequent releases like Look Sharp! (1988) and Joyride (1991) propelled them to global stardom, with Joyride topping charts in multiple countries including Australia, Germany, and the UK, and certified platinum in the United States by the RIAA for over one million units shipped. Other notable studio albums include Tourism (1992), a live-in-studio collection; Crash! Boom! Bang! (1994); Have a Nice Day (1999); Room Service (2001); Charm School (2011); Travelling (2012), which featured collaborations; and Good Karma (2016), their final studio effort with Fredriksson. These albums collectively contributed to Roxette's reputation for blending pop-rock melodies with Fredriksson's soaring vocals and Gessle's songwriting. Starting in 2018, the band issued 30th anniversary editions of their early albums, with reissues continuing through 2025 for Crash! Boom! Bang!.| Studio Album | Release Year | Selected Peak Chart Positions | Certifications (Examples) |
|---|---|---|---|
| Pearls of Passion | 1986 | SWE: 2 | SWE: Platinum (100,000 units) |
| Look Sharp! | 1988 | US: 8, UK: 4 | US: Platinum (1,000,000 units), UK: Platinum (300,000 units) |
| Joyride | 1991 | AUS: 1, GER: 1, UK: 2, US: 12 | AUS: 3× Platinum, GER: 2× Platinum, SWE: 3× Platinum (300,000 units), UK: 2× Platinum (600,000 units), US: Platinum (1,000,000 units) |
| Tourism | 1992 | AUS: 6, GER: 3, SWE: 2 | GER: Platinum, SWE: 2× Platinum |
| Crash! Boom! Bang! | 1994 | AUS: 3, GER: 2, SWE: 1 | AUS: Platinum, GER: Platinum, SWE: 2× Platinum |
| Have a Nice Day | 1999 | GER: 15, SWE: 4 | GER: Gold |
| Room Service | 2001 | GER: 6, SWE: 9 | GER: Gold |
| Charm School | 2011 | GER: 2, SWE: 1 | GER: Platinum, SWE: Platinum |
| Travelling | 2012 | GER: 3, SWE: 3 | GER: Gold, SWE: Gold |
| Good Karma | 2016 | GER: 4, SWE: 1 | GER: Gold, SWE: Platinum |