Orup
Orup (born Hans Thomas Eriksson; November 29, 1958) is a Swedish pop singer, songwriter, guitarist, and musician renowned for his melodic pop style and major commercial success in Sweden during the late 1980s and early 1990s.[1][2][3] Born in Huddinge, a suburb of Stockholm, he adopted the stage name Orup and debuted as a solo artist in 1987, quickly establishing himself as a key figure in Swedish popular music with catchy, introspective lyrics and radio-friendly hooks.[1][4][5] Orup's career breakthrough arrived with his debut single "M.B." from the album Orup (1987), which topped Swedish charts and launched a string of hits including "Då står pojkarna på rad" (1988), "Magaluf" (1992), and "Regn hos mej" (1989), all of which solidified his status as a pop icon.[1][4] He has released over a dozen studio albums, blending pop with singer-songwriter elements, and contributed as a songwriter for artists like Lena Philipsson, penning her 2004 Melodifestivalen-winning entry "Det gör ont" that represented Sweden at the Eurovision Song Contest.[1][4] Earlier in his career, Orup was a member of bands such as Intermezzo (1970s), Ubangi (with singer Cia Berg in the early 1980s), and GES (a supergroup with Anders Glenmark and Niklas Strömstedt, Orup as 'E', formed in the 1990s), which further expanded his influence in the Swedish music scene.[4][6] Beyond recording and performing, Orup has ventured into television and film, serving as a judge on the inaugural season of X Factor Sverige in 2012 and providing soundtracks for Swedish productions like The Searchers (1993) and 30:e november (1995).[1][2] In recent years, he has maintained a strong live presence, culminating in the "Orup Bara" tour from 2024 to 2025, which featured 134 performances across 29 Swedish cities and drew over 101,000 attendees, including sold-out shows in Stockholm and Gothenburg.[7] As of 2025, Orup continues to tour and remains a beloved figure in Scandinavian pop, with a legacy of more than three decades of chart-topping music and cultural impact.[7][8]Early life
Family background
Hans Thomas Eriksson, professionally known as Orup, was born on November 29, 1958, in Huddinge, a southern suburb of Stockholm, Sweden. He grew up in a lower-middle-class household during the 1960s and 1970s, a period marked by modest economic circumstances that shaped his early sense of independence and drive.[9][10][11] Orup's father, Hasse Eriksson (full name Hans Erik Isidor Eriksson, born September 8, 1927), was a jazz pianist who introduced his son to music early on; at the age of nine, Orup debuted onstage playing the tambourine alongside his father during performances. His mother, Ann Marie Eriksson (née Wikström, 1927–1996), worked as a postal employee, providing stability amid family challenges. The couple divorced when Orup was seven years old, an event that disrupted the family dynamic and left a lasting impact on his childhood.[12][11][13] Orup's father struggled with alcoholism during periods of his life, which added tension to the home environment, though the family remained supportive of his emerging musical interests. Hasse Eriksson passed away on July 24, 1978, in Norsborg, Sweden, shortly after Orup's 19th birthday, leaving a void that influenced the young musician's perspective on life and art. Despite these hardships, Orup has described his upbringing as loving, crediting it with fostering resilience that propelled his career.[10][13]Musical beginnings
Thomas Eriksson, known professionally as Orup, was exposed to music from a young age due to his father's profession as a jazz pianist. Hasse Eriksson was a prominent figure in Sweden's jazz scene during the late 1940s and 1950s, performing with ensembles such as Thore Jederby's quintet and Nisse Skoog's bop band, and recording tracks like "Stjärnestoft" in a Nat King Cole-inspired style.[14] At nine years old, Orup made his musical debut playing the tambourine alongside his father, marking his initial foray into performance. He received his first guitar at age eight and was introduced to the Beatles by his sister.[12] In his early teens, Orup shifted focus from sports—where he had played ice hockey for Huddinge IK, football, and handball—to music, forming his first band, Magnum Bonum, in the mid-1970s. Inspired by American prog rock acts like Styx, the group achieved moderate success with hits such as "Skateboard" in 1978, during which Orup served as the lead singer before Lasse Liström took over.[15] By 1975, he had formed Intermezzo, a rock band from Huddinge that released singles like "Kom och ta mig" in 1979, credited to Orup for music and lyrics, peaking at number 7 on the Swedish charts.[16] Intermezzo represented Orup's exploration of hard rock and punk influences during the late 1970s and early 1980s. Transitioning styles, Orup co-formed the new wave duo Ubangi in 1982 with Cia Berg, drawing inspiration from acts like Talking Heads and Devo, which produced experimental pop tracks in the early 1980s.[11] The duo's arty sound reflected the post-punk era before disbanding in 1985. In 1986, Orup joined Thereisno Orchestra, another short-lived project that bridged his band experiences toward a solo breakthrough, after over a decade of honing his songwriting and performance skills in Stockholm's local scene.[12] These early endeavors, spanning from jazz accompaniment to progressive and new wave experiments, laid the foundation for his pop-oriented solo career.Career
Early bands and breakthrough
Orup's musical journey began in the mid-1970s when he formed his first band, Intermezzo, a Swedish rock group that released the single "Kom och ta mej" in 1979, marking his initial minor hit.[12] In the early 1980s, Orup joined Ubangi, a new wave pop duo inspired by acts like Talking Heads and Devo, alongside vocalist Cia Berg and keyboardist Mats Wigerdal; the group released tracks such as "Disco Baby" and disbanded around 1985 after building a modest following in Sweden's underground scene.[12] Following Ubangi, Orup co-founded the synth-pop duo Thereisno Orchestra with Cia Berg in 1986, producing the album Melodier som bedårar, which featured danceable tracks like "En doft av framgång" but did not achieve widespread commercial success before the project's end in 1987.[12] Orup's solo breakthrough arrived in 1987 when he sent a demo tape to music publisher Stikkan Andersson, leading to the release of his debut single "Är du redo?" under the stage name Orup, which introduced his charismatic pop style to Swedish audiences.[12][17] The follow-up single, "Jag blir hellre jagad av vargar," released later that year, became his major hit, peaking at number four on the Swedish singles chart and solidifying his rise with its witty lyrics and infectious melody.[17][18] That summer, Orup joined a high-profile tour as a support act alongside Roxette, Eva Dahlgren, and Ratata, exposing him to larger crowds and boosting his visibility.[12] His self-titled debut album followed in 1988, produced by Anders Glenmark, and spawned additional hits that nearly secured a win at Melodifestivalen in 1989, establishing Orup as a key figure in Swedish pop.[12][17]Solo success and major hits
Orup transitioned to a solo career in the late 1980s after his time with earlier bands, achieving his breakthrough with the 1987 single "Jag blir hellre jagad av vargar," a satirical track that captured widespread attention in Sweden for its witty lyrics and pop sensibility.[19] This success paved the way for his self-titled debut album Orup, released in January 1988, which established him as a prominent figure in Swedish pop music through its blend of catchy melodies and socially observant songwriting. The album included follow-up singles like "Min mor sa till mej," further solidifying his rising popularity.[20][21] Building on this momentum, Orup's second album Orup 2 arrived in 1989 and featured standout hits such as "Då står pojkarna på rad," a vibrant anthem about youthful romance, and "M.B.," both of which became enduring favorites and exemplified his knack for infectious, radio-friendly pop.[1][20] The early 1990s marked the peak of Orup's commercial prominence, with albums like Orupeansongs (1991) and Stockholm & andra ställen (1992) delivering major tracks including "Regn hos mej," a melancholic ballad, and upbeat numbers "Stockholm" and "Magaluf," the latter a nostalgic ode to holiday escapades that resonated deeply with Swedish audiences.[19][1] These songs, characterized by Orup's sharp lyrical commentary on everyday life and relationships, not only dominated airwaves but also cemented his reputation as a key influencer in Sweden's pop landscape during this period.[22]Collaborations and later projects
Throughout his career, Orup has engaged in notable collaborations that highlight his versatility as a songwriter and performer. One of the most prominent was his involvement in the supergroup GES, formed in 1994 with Anders Glenmark and Niklas Strömstedt. The trio released their debut album, Glenmark Eriksson Strömstedt, in 1995, which topped the Swedish charts and featured hits like "När vi gräver guld i USA." Their second album, Den andra skivan, followed in 2003, achieving similar commercial success with over a million combined sales for the group's records. As a songwriter, Orup contributed significantly to other artists' projects, most famously penning "Det gör ont" for Lena Philipsson in 2004. The track, which he both wrote and composed, won Melodifestivalen that year and represented Sweden at the Eurovision Song Contest in Istanbul, where it placed fifth. This collaboration underscored Orup's influence in Swedish pop, blending emotional lyrics with infectious melodies. In 2008, Orup reunited with Philipsson for the duet album Dubbel, a joint effort where the pair co-wrote all ten tracks. The release, produced under their "Lena + Orup" project, included singles like "Nu när du gått" and explored themes of love and loss, earning praise for its harmonious vocal interplay and peaking at number 1 on the Swedish albums chart.[23] GES reconvened for intermittent tours in the late 2010s, including a summer 2018 run that premiered at Dalhalla and concluded at Skansen, drawing large crowds with their nostalgic setlists. This was followed by a farewell tour in autumn 2022, marking the group's final performances together and cementing their legacy in Swedish music history.[24][25]Recent activities and tours
In 2024, Orup launched his solo tour "Orup Bara," a stripped-down production featuring the artist performing alone with guitar and piano, drawing from his extensive catalog of hits and personal stories. The tour began on January 20 at Hotel Rival in Stockholm and quickly gained popularity, with multiple sold-out shows throughout the spring and a fall extension at Draken in Gothenburg. By late 2024, it had amassed 134 performances and attracted over 101,000 visitors across Sweden.[26] Notable highlights included a July 11 concert at Solliden Sessions in Borgholm, Öland, where Orup performed on the intimate wooden stage built by King Carl XVI Gustaf; the event was attended by the Swedish royal family, including King Carl Gustaf, Queen Silvia, Crown Princess Victoria, Prince Daniel, and Prince Carl Philip. Later that summer, on August 13, Orup appeared as a guest on the popular SVT program Allsång på Skansen in Stockholm, performing songs such as "Stockholm" and "Upp över mina öron" alongside artists like Miriam Bryant and Isak Danielson, engaging a live audience in communal singing.[27][28] The "Orup Bara" tour continues into 2025 as a nationwide Sverigeturné, scheduled from January 31 to May 24, visiting 29 venues from Malmö in the south to Luleå in the north. Key dates include multiple performances at Slagthuset in Malmö (January 31 to February 15), Sara Kulturhus in Skellefteå on February 26, Folkets Hus in Umeå on March 1, and a return to Hotel Rival in Stockholm on May 4, with additional stops in cities like Halmstad, Örebro, Jönköping, and Falköping. This extension maintains the tour's intimate format, emphasizing Orup's songwriting legacy without backing musicians or elaborate staging.[26][29]Personal life
Relationships and family
Orup, born Hans Thomas Eriksson, was first married to television presenter Sofia Wistam from 1989 until their divorce in 1996.[30] The couple shares one son, Kid Eriksson (born 1992), who has pursued a career in music as part of the electronic duo Tjuvjakt.[31] Despite the separation, Orup and Wistam have maintained a cooperative co-parenting relationship, with Wistam describing their ex-partner's current wife as "fantastic" in managing family dynamics during Kid's teenage years.[32] In 2000, Orup married Pernilla Pettersson, with whom he has four children: sons Isidor (born 2000), Seth (born 2011), and Ozzy (born 2014), and daughter Charlie (born 2001).[31] The family resides together in Stockholm, and Orup has emphasized the positive blended family environment, noting that as of 2024 all five children were registered at the home and share strong sibling bonds, with Kid expressing affection for his younger half-siblings.[31] Orup's early family life was marked by his parents' divorce when he was seven years old; his father, jazz pianist Hasse Eriksson who struggled with alcoholism and passed away in 1978, and his mother, who worked at the post office and died in 1996.[10][33][34] Despite these challenges, Orup has described his upbringing as loving and credits music as a stabilizing influence from his family background.[10]Health challenges
Thomas Eriksson, known professionally as Orup, has lived with stuttering since childhood, a condition that significantly impacted his early social interactions and self-confidence. In school, he experienced teasing from peers due to his stammer, which he described as a persistent obstacle that made communication challenging and led to avoidance behaviors, such as not answering the phone during his youth.[35][36] Despite the ridicule, which he noted was common but not severe enough to constitute bullying, the stuttering hindered his social life and contributed to feelings of insecurity.[35] Music became a pivotal outlet for Orup in his teenage years, transforming his life by providing a means to bypass the stutter entirely during singing. He explained that the act of singing distracts from the mental blocks associated with stuttering, allowing fluent expression and boosting his self-esteem, which shifted his social perception from awkward to talented. This discovery not only propelled his career but also served as a lifelong coping mechanism, as the stutter persists in spoken language but vanishes in performance. Orup has linked the condition to neurological factors seated in the brain, emphasizing its ties to confidence levels.[35] In 2019, Orup publicly supported stuttering awareness efforts by sharing a greeting video for the Swedish Stuttering Association on International Stuttering Awareness Day, highlighting his ongoing connection to the issue and encouraging others facing similar challenges. While he has not reported other major health concerns, Orup maintains good overall health through regular exercise, though he has noted the mental demands of solo performances as occasionally taxing.[37][38]Works
Discography
Orup has released ten studio albums since his debut in 1988, primarily in the pop and pop soul genres, with several achieving commercial success in Sweden. His early work established his breakthrough, while later releases incorporated collaborations and more introspective themes. In addition to solo efforts, he has contributed to collaborative projects, including the 2008 album Dubbel with Lena Philipsson. As of 2025, Orup has not released any new studio albums since 2010.[1]| Year | Album Title | Label | Peak Position on Swedish Charts |
|---|---|---|---|
| 1988 | Orup | WEA | 1[39][21] |
| 1989 | 2 | WEA | 1 |
| 1991 | Orupeansongs | WEA | 3 |
| 1992 | Stockholm & andra ställen | WEA | 5 |
| 1993 | Orup 5 – Jag vände mig om men det var ingen där | WEA | 4[40] |
| 1998 | Teddy | Metronome | 5[41][42][40] |
| 2000 | Elva hjärtan | Epic | 16[43][44][40] |
| 2006 | Faktiskt | Roxy | 2[45][46][47] |
| 2008 | Dubbel (with Lena Philipsson) | Metronome | 1[48][23][49] |
| 2010 | Född i november | Universal | 3[50] |