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Shade

Shade is a noun in American English slang denoting a subtle, indirect, or stylized form of insult or disrespect, often delivered through implication, wit, or nonverbal cues rather than overt confrontation. The term emerged in the 1980s within New York City's underground ballroom scene, a competitive subculture primarily among black and Latino gay men, where participants used "shade" in performative "readings" to critique rivals' appearances, behaviors, or claims with layered sophistication. Its popularization beyond niche communities occurred via Jennie Livingston's 1990 documentary Paris Is Burning, which captured authentic usages like "shade is a true art of insult" from participants such as Dorian Corey, highlighting the term's roots in creative verbal sparring as a survival mechanism in marginalized social environments. In contemporary usage, "throwing shade" has entered mainstream lexicon to describe any veiled criticism, though this broader application often dilutes the original context-specific artistry and cultural precision, with dictionaries noting its evolution into a versatile phrase for contemptuous dismissal across social media and pop culture. Despite its adoption, the term's provenance underscores a tradition of rhetorical ingenuity in black and Latino queer spaces, distinct from simpler forms of dissing due to emphasis on elegance and deniability.

Physical and Optical Meanings

Shadow and Shelter

Shade, physically, denotes the darkened region produced when an object obstructs rays from a source, such as , creating a on a surface or within a volume. This occurs because travels in straight lines and cannot pass through opaque materials, resulting in an absence of illumination in the blocked area. The intensity and extent of the shade depend on the light source's position, size, and the obstructing object's ; for instance, a produces sharper shadows, while extended sources like yield softer edges due to partial overlap of rays. In practical terms, shade serves as shelter by blocking direct solar radiation, which reduces both convective heating and absorption of energy by surfaces. Shaded air temperatures can drop 15 to 20 degrees compared to sun-exposed areas, as shade prevents the direct warming of air molecules and limits the re-emission of stored from ground or structures. This thermal relief is evident in natural settings, where canopies lower understory temperatures by intercepting sunlight, and in engineered solutions like photovoltaic arrays, which provide diurnal cooling superior to vegetative shade in some urban contexts. Shade also mitigates (UV) , filtering up to 75% of harmful rays and thereby lowering risks of skin and from prolonged exposure. In built environments, shade structures such as awnings intercept before it penetrates windows or walls, blocking up to 77% of incident and cutting demands by facilitating lower indoor loads. These effects underscore shade's role in causal , where obstruction of directly curbs rather than merely masking symptoms of exposure.

Sunglasses

Sunglasses are designed to attenuate visible light and (UV) radiation entering the eyes, thereby providing shade against bright , , and harmful rays. This reduction in light intensity alleviates and protects against conditions such as from acute exposure or cataracts from chronic UV damage. Lenses achieve shade primarily via tinting or pigmentation that lowers visible light transmission (VLT), with general-purpose lenses transmitting 8-18% of light for outdoor use in moderate to bright conditions. Precursors to modern sunglasses emerged approximately 2,000 years ago among populations in the , who fashioned protective from carved , , or featuring narrow slits to block snow-reflected glare while preserving . By the 12th century, judges employed flat panes of —cut to conceal eye movements—offering rudimentary light filtration. Tinted glass lenses appeared in 18th-century for glare reduction among gondoliers, and mass production began in 1929 when Sam Foster sold polarized-style shades on the Atlantic City boardwalk, catalyzing their transition from utilitarian to fashionable items. Lens materials vary to balance shade efficacy, durability, and weight: dominates for its superior impact resistance—withstanding drops from 50 inches per FDA testing—and low density (1.2 g/cm³), ideal for active pursuits, though it scratches more readily than . lenses, denser at 2.5 g/cm³, provide unmatched optical clarity and scratch resistance but risk shattering under force. plastic offers a compromise with 1.50 for thin profiles and VLT control via dyes. , achieved by embedding a film stretched to align molecules, selectively absorbs horizontal light waves, cutting glare by up to 99% from reflective surfaces without altering overall VLT. Regulatory standards ensure reliable shade and protection: U.S. FDA mandates lenses block 99-100% of (315-400 ) and UVB (280-315 ) rays, tested via , alongside drop-ball impact resistance (a 5/8-inch ball from 50 inches). EN ISO 12312-1:2013 classifies lenses by VLT categories (0: 80-100% for indoors; 4: 3-8% for extreme glare), requiring UV cutoff at 400 and verifying no distortion. testing reveals that darker tints alone do not guarantee UV efficacy, as unverified cheap imports may transmit up to 20% UV despite low VLT.

Color and Perception

Shade in Color Theory

In color theory, a shade refers to a variation of a pure hue achieved by adding black pigment or its equivalent, which decreases the lightness or value of the color while preserving its dominant hue. This process results in a darker, more saturated appearance compared to the original hue, as black absorbs light without introducing complementary colors or desaturation. Shades differ from related terms such as tints and tones: a tint involves mixing a hue with white to increase lightness, while a tone incorporates gray (a mixture of black and white) to reduce vibrancy and chroma without solely altering value. These distinctions trace back to foundational principles in artistic and scientific color systems, where ancient theories like Aristotle's posited colors as mixtures of light (white) and darkness (black), laying groundwork for modern value-based modifications. In perceptual terms, shades influence human vision by leveraging the trichromatic response of cone cells in the , which detect variations in and intensity; adding effectively lowers , enhancing perceived depth and in visual scenes. This aligns with color models like (Hue, , ), where shade corresponds to reduced at constant hue and , aiding applications in for creating hierarchy and emotional resonance—darker shades often convey intensity or recession. In practice, artists and designers generate shade scales by incrementally adding to a base hue, as seen in mixing where the ratio determines subtlety versus starkness, though tools simulate this via RGB subtraction of equal proportions from , , and channels.

Biological and Ecological Contexts

Shade Tolerance in Plants

refers to the capacity of to survive, grow, and reproduce under reduced intensities, typically below 5-10% of full , distinguishing it from shade avoidance strategies that prioritize rapid elongation to reach better light. This trait is quantified by metrics such as the light compensation point—the minimum at which equals —and survival rates in conditions, with tolerant exhibiting lower compensation points around 1-5% full light compared to 10-20% or higher for intolerant ones. In ecological contexts, underlies dynamics, where early-successional, intolerant dominate open areas post-disturbance, yielding to tolerant in closed-canopy mature s. Plants are broadly classified into shade-tolerant and shade-intolerant (or shade-avoiding) categories based on their response to low : tolerant maintain viability through efficient use, while avoiders invest in elongation and to escape competition, often at the cost of reduced in persistent shade. indices, derived from field observations and trials, rank on scales from very tolerant (e.g., surviving <2% full ) to very intolerant (requiring >20% full for establishment). Trade-offs are evident: shade-tolerant typically exhibit slower rates but greater and resistance, reflecting a conservative optimized for stable, low-light environments over rapid exploitation of high-light gaps. Physiological adaptations enabling include enhanced via higher /b ratios and quantum yields, allowing greater carbon fixation per photon in dim conditions, alongside morphological shifts such as larger, thinner leaves with horizontal orientations to maximize interception. Tolerant also show reduced through robust photoprotective mechanisms, like sustained , and lower respiration rates to minimize carbon loss, though these come with vulnerabilities like heightened susceptibility in humid understories. Genetic and hormonal , including auxin-mediated shade avoidance suppression in tolerants, further modulates these responses, as seen in studies of where tolerant Pinus maintain wider leaves and lower saturation points than intolerant counterparts. Examples of highly shade-tolerant species include American beech (), which persists at 1-3% full , and eastern hemlock (), dominant in late-successional forests due to seedling survival under dense canopies. In contrast, shade-intolerant pioneers like quaking aspen () or black cherry () require canopy gaps exceeding 20% light for regeneration, illustrating how tolerance gradients structure community assembly. herbs such as ferns ( spp.) exemplify tolerance in non-woody plants, thriving via efficient low-light despite minimal vertical growth. Ecologically, shade tolerance influences and ; tolerant stabilize climax communities against minor disturbances but hinder regeneration of light-demanders, potentially leading to monodominant stands in undisturbed forests, as observed in northern temperate ecosystems where tolerance rankings predict 70-80% of trajectories. shifts may alter these dynamics, with warming favoring intolerant in some regions by increasing formation via storms, though empirical from long-term plots emphasize tolerance as a primary over secondary traits like resistance.

Linguistic and Cultural Meanings

Slang Usage: Throwing Shade

"Throwing shade" refers to the act of subtly insulting or disrespecting someone through indirect , insinuation, or nonverbal cues, distinguishing it from overt by emphasizing cleverness and deniability. This form of verbal prioritizes artistry over , often employing , backhanded compliments, or pointed to undermine the . In contrast to "reading," a more direct and explicit form of prevalent in similar subcultures, throwing shade layers subtlety to heighten its social impact while minimizing direct accountability. The phrase originated in the within and LGBTQ+ and communities in , where competitive performances demanded sophisticated methods of rivalry. Participants used shade to critique rivals' appearances, performances, or status without violating house rules against overt hostility, framing it as a performative akin to vogueing or lip-syncing. Linguistic evidence from the era, including oral histories and community lexicons, shows "shade" evolving from metaphors of casting shadows to obscure or diminish, with no documented usage predating this context in available historical records. Its entry into mainstream awareness occurred via Jennie Livingston's 1990 documentary Paris Is Burning, which captured vernacular and propelled "throwing shade" beyond subcultural confines. Subsequent adoption in the by celebrities amplified its reach; for instance, singer exemplified it through expressive glances and tweets implying superiority over peers. Pop culture instances include a 1998 interview where dismissed a rival's by noting, "," interpreted as shade for its feigned ignorance. By the mid-, the term permeated , memes, and entertainment discourse, evolving into a broader tool for passive-aggressive commentary in , , and interpersonal conflicts, though retaining its roots in performative diss.

Historical Etymology

The English noun "shade," denoting partial or relative , derives from the sceadu (oblique sceadwe), a strong feminine meaning "" or "darkness caused by interception of ." This form entered as schade or shade by around the , preserving the core sense of a "dark image cast by an object" or "comparative obscurity." The Old English sceadu stems from Proto-West Germanic skadu and Proto-Germanic skadwaz (also skadô), cognates of which appear in other Germanic languages, including Old High German scato ("shadow") and Old Norse skadi ("shadow"). These trace to the Proto-Indo-European root skot-, connoting "darkness" or "covering," evidenced in related forms like Sanskrit skótas- ("darkness") and Greek skotos ("darkness, gloom"). Historically, the term's primary application in early English texts, such as those from the Anglo-Saxon period (pre-1066), emphasized literal shelter from sunlight or metaphysical obscurity, as in biblical translations rendering Latin umbra (). By the Late period (circa 1300–1500), semantic extensions emerged for figurative uses like "" or "specter," influenced by Latin umbra via Old French ombre, though the Germanic root predominated for physical senses. Attestations in Chaucerian works (late ) illustrate its use for both natural s and poetic dimness.

Geographical Locations

United States

Shade Township, located in , encompasses rural areas with a population of 2,276 residents as of 2023. The township was incorporated in 1816, having been formed from portions of Stonycreek Township, one of the county's original divisions, with initial settlement occurring as early as 1772. It features a mix of residential and limited commercial development, with residents often commuting to nearby Johnstown or for services. In , Shade is an unincorporated community situated in Lodi Township, County, characterized by farmland and residential areas. The area falls within ZIP code 45776, which reports a of approximately 730 and a low density of 40 residents per square mile. Nearby natural features include the Shade River, contributing to the region's wooded and hilly terrain. Smaller or historical references to Shade exist in other states, such as in and , though these are minor communities with limited documented demographics or infrastructure. Additionally, Shade Gap, a borough in , maintains a of 88 as of 2023, serving as a sparsely populated rural enclave. These locations generally reflect agrarian or forested environments typical of their regions, with economies tied to and proximity to larger centers.

Personal Names

Surname Bearers

Will Shade (February 5, 1898 – September 18, 1966) was an Memphis blues musician best known for founding and leading the in 1927, playing harmonica, guitar, and vocals on numerous recordings from the 1920s to 1950s. Dave Shade (March 3, 1902 – June 23, 1983) was an boxer active from 1918 to 1935, compiling a professional record of 124 wins, 23 losses, and 46 draws across nearly 250 bouts, including stints as and contender and holder of the Australian and middleweight title in 1933–1934. Ronnie Shade (October 18, 1938 – September 10, 1986) was a Scottish golfer renowned as one of Britain's top amateurs, winning the Scottish Amateur Championship five consecutive times from 1959 to 1963 and representing in multiple matches before turning professional. Nancy Shade (born May 31, 1949) is an American spinto soprano opera singer who debuted professionally as Leonora in in 1967, won the 1968 Metropolitan Opera National Council Auditions, and performed leading roles at major houses including the Opera and . Sam Shade (born June 14, 1973) is an American football coach and former defensive back who played at and briefly in the , later serving as at Pinson Valley High School—leading them to the 2024 Alabama Class 6A state championship—and appointed of in 2023.

Given Name

Shade is a rare given name primarily of English origin, derived from the Old English word sceadu, meaning "shadow" or "shade," evoking connotations of protection from sunlight or partial darkness. In some interpretations, it carries the sense of "out of the sun" or "in shadow," reflecting its historical ties to natural imagery rather than direct nomenclature traditions before the 19th century. Alternative etymologies include Arabic roots where it signifies "singer," positioning it as gender-neutral with melodic associations, though this usage remains marginal compared to its English derivation. The name first appeared in U.S. records in 1976 and achieved modest peak popularity, ranking as high as 1,105th nationally in 1986, primarily among boys. Over the subsequent decades, it has remained uncommon, with an estimated 543 bearers in the United States as of recent analyses, placing it at the 13,070th most popular overall. Usage data from the past 50 years indicate a slight female preponderance, with approximately 51% of individuals named Shade being women, though some rankings list it exclusively or predominantly as a masculine name. In 2021, only 19 boys received the name, underscoring its niche status outside broader naming trends. No prominent historical or contemporary figures with Shade as a primary are widely documented in verifiable records, limiting its cultural footprint to personal rather than public prominence. Its appeal lies in brevity and evocative simplicity, occasionally adopted in modern contexts for its neutral, nature-inspired resonance without strong ties to specific ethnic or religious traditions beyond English linguistic roots.

Fictional Characters

In DC Comics, The Shade (Richard Swift) is an immortal character who debuted in Flash Comics #33 on June 1942, created by Gardner Fox and Harold Sharp. Originally depicted as a shadow-manipulating thief and foe of the Golden Age Flash (Jay Garrick), Swift acquired his powers in 1838 during a solar eclipse when he and a rival were enveloped by a mystical darkness that granted immortality and control over shadows via his cane. His portrayal evolved in James Robinson's Starman series (1994–2001), transforming him into a nuanced anti-hero who protects Opal City while adhering to a personal code against killing innocents, having lived through centuries of historical events including wars and crimes. Another DC Comics figure, , first appeared in Shade, the Changing Man #1 in April 1977, created by . Rac Shade, an escaped prisoner from the planet Meta's , dons an M-Vest that enables shape-shifting, reality alteration, and combat against the psycho-entity known as , which feeds on human madness. Peter Milligan's 1990 Vertigo relaunch reimagined him as a surreal, psychedelic protagonist navigating American culture and personal demons, emphasizing themes of identity and mental instability across 70 issues until 1996. In the , Shade is a minor supervillain who controls shadows and has allied with groups like the Injustice Syndicate and Anti-Justice League, appearing in episodes of such as "I Am Legion" (2005). This version draws from comic inspirations but lacks the immortality or origins of primary iterations, serving as a generic darkness-wielder in team-based conflicts. features Shades (Herman "Shades" Alvarez), a sunglasses-wearing criminal introduced in Power Man #47 (August 1978), who partners with in street-level crime and later joins the Brothers of syndicate. Though not singularly "Shade," his moniker evokes thematic shading via obscured vision, and he has clashed with heroes like without supernatural powers beyond marksmanship and thuggery.

Arts and Entertainment

Literature

"To a Shade" is a poem by , first published in his 1914 collection Responsibilities, addressing the apparition of Irish nationalist (1846–1891) and reflecting on themes of legacy and political betrayal following Parnell's death. The work, composed in 1913, juxtaposes Parnell's shade with contemporary figures like , emphasizing enduring Irish grievances. Neil Jordan's novel Shade (2004) narrates a tale set from the early to the , told from the perspective of , a ghost murdered in 1914, who observes her family's secrets, love, and wartime impacts. The book intertwines historical events with ghostly observation, beginning with Nina's violent death and exploring intergenerational . In V.E. Schwab's Shades of Magic trilogy, starting with (2015), "shades" denote magical essences and parallel worlds, central to the fantasy plot involving antari magicians traversing blood-soaked Londons. The series, comprising three novels published between 2015 and 2017, features elemental magic tied to shades, with over 400,000 Goodreads ratings averaging 4.0 for the first volume. Vladimir Nabokov's (1962) centers on fictional poet John Shade, whose 999-line elegiac poem titled "" is annotated by Charles , blurring lines between reality, madness, and . Shade's character embodies themes of mortality and artistic creation, with the poem's composition dated to 1959 in the narrative.

Film and Television

Shade is a 2003 American written and directed by Damian Nieman in his feature debut. The plot centers on a group of poker hustlers in , led by young grifter Gabriel (Stuart ), who collaborate with veterans Charlie (), Vernon (), and Tiffany () to scam "The Dean" (), a ruthless gangster and master gambler. After pulling off a $400,000 sting, internal betrayals and mob retaliation unravel their scheme, highlighting the perils of trust in the con artist underworld. Filmed primarily in , the movie features high-stakes card games and layered deceptions, drawing comparisons to films like for its con mechanics but with a darker, more cynical edge. Stallone's role, though brief at around 20 minutes of screen time, provides a menacing anchor as the vengeful mark. The ensemble cast also includes and in supporting roles. It premiered at the on September 11, 2003, before a limited U.S. theatrical release on April 16, 2004, distributed by . Critically, Shade garnered mixed , earning a 67% Tomatometer score on from 15 reviews, with praise for its twisty narrative and performances but criticism for uneven pacing and formulaic elements. Audience ratings averaged 6.3/10 on from over 13,000 users, appreciating the sleight-of-hand sequences while noting predictable betrayals. The has since gained a among fans of thrillers for its authentic depiction of underground culture. In television, minor productions bear the title, including a 2014 web series Shade following a justice-seeking anti-hero across seasons, rated 8.5/10 on from limited votes, and a 2017 exploring depraved personas through orchestrated schemes. These lack the prominence of the 2003 and have not achieved wide distribution or critical analysis. A 2024 horror-drama The Shade, involving a grieving family haunted by a malevolent entity, represents a recent but niche entry in the genre.

Video Games

Shade: Wrath of Angels is a third-person action- adventure developed by Black Element Software and published by Cenega Publishing. Released on October 1, 2004, for Microsoft Windows and , the game centers on a protagonist investigating his missing brother's disappearance, uncovering intrigue tied to an ancient conflict between angels and gods. Players navigate over 30 levels, combating eight enemy types with weapons and puzzles emphasizing and . The title earned mixed critical reception, scoring 50 on for the PC version due to technical issues and repetitive gameplay despite atmospheric elements. Shade is a 2000 interactive fiction game designed and published by Andrew Plotkin for and compatible platforms. Confined to a single apartment room, it simulates pre-dawn preparations for a trip, using text commands to manipulate objects and confront psychological tension amid encroaching darkness. The work blends puzzle-solving with narrative introspection, earning praise for technical innovation and thematic depth in evoking isolation and anticipation. In (2020), the protagonist is a diminutive creature designated "the Shade," assigned by a slumbering to guard him for 400 real-time days in an underground realm. Players decide the Shade's activities—exploring caverns, crafting, or idling—mirroring themes of patience, agency, and subterranean ennui, with the entity's survival tied to minimal needs like . Shades: Shadow Fight Roguelike, released in 2022 by Nekki for mobile platforms, serves as an interquel to the series, incorporating fighting mechanics with procedural runs and enhanced combat from . Players battle through acts using perks called "shades" that buff abilities, progressing via shadow energy and school-specific styles like or Crane. The game has garnered over 437,000 ratings averaging 4.5 stars for its fluid action and progression systems.

Music

"Shade" is the title of the fourth single by Australian rock band from their debut album , released on May 29, 1995, in . The track, written by band members , , and , exemplifies early influences with introspective lyrics addressing themes of isolation and emotional darkness. American country-pop singer Maren Morris featured "Shade" on her second studio album GIRL, released March 8, 2019, via Columbia Nashville. Co-written by Morris, Sarah Zimmermann, and Pete Good, the song explores relational tension through metaphors of light and shadow, blending pop production with country elements. The album Shade by American rock band Living Colour was released on September 8, 2017, by Megaforce Records, marking their first studio album in eight years. Recorded between 2013 and 2017 and produced by Andre Betts, it contains 13 tracks addressing social and political issues, including the lead single "Freedom of Expression (F.O.X.)". "Shade" is the stage name of Italian rapper and singer Vito Ventura, born December 10, 1987, in Turin, known for his sardonic freestyle style and commercial hits in Italy. Ventura gained prominence after winning the second edition of the freestyle battle show Freestyle Master in 2013, leading to albums like Truman (2016) and singles such as "Irraggiungibile" featuring Federica Carta. Notable songs incorporating "shade" in the title include "A Whiter Shade of Pale" by English rock band Procol Harum, released as their debut single on May 12, 1967, which topped the UK Singles Chart and sold over 10 million copies worldwide. The baroque-pop track, composed by Gary Brooker with lyrics by Keith Reid, draws inspiration from Johann Sebastian Bach and became a defining hit of the psychedelic era.

Other Uses

In optics and common parlance, shade refers to partial or relative caused by the interception of rays by an opaque object, such as a or building, often providing from sunlight's . This phenomenon reduces illumination and temperature in the affected area compared to direct exposure. In , a shade denotes a variation of a hue achieved by adding or equivalent, which darkens the color while preserving its essential character, distinct from tints (white added) or tones (gray added). Practitioners in and use shades to convey depth, , or intensity, as black admixture lowers without altering the base hue. In contemporary , particularly popularized in the within City's Black and Latino drag ballroom scene and documented in the 1990 film Paris Is Burning, "shade" or "throwing shade" signifies a subtle, often nonverbal expression of contempt, disdain, or insult toward another person. formalized this usage in 2017, defining it as a sneering display of , typically indirect to avoid direct confrontation. The term's adoption into mainstream lexicon reflects its roots in competitive "reading" sessions among , where served as social currency. In horticulture and landscaping, shade classifies environmental conditions with limited direct sunlight—typically less than four hours daily—necessitating selection of tolerant species like ferns or hostas, as excessive canopy blockage from taller vegetation inhibits photosynthesis in sun-dependent crops. Gardeners distinguish full shade (under 2-4 hours of sun) from partial shade to optimize growth, with structures like pergolas sometimes engineered to modulate light levels.

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