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Sicko Mode

"Sicko Mode" is a and trap song by American rapper featuring Canadian rapper , released on August 21, 2018, as the second from Scott's third studio album Astroworld, which debuted on August 3, 2018. The track is renowned for its innovative structure, featuring three distinct beat switches produced by a team including , , OZ, , , and Mike Dean, and incorporates additional vocals from and the late . Upon release, "Sicko Mode" debuted at number four on the and later ascended to the top spot on December 8, 2018, marking Scott's first number-one hit on the chart after 17 weeks. The song's official , directed by Dave Meyers and released on October 19, 2018, has amassed over 1.35 billion views on as of November 2025, contributing to its viral success and cultural impact. By October 8, 2025, it achieved 16× Platinum certification from the RIAA, tying it as the second-highest certified rap song in history with 16 million units sold in the United States. Its blend of psychedelic production, rapid tempo shifts, and lyrical themes of ambition and excess solidified "Sicko Mode" as a defining track of late-2010s , influencing subsequent genre innovations.

Background and release

Development

"Sicko Mode" originated during recording sessions for Travis Scott's Astroworld in 2017 and 2018, with final touches completed during a recording retreat in . Scott envisioned the track as a multi-part designed to deliver a "rollercoaster" experience for listeners, featuring abrupt shifts in style and energy to mimic the ups and downs of a ride. The collaboration with began when Scott sent him an early version of the song in 2018, prompting to contribute his opening verse, which was recorded separately in . 's addition introduced an unexpected element, with his performance emerging suddenly in the mix to heighten the track's dynamic surprises. Recording took place at various studios, including in , where Scott and producers refined the beats. Key contributors included , who crafted an early intro beat during sessions around the release of Scott's previous album Birds in the Trap Sing McKnight in 2016; , who provided the high-energy trap section; and Mike Dean, who handled mixing and additional production elements. Other producers like , , and also played roles in building the layered sound. The song evolved from an initial single-verse concept into a three-part , incorporating changes from a fast-paced 155 beat in the second section to a slower, soulful 73 segment in the third. This progression was a deliberate choice by Scott and the production team to enhance the track's immersive, shifting narrative.

Release and promotion

"Sicko Mode" was released as the second single from Travis Scott's third studio album Astroworld on August 21, 2018, through and . The track formed a key part of the Astroworld promotional campaign, which began with the album's release on August 3, 2018. "Sicko Mode" was previewed live at a surprise listening in on August 4, 2018, where Scott performed selections from the album amid a circus-themed setup at Revention Music Center. Scott announced the unscripted event via that evening, posting "HOUSTON TONIGHT WE GO SICKO MODE" along with an RSVP link that drew thousands of attendees. Further promotion involved social media teasers building hype around the album's themes of escapism and spectacle, positioning "Sicko Mode" as a follow-up lead after the album's opening track "Stargazing." The single debuted on the Billboard Rhythmic Songs airplay chart the following week, marking the start of its radio push.

Composition and production

Musical elements

"Sicko Mode" is characterized by its innovative three-part structure, which creates a dynamic listening experience through abrupt transitions and contrasting sonic palettes. The song opens with Part 1 (0:00–1:52), featuring a high-energy trap beat at 155 beats per minute (BPM), driven by rapid hi-hats and booming 808 bass lines that establish an intense, club-ready foundation. This section showcases Travis Scott's signature auto-tuned vocals layered over the beat, building momentum with ad-libs and effects, and incorporates elements sampled from The Notorious B.I.G.'s "Gimme the Loot." Part 2 (1:52–2:55) shifts dramatically to a slower tempo of 73 BPM for Drake's verse, introducing a more atmospheric and soulful vibe with melodic synths and subdued percussion that contrasts the opening's aggression. The track then returns in Part 3 (2:55–end) to the original trap style at 155 BPM, highlighted by Swae Lee's catchy hook and a sample from Big Hawk's "Victory Flow," adding a nostalgic Houston rap element. Overall, the song runs for 5:13 minutes, allowing space for these shifts to unfold. Key production techniques define the track's sound, including abrupt tempo changes that mimic a rollercoaster ride, extensive use of layered ad-libs for depth, and prominent effects on the vocals to create a futuristic, distorted texture. The production credits reflect a collaborative effort by , , , , , and Mike Dean. The song fuses genres seamlessly, blending trap and hip-hop's rhythmic drive with R&B's melodic sensibilities, while psychedelic elements—such as swirling synths and echoey effects—align with the thematic immersion of Travis Scott's album Astroworld. This hybrid approach not only highlights the producers' versatility but also elevates the track's replay value through its evolving soundscape.

Lyrics and themes

"Sicko Mode" is structured as a multi-part track with verses from Travis Scott bookending the song, emphasizing themes of hedonism, fame, and regional pride in his hometown of Houston. In the opening verse, Scott raps about a cold, wintry atmosphere and loyalty among friends, illustrated by the line "My dawg would probably do it for a Louis belt / That's just all he know, he don't know 'nothin' else," highlighting the relentless pursuit of luxury and status in the rap game. His closing outro shifts to a more chaotic energy, questioning "Who's the fuckin' fool in this plane? / It's a full house," which annotations interpret as a moment of introspection amid the excesses of fame and travel, pondering authenticity in a crowded, superficial world. Drake's central verse adopts a braggadocious tone, delving into relationships, rivalries, and professional triumphs, as seen in lines like "I might take all my exes and put 'em all in a group / Hit my eses, I need the boot," reflecting on romantic entanglements and the demands of . He addresses adversaries directly with "I got enemies, got a lot of enemies / Got a lot of people tryna drain me of this energy," portraying the and competition inherent in stardom, while boasting about his and material gains. Central themes revolve around a party lifestyle and excess, exemplified by Scott's imagery of revelry such as "She like the way that I dance / She like the way that I move" in his second verse, evoking carefree sensuality and in nightlife settings. The song also nods to Houston's through the sample of Big Hawk's vocals in the bridge, where he raps "To win the retreat, we all in too deep / P-p-playin' for keeps, don't play us for weak," paying homage to the late rapper's legacy within the collective and underscoring themes of resilience and local triumph. This interpolation serves as a tribute to Houston's roots, with Scott crediting the clearance to Hawk's family, reinforcing pride in the city's influential sound. The recurring ad-lib and title phrase "Sicko mode" encapsulates an intense, beast-like mindset of hyper-focus and superiority, as Scott declares "Young La Flame, he in sicko mode," symbolizing a relentless drive that elevates them above competitors in both artistry and hustle. Guest hooks amplify these motifs: Swae Lee's stresses hedonistic allure with "She like the way that I / Fuck on the bitch, she ain't even like that / She want the fizz and she like the way that I pour," portraying triumphant and . Big Hawk's sampled lines, in turn, emphasize legacy and unyielding determination, tying personal success to communal pride. Overall, the blend slang-heavy wordplay—such as "" for strategic maneuvering—with vivid depictions of extravagance and recklessness, portraying a marked by , interpersonal , and cultural loyalty.

Critical reception

Initial reviews

Upon its release on August 3, 2018, as the third track on Travis Scott's album Astroworld, "Sicko Mode" garnered immediate critical praise for its bold, multi-part structure and the effective collaboration between Scott and . Pitchfork's track review highlighted the song's "three abrupt and overwhelming beat change-ups" as akin to "a rollercoaster that whips your neck and jabs your sides with sudden twists and turns," emphasizing its audacious design and amid the album's . The outlet also commended the artists' , noting how Drake's return in the final third delivers "carefree slick talk" over booming drums that enhances the track's dynamic flow. Billboard echoed this sentiment, describing "Sicko Mode" as a prime example of genre-bending innovation through its risky three-piece composition, which blended , psychedelic elements, and star power to drive radio appeal and cultural buzz surrounding Astroworld. called it a showcase of Scott's signature style, where the complex shifts create a swirling . praised the real-time editing effect of the beat switches, which interrupt mid-verse before launching into Scott's energetic delivery, contributing to the song's momentum and the album's overall immersive world-building. However, not all feedback was unqualified. In Pitchfork's album review, the track was noted for how Drake's standout verse—deemed "leagues better than most of his own turgid recent album "—often overshadows Scott, underscoring a recurring critique of the rapper yielding the spotlight to guests on his projects. The song's elaborate production, including a showy sample from 2 Live Crew's " (Doo Doo Brown)," was seen as meme-worthy but emblematic of Scott's reliance on high-profile features for impact. These initial responses contributed to Astroworld's strong reception, with the album earning an aggregate score of 85 out of 100 on based on 19 reviews, reflecting broad acclaim for tracks like "Sicko Mode" that fueled its replayability and positioned it as a centerpiece of 2018's landscape.

Accolades and retrospective analysis

"Sicko Mode" received significant recognition following its release, including a win for Best Hip-Hop Video at the . The track was also nominated for Best Rap Performance and Best Rap Song at the in 2019. It ranked second on 's staff picks for the 100 Best Songs of 2018, highlighting its immediate impact within the year's musical landscape. In retrospective analyses, "Sicko Mode" has been credited with reconfiguring song structures through its innovative use of multiple switches, serving as a blueprint for fragmented and experimental tracks in the years following its release. Critics have praised its influence on post- , particularly in popularizing abrupt transitions that blend disparate sections into cohesive anthems, as seen in its inclusion among the best switches of all time. As of November 2025, the song had surpassed 2.48 billion streams on , underscoring its enduring commercial appeal. Later evaluations have emphasized the track's , transforming initial critiques of its unconventional three-part into acclaim for its bold experimentation and cultural . Featured in Rolling Stone's list of the 250 Greatest Songs of the So Far, "Sicko Mode" is now viewed as a pivotal work that expanded the possibilities of .

Commercial performance

Chart achievements

"Sicko Mode" debuted at number 4 on the US dated August 18, 2018. The track climbed steadily, reaching number 2 following the release of its in late October 2018, before hitting number 1 for one week on the chart dated December 8, 2018. It spent a total of 52 weeks on the . On the chart, "Sicko Mode" led for 18 weeks, the longest-running number-one on that tally at the time. The song's chart performance was propelled by massive streaming activity, accumulating over 100 million on-demand streams in its first full month on the chart. Internationally, "Sicko Mode" entered the top 10 on numerous charts, peaking at number 6 on Australia's Singles Chart, number 9 on the , number 3 on the Canadian Hot 100, and number 7 on New Zealand's Top 40 Singles Chart. For year-end rankings, it placed second on the 2018 and 24th on the 2019 edition, reflecting its sustained popularity across both years.

Certifications and sales

"Sicko Mode" has garnered substantial commercial success, with certifications reflecting millions of units consumed across sales and streaming equivalents. In the United States, the (RIAA) certified the single 16× Platinum on October 8, 2025, equivalent to 16 million units including downloads and streams. Internationally, the song has achieved multi-platinum status in several markets. Australia's certified it 8× Platinum, representing 560,000 units. In the , the (BPI) awarded 3× Platinum certification in January 2025, denoting 1.8 million units. Mexico's AMPROFON recognized it as plus 2× Platinum on May 28, 2025, for 420,000 units.
RegionCertifying BodyCertification LevelUnits EquivalentDate
RIAA16× Platinum16,000,000October 8, 2025
ARIA8× Platinum560,0002024
BPI3× Platinum1,800,000January 2025
AMPROFONDiamond + 2× Platinum420,000May 28, 2025
The track's streaming performance underscores its enduring popularity, surpassing 2.48 billion streams on as of November 2025. Pure sales figures, excluding streams, are estimated at approximately 725,000 units worldwide, with over 584,000 attributed to the market.

Music video

Production

The music video for "Sicko Mode" was directed by Dave Meyers in collaboration with , marking another partnership between the two following their work on Scott's earlier Astroworld visual "." Filming took place over three days in , , Scott's hometown, capturing various neighborhoods and landmarks to pay homage to the city's cultural landscape while integrating elements reflective of the album's theme park-inspired aesthetic. The production emphasized a nocturnal, otherworldly atmosphere, with key decisions centered on incorporating surreal imagery such as massive pterodactyl-like creatures soaring over urban streets and sudden floods engulfing vehicles, designed to evoke the dreamlike, psychedelic vibe of Astroworld. These creative choices were informed by Scott's vision of transforming Houston into a fantastical, inverted reality, blending real locations with heightened, immersive sequences to mirror the song's shifting structure and energetic shifts. Post-production was handled by boutique visual effects studio MOD, led by creative director and VFX supervisor Les Umberger, who crafted over 200 VFX shots including CGI animals, environmental transformations, and stylized renditions of Houston's streets bathed in vibrant, unnatural colors. The effects team focused on seamless integration of practical footage with digital enhancements, such as the splintering mosaic effect on Drake's face during his verse and dynamic crowd simulations, to amplify the video's trippy, high-impact narrative. The final video premiered on YouTube on October 19, 2018, via Scott's official channel, quickly garnering millions of views and solidifying its place as a visual cornerstone of the Astroworld era.

Visual style and narrative

The music video for "Sicko Mode" unfolds in a surreal, alternate-reality version of shrouded in a perpetual , creating an otherworldly atmosphere that serves as a tribute to the city's heritage. Directed by Dave Meyers and , the narrative eschews a strict linear plot in favor of dreamlike vignettes, where Scott rides a horse through warped urban streets, interacts with animated graffiti of local legends like , and visits the iconic Screwed Up Records & Tapes store, evoking the chopped-and-screwed sound pioneered by and the . appears in scenes that blend nostalgia and absurdity, such as walking a dog in a high school hallway and conversing in a chauffeured amid "swangin' and bangin'" culture, symbolizing camaraderie and roots in Southern rap traditions. The arc builds from exploratory wanderings to increasingly chaotic transformations, culminating in a sense of triumphant immersion in this psychedelic , without a conventional resolution but emphasizing cultural reverence and escapist fantasy. Visually, the video employs a trippy, VFX-driven style with nearly 200 effects shots produced by studio, featuring vibrant, color-saturated renderings of landmarks under the eclipse's ominous glow. Key motifs include rhythmic warping of perspectives—such as Scott dramatically growing larger and smaller in front of the music store while the background inversely distorts—and kaleidoscopic animations that splinter elements like Drake's face into a mosaic resembling a , symbolizing fragmentation and rebirth in the rap world. Slow-motion sequences amplify the hypnotic quality, interspersed with explosive, rhythmic pulses that mirror the track's bass drops, while Jack branding subtly integrates through apparel and set design, reinforcing Scott's personal empire. These choices draw on 's gritty, innovative street culture, with psychedelic hues and surreal scale shifts evoking an gone cosmic, blending horror-tinged introspection (like vibes during quieter moments) with high-energy spectacle. The visuals sync tightly with the song's tripartite structure, amplifying its dynamic shifts: the frenetic energy of Part 1 drives chase-like horse rides and street scenes with rapid cuts and warping effects; Part 2's more subdued, dialogue-heavy introspection aligns with intimate conversations and nostalgic high flashbacks under dim, eclipse-filtered lighting; and Part 3's chaotic bounce fuels climactic distortions and explosive VFX, such as falling and giant chalkboard animations, heightening the track's rollercoaster momentum. This synchronization transforms the video into a rhythmic extension of the music, where visual "beat changes" echo the production's abrupt transitions, enhancing thematic depth around and hometown pride. Clocking in at 5 minutes and 13 seconds, the video is formatted as a self-contained short film, released on October 19, 2018, via YouTube with minimal edits beyond the official cut, allowing its seamless, immersive flow to unfold like a cohesive narrative journey through Scott's visionary lens on Astroworld.

Performances and remixes

Live performances

"Sicko Mode" received its live debut during Travis Scott's Astroworld album listening party in Houston on August 5, 2018, where Scott performed the track alongside "Carousel" for the first time in a circus-themed event for local fans. The song's first major festival performance followed shortly at Osheaga in Montreal on August 3, 2018, marking an early showcase of its high-energy stage potential. Scott brought the track to television with a solo rendition on on October 6, 2018, featuring a hazy, smoke-filled stage design as a tribute to Houston's . Later that month, on October 14, 2018, he delivered a dynamic version at Festival, emphasizing the song's shifting structures with live instrumentation. In 2019, one of the track's most prominent outings came during the on February 3, where Scott joined for a pyrotechnic-laden performance that incorporated flames and intense crowd interaction. Scott performed "Sicko Mode" at the in in both its inaugural edition on November 17, 2018, and in 2019, adapting the tempo to ramp up stage energy and encourage mosh pits among attendees. made guest appearances with Scott on the song during joint tour stops, including a collaborative set at tour dates in 2018, blending their verses for heightened audience engagement. The song featured in Scott's set at the 2021 on November 5, prior to the tragic crowd surge, with production elements like elevated platforms and visual effects amplifying its chaotic vibe. Following the incident and subsequent legal challenges, Scott's live outings diminished, but he revived "Sicko Mode" for the supporting his 2023 album , incorporating advanced visuals such as immersive lighting and holographic accents to refresh the for arenas in 2023 and 2024, including appearances at Miami in December 2024 and in September 2024.

Remixes and covers

One of the most prominent remixes of "Sicko Mode" is the official version produced by , released on November 27, 2018, as a standalone single. This rework amplifies the track's dynamic structure with pulsating electronic drops, heavy basslines, and synth-driven transitions, shifting the original's foundation toward an EDM-infused sound suitable for festivals and clubs. Several unofficial emerged shortly after the song's release, gaining traction in and circles. The Luca Lush , dropped in September 2018, emphasizes the track's rhythmic switches with deep sub-bass and atmospheric builds, while Crankdat's "Re-Crank" from October 2018 introduces aggressive wobbles and shifts for a high-energy reinterpretation. These versions highlight the song's versatility, often extending the runtime with extended breakdowns. Covers of "Sicko Mode" span genres, showcasing its adaptability beyond . In November 2019, British soul artist performed a stripped-down rendition for 1Xtra's Spotlight Sessions, featuring piano accompaniment and her emotive vocals that focus on the melodic hooks while downplaying the rap verses. Australian electronic singer Kota Banks delivered a cover for triple j's series in February 2020, infusing the track with upbeat production and layered harmonies to create a danceable alternative. Instrumental reinterpretations have also proliferated, particularly on social platforms. Violinist Anthony Tang released a one-person cover in August 2018, faithfully recreating the beat switches and ad-libs using layered strings for a classical twist. Similarly, a 2019 cover by Overspace and GameChops featuring K.K. Slider from the Animal Crossing series reimagines the song in a chiptune style, blending hip-hop elements with video game aesthetics for nostalgic appeal. The song's influence extends to interpolations in other tracks. More recently, in 2024, ¥, [Kanye West](/page/Kanye_West), and Ty Dolla ign incorporated subtle nods to its structure in "Sky City" from the album, using similar tempo changes and ad-lib patterns.

Personnel and credits

"Sicko Mode" was produced by a collaborative team led by , OZ (Ozan Yildirim), , , and , who crafted the track's distinctive beat switches and trap-influenced sound. provided additional production elements. Mike Dean contributed additional production and served as the primary , giving the track its polished, atmospheric quality. acted as for the overall album, overseeing the creative direction, and also participated in recording and mixing duties. The engineering process involved recording at in and Cactus Studios in , with credited as the lead recording engineer. Assistant recording engineers Ben Sedano and Jon Sher supported the sessions. Mixing took place at Dean's List House of Hits in , where Mike Dean and handled the final mix, assisted by Jimmy Cash and Sean Solymor. Drake's verse was recorded separately. A&R direction for the album, including "Sicko Mode," was managed by Sickamore at , ensuring alignment with Travis Scott's vision for Astroworld. These credits are drawn from the album's official and production breakdowns, highlighting the song's ensemble effort in blending multiple producers' styles into a cohesive . "Sicko Mode" prominently features Canadian rapper , who delivers the song's second verse, shifting its dynamic from Scott's initial performance to a more introspective flow. Additional vocals are provided by American singer-rapper , who contributes melodic ad-libs and the bridge line "Someone said," enhancing the track's transitional hooks and adding a layered, atmospheric texture. The song also includes a posthumous appearance by late rapper , whose vocals serve as a tribute to the city's legacy in the third section. The track draws on several key samples to build its sound. In the second part, it interpolates elements from 's "" (1994), incorporating rhythmic and vocal motifs that nod to influences. Drum patterns from Luke's "" (1992) underpin the beat switch, providing a high-energy foundation that propels Drake's verse. Big Hawk's contribution stems from a direct sample of his 2005 track "Victory Flow," where his ad-libs and flow are woven into the outro, honoring Houston's heritage as a local homage. These sampled elements, cleared through respective estates and publishers, underscore the song's collaborative and referential spirit within contemporary .

Cultural impact and legacy

Influence on hip-hop

"Sicko Mode" significantly shaped hip-hop production trends following its release by popularizing abrupt beat switches and multi-part song structures that deviated from traditional verse-chorus formats. The track's three distinct sections, each with shifting tempos and rhythms crafted by producers including , , , and , demonstrated how fragmented beats could sustain listener engagement in the streaming era, where short attention spans favor dynamic compositions. This approach broke conventional formulas, influencing subsequent tracks to incorporate similar transitions for heightened dramatic effect and . The song's innovative structure inspired a wave of beat fragmentation in later hip-hop releases, evident in works like and Kendrick Lamar's "Family Ties" (2021), which has been cited as making one of the strongest uses of a beat switch since "Sicko Mode." By analyses as of 2024, "Sicko Mode" was recognized for pioneering streaming-era song design through its unconventional structure with beat switches, enabling longer tracks to accumulate streams via varied segments that encourage repeated plays. It was later included in Rolling Stone's list of the 250 greatest songs of the so far (2025) and Spotify's 100 greatest songs of the streaming era (2024). The collaborative model exemplified in "Sicko Mode"—featuring Drake's , Swae Lee's uncredited , and contributions from over 30 songwriters alongside six producers—boosted pairings between artists like and established figures, a trend seen in 2020s that emphasized star-driven features for crossover appeal. This format elevated ensemble production in , fostering maximalist tracks that blend multiple voices and beats to maximize cultural and commercial impact. In terms of genre impact, "Sicko Mode" propelled into the mainstream by infusing it with psychedelic twists, such as distorted synths and atmospheric shifts that created a disorienting, immersive experience. Producers have since drawn from this style to innovate within , expanding its sonic palette beyond minimalism toward more experimental, genre-blending forms that dominate contemporary .

Usage in media and memes

"Sicko Mode" has been prominently featured in various media placements, enhancing its cultural footprint beyond music. The track appears on the for the NBA 2K19, curated by himself, where it contributes to the game's energetic atmosphere during gameplay. In 2019, the song soundtracked a commercial directed by 22-year-old filmmaker Gibson Hazard, featuring NFL stars and in a high-octane set against the , emphasizing themes of ambition and performance. Additionally, "Sicko Mode" served as a centerpiece in 's event "Astronomical" within the battle royale game in April 2020, where a colossal of Scott performed the song amid surreal, planet-sized visuals, drawing over 12 million concurrent viewers and marking one of the platform's most attended live events. The song's innovative structure, particularly its multiple beat switches, has fueled its virality in memes and trends, often symbolizing abrupt shifts in mood, energy, or narrative. On , users have created countless reaction videos highlighting the "" of the beat changes, amassing millions of posts that capture surprise or escalation, with the track's transitions serving as a punchline for everyday chaos or hype moments since its 2018 release. This meme peaked in popularity from 2019 onward and continued into 2025, evolving into broader cultural shorthand for "going sicko mode" to denote entering an intense or unhinged state. Complementing these, challenges inspired by the song's and Drake's verse—particularly lines evoking rhythmic movement—have proliferated on the platform, with creators syncing to the beat drops for viral compilations and freestyles.

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