Cubeatz
Cubeatz is a German hip hop production and songwriting duo consisting of twin brothers Kevin and Tim Gomringer, hailing from the small town of Holzgerlingen in Baden-Württemberg.[1][2] Formed in 2008, the duo is known for their distinctive melodic beats and loop-based production techniques, which have become staples in contemporary hip hop.[3] Cubeatz gained prominence in the mid-2010s through collaborations with major artists, including producing key tracks for Drake such as "R.I.C.O." featuring Meek Mill from the 2015 album Dreams Worth More Than Money and "Summer Sixteen" from 2016.[4] Their work extends to Travis Scott on hits like "goosebumps" from the 2016 album Birds in the Trap Sing McKnight and "SICKO MODE" from the 2018 album Astroworld, both of which achieved multi-platinum status.[4] Additional notable productions include "MotorSport" by Migos featuring Cardi B and Nicki Minaj from the 2018 album Culture II, and "Not Alike" by Eminem featuring Royce da 5'9" from the 2018 album Kamikaze.[4][5] The duo's contributions have earned them widespread acclaim, including 32 platinum certifications by early 2023 and a Grammy win for Best Rap Album for their work on Cardi B's Invasion of Privacy at the 61st Annual Grammy Awards in 2019, as well as a Grammy Award nomination for Album of the Year for their work on Kanye West's Donda at the 64th Annual Grammy Awards in 2022.[1][6] Often partnering with producers like Metro Boomin and Murda Beatz, Cubeatz have shaped the sound of modern trap and hip hop, emphasizing emotional melodies over traditional drum-heavy beats.[4] Their low-profile approach, focusing on behind-the-scenes creation rather than performance, has solidified their reputation as influential architects of the genre.[1]Early life and background
Family and upbringing
Kevin and Tim Gomringer, the twin brothers who comprise the production duo Cubeatz, were born on March 15, 1991, in Sindelfingen, Germany.[7] They hail from Hildrizhausen, a small community in the Baden-Württemberg region near Stuttgart, where the brothers spent their formative years.[8]Introduction to music
The twin brothers Kevin and Tim Gomringer, collectively known as Cubeatz, discovered hip hop during their early teens in the small Swabian town of Hildrizhausen, Germany, where they grew up. They described their hometown as a "forest village" that was "rainy" and "lonely," leading them to spend time indoors creating music. Their initial exposure to the genre came through American hip hop artists broadcast on MTV and local radio, igniting a passion for beat-making and production that would define their career. The brothers began exploring the creative possibilities of hip hop without any prior formal guidance.[1] Largely self-taught, the Gomringers learned music production by experimenting on a family computer using the digital audio workstation (DAW) software Cubase, which they accessed as beginners. They focused on foundational techniques such as sampling sounds from various sources and layering simple drum patterns and melodies to create beats, gradually building technical proficiency through online resources and persistent practice. This hands-on, trial-and-error method allowed them to develop an intuitive understanding of rhythm and texture, all while balancing school and everyday life in their rural setting.[9] In 2008, the brothers formalized their partnership as the production duo Cubeatz, drawing the name directly from Cubase to reflect their structured, block-like approach to building tracks. As twins, their collaboration was natural and efficient, with each contributing complementary ideas to refine their sound. They produced their first demos—raw, experimental beats emphasizing moody loops and hip hop grooves—during this period, sharing them online via early social platforms to connect with like-minded enthusiasts in Germany's underground scene. These initial efforts attracted modest local interest, marking the start of their journey from hobbyists to recognized talents, entirely without professional training or industry mentorship.[9]Career
German hip hop beginnings
Cubeatz entered the German hip hop scene with their first major professional collaboration in 2014, producing the track "Morphium" for Summer Cem featuring KC Rebell, which showcased their emerging talent for crafting melodic loops suited to street rap aesthetics.[10] This project marked a pivotal step in gaining recognition within the domestic underground circuit, building on their self-taught production skills honed in the Stuttgart region. Their breakthrough came through close ties to the influential 187 Strassenbande collective, particularly via contributions to the group's sound around 2015–2016, which aligned with the rising popularity leading into the massive success of Palmen aus Plastik in 2016.[4] Although not directly credited on the album's title track, their loopmaking style influenced the collective's melodic trap direction, helping solidify Cubeatz's role in elevating German hip hop's commercial appeal alongside artists like Bonez MC.[4] Between 2015 and 2018, Cubeatz expanded their portfolio with key projects for established figures such as Farid Bang—producing "FDM" on his 2015 album Asphalt Massaka 3—and Kollegah, whose collaborations dated back to the early 2010s but continued to provide foundational credibility.[11][1] They also worked with rising stars like Capital Bra during this period, contributing beats that blended atmospheric samples with hard-hitting rhythms, as seen in broader credits within the scene.[4] Navigating the fiercely competitive German hip hop environment proved challenging for the publicity-shy duo, who maintained a low online presence amid a scene dominated by flashy personas and regional rivalries. Based in the Stuttgart area, they built lasting credibility through rigorous studio sessions and live production workshops, often collaborating in local facilities like A7-Media to refine their sound and secure placements with top-tier artists.[1] This grassroots approach, rooted in the vibrant yet cutthroat Swabian hip hop ecosystem, allowed Cubeatz to transition from niche loop providers to essential contributors in the mid-2010s German wave.[12]International breakthrough
Cubeatz's entry into the U.S. market began in 2016 when Drake discovered their loop packs through connections with OVO Sound producers, leading to contributions on his album Views, including songwriting and production elements that helped establish their international profile. This breakthrough came after years building credibility in the German hip-hop scene, where their melodic loops had already gained traction among local artists. Their work on tracks like PARTYNEXTDOOR's "Come and See Me" featuring Drake, from the PARTYNEXTDOOR 3 (P3) album released alongside Views, earned them early songwriting credits and exposure to a global audience, peaking at No. 55 on the Billboard Hot 100.[13] By 2017, Cubeatz expanded their collaborations with major U.S. artists, providing co-production on Nicki Minaj's "No Frauds" with Drake and Lil Wayne, a diss track response that reached No. 11 on the Hot Rap Songs chart, and contributed loops to "MotorSport" with Migos and Cardi B, further solidifying their role in high-profile rap releases.[9] These efforts highlighted their signature style of layered, moody melodies, often integrated into co-production roles with established beatmakers like Murda Beatz. "Rockstar" by Post Malone featuring 21 Savage sampled a beat produced by Cubeatz for "No Heart" by 21 Savage and Metro Boomin, contributing to its multi-platinum success certified 12x by the RIAA and debuting at No. 1 on the Billboard Hot 100.[13] This facilitated partnerships with major labels, including a global publishing deal with Universal Music Publishing Group in 2018, which amplified their access to top-tier artists and projects. By contributing to Travis Scott's Astroworld that same year—co-producing "SICKO MODE" (featuring Drake), which topped the Billboard Hot 100 for one week and amassed over 1.5 billion Spotify streams as of 2025, and "Stop Trying to Be God"—Cubeatz achieved mid-career milestones that underscored their impact. Their streaming credits surged by 2020, with loops and co-writes appearing on billions of global plays across platforms, reflecting a pivot from domestic production to international hitmaking.[9][13]Recent collaborations
Following the challenges of the COVID-19 pandemic, Cubeatz resumed their international production work with key contributions to Drake's seventh studio album Honestly, Nevermind (2022), where they co-produced the closing track "Jimmy Cooks" featuring 21 Savage, blending house-influenced rhythms with hip-hop elements alongside producers Vinylz and Tay Keith.[14] This collaboration marked a continuation of their established partnership with the Canadian artist, adapting to remote workflows that became standard in the industry during lockdowns.[15] In 2023, Cubeatz expanded into K-pop by co-composing and providing instrumentation for Stray Kids' upbeat track "LALALALA" from the mini-album 樂-STAR, infusing their signature melodic hooks into the group's high-energy sound alongside writers 3Racha, Versachoi, and Luis Bacque.[16] That same year, they co-produced "Pillow Talk" for Rick Ross and Meek Mill's collaborative album Too Good to Be True, delivering a smooth, trap-inflected beat that complemented the rappers' chemistry, in partnership with Tay Keith. By 2025, Cubeatz returned to their German hip-hop roots with production on "Demons" by Luciano and Mali from the mixtape Banditorinho 2, crafting a dark, atmospheric trap beat co-produced with madein2k and VALXR to underscore the track's intense lyrical themes.[17] These projects highlight their evolving role in bridging global genres, leveraging their international network for diverse artistic endeavors.Musical style and influences
Signature production techniques
Cubeatz's production techniques emphasize the creation of original melodic loops designed to mimic the texture and emotion of vintage recordings, often drawing from soul and R&B influences without direct sampling to circumvent clearance complexities. They focus on chopping and pitching melodic elements to craft catchy hooks, incorporating detuned vocals and layered textures for an organic, nostalgic quality that enhances emotional depth in hip hop tracks. This method allows for versatile loop packs that producers can easily integrate into beats. In drum programming, Cubeatz favor robust 808 basslines as the foundation, paired with crisp, layered hi-hats to drive rhythmic energy. They employ FL Studio for these elements, utilizing layering techniques such as stacking multiple hi-hat samples with subtle variations in velocity and pitch to achieve a polished yet dynamic percussion sound. Melodic construction in their work highlights atmospheric pads and guitar loops, processed with reverb and delay to build immersive environments. Cubeatz intentionally avoid heavy quantization, preserving subtle human imperfections for a more authentic feel that distinguishes their loops from rigidly digital productions. Their collaboration style revolves around iterative, remote sessions where they rapidly refine ideas—often flipping beats in 10-15 minutes—by exchanging loop variations with artists and producers via email or shared files, enabling efficient co-creation across distances.Key influences
Cubeatz's sound was profoundly shaped by the German hip hop scene of the late 2000s and early 2010s, a landscape heavily influenced by immigrant communities expressing themes of identity, racism, and urban struggle through rap. Growing up in Hildrizhausen near Stuttgart, the Gomringer brothers drew from this environment, where hip hop served as a platform for second-generation migrants to navigate cultural duality, blending local storytelling with global sounds. Their early productions for German rapper Vega in 2008 reflected this fusion, incorporating unlicensed samples and raw beats that echoed the scene's DIY ethos.[18][9] Exposure to U.S. charts during their teenage years introduced Cubeatz to American hip hop's innovative production techniques, particularly the sample flips popularized by Kanye West, which emphasized soulful, transformative loops over straightforward beats. This admiration for layered, emotive sampling informed their approach, evolving into the moody, atmospheric melodies that define their work. By the mid-2010s, they actively sought inspiration from trap pioneers, sending custom loop packs to producers like Metro Boomin and Southside, whose dark, bass-heavy aesthetics aligned with and amplified Cubeatz's melodic sensibilities.[13][19] The duo's genre blends emerged from merging trap's hard-hitting drums and synths with German rap's gritty lyricism, as seen in their contributions to acts within the 187 Strassenbande collective's orbit, where street-oriented narratives met international beats. Later international efforts incorporated afrobeats rhythms, drawing from global chart exposure and collaborations that expanded their palette beyond pure trap.[13] By 2020, Cubeatz's tastes had shifted toward pop-rap hybrids, influenced by the genre-blending anthems of artists like Post Malone, which encouraged brighter, more accessible hooks while retaining their signature haunting undertones. This evolution marked a departure from their trap roots, prioritizing crossover appeal in an increasingly globalized music landscape.[13]Notable productions and discography
Selected German works
Cubeatz's early contributions to German hip hop are exemplified by their co-productions on Fard's 2011 album Invictus, where they collaborated with Beatzeps on several tracks, including "Einsam," "S.O.S.," "Dann bist du Häuptling," "Erinnerungen," and "60 Terrorbars Las Vegas." The album debuted at No. 11 on the German Albums Chart and marked a pivotal moment in blending melodic hooks with gangsta rap narratives, showcasing Cubeatz's emerging signature of atmospheric loops.[20] A standout single from their domestic catalog is "An alle Bloxx" by Haftbefehl, featured on the 2012 album Kanackiş, which Cubeatz co-produced with Beatzeps.[21] This track, with its gritty energy and regional shout-outs, helped propel Kanackiş to No. 10 on the German Albums Chart, solidifying Cubeatz's reputation for crafting beats that resonated with street-oriented audiences across German-speaking Europe.[22] Another key release is "FDM" from Farid Bang's 2015 album Asphalt Massaka 3, fully produced by Cubeatz and featuring aggressive flows over layered melodies.[23] The album topped the German Albums Chart for one week and achieved gold certification for 100,000 units sold, highlighting Cubeatz's ability to deliver high-impact productions in the battle rap subgenre.[24][25] Their melodic sample-based approach played a significant part in popularizing trap-influenced sounds in German-speaking Europe, transitioning from underground gangsta rap to broader commercial appeal.[8]Major international contributions
Cubeatz's international breakthrough came through their sample packs and co-production credits on several high-profile tracks that dominated global charts. One of their most impactful contributions was to "SICKO MODE" by Travis Scott featuring Drake from the 2018 album Astroworld, where they provided key melodic loops that helped shape the song's multi-part structure; the track debuted at No. 1 on the Billboard Hot 100 and has since been certified diamond by the RIAA for over 10 million units sold in the U.S.[26] Similarly, their co-production on "goosebumps" by Travis Scott featuring Kendrick Lamar, from the 2016 album Birds in the Trap Sing McKnight, featured haunting, atmospheric samples that propelled the song to over 1.7 billion streams on Spotify by 2025 and earned it 17x platinum certification from the RIAA, tying it for the highest-certified rap single ever.[27] Beyond lead singles, Cubeatz contributed melodic elements and co-production to album tracks that became fan favorites and streaming staples. These deep cuts exemplify Cubeatz's ability to craft versatile loops that enhance narrative-driven hip-hop. By 2025, Cubeatz's international credits had collectively surpassed 5 billion streams on Spotify alone, driven by the enduring popularity of their contributions to trap anthems and crossover hits.[28] Specific RIAA certifications highlight their impact, including multi-platinum honors for tracks like "MotorSport" by Migos featuring Nicki Minaj and Cardi B (5x platinum), where Cubeatz's ominous bells and 808 patterns fueled the song's aggressive energy and chart run to No. 6 on the Hot 100. These efforts underscore Cubeatz's evolving influence in bridging European production techniques with American and global hip-hop sounds.Recognition and legacy
Awards and nominations
Cubeatz have garnered significant recognition from major award organizations for their production and songwriting contributions to hip-hop and rap tracks. At the 61st Annual Grammy Awards in 2019, their production work on multiple tracks from Cardi B's album Invasion of Privacy contributed to its win for Best Rap Album.[30] In 2022, at the 64th Annual Grammy Awards, their contributions to Kanye West's Donda led to a nomination for Album of the Year.[31][6] Their contributions extend to nominations at the BET Hip Hop Awards, including for co-producing "Sicko Mode" by Travis Scott featuring Drake, which was nominated for Best Collaboration, Best Hip-Hop Video, and Hip-Hop Video of the Year in 2019.[32] At the 2025 Headies Awards, they were nominated for Producer of the Year for co-producing Rema's "Hehehe" (with Producer X, Deatz, and Klimperboy), though the award was presented to London for "Ozeba."[33][34] Cubeatz have received multiple nominations across international awards, particularly in rap production categories.| Year | Award | Category | Nominee/Work | Result | Source |
|---|---|---|---|---|---|
| 2019 | Grammy Awards | Best Rap Album | Invasion of Privacy (Cardi B) | Won (shared) | grammy.com |
| 2022 | Grammy Awards | Album of the Year | Donda (Kanye West) | Nominated | grammy.com |
| 2019 | BET Hip Hop Awards | Best Collaboration | "Sicko Mode" (Travis Scott feat. Drake) | Nominated | billboard.com |
| 2019 | BET Hip Hop Awards | Best Hip-Hop Video | "Sicko Mode" (Travis Scott feat. Drake) | Nominated | billboard.com |
| 2019 | BET Hip Hop Awards | Hip-Hop Video of the Year | "Sicko Mode" (Travis Scott feat. Drake) | Nominated | billboard.com |
| 2025 | Headies Awards | Producer of the Year | "Hehehe" (Rema) | Nominated | billboard.com |