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Something in the Way

"" is a by the band Nirvana, written by frontman and released as the twelfth track on their breakthrough second studio album, , in September 1991. The track features minimalistic instrumentation, including whispered vocals, detuned guitars, and a , evoking a sense of melancholy and isolation that became emblematic of music. Cobain composed the song during a period of homelessness in his hometown of , where he claimed to have lived under the Young Street Bridge over the after being kicked out of his home as a teenager. The lyrics, such as "Underneath the bridge / The tarp's been pulled off," draw directly from these experiences, symbolizing emotional barriers and societal rejection with the repeated refrain "Something in the way." However, later biographies, including Charles R. Cross's Heavier Than Heaven (2001), have debunked the literal bridge-living narrative, noting that the area was a tidal slough unsuitable for habitation and that Cobain more often couch-surfed or stayed in abandoned buildings. A 2023 updated biography, The Amplified Come as You Are by , similarly clarifies that Cobain exaggerated the bridge-living story as part of his self-mythologizing. Recorded at in , , the song's production involved producer amplifying Cobain's soft vocals to near-distortion levels, while cellist Kirk Canning improvised the haunting string part on the final day of sessions. Though not released as a , it concluded Nevermind just before a , "Endless, Nameless," separated by over 10 minutes of silence, contributing to the album's raw, subversive edge. Nirvana performed an acoustic version during their iconic 1993 session, which was released posthumously in 1994 following Cobain's suicide. The song's cultural impact grew over time, appearing in films like (1996) and surging in popularity after its prominent use in the 2022 film The Batman, which caused the original recording to debut at number 46 on the in March 2022. Critics have praised it as one of Nirvana's most poignant works, often citing its themes of and as reflective of Cobain's personal struggles.

Background and recording

Writing and early development

Kurt Cobain wrote "Something in the Way" in 1990, drawing inspiration from a period of personal hardship and temporary homelessness during his youth in . Although the song's imagery evokes squatting under the Young Street Bridge, biographer notes in Heavier Than Heaven that Cobain spent only brief periods there in 1985, often exaggerating the experience in retellings to capture his sense of isolation; the lyrics reflect broader struggles with poverty and rather than literal extended residence. In interviews, Cobain described the song as a metaphorical exploration of despair and exclusion, stating it imagined a scenario "like if I was living and I was dying of AIDS, if I was sick and couldn’t get a job and I had no money. I was just a complete fuck-up, just a complete loser." This portrayal underscores themes of depression and societal rejection that permeated his early songwriting, as detailed by biographer . Nirvana first performed "Something in the Way" live on November 25, 1990, at Seattle's Off Ramp Café, during a club tour supporting their debut album . The song appeared sporadically in setlists through 1990 and 1991, often in stripped-down arrangements that varied between acoustic guitar-led renditions by Cobain alone and fuller band versions with on drums and on bass, adapting to small venue acoustics and impromptu energy. Initial demo recordings occurred in early 1991, captured on a low-fidelity during band rehearsals in a converted barn in . These sessions produced a raw version emphasizing the song's brooding atmosphere, with Cobain's vocals and guitar taking center stage amid the tape's hiss and limited production, preserving its intimate, unpolished feel before formal studio work.

Nevermind recording sessions

The recording of "Something in the Way" occurred at in , , as part of the album sessions spanning late May to early June 1991, with serving as producer and engineer. The track, written by shortly before the sessions began, presented significant challenges, requiring nearly an entire day of attempts to achieve the desired mood, making it the most difficult song to record on the album. Unlike the majority of Nevermind's songs, which were captured live in the studio with the full band, "Something in the Way" was constructed entirely through overdubs, starting with Cobain's and vocals before layering additional elements. Cobain performed the guitar part on a rented acoustic in , detuned a half-step to D♭ for a lower, more somber tone, and the final take intentionally retained a slightly out-of-tune quality to enhance its raw, haunting atmosphere. His vocals were delivered in a subdued, murmuring style and double-tracked to add subtle depth without overpowering the . To further enrich the sparse, droning , cellist Kirk Canning— a friend of — contributed an overdubbed part toward the end of the sessions, providing atmospheric texture through long, sustained notes that evoked a sense of isolation. This addition was one of the final elements recorded, emphasizing the track's unconventional, unpolished vibe amid broader pressures to refine the album's overall sound for commercial appeal. Initially omitted from early track listings due to its stark departure from the album's energetic rockers, "Something in the Way" was ultimately included following band consensus, preserving its introspective essence as the closer. The production choices reflected influences from an earlier 1990 demo, maintaining the song's brooding simplicity.

Post-album developments

In the lead-up to Nirvana's 1993 performance, the band conducted rehearsals over two days at Studios in , focusing on adapting their electric catalog to acoustic arrangements. For "Something in the Way," the group implemented a minimalist setup, incorporating cellist to enhance the song's haunting atmosphere, while slowing the tempo to heighten its emotional resonance. directed the delivery to evoke a whisper-like intimacy, tweaking sound levels and instrumentation to achieve a raw, subdued balance distinct from the original studio version recorded during the sessions. The 2011 Nevermind 20th Anniversary Edition unearthed alternate mixes of "Something in the Way" produced at Devonshire Studios, including previously unreleased takes that featured clearer vocal isolation and variations in the cello layering by Kirk Canning. These versions, part of Butch Vig's raw mixes, revealed a less distorted production process, allowing listeners to discern subtler nuances in Cobain's phrasing and the string elements compared to the final album cut. Debates over the accuracy of the song's lyrical inspiration—particularly Cobain's reference to living "underneath the bridge"—persisted after Nevermind's , with some questioning the literal depicted. Cobain described drawing from a period of instability in , around 1985, but bandmate and Cobain's family, including his sister , stated that he never resided under the Young Street Bridge for extended periods, instead crashing with friends or relatives amid high water risks in the area.

Composition

Musical elements

"Something in the Way," as recorded for Nirvana's 1991 album , features a minimalistic structure centered on alternating verses and choruses without a traditional , emphasizing repetition over dynamic shifts. The song unfolds at a deliberate of 105 beats per minute in , achieved through detuned a half step, which lends the a brooding, resonant tone. Central to the track's sonic identity is the prominent cello part performed by session musician Kirk Canning, added as one of the final overdubs during the Sound City Studios sessions; its sustained, droning notes provide harmonic depth and an eerie undercurrent, layered atop Kurt Cobain's sparse, clean strums, Krist Novoselic's subdued bass lines, and Dave Grohl's minimal drum pattern. Producer opted for this stripped-back arrangement after initial attempts with fuller electric instrumentation failed to capture the intended intimacy, resulting in a sound that prioritizes atmosphere over aggression. The production incorporates generous reverb on Cobain's hushed vocals and the , evoking a vast, echoing space that amplifies the song's isolated, introspective mood. This approach aligns with broader minimalism while echoing influences in its acoustic restraint, akin to the simplicity of Nirvana's earlier track "." Stylistically, the drone-like sustain and raw emotional delivery reflect Kurt Cobain's admiration for The Velvet Underground's experimental sparsity, blending introspection with proto- textures.

Lyrical content

The of "Something in the Way" depict a narrator enduring and hardship in a makeshift , evoking a sense of profound and amid . The opening lines—"Underneath / Tarp has sprung a leak"—illustrate precarious living conditions, symbolizing exposure to the elements and emotional fragility, while "And I've trapped / Have all become my pets" suggests a desperate companionship with in . Further of sustenance from "grass / And the drippings from the ceiling" underscores minimalistic endurance, and the "It's okay to eat / 'Cause they don't have any feelings" conveys a detached rationalization, highlighting moral numbness in the face of despair. The song's central phrase, "Something in the way," serves as an ambiguous metaphor for internal obstacles—such as depression or self-imposed barriers—that hinder connection or escape from suffering, repeated in a murmuring haze to amplify existential blockage. These elements draw from themes of alienation, addiction, and existential despair rooted in Kurt Cobain's experiences growing up in Aberdeen, Washington, where economic hardship and familial instability fostered feelings of abandonment. Cobain described the lyrics as semi-autobiographical rather than literal, inspired by brief periods of in his youth but exaggerated for emotional impact; in a , he explained the concept as "like if I was living and I was dying of AIDS, if I was a ," emphasizing a hypothetical intensification of marginalization over factual recounting. In live versions, including the 1993 performance, the imagery evolved subtly through Cobain's rawer vocal inflections, heightening the sense of unresolved internal conflict without altering the core text.

Authorship and credits

"Something in the Way" is officially credited solely to Kurt Cobain as both lyricist and composer in the liner notes of Nirvana's 1991 album Nevermind. Although Cobain is recognized as the primary author of the song's melody and lyrics, session recordings from the Nevermind production at Sound City Studios reveal contributions from the full band to its final arrangement. Cobain initially performed the track alone on a detuned acoustic guitar in the control room, after which drummer Dave Grohl and bassist Krist Novoselic added their parts; however, Novoselic encountered difficulties matching the tuning of Cobain's 12-string Stella acoustic, which contributed to the song's raw, unconventional sound. A posthumous claim emerged in 2023 regarding additional input on the lyrics, with frontman alleged to have co-written portions alongside Cobain during their collaborative friendship in the late 1980s and early 1990s. According to accounts from Lanegan's bandmate and detailed in the biography Lanegan by Greg Prato, Lanegan assisted in refining the lyrics but received no formal credit, as the two musicians had a mutual understanding not to seek royalties for contributions to each other's work—exemplified by Cobain's uncredited guitar playing on Lanegan's solo records. This arrangement persisted despite the song's inclusion on , with no legal dispute or retroactive credit adjustment pursued by Lanegan before his death in 2022. Following Cobain's death in 1994, publishing from "Something in the Way"—directed entirely to Cobain due to his sole —have been distributed through his estate, primarily benefiting as executor and holder of the majority share. The Nirvana LLC, formed in 1997 and co-owned by Love, Grohl, and Novoselic, oversees master recordings and performance royalties, but songwriting income remains separate and unaffected by band member claims for this track. As of 2025, no changes to the or royalty structure for the song have been reported in public filings from the LLC or related entities.

Release

Initial commercial release

"Something in the Way" served as the twelfth and final track on Nirvana's second studio album, , released on September 24, 1991, by . The song was recorded during the album's sessions at in , , in May 1991. As the album's closer, it provided a stark, introspective contrast to the preceding high-energy anthems, encapsulating the record's emotional range. Unlike standout tracks such as "Smells Like Teen Spirit," "Something in the Way" was not issued as a commercial single upon the album's debut. However, following Nevermind's rapid ascent to commercial prominence, the song garnered airplay on alternative rock radio stations, contributing to its early exposure amid the grunge explosion. In initial reviews from 1991 and 1992, critics often praised "Something in the Way" as a understated highlight or "hidden gem" within 's tracklist of bombastic hits. For instance, Rolling Stone's November 1991 appraisal described it as one of the album's "stylistic extremes," likening its and arrangement to a "translucent cloud." This recognition underscored its role as a poignant, atmospheric that deepened the album's thematic depth. Nevermind ultimately achieved extraordinary commercial success, selling over 30 million copies worldwide by 2025, with "Something in the Way" playing a key part in sealing the album's narrative arc of youthful alienation and raw vulnerability.

MTV Unplugged performance and release

Nirvana performed an acoustic rendition of "Something in the Way" during their session on November 18, 1993, at in . The arrangement featured second guitarist on rhythm guitar, alongside cellist and bassist , with drummer providing minimal percussion using brushes. Kurt Cobain's delivery was marked by a raw, introspective vulnerability, his voice strained and deliberate, enhancing the song's themes of isolation and hardship. The performance took place on a stage designed at Cobain's direction to evoke a somber, funeral-like atmosphere, decorated with stargazer lilies, black candles, and a crystal chandelier against dark drapery. Although recorded for MTV's Unplugged series, this version of "Something in the Way" was omitted from the initial television broadcast on December 14, 1993, which ran for approximately 45 minutes and excluded several tracks. The full performance appeared on Nirvana's live album , released posthumously on November 1, 1994, by , where it served as the ninth track. The album debuted at No. 1 on the chart, selling over 310,000 copies in its first week and becoming the band's second chart-topping release. Video footage of the Unplugged performance, including the unedited "Something in the Way" segment, was later released commercially. The complete concert video debuted on in 1999 and was reissued on DVD in 2002, capturing the intimate stage setup and Cobain's emotive guitar work and vocals. In 2019, for the album's 25th anniversary, an expanded edition included bonus rehearsal audio tracks and unedited versions of several performances, sourced from the original multitrack tapes for improved clarity.

Reception and commercial performance

Critical response

Upon its release as the closing track on Nirvana's 1991 album , "Something in the Way" received praise for its haunting, atmospheric quality in contemporary reviews, with describing it as floating "a translucent cloud of and " at the album's stylistic extremes. Despite this recognition, the song was largely overlooked amid the album's more bombastic hits like "," often overshadowed by the explosive energy of tracks that defined the initial breakthrough. The acoustic rendition performed during Nirvana's 1993 MTV Unplugged in New York session, released posthumously in 1994, garnered widespread acclaim for amplifying the song's emotional vulnerability, positioning it as one of Kurt Cobain's most raw and introspective deliveries. Retrospective analyses, such as those in 's coverage of the album's anniversaries, highlight how the stripped-down arrangement—featuring cellist —intensified Cobain's weary vocal delivery, transforming the track into a poignant emblem of fragility amid the band's louder catalog. The song experienced a significant reevaluation in following its prominent use in ' film The Batman, where it served as a recurring underscoring themes of isolation and brooding introspection. Critics, including , noted its dirge-like resonance as perfectly illustrative of the film's noirish tone, affirming its timeless applicability to narratives of alienation decades after its creation. This resurgence prompted fresh appreciation for the track's enduring mood, with outlets like observing how its lesser-known status from belied its capacity to resonate in modern media contexts. In scholarly examinations of during the 2020s, "Something in the Way" has been analyzed for its profound emotional depth, particularly in studies exploring and stylistic in Nirvana's oeuvre. A 2021 on the band's studio albums emphasizes the song's linguistic and sonic sparsity as a vehicle for conveying existential , while a study on in highlights Cobain's mournful vocal in the track as evoking profound with "great effect." These works underscore how the song's subtle arrangement and introspective lyrics have solidified its status as a cornerstone of 's exploration of inner turmoil over time.

Chart success and certifications

Upon its initial release as the closing track on Nirvana's 1991 album Nevermind, "Something in the Way" did not achieve individual chart success, as it was not issued as a commercial single. The album itself topped the Billboard 200 chart in January 1992 following a surge in sales. The acoustic rendition featured on the band's 1994 live album MTV Unplugged in New York contributed to that release's strong performance, debuting at No. 1 on the Billboard 200 and selling over 310,000 copies in its first week. The song experienced a significant resurgence in 2022 after its prominent use in the trailer and soundtrack for the film The Batman. This led to its first entry on the , debuting at No. 46 in the chart dated March 26, 2022. It also reached No. 5 on the Alternative Digital Song Sales chart and No. 6 on the chart during this period. Streaming metrics for "Something in the Way" saw dramatic increases post-The Batman, with U.S. on-demand streams rising 86% in early March 2022 to over 1.3 million daily. As of November 2025, the track had accumulated 593 million streams on worldwide. In terms of certifications, the album, which includes the live version of the song, was certified 5× Platinum by the RIAA shortly after its release, reflecting over 5 million units sold in the U.S. The original studio recording received a digital certification from the RIAA on December 6, 2024.

Accolades

"Something in the Way" has received recognition through various music polls and institutional honors, particularly for its role in Nirvana's seminal album . The song was ranked number 5 in Rolling Stone's 2019 list of all 102 Nirvana songs, praised for its brooding atmosphere and Cobain's raw lyrical delivery inspired by personal hardship. In 2019, placed "Something in the Way" at number 12 in its of Nirvana's 20 greatest , highlighting its transformation of a Beatles-inspired phrase into a poignant expression of and alienation. The track's inclusion on Nevermind contributed to the album's induction into the in 2018, an honor recognizing recordings of lasting qualitative or ; the song is often cited as a cornerstone of the album's emotional depth and innovation. In NME's 2021 ranking of every Nirvana song, "Something in the Way" earned a position among the band's top tracks, noted for its haunting arrangement and its place as the album's somber closer. The song has also been featured in VH1's retrospective polls on rock and , where it is frequently listed among essential Nirvana contributions to the genre.

Legacy

Use in

"Something in the Way" has been prominently featured in , television, and video games, often to evoke themes of isolation, grief, and inner turmoil reflective of Cobain's lyrical intent. In Matt Reeves's 2022 The Batman, the song serves as a recurring motif, with composer creating an orchestral adaptation that underscores the bridge scene where Bruce Wayne () retreats into his brooding solitude beneath Gotham's underbelly, mirroring the track's themes of and . This usage propelled the song to new heights of popularity, marking its first chart appearance three decades after its release. The track has also appeared in television, notably in the 2023 second season of Showtime's survival thriller Yellowjackets, where it opens episode 7 to accompany a sequence depicting the characters' psychological descent following a traumatic birth, amplifying the series' exploration of collective trauma and mental fragility. In video games, "Something in the Way" was released as downloadable content for on October 21, 2008, allowing players to perform the song across guitar, bass, drums, and vocals, extending its interactive presence in rhythm-based entertainment. Beyond direct placements, the has been symbolically adopted in discussions of , with its raw depiction of estrangement resonating in cultural analyses of Cobain's struggles with and , influencing its selection for media evoking similar emotional depths.

Cover versions

One of the earliest notable covers of "Something in the Way" came from trip-hop Tricky, who reinterpreted the song in a brooding, atmospheric style on his album Blowback, emphasizing the track's introspective lyrics with layered electronics and minimal vocals. In 2002, South African rock band delivered an acoustic rendition during a live session at the 99X Music Lounge, capturing the song's raw vulnerability in an unplugged format that highlighted frontman Morgan's emotive delivery. High-profile interpretations emerged in the 2010s and early , including electronic trio RÜFÜS DU SOL's 2022 version for triple j's series, where they transformed the original into a haunting, synth-driven soundscape suitable for festival audiences. Italian singer Violet Orlandi offered a delicate, orchestral live cover in 2022, blending classical strings with her soaring vocals to evoke a sense of ethereal melancholy during a studio session. The song gained renewed cinematic prominence through composer Michael Giacchino's 2022 string arrangement for The Batman film score, which reprised Nirvana's track with swelling orchestral elements to underscore the movie's brooding atmosphere, appearing as "Something in the Way (Reprise)" on the official soundtrack. This adaptation drew from the original's use in the film's trailer and narrative, amplifying its themes of isolation and grit in a symphonic context. More recent covers include American country artist Stephen Wilson Jr.'s 2025 rendition on his EP Blankets, a collection of alt-rock and tributes, where he infused the song with twangy acoustics and introspective storytelling to bridge genres. In 2025, Joshua Quimby released an acoustic cover for ONErpm's series, stripping the track to its emotional core with fingerpicked guitar and raw vocals, reflecting on personal influences from Nirvana's catalog. These interpretations demonstrate the song's enduring versatility across electronic, orchestral, and styles.

Other recordings and appearances

The 20th anniversary Super Deluxe Edition of , released in 2011, includes previously unreleased Devonshire mixes recorded during the album's sessions, among them an alternate version of "Something in the Way" that highlights rawer production elements. This edition also features producer Butch Vig's original mixes of the album's tracks, offering a glimpse into the pre-finalization sound before Andy Wallace's polish. Nirvana's live performances of "Something in the Way" from their 1991–1994 tours appear on numerous bootleg recordings, capturing variations in arrangement and intensity across shows like those at the Paramount Theatre in (October 1991) and the Reading Festival (August 1992). These unofficial compilations, often circulated among fans, preserve the song's evolving acoustic and electric interpretations during the band's peak touring years. The track has been sampled in select productions, such as Pablo Hasél's 2011 "Me Basta, Me Basta," which incorporates its haunting for atmospheric effect.

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