Streaming Songs
Streaming Songs is a weekly chart published by Billboard magazine that ranks the 50 most popular songs in the United States based on combined audio and video streaming activity across major digital platforms. Launched in January 2013, the chart captures the volume of on-demand streams and programmed streams from non-interactive online radio stations, reflecting the explosive growth of music consumption via services like Spotify, Apple Music, YouTube, and Amazon Music.[1][2][3] Compiled using data from Luminate, the chart's methodology weights streams equally regardless of format, with one stream equivalent to one chart unit, and it tracks activity over a seven-day period from Friday to Thursday. The inaugural number-one song was "Thrift Shop" by Macklemore & Ryan Lewis featuring Wanz, which debuted atop the chart dated January 26, 2013, with 1.5 million streams. Since its inception, the Streaming Songs chart has become a key component in Billboard's Hot 100 formula, contributing alongside radio airplay and sales to determine overall song popularity.[3][4] The chart underscores the transformation of the music industry, where streaming now dominates revenue streams; in 2024, streaming accounted for approximately 84% of total U.S. recorded music revenues, reaching $14.9 billion out of $17.7 billion overall. This shift has elevated artists who excel in digital platforms, with genre-specific variants like Rap Streaming Songs and R&B/Hip-Hop Streaming Songs providing deeper insights into streaming trends. By highlighting viral hits and long-tail plays, the chart illustrates how streaming democratizes access while amplifying global reach for music.[5]Background
Overview and Scope
The Billboard Streaming Songs chart ranks the top 50 most popular songs in the United States each week based on on-demand audio and video streams aggregated from leading digital music platforms, including Spotify, Apple Music, YouTube, and Amazon Music.[1] This chart, compiled by Luminate, serves to measure the popularity of tracks solely through streaming activity, providing a dedicated benchmark for how audiences engage with music in the digital era.[6] It launched in January 2013 as streaming services began dominating music consumption, offering a timely reflection of industry shifts away from physical sales and traditional radio.[2] The scope of the chart is limited to official on-demand streams in the U.S., encompassing both official audio plays and video views while excluding programmed radio streams, such as those from Pandora, and user-generated content like fan uploads.[3] It includes songs in any language but prioritizes consumption by American users, capturing the diverse ways listeners discover and replay tracks across devices.[7] This focus ensures the rankings highlight genuine demand without interference from non-interactive or editorial programming. Within the broader Billboard ecosystem, streaming data from this chart integrates into the Hot 100 formula, where it has contributed 20-30% of a song's overall points alongside sales (typically 20-30%) and radio airplay (40-50%) since streaming's full incorporation in 2014.[8] As of 2025, the chart remains a key indicator of streaming's dominance, with total U.S. streams exceeding 1 trillion annually and underscoring the chart's role in quantifying modern music success.[9]History and Launch
The Billboard Streaming Songs chart was introduced on January 26, 2013, by Billboard in partnership with Nielsen SoundScan (now Luminate), as a response to the rapid growth of music streaming and the corresponding decline in physical and digital download sales.[8][4] This 50-position chart measures the most popular songs based on combined audio and video streams from on-demand platforms, providing a dedicated metric for the emerging dominance of digital consumption in the music industry.[1] Early developments integrated streaming data more deeply into Billboard's broader ecosystem. Streaming activity began contributing to the Hot 100 formula in March 2012, marking the first inclusion of on-demand streams alongside sales and airplay.[10] By early 2013, video streams from platforms like YouTube were incorporated into the Streaming Songs methodology, further broadening its scope to reflect multifaceted listening habits.[11] In 2017, Billboard announced adjustments to prioritize paid subscription streams over ad-supported ones, with the changes taking effect in 2018 to better align chart rankings with revenue-generating consumption patterns.[12] Subsequent updates addressed evolving platform dynamics and technological shifts. In 2020, the chart's methodology adapted to the surge in short-form video content, indirectly benefiting from viral trends on apps like TikTok that drove streams to measured services, though TikTok views themselves were not directly counted.[13] A 2021 expansion included official music video streams from Facebook, enhancing the video component.[14] By 2023, refinements to stream eligibility emphasized U.S.-centric data while accounting for global platform influences on domestic consumption. In 2025, amid rising AI-generated music, Billboard began scrutinizing and flagging such content on its charts, prompting discussions on transparency and eligibility rules, though no fully AI-created track has reached No. 1 on the Streaming Songs chart as of November 2025.[15][16] The chart's launch underscored streaming's transformative role in music discovery and popularity, exemplified by the debut No. 1 "Thrift Shop" by Macklemore & Ryan Lewis featuring Wanz, which amassed 1.5 million U.S. streams in its first week and highlighted how independent, digitally native releases could achieve mainstream success without traditional radio or sales support.[8] Over time, it illuminated streaming's shift toward global accessibility and algorithmic virality, reshaping how artists gauge cultural impact beyond physical metrics.[11]Methodology
Data Sources and Platforms
The Billboard Streaming Songs chart relies primarily on data compiled by Luminate, the entertainment data company formerly known as Nielsen SoundScan, which aggregates streaming activity from major digital service providers (DSPs).[1] Luminate collects first-party streaming reports from these platforms, focusing on on-demand audio and video consumption as well as programmed streams to measure listener engagement.[6] [3] Key audio platforms contributing data include Spotify, Apple Music, Amazon Music, Deezer, and Tidal, alongside ad-supported and subscription tiers from Pandora (incorporated starting in 2017).[17] Video streams are sourced from YouTube and Vevo, capturing official music videos and user-generated content with audio components.[7] Effective July 2025, SiriusXM streaming data is also included.[18] Eligibility for the chart requires songs to meet specific thresholds, such as a minimum of approximately 1 million total streams in a tracking week for consideration in the top 50 positions, though exact figures vary by overall activity levels.[19] Only official streams qualify, with tracks identified via International Standard Recording Codes (ISRC) to distinguish versions, ensuring precise attribution across platforms.[20] The chart's geographic focus is limited to U.S. streams, tracked through IP addresses to verify listener location, including expatriates accessing services via U.S.-based IPs for domestic consumption.[21] This U.S.-centric approach maintains consistency with other Billboard rankings, though global DSP partnerships enable broader data access while filtering for eligible regions.[22]Ranking Calculation
The ranking calculation for the Streaming Songs chart converts raw streaming data into comparable units to determine positions, accounting for different stream types to reflect audience engagement. The basic formula for total audience impression aggregates streams with weighting by service tier: paid subscription streams (audio and video) at full value (1), ad-supported streams at approximately 2/3 value, and programmed streams at 0.5 value to distinguish passive playback from active on-demand choices.[7] [23] This weighted total provides the core metric for ranking, with data sourced from major platforms such as Spotify, Apple Music, and YouTube. Streams are then converted into equivalent units for chart positioning in broader metrics, where 1,500 on-demand streams equate to 1 album-equivalent unit (AEU); these units are used in hybrid charts like the Hot 100 but the Streaming Songs chart ranks based solely on weighted streaming totals.[24] The weekly process aggregates streaming data over the Friday-to-Thursday tracking period, with final rankings compiled and published every Tuesday to align with Billboard's issue cycle. In cases of ties, positions are resolved by stream velocity, which measures the rate of recent gains in streams to favor songs showing upward momentum.[3] To safeguard integrity, fraud detection algorithms have been applied since 2018, using machine learning models from data provider Luminate to identify and exclude artificial inflation from bots or paid streaming farms.[25]Number-One Hits
Lists of Annual Number Ones
The Billboard Streaming Songs chart, which tracks the most popular on-demand audio and video streams in the United States, has crowned numerous number-one hits annually since its launch on January 26, 2013. Each year's leaders are determined by weekly rankings based on streaming data compiled by Luminate, encompassing platforms like Spotify, Apple Music, and YouTube. The annual number ones highlight shifts in listener preferences, from hip-hop and electronic tracks dominating the mid-2010s to pop anthems and TikTok-viral sensations gaining prominence in the 2020s. Years with multi-week holders often see fewer unique number ones (typically 8-12), while periods of high turnover, driven by short-lived viral trends, can exceed 15 distinct chart-toppers. Below is a summary of select annual number-one songs, focusing on those with the longest reigns or notable debuts, along with the total unique number-one songs per year. Durations reflect consecutive weeks at the top unless otherwise noted; full weekly details are available in Billboard's historical charts.| Year | Song | Artist | Weeks at No. 1 (Debut Date) | Total Unique No. 1 Songs | Notes |
|---|---|---|---|---|---|
| 2013 | Thrift Shop (feat. Wanz) | Macklemore & Ryan Lewis | 6 (Jan 26) | 9 | Inaugural chart-topper; hip-hop viral hit launched the chart era. |
| 2013 | Harlem Shake | Baauer | 8 (Mar 2) | 9 | Electronic track fueled by YouTube memes; marked early viral dominance. |
| 2014 | Fancy (feat. Charli XCX) | Iggy Azalea | 9 (Jun 7) | 10 | Longest-running #1 of the year; rap-pop crossover reflected streaming's growing mainstream appeal. |
| 2015 | Trap Queen | Fetty Wap | 7 (Apr 4) | 20 | Hip-hop debut; exemplified rise of SoundCloud rappers in streaming. |
| 2016 | One Dance (feat. Wizkid & Kyla) | Drake | 12 (May 21) | 12 | Hip-hop/R&B fusion; exemplified Drake's early streaming supremacy. |
| 2017 | Despacito (Remix) (feat. Justin Bieber) | Luis Fonsi & Daddy Yankee | 14 (Jun 3) | 14 | Bilingual pop hit; longest #1 to date, driven by global streaming. |
| 2018 | God's Plan | Drake | 11 (Feb 24) | 16 | Continued hip-hop lead; video streams heavily contributed. |
| 2019 | Old Town Road (Remix) (feat. Billy Ray Cyrus) | Lil Nas X | 19 (Apr 13) | 19 | Country-rap hybrid; TikTok virality accelerated turnover in a fragmented year. |
| 2020 | The Box | Roddy Ricch | 9 (Jan 4) | 22 | Trap hit amid pandemic; short reigns common due to diverse releases. |
| 2021 | Up | Cardi B | 1 (Mar 6) | 25 | Pop-rap; highest turnover year, with many one-week #1s from social media buzz. |
| 2022 | We Don't Talk About Bruno | Carolina Gaitán, Mauro Castillo, Adassa, Rhenzi Felix, Diane Guerrero, Stephanie Beatriz & Angie Cepeda | 9 (Jan 29) | 18 | Encanto soundtrack track; Disney's streaming surge via family viewing. |
| 2023 | Last Night | Morgan Wallen | 16 (Mar 18) | 19 | Country crossover; shift toward genre-blending hits. |
| 2024 | A Bar Song (Tipsy) | Shaboozey | 19 (Jul 8) | 23 | Country-rap fusion; longest run of the 2020s so far, boosted by summer virality. |
| 2025 | The Fate of Ophelia | Taylor Swift | 4 (as of Nov 14; debuted Oct 18) | 10 (through Nov) | Pop epic from The Life of a Showgirl; ongoing run reflects fan-driven streaming loyalty in a TikTok-influenced landscape. |
Notable First-Time Achievers
One of the earliest milestones in the Streaming Songs chart's history occurred on January 26, 2013, when Macklemore & Ryan Lewis's "Thrift Shop," featuring Wanz, debuted at number one as the inaugural leader, marking the first chart-topping success driven primarily by on-demand audio and video streams for the Seattle-based duo.[4] This breakthrough highlighted the chart's potential to propel independent-leaning acts to the forefront, as the track amassed 1.5 million U.S. streams in its debut week without traditional radio dominance.[4] In March 2013, Baauer's "Harlem Shake" became a notable first-time achiever by reaching number one on the Streaming Songs chart, fueled by a viral YouTube meme that generated over 103 million views in a single week, representing the first electronic dance track to top the ranking and underscoring streaming's role in launching genre-blending hits.[26] This success propelled Baauer from obscurity to mainstream recognition, though it remained a singular peak in his career. Lil Nas X's "Old Town Road" (remix featuring Billy Ray Cyrus) achieved its first number-one position on the Streaming Songs chart in April 2019, debuting with a record 143 million U.S. streams and marking the rapper's breakthrough as an independent artist who self-released the original track via a distributor before viral TikTok challenges amplified its reach.[27] The song's ascent not only crossed over to the Hot 100 for 19 weeks but also earned Lil Nas X his first two Grammy Awards in 2020, solidifying his transition from social media sensation to global pop icon.[28] Similarly, 24kGoldn's "Mood," featuring Iann Dior, topped the Streaming Songs chart in November 2020, securing first-time number-one status for both artists with steady streaming growth from TikTok virality, and exemplifying how collaborative tracks by emerging rappers could dominate without major label backing at launch.[29] This hit facilitated 24kGoldn's Hot 100 crossover and subsequent deals, boosting his profile in the hip-hop streaming landscape. Post-2018, the chart has seen a surge in non-label debuts at number one, driven by social media platforms enabling rapid viral dissemination, as evidenced by independent releases like "Old Town Road" that bypassed traditional promotion.[30] In 2024, Shaboozey's "A Bar Song (Tipsy)" marked his first #1 debut in July, blending country and rap for a 19-week run fueled by TikTok and summer playlists.[31] In 2025, Alex Warren's "Ordinary" debuted at number one on the Streaming Songs chart in June, marking his first chart-topping single through global viral streaming on platforms like TikTok and Spotify, which propelled the ballad to over 10 weeks at the Hot 100 summit and earned him his debut Grammy nomination.[32] While AI-assisted tracks have topped niche sales charts, such as Breaking Rust's "Walk My Walk" on Country Digital Song Sales earlier in the year, streaming debuts remain dominated by human-led viral phenomena.[33] These first-time achievements often catalyze career trajectories, with artists like Lil Nas X and 24kGoldn leveraging streaming #1s for Hot 100 longevity, major label partnerships, and award wins that expand their audience beyond digital platforms.[30]Record Achievements
Songs with Longest Runs at Number One
In the history of the Billboard Streaming Songs chart, which ranks the most popular songs based on combined audio and video streams since its inception in January 2013, "Old Town Road" by Lil Nas X featuring Billy Ray Cyrus holds the record for the longest consecutive run at number one with 17 weeks, from April to August 2019.[34] This viral trap-country hybrid benefited from relentless TikTok challenges and meme culture, sustaining daily streams across platforms like Spotify and YouTube long after its initial release.[34] Prior to "Old Town Road," "Despacito" by Luis Fonsi featuring Daddy Yankee and Justin Bieber claimed the previous benchmark with 15 weeks at number one in 2017, driven by its bilingual appeal and massive Latin crossover success that encouraged repeated plays in diverse global markets.[35] The song's endurance highlighted streaming's capacity for cross-cultural virality, as playlist algorithms on services like Apple Music amplified its reach through user-generated remixes and covers. More recently, as of November 2025, Shaboozey's "A Bar Song (Tipsy)" has logged an impressive run at number one on the Streaming Songs chart since mid-2024, tying into its blend of country and hip-hop elements that resonated during summer festivals and bar playlists, though it falls short of the all-time mark. These extended reigns underscore key factors enabling longevity on the Streaming Songs chart, including viral sustainability through social media integration and algorithmic playlist placements on dominant platforms. Songs that maintain momentum often feature hooks optimized for short-form video content, ensuring consistent daily engagement rather than one-off sales spikes. Global appeal further bolsters runs, as multi-language or genre-blending tracks draw streams from international audiences without relying solely on U.S. radio.[36] Compared to pre-streaming eras, where physical sales and radio airplay typically limited top spots to 10-12 weeks at most (as seen with hits like "One Sweet Day" by Mariah Carey and Boyz II Men in 1995-96 on the Hot 100), the streaming model has dramatically prolonged dominance by tracking on-demand plays in real time. This shift, incorporating data from services like Spotify and YouTube, allows songs to accumulate weeks through passive listening and rediscovery, extending reigns via the chart's weekly aggregation of millions of streams.[36] As Talia Kraines of Spotify noted, "People are taking more time to sit with music and enjoy it—they’re not just one-and-done," reflecting how streaming fosters habitual replay that pre-digital formats rarely sustained.[36]Highest Streaming Peaks
The highest streaming peaks on the Billboard Streaming Songs chart represent the maximum number of U.S. streams—combining on-demand audio and video plays from platforms like Spotify, Apple Music, and YouTube—accumulated by a song in a single tracking week. These peaks highlight the explosive popularity driven by viral moments, rather than sustained performance over time, and are measured in raw stream counts rather than the audience equivalents used in broader charts like the Hot 100. Since the chart's inception in 2013, streaming volumes have grown dramatically with the expansion of digital platforms, enabling songs to shatter records through global accessibility and algorithmic promotion. As of November 2025, no new peaks have surpassed the all-time records listed below. The all-time record for the highest weekly streams belongs to "Old Town Road" by Lil Nas X featuring Billy Ray Cyrus, which garnered 143 million U.S. streams in the week ending April 13, 2019. This peak was fueled by a massive TikTok challenge that encouraged users to create videos lip-syncing and dancing to the track, propelling its virality from niche social media to mainstream dominance; video streams contributed significantly, with the official remix video alone amassing millions of views in that frame. Prior to this, Drake's "In My Feelings" held the mark with 116.2 million streams in the week ending July 28, 2018, boosted by a similar social media dance challenge initiated by Drake himself, which trended worldwide and drew high video engagement from user-generated content.[37][27][38] In 2020, Cardi B's "WAP" featuring Megan Thee Stallion debuted with a then-record 93 million streams for a song's first week, setting a new benchmark for opening-week intensity on the chart. The track's explicit lyrics sparked widespread social media discussion and memes, amplifying audio streams on platforms like Spotify while video plays surged due to the provocative music video directed by Colin Tilley. This peak underscored the role of controversy and celebrity cameos in driving immediate streaming surges, with audio streams forming the majority but videos adding over 20% of the total. More recently, in 2025, Taylor Swift's "The Fate of Ophelia" from the album The Life of a Showgirl achieved 92.5 million streams in its debut week ending October 12, marking the largest streaming week for any 2025 release and reflecting the intensifying impact of superfans and coordinated playlisting around major album drops.[39][40][41] These peaks often differ from chart units in the Hot 100, where streams are weighted (1,500 on-demand audio/video streams equal one unit) alongside sales and airplay; pure streaming metrics, however, isolate digital consumption's raw scale without such conversions. Holiday seasons can inflate figures, as seen with seasonal tracks like Mariah Carey's "All I Want for Christmas Is You" spiking during December due to nostalgic playlists, though non-holiday virals like movie tie-ins—such as Post Malone and Swae Lee's "Sunflower" from the Spider-Man: Into the Spider-Verse soundtrack—have also produced notable bursts exceeding 47 million streams through promotional synergy. Social media challenges remain a key influencer, transforming songs into cultural phenomena overnight and blending audio listening with video sharing for compounded peaks.[42]| Song | Artist(s) | Peak Streams (millions) | Week Ending | Key Influence |
|---|---|---|---|---|
| Old Town Road | Lil Nas X feat. Billy Ray Cyrus | 143 | April 13, 2019 | TikTok challenge |
| In My Feelings | Drake | 116.2 | July 28, 2018 | Social media dance trend |
| WAP | Cardi B feat. Megan Thee Stallion | 93 | August 13, 2020 | Controversial lyrics and video buzz |
| The Fate of Ophelia | Taylor Swift | 92.5 | October 12, 2025 | Album release hype |
Artists with Most Number-One Songs
Drake holds the record for the most number-one hits on the Billboard Streaming Songs chart, with 21 distinct songs reaching the top spot as of November 2025.[43] His dominance is attributed to a combination of solo releases and high-profile collaborations, particularly within the hip-hop genre, where tracks like "What Did I Miss?" in July 2025 marked his latest chart-topper. Drake's strategy often involves strategic album rollouts, such as surprise drops and viral social media campaigns, which amplify streaming numbers from platforms like Spotify and Apple Music. Taylor Swift ranks second with 10 number-one songs, solidifying her position through pop anthems and re-recorded albums that drive massive fan engagement.[44] Her 2025 entry, "The Fate of Ophelia," which topped the chart for four weeks in October and November, exemplifies her use of narrative-driven storytelling and cross-platform promotion to achieve peaks. Swift's successes highlight the pop genre's strong presence, often boosted by features on soundtracks and viral TikTok challenges. Other notable leaders include Justin Bieber and Ariana Grande, each with seven number-ones, reflecting the chart's favoritism toward pop and R&B artists who leverage collaborations and digital marketing. Bieber's 2025 hit "Daisies" added to his tally, while Grande's earlier feats underscore featuring roles, such as on remixes that extend song lifecycles through playlist placements. Hip-hop continues to lead overall, with artists like Drake accounting for over half of the chart's all-time number-ones, compared to pop's growing share via Swift and Bieber.| Rank | Artist | Number-One Songs | Primary Genre |
|---|---|---|---|
| 1 | Drake | 21 | Hip-Hop |
| 2 | Taylor Swift | 10 | Pop |
| 3 (tie) | Justin Bieber | 7 | Pop |
| 3 (tie) | Ariana Grande | 7 | Pop/R&B |
Artists with Most Accumulated Weeks at Number One
Drake has amassed the most accumulated weeks at number one on the Billboard Streaming Songs chart, surpassing 60 weeks in total through his chart-topping hits as of November 2025. This record reflects the sum of weeks spent by each of his songs at the top, including those where he appears as a featured artist, highlighting his consistent dominance in streaming metrics since the chart's inception in 2013. For example, "God's Plan" contributed 11 consecutive weeks in 2018, marking one of the longest runs for a rap song on the chart.[45] Similarly, "One Dance" featuring Wizkid added 10 weeks in 2016, underscoring Drake's ability to sustain massive streaming volume across multiple releases.[46] Post Malone ranks among the top artists in accumulated weeks, with his total exceeding 40 weeks by mid-2025, driven by several extended reigns in the late 2010s and 2020s. His collaboration "Rockstar" with 21 Savage holds a notable 17 nonconsecutive weeks at number one in 2017, tying for one of the longest runs on the chart at the time and exemplifying his crossover appeal in hip-hop and pop streaming.[47] Other contributions, such as "Circles" with 5 weeks in 2019, have further bolstered his standing, positioning him as a rising leader in the 2020s era of the chart. The streaming era's emphasis on on-demand audio and video plays favors prolific artists like Drake and Post Malone, who maintain high output and fan engagement through frequent releases and viral moments. This trend allows for cumulative totals that reward longevity and volume over single blockbuster runs, with calculations including all qualifying streams from platforms tracked by Luminate. As of November 2025, emerging long-running hits from artists like Morgan Wallen—such as "Last Night" with 5 weeks in 2023—threaten to shift the leaderboard, reflecting evolving listener habits in a post-pandemic streaming landscape.[48]Other Milestones
Fastest Ascents to Number One
The fastest ascents to number one on the Billboard Streaming Songs chart occur when tracks reach the top position in the minimal number of weeks following their entry, often zero weeks through a direct debut at the summit. This phenomenon became feasible with the chart's launch on January 19, 2013, as it ranks songs based solely on on-demand audio and video streams from platforms like Spotify and YouTube, allowing massive initial consumption to propel newcomers straight to the top without prior buildup.[4] Songs debuting at number one exemplify the quickest climbs, driven by explosive first-week streams exceeding 50 million in many cases. For instance, Cardi B's "WAP" featuring Megan Thee Stallion debuted at number one on August 15, 2020, with 93 million U.S. streams, marking the largest debut week for a song by a female rapper and securing Cardi B's third leader on the chart.[40] Similarly, Macklemore & Ryan Lewis' "Thrift Shop" featuring Wanz topped the inaugural Streaming Songs chart in 2013 with 1.5 million streams, establishing an early precedent for instant success.[4] Mariah Carey's "All I Want for Christmas Is You" has repeatedly achieved rapid ascents through seasonal surges, holding at number one for a record-tying 20 weeks cumulatively by December 2024, often re-entering or debuting high due to holiday streaming spikes.[49] In 2025, viral momentum continued to fuel zero-week debuts, highlighting the chart's responsiveness to digital trends. Taylor Swift's "The Fate of Ophelia" debuted at number one on October 18, 2025, becoming her 10th Streaming Songs leader and underscoring her dominance in the format.[50] Likewise, Megan Thee Stallion's "Lover Girl" launched at the top across multiple Billboard charts, including R&B/Hip-Hop Digital Song Sales, Rap Digital Song Sales, and R&B Digital Song Sales, on November 8, 2025, propelled by immediate fan engagement and promotional pushes.[51] Key enablers of these swift rises include sudden viral explosions on platforms like TikTok, surprise album releases, and controversy-fueled buzz, which concentrate streams in a single week. In 2022, 13 of the 14 Billboard Hot 100 number-one songs—many of which also topped Streaming Songs—were significantly driven by TikTok trends, illustrating the platform's role in accelerating chart climbs.[52] While the average time for songs to reach number one varies, extremes like these zero-week debuts contrast sharply with slower ascents, emphasizing streaming's capacity for instantaneous global amplification since the chart's streaming-only methodology took effect.Longest Chart Lifespans
In the Billboard Streaming Songs chart, which ranks the most popular songs based on audio and video streams across leading platforms, longevity is determined by a song's total weeks on the chart, irrespective of its peak position. This metric highlights tracks that maintain consistent streaming activity over extended periods, often surpassing traditional sales-based charts in duration due to the persistent nature of digital consumption. As of November 2025, Zach Bryan's "Something in the Orange" holds the record for the most weeks, with approximately 157 total appearances since its debut in May 2022. This country-leaning track, from Bryan's self-titled album, eclipsed the previous benchmark set by Post Malone and Swae Lee's "Sunflower" (142 weeks through early 2024), demonstrating how genre-blending hits can sustain relevance through viral social media moments and playlist placements.[53] Other notable leaders include enduring pop and hip-hop staples that benefit from broad appeal. The Weeknd's "Blinding Lights," released in 2019, has logged over 113 weeks, fueled by its retro synth-pop vibe and inclusion in high-traffic playlists like Spotify's Today's Top Hits. Similarly, Imagine Dragons' "Believer" (109 weeks as of mid-2024, with additional time since) exemplifies rock anthems' staying power through gym and motivational video streams. In the country genre, Morgan Wallen's "Last Night" and "Wasted on You" each reached 104 weeks by mid-2025, tying for significant milestones and underscoring Nashville's rising streaming dominance.[54][55]| Rank | Song | Artist(s) | Weeks on Chart (as of November 2025) |
|---|---|---|---|
| 1 | Something in the Orange | Zach Bryan | 157 |
| 2 | Sunflower | Post Malone & Swae Lee | 142+ |
| 3 | Blinding Lights | The Weeknd | 200+ |
| 4 | Believer | Imagine Dragons | 200+ |
| 5 | Last Night | Morgan Wallen | 130+ |