The Boxmasters
The Boxmasters is an American rock band formed in 2006 in Bellflower, California, by Academy Award-winning actor and musician Billy Bob Thornton—performing under the stage name Bud Thornton—and Grammy Award-winning recording engineer J.D. Andrew.[1][2] The duo founded the group out of a shared passion for rock and roll, with Thornton on drums and lead vocals and Andrew handling guitar, bass, and production duties. The band's sound draws heavily from 1960s rock and roll, blending elements of blues rock, country rock, psychobilly, and roots rock with influences including the Beatles, the Byrds, the Beach Boys, the Mothers of Invention, the Allman Brothers Band, Kris Kristofferson, John Prine, and Big Star.[3][4] Their music emphasizes original songwriting that evokes the simplicity and energy of early rock pioneers like Buddy Holly and Bill Haley, while incorporating Southern California and British Invasion vibes.[1][5] On tour, the core duo is joined by supporting members such as guitarist Kirk McKim, bassist Raymond Hardy, and drummer Nick Davidson, enabling extensive live performances across the United States and Canada.[6] Since their debut, The Boxmasters have maintained a prolific output, releasing 19 albums as of 2025, including the Geoff Emerick-produced Speck (2019), which the legendary Beatles engineer praised as one of his most exciting projects, and their latest Pepper Tree Hill (2025).[7][8] Their discography spans labels such as Vanguard and KeenTone Records, showcasing a diverse catalog that reflects their enduring commitment to authentic rock and roll.[9] The band has built a dedicated following through relentless touring and collaborations, marking nearly two decades of consistent creativity as of 2025.[10]History
Formation
The Boxmasters were formed in Bellflower, California, in 2007 by actor Billy Bob Thornton and Grammy-winning recording engineer J.D. Andrew, serving as a creative outlet for Thornton's longstanding passion for music.[11][1] The duo met while Andrew engineered Thornton's solo album Beautiful Door, where their collaboration quickly evolved from technical partnership to songwriting synergy.[12][11] Thornton had pursued music from childhood, forming his first band in his youth and covering British Invasion acts like The Dave Clark Five and Gerry and the Pacemakers.[13] Before achieving acting fame, he played in several Southern bands, including Blue & the Blue Velvets, Nothin' Doin', Cottonwood, and Hot 'Lanta, performing at colleges and high schools while honing his songwriting skills.[14] This early experience fueled his desire to channel musical ambitions independently of his film career, leading him to partner with Andrew for original compositions that blended rock and country elements, often drawing from hillbilly traditions and '60s rock influences.[15][16] Their initial songwriting sessions produced material that outgrew a mere side project, prompting the first rehearsals in Thornton's home studio, The Cave, equipped with vintage gear like a Trident 80B console.[11] Recognizing the potential for a fuller sound inspired by '60s beats, Thornton and Andrew decided to expand into a complete band rather than limiting it to duo recordings, marking the official birth of The Boxmasters as a dedicated ensemble.[17][11]Early career
The Boxmasters released their self-titled debut album on June 10, 2008, through Vanguard Records, a double-disc set comprising original compositions and covers that blended country, rockabilly, and mod influences.[18] The album featured tracks such as "I'll Give You a Ring" and "That Mountain," which showcased the band's feisty energy and snarling power, drawing comparisons to classic acts like Buck Owens and The Knitters.[19] Critics noted its infectious enthusiasm and raw vigor, though reception was mixed, with some praising Thornton's improved performance as a musician transitioning from acting.[19] Later that year, the band issued their holiday EP Christmas Cheer on November 11, 2008, also via Vanguard Records, featuring a mix of seasonal covers like "Silver Bells" and "Rudolph the Red-Nosed Reindeer" alongside originals such as "My Dreams of Christmas" and "Slower Than Christmas."[20] This 10-track release, clocking in at around 33 minutes, captured the group's playful take on festive themes while maintaining their rootsy sound.[21] In 2009, The Boxmasters followed with their third album, Modbilly, released on April 21 through Vanguard Records, which emphasized their mod-infused country-rock style and earned significant recognition, ranking #14 on the Americana Music Association's Top 100 Albums of the Year.[22][12] The album's success highlighted the band's growing momentum in the Americana scene. During this period, they undertook extensive U.S. touring, performing over 40 shows in 2008 and more than 15 in 2009, including a notable appearance at the South by Southwest festival in Austin, Texas.[23][24] Early media coverage often spotlighted frontman Billy Bob Thornton's fame as an Academy Award-winning actor, but reviews increasingly focused on the band's musical authenticity and merits, underscoring their dedication to roots music over celebrity novelty.[25][19]Canadian touring and controversy
In April 2009, The Boxmasters embarked on a high-profile Canadian tour opening for Willie Nelson, marking a significant step toward international exposure for the band. Scheduled performances included stops in Toronto, Winnipeg, and Vancouver, with the tour positioned as a breakthrough opportunity to showcase their cosmic country sound beyond the U.S. audience.[26] The tour quickly unraveled following a contentious interview on CBC Radio's Q program on April 7, 2009, where frontman Billy Bob Thornton clashed with host Jian Ghomeshi. Thornton, accompanied by bandmates J.D. Andrew and Brad Davis, grew irritated when Ghomeshi referenced his acting career despite prior instructions to focus solely on the music, leading Thornton to mumble responses and question the host's approach by asking, "Would you say that to Tom Petty?" He further criticized Canadian audiences as overly reserved, likening them to "mashed potatoes without the gravy" in contrast to more exuberant crowds elsewhere, and dismissed the interview as a "sideshow." These remarks were perceived as dismissive of Canadian culture and the local music scene, sparking immediate outrage among listeners and media outlets.[27][28] Public backlash intensified at the band's Toronto concert on April 8, 2009, where fans booed The Boxmasters throughout the set, with one audience member shouting, "Here comes the gravy!" in mockery of Thornton's comments. Accusations of arrogance and cultural insensitivity flooded Canadian media, with headlines decrying the incident as a "national insult." The band played only a handful of shows before canceling the remaining dates in Winnipeg and Vancouver, officially citing flu among members and crew, though the timing and context pointed to the controversy as the underlying cause. Negative press extended to U.S. outlets, amplifying the story's viral reach with coverage in The New York Times and Entertainment Weekly.[28][26][29] In the immediate aftermath, Thornton issued an apology, stating, "I love Canada, absolutely," and expressing regret if he had offended anyone, while emphasizing, "I just don’t do interviews like that." The band maintained a low profile on the issue, but the episode drew scrutiny in U.S. media for portraying Thornton as eccentric and difficult, potentially overshadowing The Boxmasters' musical efforts. Over time, the incident has been viewed as emblematic of the challenges in balancing celebrity status with artistic integrity, as Thornton's insistence on treating the band as a serious endeavor clashed with public expectations of his persona.[30][26]Touring hiatus
Following the backlash from their 2009 Canadian tour, where frontman Billy Bob Thornton engaged in a contentious radio interview leading to boos from audiences and the cancellation of remaining dates, The Boxmasters decided to pause live performances.[26][28] After opening for Willie Nelson in 2009 and 2010, the band ceased touring for approximately five years, shifting their focus to studio recording and individual creative pursuits.[31] During this period, Thornton prioritized his acting and directing career, notably writing, directing, and starring in the 2012 film Jayne Mansfield's Car, which featured original music by The Boxmasters, including the title track and score elements co-written with band members J.D. Andrew and Brad Davis.[32][33] The project's demands delayed band commitments, as Thornton balanced it with other acting roles, such as his Emmy-nominated performance in the 2014 FX series Fargo.[31] Meanwhile, band members pursued side projects; guitarist J.D. Andrew continued his work as a Grammy-winning recording engineer in Los Angeles, while the group recorded material in Thornton's home studio without major promotion or public releases beyond the 2009 album Modbilly. Internal dynamics evolved quietly, with the hiatus allowing members to refine their sound through informal sessions and personal endeavors, fostering a more mature collaboration among core members Thornton, Andrew, Davis, and keyboardist Teddy Andreadis, who joined around 2010. Limited output included internal recordings that captured their '60s-inspired rock style, but the lack of touring meant subdued activity overall. By 2015, this phase prompted a creative reevaluation, emphasizing studio productivity as a foundation for future work.[31]Mid-2010s revival
Following a period of reduced activity, The Boxmasters marked their return to consistent music releases in 2015 with the double album Somewhere Down the Road, issued on 101 Ranch Records.[34] This 22-track set showcased the band's blend of rock and country influences, with the first disc leaning toward British rock-inspired sounds and the second exploring more country-oriented material, earning praise for its ambition and production quality.[35] The release signaled a renewed focus on original songwriting, addressing personal and relational themes with wit and introspection, as Thornton emphasized in interviews promoting the album.[36] The band maintained this momentum through multiple releases in the subsequent years, including Providence (self-released digital, 2015), Tea Surfing and Boys and Girls... and the World in 2016 on NDR Records.[37] By 2018, they issued In Stereo! on the same label, followed by Speck in 2019 on Keentone Records, a project co-produced with legendary Beatles engineer Geoff Emerick during sessions in late 2017 and 2018.[8] These efforts expanded the band's catalog to over 10 studio albums by the end of the decade, emphasizing mature themes of human relationships, loss, and resilience through layered narratives and melodic rock arrangements.[37] Emerick himself highlighted the project's energy, calling it one of the most exciting recordings he had worked on in years.[7] Alongside the album output, The Boxmasters resumed live performances in 2015 with the N.A.C. Tour, starting April 3 in Greenville, Texas, and extending through May in venues like Temecula, California, followed by summer dates across the U.S.[38] This included appearances at events such as the American Music Festival in Virginia Beach on September 4.[39] The touring strategy emphasized smaller venues and regional shows to reconnect with audiences, rebuilding support in the Americana and rock communities without major international legs during this phase.[40] Positive coverage in outlets like Rolling Stone and Billboard reflected improved media engagement, positioning the band as a serious musical entity beyond Thornton's acting career.[36]2020s activities
Like many live music acts, The Boxmasters paused touring during the early COVID-19 pandemic in 2020 and 2021, redirecting their efforts toward home recording sessions and remote collaboration.[41][42] Band members, including frontman Billy Bob Thornton, conducted songwriting via Zoom while quarantining separately, ultimately producing three new albums over the course of the year.[41][43] This period of isolation fostered a burst of creativity, with releases such as the single "Light Rays" in August 2020 marking their return to output amid the shutdowns.[37][44] Building on this momentum, the band maintained a prolific pace through the decade, issuing albums like Help…I'm Alive in 2022, Christmas in California in 2021, Love & Hate in Desperate Places in 2024, and Missing a Heart in 2025, culminating in their 19th studio album, Pepper Tree Hill, on July 11, 2025.[45][46] Pepper Tree Hill serves as a tribute to the band's Pepper Tree Hill Studios, blending 1960s-inspired rock sounds with themes of hope, nostalgia, and modern introspection across its 11 tracks, including the Herb Alpert-featuring title single released earlier that year.[47][48][49] In 2025, The Boxmasters relaunched extensive live touring with the "Pepper Tree Hill Tour," commencing on August 15 in Clearwater, Florida, and extending through October 20 across North America.[50][51] The itinerary included high-profile opening slots for The Who's final tour dates, signaling a return to major stages after years of scaled-back performances.[50] Throughout the 2020s, the band evolved its fan engagement by emphasizing direct-to-fan sales through their official store, offering exclusive merchandise tied to new releases, alongside active social media updates on platforms like Facebook and Instagram to share tour announcements and behind-the-scenes content.[46][6][52]Collaborations
In 2017 and 2018, The Boxmasters collaborated with renowned recording engineer Geoff Emerick, known for his work on The Beatles' albums Revolver, Sgt. Pepper's Lonely Hearts Club Band, and Abbey Road, to produce their album Speck, which was released in 2019 via KeenTone Records. Emerick described the project as one of the most exciting he had undertaken since working with The Beatles, praising its melodic rock songs and innovative sonic elements, such as the use of ukulele, cardboard boxes, and tea towels on drums to achieve a distinctive, Beatles-inspired texture. This partnership elevated the band's production quality and highlighted their affinity for 1960s British rock aesthetics.[7][53] In the early 2020s, band members Billy Bob Thornton and J.D. Andrew contributed to Ian Hunter's albums Defiance Part 1 (2023) and Defiance Part 2 (2024), providing vocals and instrumentation on tracks that blended classic rock influences with Hunter's songwriting. These appearances connected The Boxmasters to Hunter's legacy from Mott the Hoople and expanded their network within the rock community, fostering opportunities for cross-generational musical exchanges.[54][55] The Boxmasters also partnered with southern rock band Gov’t Mule on their 2023 album Peace…Like a River, where Thornton provided guest vocals on the track "The River Only Flows One Way," infusing it with raw, narrative-driven energy that complemented the album's themes of resilience and flow. Concurrently, Thornton and Andrew produced and featured on vocalist Tausha Hanna's 2023 single "As I Ever Was" for Future Youth Records, merging rock and blues elements in a track that showcased Hanna's soulful delivery against the band's rhythmic foundation. These joint efforts in 2023–2024 broadened The Boxmasters' sonic palette, incorporating blues-rock textures and enhancing their reputation for versatile, genre-blending productions.[56][57][58] Additionally, The Boxmasters have made one-off contributions to film soundtracks linked to Thornton's cinematic endeavors, including original music for his 2012 directorial project Jayne Mansfield's Car, where their songs underscored the film's Southern Gothic narrative. They also served in the music department for the independent film Spare Room (2023) and contributed to an upcoming project titled And Then We Drove. Such collaborations have influenced the band's evolution by integrating narrative storytelling from film into their music, while strengthening ties between Thornton's acting career and the group's expanding artistic network.[59][7]Musical style and influences
Genre and sound
The Boxmasters' primary genre is known as "modbilly," a term coined to describe their fusion of mod rock from the British Invasion, rockabilly, country rock, and 1960s pop influences.[60][35] This blend creates a distinctive style that evokes the energy of mid-20th-century rock while incorporating American roots elements, setting them apart from mainstream country or indie rock acts.[61] Their signature sound features twangy, jangling guitars—often including lead lines, lap steel, and Dobro—paired with upbeat, peppy rhythms driven by country-paced drumming and solid backbeats.[61] Frontman Billy Bob Thornton's gravelly, gruff baritone vocals deliver storytelling lyrics that convey narratives of hard living, heartbreak, and blue-collar struggles, often laced with humor and dark undertones against catchy hooks.[61] These elements produce an infectious, high-energy vibe reminiscent of 1960s garage rock but grounded in hillbilly twang. Thematically, the band's music explores nostalgia for bygone eras, personal reflection on family tragedies and life's hardships, and Americana road-trip aesthetics, evoking Southern California and broader American heartland imagery.[5][62] Their sound has evolved from the raw, electric hillbilly energy of their 2008 debut album to a more polished yet still visceral production in 2020s releases like Love & Hate in Desperate Places (2024), Missing a Heart (2025), and Pepper Tree Hill (2025), where heavier rock influences and collaborative live-room recording enhance depth and immediacy.[5][63][50] Critics have received this progression as a post-modern reinterpretation of classic rock sounds, pushing emotional and musical boundaries with refined rawness.[5][61]Key influences
The Boxmasters' music is profoundly shaped by the Beatles, whose melodic structures and innovative songwriting have been cited by frontman Billy Bob Thornton as transformative influences from his youth. Thornton has described how the Beatles' arrival prompted him and his peers to form bands, fundamentally altering his approach to chords, arrangements, and overall composition. This affinity is particularly evident in the band's collaboration with Beatles engineer Geoff Emerick, who produced their 2019 album Speck—a collection of melodic tracks that Emerick himself highlighted for their Beatles-esque qualities—and served as a bridge to the band's reverence for that era's production techniques.[64][11][65] Rooted in 1950s rockabilly pioneers, the band's sound draws from Elvis Presley and Johnny Cash, blending high-energy rhythms and twangy guitars with introspective storytelling that echoes Cash's darker, narrative-driven style. Thornton's exposure to these artists during his Arkansas upbringing infused the Boxmasters' work with a raw, roots-oriented energy, often manifesting in upbeat tracks that fuse rockabilly bounce with lyrical depth on themes of hardship and resilience. This foundation is complemented by mod aesthetics from the 1960s British Invasion, including bands like the Beatles, the Byrds, and the Beach Boys, which Thornton has named as key inspirations for the group's harmonious vocals and jangly instrumentation.[66][67][68] Thornton's Southern heritage further informs the band's influences, with exposure to Southern rock acts like Lynyrd Skynyrd and the Allman Brothers Band shaping their guitar-driven arrangements and regional storytelling. Growing up in rural Arkansas amid local country and rock scenes, Thornton absorbed these elements, leading to Boxmasters songs that incorporate Skynyrd-like riffs and a sense of place in their lyrics. Broader Americana threads emerge from tours with Willie Nelson, exposing the band to outlaw country and folk traditions, as well as inspirations from singer-songwriters like John Prine and Kris Kristofferson, resulting in arrangements that layer folk introspection over rockabilly bases across their evolving discography. Additional influences include the Mothers of Invention and Big Star, contributing to the band's experimental and power pop elements.[66][69][68][70][67][3]Personnel
Current members
The Boxmasters' current lineup, as of 2025, consists of five core members who handle both studio recordings and live performances, with Billy Bob Thornton and J.D. Andrew serving as the creative anchors since the band's formation in 2007.[6][71] Billy Bob Thornton, credited as Bud Thornton, is the lead vocalist and primary songwriter, contributing rhythm guitar during live shows while performing drums on studio recordings to lay down the rhythmic foundation.[71][11] J.D. Andrew, the co-founder and Grammy Award-winning recording engineer, plays lead guitar and provides backing vocals, collaborating closely with Thornton on song arrangements and production.[71][72] Kirk McKim joined the band in 2015 on guitar, enhancing the live sound with his lead guitar work and contributing to recent recordings for a fuller, heavier texture.[73][71] Raymond Hardy, who initially joined in 2010 as a guitar technician before transitioning to bass in the late 2010s, delivers the band's rhythmic backbone on bass for both touring and studio sessions.[73][57] Nick Davidson has been the touring drummer since 2022, ensuring percussion stability during live performances while the band relies on Thornton's drumming for recordings.[74][73]Former and touring members
The Boxmasters' early lineup from 2007 to around 2010 centered on Billy Bob Thornton (vocals and drums), J.D. Andrew (guitar and bass), Mike Butler (lead guitar, lap steel, and backing vocals), and Brad Davis (guitar, mandolin, and backing vocals), with additional unnamed session players on drums and bass for initial tours to support Thornton's primary drumming role.[75][76][77] Butler contributed to the band's first two albums and early live shows but departed prior to the 2015 revival.[78] Davis, a longtime collaborator with Thornton dating back to solo projects, played a key role in the band's formative recordings and performances through 2015, including the self-titled debut and Years Gone By. He left that year. Davis later contributed guitar to the band's 2025 album Pepper Tree Hill.[74][3] During the band's 2010–2015 touring hiatus, driven largely by Thornton's acting obligations, sporadic recording sessions involved temporary contributors such as guest guitarists, though these had minimal influence on the core sound established by Thornton and Andrew.[79] The 2015 revival tours introduced touring-specific personnel to expand the live setup, including keyboardist and harmonica player Teddy Andreadis, bassist Dave Fowler, and drummer Eric Rhoades, allowing Thornton to focus more on vocals while preserving the roots-rock energy. Andreadis, who joined for the Somewhere Down the Road album cycle, added blues-inflected textures to mid-2010s shows but exited by the late 2010s.[80][12][81] Fowler handled bass duties from 2015 through the early 2020s, contributing to albums like In Stereo! and extensive road work, before departing around 2023.[82][83] Rhoades provided drumming support starting in 2015, appearing on multiple releases and tours through 2022, and left the following year.[73][84][85] These former and touring members, while essential for live dynamics and larger productions, had a limited impact on the band's enduring identity, which remained anchored by the songwriting and production partnership of Thornton and Andrew.Discography
Studio albums
The Boxmasters have released 19 studio albums since 2008, beginning with a trio of releases on Vanguard Records that established their blend of Americana, rockabilly, and country influences. After a six-year gap following their early output, the band adopted a more independent approach, self-releasing or partnering with smaller labels like 101 Ranch, NDR, and Keentone Records, leading to a surge in productivity with multiple albums per year from 2016 onward. This evolution in release frequency underscores their commitment to prolific songwriting and recording, often exploring thematic concept albums, holiday specials, and retro rock revivals. Production highlights include collaborations with notable figures such as Beatles engineer Geoff Emerick on the 2019 album Speck, which he praised as one of his favorite projects before his passing.[7][86] Key albums like Modbilly (2009) received recognition, ranking #14 on the Americana Music Association's Top 100 Albums of the Year for its double-disc exploration of mod and rockabilly fusion with 24 tracks, including standouts like "She Goes to the Bathroom and Makes Bad Decisions." Later works, such as Pepper Tree Hill (2025), a 11-track tribute to their recording studio featuring guest Herb Alpert on the title song, continue this tradition of personal and sonic experimentation.[87][48][46]| Title | Release Date | Label | Notes |
|---|---|---|---|
| The Boxmasters | June 10, 2008 | Vanguard / Sawmill | Double album; 25 tracks blending country-rock; debut establishing the band's sound.[88] |
| Christmas Cheer | November 11, 2008 | Vanguard / Sawmill | Holiday album; 10 tracks with festive rockabilly twists, including originals and covers.[89] |
| Modbilly | April 21, 2009 | Vanguard | Double album; 24 tracks; peaked at #14 on Americana charts; production emphasized 1960s mod influences.[22][87] |
| Somewhere Down The Road | April 7, 2015 | 101 Ranch Records | 12 tracks; marked shift to independent label; themes of loss and redemption, standout "Sometime's There's a Reason for the Pain."[90] |
| Providence | 2015 | Self-released (digital only via band website) | Initial digital release; later remixed and issued on CD in 2023 by Keentone; 11 tracks exploring introspective narratives.[91][92] |
| Boys and Girls... And the World | December 1, 2016 | NDR Records | Double album; 28 tracks; conceptual work on relationships; produced with layered instrumentation.[93] |
| Tea Surfing | December 1, 2016 | NDR Records | Double album; 21 tracks; surf-rock infused country; debut with NDR label.[94] |
| In Stereo! | 2018 | NDR Records | 14 tracks; highlighted for stereo mixing techniques and Beatles-esque production.[9][7] |
| Speck | June 7, 2019 | Keentone / Thirty Tigers | 12 tracks; final project with Geoff Emerick's involvement before his death; raw rock sound.[7] |
| Light Rays | 2020 | Keentone Records | 10 tracks; pandemic-era release focusing on hope and light themes.[45] |
| Christmas In California | 2021 | Keentone Records | Holiday album; 8 tracks; West Coast-inspired festive tunes.[46] |
| Help...I'm Alive | 2022 | Keentone Records | 11 tracks; energetic rock revival; standout title track.[45] |
| Boxmasters '66 | 2022 | Keentone Records | 12 tracks; homage to 1966 rock era.[37] |
| '69 | 2023 | Keentone Records | 12 tracks; 1969-inspired psych-rock; includes "Chestnut Eyes."[95] |
| Stranded In A Stain Vol. 1 | 2023 | Keentone Records | Part of double-volume concept; 10 tracks; darker, introspective themes.[37] |
| Stranded In A Stain Vol. 2 | 2023 | Keentone Records | Companion to Vol. 1; 10 tracks; completes narrative arc.[37] |
| Love & Hate In Desperate Places | August 30, 2024 | Keentone Records | 12 tracks; raw evolution in sound.[5] |
| Missing A Heart | February 14, 2025 | Keentone Records | 10 tracks; Valentine's Day release exploring themes of love and loss, including "Grace Came Home" and "Jupiter Man."[96][63] |
| Pepper Tree Hill | July 11, 2025 | Keentone Records | 11 tracks; tribute to band's studio; features Herb Alpert on title track; 19th album.[49][46] |
Singles and EPs
The Boxmasters have released a modest selection of non-album singles and EPs, primarily in the digital and promotional formats, with a focus on holiday-themed material and occasional standalone tracks. These releases complement their extensive studio album catalog without overlapping significantly, often serving promotional purposes or special occasions. Early efforts were issued on physical promos, while later ones shifted to digital platforms, making them widely available but with limited collector appeal for rarities like CD-R singles.[37] Non-album singles include early promotional efforts like "I'm Watchin' the Game" (2008), a digital MP3 single released via Vanguard, and its accompanying CD-R promo version distributed through Playground Music Scandinavia. Another promo single, "The Poor House / The Kids Are Alright" (2008), was issued as a CD-R by Edel Records, featuring the title track from their debut album alongside a cover of The Who's "The Kids Are Alright." These limited-run physical items are sought by collectors due to their scarcity, often appearing on secondary markets like Discogs.[97][98][99] In the 2020s, the band ventured into digital standalone releases, notably the collaboration single "As I Ever Was" (2023) with singer Tausha Hanna, produced by band members J.D. Andrew and Billy Bob Thornton (as W.R. "Bud" Thornton). Released on Future Youth Records, this mental health-themed track features Hanna on lead vocals with The Boxmasters providing instrumentation and backing, marking a rare non-album outing outside their core discography. It was promoted through digital platforms and media features, emphasizing its message over commercial chart aims. The single's digital availability has ensured broad accessibility, though no physical edition exists.[100][101]| Year | Title | Format | Label | Notes |
|---|---|---|---|---|
| 2008 | I'm Watchin' the Game | MP3, CD-R (Promo Single) | Vanguard / Playground Music Scandinavia | Standalone promo; limited physical run. |
| 2008 | The Poor House / The Kids Are Alright | CD-R (Promo Single) | Edel Records | Double A-side promo; collector rarity. |
| 2023 | As I Ever Was (feat. Tausha Hanna) | Digital Single | Future Youth Records | Collaboration; mental health awareness focus; digital-only. |