The Conjuring 2
The Conjuring 2 is a 2016 American supernatural horror film directed by James Wan, serving as the sequel to the 2013 film The Conjuring and the third installment in the Conjuring Universe franchise.[1] The story is inspired by the real-life Enfield poltergeist case of 1977, following renowned demonologists Ed and Lorraine Warren—portrayed by Patrick Wilson and Vera Farmiga, respectively—as they travel from the United States to Enfield, a borough in North London, to assist single mother Peggy Hodgson and her four children amid reports of poltergeist activity and possible demonic possession in their home.[2][1] The screenplay was written by Chad and Carey Hayes, with additional contributions from Wan and David Leslie Johnson-McGoldrick, building on the Warrens' case files to depict their investigation into the haunting, which escalates into a confrontation with a malevolent entity known as the "Crooked Man."[1] Principal photography took place primarily in Los Angeles and London, with Wan employing practical effects and innovative sound design to heighten the film's atmospheric tension and jump scares, elements that became hallmarks of his horror directing style.[3] The supporting cast includes Madison Wolfe as the afflicted Hodgson daughter Janet, along with Frances O'Connor as Peggy Hodgson, and Simon McBurney as the skeptical paranormal investigator Maurice Grosse.[1] Released theatrically by Warner Bros. Pictures on June 10, 2016, The Conjuring 2 grossed $322 million worldwide against a $40 million budget, marking a commercial success and contributing to the franchise's expansion.[4] Critically, it received positive reviews for its storytelling, performances—particularly Farmiga's portrayal of Lorraine's clairvoyant struggles—and Wan's direction, earning an 80% approval rating on Rotten Tomatoes based on 253 reviews, with praise for recapturing the dread of haunted-house classics while expanding the mythological scope of the series.[1] The film also garnered nominations for awards such as the Saturn Award for Best Horror Film and Best Supporting Actress for Farmiga, underscoring its impact within the genre.[3]Background
Real-life Cases
The Enfield poltergeist case occurred in 1977 at 284 Green Street in the London suburb of Enfield, involving single mother Peggy Hodgson and her four children: Margaret (13), Janet (11), Johnny (10), and Billy (7).[5][6] The disturbances began on August 31, 1977, with reports of knocking sounds, a chest of drawers sliding across the floor on its own, and beds shaking violently.[7] Over the following 18 months, phenomena escalated to include levitating furniture, such as an armchair witnessed by a police officer, flying objects like marbles and Lego bricks, spontaneous fires on curtains, and Janet's apparent possession where she spoke in a deep, rasping male voice claiming to be "Bill Wilkins," an elderly man who had died in the house in 1963.[5][6][8] The case drew investigation from Maurice Grosse and Guy Lyon Playfair of the Society for Psychical Research (SPR), who conducted over 180 visits, including 25 all-night vigils, and documented the events extensively.[6] The Amityville Horror case unfolded in Amityville, New York, beginning with the murders committed by Ronald DeFeo Jr. on November 13, 1974, when the 23-year-old fatally shot his parents and four siblings with a .35 Marlin rifle while they slept in their home at 112 Ocean Avenue.[9] DeFeo was convicted in 1975 and sentenced to life imprisonment, claiming during his trial that demonic forces compelled him.[9] In December 1975, George and Kathy Lutz purchased the property for $80,000 and moved in with their children and dog, but they fled after just 28 days on January 14, 1976, citing intense paranormal activity including foul odors, green slime oozing from walls, cold spots, levitating family members, and apparitions such as a red-eyed pig-like creature.[9] The Lutzes reported waking at 3:15 a.m. nightly—the time of the murders—and hearing disembodied voices, with a priest who attempted to bless the house experiencing auditory warnings to "get out."[9] Paranormal investigators Ed and Lorraine Warren examined the site in 1976, where Ed reported physical sensations of pressure and electrical disturbances in the basement, attributing the events to diabolical forces.[9] Key evidence from the Enfield case included over 180 hours of audio recordings captured by Grosse, featuring Janet's altered voice uttering phrases like "Just before I died, I went blind, and then I had a hemorrhage and fell asleep," later verified as matching details of Bill Wilkins' death from a real former resident.[6] Photographs taken by Daily Mirror reporter Graham Morris documented Janet in mid-air during alleged levitations, as well as other anomalies like twisted curtains and flying pillows.[5][6] In Amityville, the Lutzes' accounts were supported by the priest's independent corroboration of voices and the temporal alignment of disturbances with the murder timeline, though no physical artifacts like recordings were publicly detailed from the Warrens' probe.[9] Controversies surround both cases, with skeptics like Joe Nickell of the Committee for Skeptical Inquiry arguing that Enfield's levitation photos depict normal jumping poses rather than supernatural flight, and the voices likely resulted from ventriloquism or adolescent pranks by the Hodgson girls, who admitted faking about 2% of incidents to test investigators. The case was revisited in the 2023 Apple TV+ docuseries The Enfield Poltergeist, featuring original audio tapes and interviews with participants, which continues to fuel discussions on its authenticity.[10][7][9][5] Amityville faced similar scrutiny, with critics questioning the Lutzes' motives amid financial disputes and lack of contemporaneous documentation beyond their later book.[9] These cases were selected as dual inspirations for The Conjuring 2 due to their status as two of the most extensively documented paranormal investigations in history, with director James Wan citing the Warrens' involvement in both to frame the film's structure around contrasting American and British hauntings for broader narrative scope.[11]Development
New Line Cinema announced plans for a sequel to The Conjuring in July 2013, shortly before the original film's release, capitalizing on early positive buzz and the Warrens' extensive case files as inspiration for further stories.[12] The studio's decision reflected confidence in the project's potential, with development focusing on adapting another high-profile paranormal investigation to continue the franchise's blend of real-life elements and supernatural horror.[13] James Wan was officially confirmed to return as director in October 2014, following negotiations that secured his involvement alongside production duties on a related spin-off, Annabelle.[14] Wan had initially hesitated to direct the sequel after helming Furious 7, expressing concerns about maintaining the original's quality amid his growing commitments to larger-scale blockbusters, but ultimately decided to proceed to personally oversee the story's direction.[15] He cited the appeal of exploring international hauntings, particularly the intricate and debated Enfield poltergeist case, as a key factor in his return, viewing it as an opportunity to delve into a more complex narrative than the domestic focus of the first film.[16] The screenplay was penned by Carey W. Hayes and Chad Hayes, who returned from the original, alongside contributions from David Leslie Johnson-McGoldrick and Wan himself, shifting emphasis to the Enfield incident as the core story following the Warrens' established Amityville investigations.[17] This creative process highlighted the Enfield case's poltergeist activity and skeptical scrutiny, contrasting the first film's possession-driven plot to build a sequel centered on psychological and physical manifestations across cultures.[18] With a production budget approved at $40 million, pre-planning incorporated a dual-case structure, opening with an Amityville prologue to reestablish the Warrens' expertise before transitioning to the main Enfield storyline, allowing Wan to layer escalating tension from familiar American horrors to the unfamiliar British setting.[19][20][21] Initial casting considerations prioritized continuity with Patrick Wilson and Vera Farmiga reprising Ed and Lorraine Warren, while auditions for the Hodgson family emphasized young actors capable of conveying vulnerability amid supernatural chaos, such as Madison Wolfe for the pivotal role of Janet Hodgson.[22] Wan's vision aimed to escalate the horror beyond the first film by amplifying emotional stakes and visual scares, focusing on character-driven dread to elevate studio supernatural thrillers to a level of craftsmanship reminiscent of classic genre films.[23][24]Story and Characters
Plot
In 1976, paranormal investigators Ed and Lorraine Warren arrive at the Lutz family home in Amityville, New York, two months after the family fled due to terrifying supernatural occurrences following the DeFeo murders. During a séance, Lorraine enters a trance and relives the shotgun killings in a vision, where she encounters a demonic nun entity that warns of Ed's impending death, leaving her shaken and determined to retire from investigations.[21][25] The story shifts to 1977 in Enfield, a borough in north London, where single mother Peggy Hodgson and her four children—daughters Janet and Margaret, along with sons Johnny and Billy—experience escalating poltergeist activity in their council house. The disturbances begin with unexplained knocking, shaking beds, and levitating furniture, but intensify when 11-year-old Janet starts sleepwalking, speaking in a gravelly voice claiming to be Bill Wilkins, the previous occupant who died of a hemorrhage in the home, and exhibiting signs of possession such as levitation and self-inflicted bruises.[26][21] Local police and investigators witness some events, including a chair moving on command, drawing media attention and skepticism from figures like Maurice Grosse, who records the phenomena. The Catholic Church, wary after the Amityville controversy, summons the Warrens to assess whether the haunting is genuine or a hoax perpetrated by the children.[25][27] Despite Lorraine's reservations and Ed's growing skepticism about the case's authenticity—fueled by doubts over Janet's possible fabrication of events—the Warrens travel to England to observe. They conduct overnight vigils, capturing evidence of the poltergeist, including Janet's trance-like states where she channels Wilkins, who pleads for his return to the house. As activity worsens, with upside-down crosses appearing on walls and toys animating violently, the Warrens uncover a deeper demonic presence manipulating the poltergeist: the demon Valak, manifesting as the eerie Crooked Man—a tall, crooked figure from Janet's music box—and the haunting Nun that plagues Lorraine's visions. These entities target the family, particularly Janet, and exploit Ed and Lorraine's personal vulnerabilities, with Lorraine tormented by premonitions of Ed's crucifixion-like death. The film draws loose inspiration from the real-life Enfield poltergeist case of 1977, one of the most documented paranormal incidents.[21][26][25] The central conflict builds as Ed grapples with doubt, initially believing the disturbances may stem from the children's stress amid their impoverished life, contrasting Lorraine's intuitive certainty in the supernatural. The demon escalates attacks, possessing Janet fully during a séance and attempting to drown her in a flooded kitchen, while the Crooked Man and Nun pursue the Warrens through hallucinatory sequences. Personal stakes heighten when Lorraine's visions reveal Valak's plan to kill Ed, forcing the couple to confront their faith amid marital strain and professional isolation. In the climax at the Hodgson home, as the house seemingly tears itself apart with flying debris and demonic assaults, Ed risks his life climbing out a window to rescue the levitating Janet from falling onto a pointed tree branch below, nearly falling himself in the process, while Lorraine performs an impromptu exorcism, invoking divine intervention to banish Valak.[27][21][26] The resolution sees the demon expelled, with Janet freed from possession and the poltergeist activity ceasing, restoring peace to the Hodgson family. Ed survives his ordeal, strengthening the Warrens' bond and reaffirming their commitment to their work despite the toll on their faith and family life. The narrative underscores themes of doubt versus belief, particularly through Ed's arc from skepticism to renewed conviction in the face of undeniable evil.[25][21]Cast
The principal cast of The Conjuring 2 features returning leads Patrick Wilson and Vera Farmiga as the demonologists Ed and Lorraine Warren, respectively, whose investigative partnership forms the emotional and narrative backbone of the film, blending physical bravery with psychic vulnerability to heighten the horror tension.[3] The ensemble is rounded out by a new group of performers portraying the afflicted Hodgson family and key investigators, emphasizing the film's focus on familial terror and skepticism in supernatural encounters.[2] This casting choice maintains continuity from the first film while introducing British actors for the Enfield-based characters to ensure cultural authenticity in depicting the 1970s London setting.[28]| Actor | Role | Significance |
|---|---|---|
| Patrick Wilson | Ed Warren | Reprises his role as the pragmatic demonologist and family protector, providing physical action amid escalating supernatural threats; based on the real-life Ed Warren.[3][29] |
| Vera Farmiga | Lorraine Warren | Returns as the clairvoyant medium whose visions drive the plot's emotional intensity and personal stakes; inspired by the actual Lorraine Warren.[3][2] |
| Madison Wolfe | Janet Hodgson | Portrays the young girl at the center of the possession, her performance capturing innocence corrupted by otherworldly forces for heightened dread.[30][28] |
| Frances O'Connor | Peggy Hodgson | Depicts the overwhelmed single mother struggling to protect her children, underscoring themes of parental desperation in horror scenarios.[3][29] |
| Simon McBurney | Maurice Grosse | Plays the initial skeptical investigator documenting the case, adding layers of doubt and procedural realism to the supernatural narrative; drawn from the real Maurice Grosse of the Society for Psychical Research.[30][2] |
Production
Pre-production
Casting for The Conjuring 2 was finalized in early 2015, with Madison Wolfe selected for the role of Janet Hodgson following auditions that highlighted her ability to convey vulnerability and emotional depth central to the character's possession storyline.[32] Production designer Jennifer Spence oversaw the construction of a detailed replica of the Enfield council house on a soundstage in Los Angeles, incorporating authentic 1970s British interiors such as worn wallpaper, cluttered living spaces, and period-specific furniture to evoke the working-class Hodgson family home.[33] Costume designer Kristin M. Burke planned period-accurate 1970s attire, drawing from historical photographs of the Enfield case and 1970s British fashion references to create practical, everyday clothing for the characters, including custom pieces for the children to accommodate stunt work. For possession scenes, practical effects were prioritized, with durable fabrics, hidden pads, and multiple costume duplicates designed to withstand physical performances without relying on heavy CGI.[34] Director James Wan personally storyboarded key horror sequences during pre-production, focusing on camera movements and tension-building to integrate practical effects like animatronics and actor performances, minimizing CGI to heighten realism.[22]Filming
Principal photography for The Conjuring 2 commenced in September 2015 in Los Angeles and wrapped in December 2015 after approximately 50 days of production. The majority of filming occurred on sound stages at Warner Bros. Studios in Burbank, California, where pre-built sets for the Hodgson family home and other interiors were utilized to recreate the 1970s Enfield Poltergeist setting.[35] Location shooting took place over 10 days in London, including exteriors in the Enfield borough such as Graeme Road to capture authentic council house visuals for the Hodgson residence.[36] Production concluded on December 1, 2015, in Enfield, with the team coordinating with local council and residents to limit disruptions.[36] Cinematographer Don Burgess employed Arri Alexa cameras to achieve deep blacks and a textured look suitable for the film's supernatural tone, emphasizing practical lighting to evoke the era's grainy aesthetic without relying heavily on digital post-processing.[37] Long takes were a key technique in haunted house sequences, such as the extended interview scene between Ed Warren and the possessed Janet Hodgson, allowing for sustained tension through minimal cuts and strategic camera placement.[22] Director James Wan incorporated subjective camera movements to immerse viewers in Lorraine Warren's clairvoyant visions, using the lens as a narrative tool to blur the line between reality and hallucination while building dread through subtle pans and dolly shots.[37] Practical stunts featured prominently, including wire work for Ed Warren's harrowing hanging sequence in Lorraine's premonition, which relied on physical performers and minimal CGI to heighten authenticity.[22] On-set challenges included ensuring child actors' comfort during intense possession scenes; young performer Madison Wolfe, portraying Janet Hodgson, demonstrated a mature grasp of the material, but filming adhered to standard welfare protocols to manage emotional demands.[22] Reshoots were limited and targeted, primarily to introduce the demonic nun Valak as the central antagonist after principal photography, utilizing prosthetics and makeup for its eerie, decayed appearance to emphasize tangible horror over digital enhancements, inspired by real-life accounts from Lorraine Warren.[38][39] The film had a production budget of $65 million.[1]Music
Score
Joseph Bishara returned as the composer for The Conjuring 2, having previously scored the first film in the series, bringing his expertise in horror soundscapes developed through collaborations with director James Wan on projects like Insidious.[40][41] His score integrates orchestral elements, such as thick string textures and epic choirs performed by London Voices and the Brompton Oratory youth choir, with electronic dissonance and industrial noise influences to evoke a sense of dread.[42][43] This blend creates a distinctive auditory palette that underscores the film's paranormal themes, drawing from classic horror scoring traditions to heighten tension without overpowering the narrative.[41] Key motifs in the score include haunting choral passages that accompany manifestations of the demonic presence, low pulses and violin slurs for building suspense during poltergeist activity, and bass rumbles that emphasize the eerie atmosphere of the Enfield investigation.[42] Emotional moments involving the Warren family are supported by more intimate string and piano underscoring, providing contrast to the film's intense supernatural sequences.[42] These elements are tailored to the story's 1970s London setting, incorporating a "heavy, male presence" in the musical threat to mirror the haunting's aggressive energy, as described by Bishara in discussions about the composition process.[41] The score was recorded in 2016 with the Hollywood Studio Symphony, conducted by Bishara himself, at renowned facilities including the Eastwood Scoring Stage and Abbey Road Studios, with engineering by Chris Spilfogel.[43] Special emphasis was placed on low-frequency effects to enhance immersion in theater environments, allowing the music to physically resonate with audiences during key horror beats.[42] The composition integrates seamlessly across the film's runtime, covering major sequences such as the possession scenes, with standout cues like "Enfield Opening" and "Possession" exemplifying its rhythmic and atmospheric drive.[44]Soundtrack Release
The original motion picture soundtrack for The Conjuring 2, composed by Joseph Bishara, was released digitally on June 3, 2016, by WaterTower Music, one week prior to the film's theatrical debut.[45] The album features 30 tracks of Bishara's original score, emphasizing atmospheric tension through choral elements, low-frequency pulses, and dissonant strings, with representative cues including "Enfield Opening" (0:45), "As Close to Hell" (3:31), and "The Conjuring 2" (0:45).[44] These selections capture the film's supernatural dread, designed to evoke unease independently of the visuals.[46] The soundtrack became available in multiple formats to broaden accessibility, including digital downloads and streaming on platforms such as Apple Music and Spotify, where it has amassed ongoing listens for its standalone horror appeal.[47] Physical releases included a standard CD edition, distributed through retailers like Amazon, allowing collectors to experience the full runtime of 53 minutes in a tangible format.[48] While no initial vinyl pressing was issued for the album alone, a combined vinyl edition of scores from The Conjuring and The Conjuring 2 followed in 2017, catering to analog enthusiasts.[49] Reception highlighted the soundtrack's effectiveness beyond the screen, with critics praising Bishara's composition for its visceral terror and replay value as a pure horror listening experience.[46] The release aligned with the film's promotional rollout, where soundtrack bundles were offered alongside official merchandise at theaters to enhance fan immersion during the June 10, 2016, premiere.[44]Distribution and Release
Marketing
The marketing campaign for The Conjuring 2 was spearheaded by Warner Bros. Pictures, emphasizing the film's basis in the real-life Enfield Poltergeist case to heighten authenticity and dread. Rather than relying on elaborate stunts, the strategy adopted a traditional approach, leveraging the goodwill from the first film's success to build anticipation through targeted digital and print promotions aimed at horror enthusiasts.[50] The campaign kicked off with the release of the official teaser trailer on January 7, 2016, which introduced eerie visuals of the supernatural disturbances and amassed over 27 million views on YouTube.[51] This was followed by the full trailer on March 26, 2016, focusing on the Enfield investigation and the Warrens' confrontation with malevolent forces, including early glimpses of the demonic Nun entity that would later inspire a spin-off; the trailer garnered 41 million views, contributing to widespread online buzz.[52] To tie into the true-story angle, Warner Bros. produced featurettes exploring the 1977 Enfield haunting, drawing parallels between historical accounts and the film's narrative to immerse audiences in the lore.[53] Complementing the trailers, Warner Bros. collaborated with digital agency Circus on an interactive strategy, including the Demon Detector app, which simulated ghost-hunting experiences via augmented reality-like features to simulate hauntings on users' devices and encourage social media sharing.[54] Official posters depicted the Hodgson family amid shadowy, domestic terror, prominently featuring distorted figures and the Nun's silhouette to evoke familial vulnerability; the primary tagline, "Fear Comes Home," underscored the horror's invasion of everyday life.[55] Additional promotions included Snapchat filters and ads that extended the Conjuring universe's eerie aesthetic, reaching millions to amplify pre-release engagement.[56] Partnerships extended to merchandise tie-ins, such as NECA's action figures of the Crooked Man entity from the film, sold through official Warner Bros. channels to capitalize on collectible horror trends.[57] The studio also engaged horror communities through appearances at events like Rock and Shock 2016, where cast and crew promoted the film's supernatural elements to dedicated fans.[58] Overall, the campaign targeted a summer horror audience with a reported allocation of approximately $100 million, focusing on cost-effective digital virality and real-case authenticity to drive theatrical interest ahead of the June 10, 2016, release.[59]Theatrical Release
The Conjuring 2 premiered on June 7, 2016, at the TCL Chinese Theatre in Los Angeles as part of the Los Angeles Film Festival program.[60][61] It received a wide theatrical release in the United States on June 10, 2016, with an MPAA rating of R for terror and horror violence and a runtime of 2 hours and 14 minutes.[3][19] The film launched simultaneously in 44 countries, including Argentina, Australia, Brazil, and several European markets.[62] It was presented in IMAX format in select theaters to amplify the immersive horror elements.[61] In the United Kingdom, the film opened on June 17, 2016, earning a 15 certificate from the British Board of Film Classification for strong threat, horror, and language, with specific advisories highlighting prolonged scenes of children being terrorized by demonic or ghostly entities.[63][64] Limited screenings were also held at genre festivals like Fantasia for dedicated horror audiences, building anticipation ahead of the wide rollout.[65]Home Media
The Conjuring 2 became available for digital rental and purchase on August 30, 2016, through platforms including iTunes and Amazon Video, shortly after concluding its theatrical run in October 2016.[66][67] Warner Bros. Home Entertainment released the film on Blu-ray and DVD on September 13, 2016, in a two-disc edition featuring 1080p video and Dolby Atmos audio.[68][69] The Blu-ray included several special features, such as the 13-minute documentary "The Enfield Poltergeist: Living the Horror," which featured interviews with the real-life Hodgson sisters involved in the Enfield case; deleted scenes totaling about seven minutes; and behind-the-scenes featurettes like "Crafting The Conjuring 2" on the film's production choices and "The Sounds of Scary" on its audio design.[68][70] In its debut week, the home video release sold 181,436 units domestically, ranking second on the combined DVD and Blu-ray sales chart.[71] It was later bundled with the first film in a two-movie collection released on October 17, 2017.[72] International editions featured region-specific subtitles and dubs, with the UK Blu-ray (Region B) offering the same core special features, including the Enfield-focused documentary emphasizing the real case's historical context.[73][74]Reception
Box Office
The Conjuring 2 achieved significant commercial success, earning a worldwide gross of $322.8 million against a production budget of $40 million, yielding an approximate return on investment of 700%.[4] In North America, the film grossed $102.5 million, debuting with $40.4 million over the opening weekend of June 10–12, 2016, which marked the second-highest opening for a horror film at the time, behind only its predecessor.[4] Internationally, it amassed $220.3 million, with notable performances in key markets including $15.5 million in the United Kingdom and $18.2 million in China.[4][19] Relative to the first film, The Conjuring 2 underperformed domestically—where the original earned $137.4 million—but exceeded it overseas, resulting in a slightly higher global total of $322.8 million compared to $319.5 million.[4] Its summer release positioned it amid strong competition, notably from Independence Day: Resurgence, which debuted two weeks later and contributed to a steeper domestic drop-off after the opening weekend.[4] Marketing campaigns emphasizing the sequel's real-life Enfield Poltergeist inspiration helped drive the robust opening.[62]Critical Response
The Conjuring 2 received generally positive reviews from critics, who praised its atmospheric tension and technical craftsmanship while noting some reliance on familiar horror conventions. On Rotten Tomatoes, the film holds an 80% approval rating from 253 reviews, with an average score of 7.4 out of 10.[1] On Metacritic, it has a score of 65 out of 100 based on 38 critics, indicating "generally favorable" reception.[75] Critics lauded director James Wan's ability to build scares through precise tension and visual flair, often describing his work as a highlight that elevated the film's haunted-house elements. The A.V. Club commended Wan's horror technique for succeeding "wildly" in scaring audiences by sticking to effective basics like sound design and cinematography, creating genuine creepiness from clichéd tropes.[76] Performances by Vera Farmiga and Patrick Wilson as the Warrens were frequently highlighted for their emotional depth and chemistry, grounding the supernatural events in relatable family dynamics.[21] The film's practical effects and set pieces, including the iconic "nightmare nun" design, were also praised for adding visceral impact without over-relying on CGI.[77] Some reviewers criticized the film's 134-minute runtime as overly protracted, with slower investigative sequences diluting the momentum before the climactic possession scenes. Variety noted a "formulaic sequel feel" in its repetitive demonic-possession tropes, likening it to a "rerun" of The Exorcist that occasionally felt like standard spook-show gambits despite Wan's stylish execution.[77] Audience reception was strong, contributing to the film's box-office success through positive word-of-mouth. It earned an 82% audience score on Rotten Tomatoes from over 50,000 ratings and an A- grade from CinemaScore polls.[1][78]Accolades
The Conjuring 2 earned recognition in several genre-specific awards, particularly in horror categories, reflecting its critical and fan appreciation within the supernatural thriller space. The film received nominations in several awards, with a focus on performances and direction that heightened its atmospheric tension.[79] At the 2017 MTV Movie & TV Awards, Vera Farmiga was nominated for Best Scared-As-Shit Performance for her portrayal of Lorraine Warren, highlighting the actress's ability to convey visceral fear.[79] The 43rd Saturn Awards in 2017 nominated the film for Best Horror Film and Best Supporting Actress (Madison Wolfe as Janet Hodgson), alongside nominations for Best Director (James Wan) and Best Actor (Patrick Wilson). These accolades underscored the film's technical prowess and emotional depth in depicting paranormal investigation.[79][80] In the Fangoria Chainsaw Awards, The Conjuring 2 was nominated for Best Wide Release Film, celebrating its broad theatrical success and chilling narrative.[79] Additional honors included a nomination for Vera Farmiga at the 2016 Teen Choice Awards in the Choice Movie Actress: Sci-Fi/Fantasy category.[79]| Award | Year | Category | Recipient | Result |
|---|---|---|---|---|
| MTV Movie & TV Awards | 2017 | Best Scared-As-Shit Performance | Vera Farmiga | Nominated |
| Saturn Awards | 2017 | Best Horror Film | The Conjuring 2 | Nominated |
| Saturn Awards | 2017 | Best Supporting Actress | Madison Wolfe | Nominated |
| Saturn Awards | 2017 | Best Director | James Wan | Nominated |
| Saturn Awards | 2017 | Best Actor | Patrick Wilson | Nominated |
| Fangoria Chainsaw Awards | 2017 | Best Wide Release Film | The Conjuring 2 | Nominated |
| Teen Choice Awards | 2016 | Choice Movie Actress: Sci-Fi/Fantasy | Vera Farmiga | Nominated |