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The Empty Man

The Empty Man is a written and directed by David Prior in his feature directorial debut, loosely based on the comic of the same name created by and illustrated by Vanesa R. Del Rey, originally published by starting in 2014. The story centers on James Lasombra (played by ), a retired and widower who investigates the disappearance of his friend’s daughter in a small Midwestern town, uncovering a secretive attempting to summon a malevolent entity known as the Empty Man through ritualistic means. The film also stars as Nora Quail, alongside supporting roles by , Sasha Frolova, Robert Earl Jenny, and . With a runtime of 137 minutes, it blends elements of , cosmic dread, and investigative , exploring themes of , urban legends, and existential terror. Development on the film began in the mid-2010s when optioned the rights to adapt , which depicts a viral pandemic inducing and tied to the titular , though the movie diverges significantly in plot while retaining core mythological concepts. , known for producing special edition DVDs including for Ravenous (), expanded a into a full screenplay, emphasizing atmospheric tension and philosophical undertones inspired by influences such as and . Principal photography took place primarily in to stand in for Midwestern and urban American settings, with additional filming in during the final week, concluding in 2018, with extending into 2020 amid delays from the . Produced by Out of Africa Entertainment and , with executive production from (its final original film before the acquisition), the project faced a tumultuous release history, premiering in limited theaters on October 23, 2020, amid lockdowns, grossing just $3 million domestically. Critically, The Empty Man holds a 73% approval rating on based on 30 reviews, praised for its deliberate pacing, haunting by Graham Reznick, and ambitious exploration of beyond jump scares, though some noted its length and slow build as divisive. It has since developed a through and streaming availability on platforms like and Disney+, with director Prior's work earning recognition from filmmakers including , leading to opportunities like helming episodes of . The adaptation has also spotlighted the original comic series, which ran for two volumes (2014–2015 and 2018–2019), influencing discussions on and collective psychosis in modern genre fiction.

Overview

Concept and origins

The Empty Man is conceptualized in Cullen Bunn's comic series as a entity manifesting as a contagious form of that spreads through human society, driven by collective fears, hallucinations, and ritualistic devotion from fringe cults who revere it as a god-like force. This entity emerges not as a traditional but as a psychological and metaphysical affliction that warps reality for its victims, leading to violence, , and a , empty existence, embodying the of an absence that consumes the mind. Bunn drew from his personal fears of disease and hypochondria to hybridize real-world anxieties with elements, creating a being that blurs the line between and . The origins of this concept trace back to Bunn's fascination with urban legends and during a solitary late-night drive, where the phrase "The Empty Man made me do it" spontaneously arose in his mind, evoking mind-playing tricks and external influences on behavior. Influenced by J-Horror films like The Ring, H.P. Lovecraft's cosmic dread, and 's reality-bending paranoia, Bunn incorporated motifs of emptiness and absence as core elements—representing not just physical void but the terrifying erosion of self and sanity. He further integrated modern ideas of fringe religions, where blind faith transforms a perceived into a worshipped , amplifying the entity's power through shared human delusion and ritual. This tulpa-like nature of The Empty Man—born from collective thought, fear, and summoning—echoes historical concepts of tulpas in mysticism, where advanced meditators could materialize through intense concentration and visualization, as described in early 20th-century Western interpretations of Vajrayana Buddhism. Originating in folklore as emanations of the mind (), tulpas were later adapted by Theosophists like , who popularized the idea in the West as entities willed into existence by belief, influencing occult traditions and eventually infiltrating genres as manifestations of group hysteria or unintended creations. Bunn's entity adapts these ideas into a contemporary framework, where societal dread and cult rituals summon an intangible terror from the void of human psychology. The 2020 film adaptation serves as a loose expansion of this comic mythology, explicitly incorporating tulpa mechanics to heighten the entity's dependence on human intermediaries.

Core themes and mythology

The Empty Man series explores profound themes of existential dread, portraying a world gripped by an incomprehensible pandemic that erodes the boundaries of sanity and survival. The titular disease manifests as a contagious insanity, inducing horrific hallucinations, violent rage, and suicidal tendencies that culminate in either death or a catatonic void, symbolizing the terror of human vulnerability in an indifferent cosmos. This dread is amplified by the unknown origins of the affliction, evoking fears of uncontrollable decay in both body and mind, akin to influences from films like In the Mouth of Madness and Jacob's Ladder where reality fractures under psychological strain. Central to the narrative is of to manifest evil, as fringe religious groups and cults emerge to venerate itself as a divine entity, transforming a medical crisis into a of . These sects, often marked by symbols like inverted triangles, conduct rituals that propagate the infection, blurring the line between pathological symptoms and willful devotion. Such dynamics underscore a philosophical undercurrent of , where human isolation in a meaningless universe is exacerbated by collective that invites oblivion, feeding into the of purposeless existence. Mythologically, the Empty Man entity is depicted as an "empty" vessel—a void-like force that preys on human consciousness, initiating infection through glimpses or encounters that trigger mental unraveling before physical collapse. This being, personified through urban legends and cult lore, sustains itself by distorting perception, leading victims into hallucinatory states where reality and delusion converge indistinguishably. These elements tie into broader nihilistic horror, portraying the Empty Man as an embodiment of cosmic emptiness that exploits human belief to affirm the universe's inherent isolation. In the film adaptation, these motifs are amplified through a more explicit cult narrative, heightening the dread of manifested nothingness.

Comic book series

Publication history

The Empty Man comic book series was created by writer and artist Vanesa R. Del Rey and published by . The project was announced in March 2014, with the first issue debuting on June 11, 2014. The initial , comprising six issues, ran irregularly from mid-2014 through 2015, exploring themes amid a pandemic-like outbreak. A trade paperback collection of the first volume was released in September 2015. In 2018, revived the series with a second volume, written by Bunn and illustrated by Jesús Hervás, launching with issue #1 on November 7, 2018. This ongoing run extended to eight issues, concluding in June 2019, and was divided into two collected editions: Recurrence (issues #1–4, released July 2019) and (issues #5–8, released November 2019). Vanesa R. Del Rey provided for both volumes, including variant editions for key issues such as retailer incentives and exclusives. Specific sales figures for the series are not publicly detailed, though it garnered attention within the independent market. The series received no major awards or nominations in prominent horror comic categories, such as the Eisner or . On February 9, 2016, optioned the rights to the comic for a , marking an early milestone in its commercial expansion.

Plot overview

The Empty Man series presents a narrative revolving around a virulent known as the Empty Man , which manifests through symptoms of violent rage, terrifying hallucinations, , and eventual catatonia, transforming victims into hollow shells. One year after its initial outbreak, with no medical intervention able to halt its spread, the has acquired near-deific status among emerging cults, prompting a collaborative by the FBI and CDC to trace its origins and curb the rising fanaticism. Volume 1 follows federal agents from a as they delve into a case involving missing children potentially tied to the plague's supernatural undercurrents and the gradual surfacing of a shadowy entity at its core. This arc structures the story as an investigative procedural laced with eerie folklore elements, building toward apocalyptic implications for society. Volume 2, subtitled Recurrence, broadens the scope to a deepening , centering on a family's desperate efforts to conceal their matriarch's advanced from mandatory quarantines while confronting influences and the disease's escalating societal grip. The narrative weaves psychological tension with themes of isolation and dread, highlighting the entity's pervasive reach. Across both volumes, the tale unfolds in diverse settings, including tense urban quarantines, secluded family homes evading detection, remote cult ritual sites, and disorienting dreamscapes born from the affliction's hallucinatory effects. This blend of procedural inquiry, mythic horror, and end-times foreboding distinguishes the series' expansive, multi-threaded progression.

Main characters and entities

The primary human protagonist in The Empty Man comic series is Walter Langford, a skeptical from the Centers for Disease Control and Prevention (CDC) who examines the physiological and psychological impacts of the titular phenomenon. Langford approaches cases with a rational, evidence-based mindset, often partnering with FBI Monica Jensen to probe mysterious outbreaks and related incidents. Supporting human figures include cult members who revere the Empty Man as a divine or apocalyptic force, engaging in secretive rituals to propagate its influence across communities. Victims of the Empty Man affliction appear as ordinary individuals—often families or isolated persons—whose lives unravel through escalating mental deterioration, while family figures provide emotional anchors, navigating the fallout of infections and quarantines central to the entity's summoning dynamics. The Empty Man itself is depicted as a malevolent, otherworldly originating from psychic or cosmic voids, manifesting primarily as a that induces hallucinations, rage, and catatonia, symbolizing existential emptiness and the multiplicity of invasive thoughts. It embodies a pervasive nothingness that seeks connection through human hosts, driving widespread societal disruption. Other entities consist of minor tulpas and hallucinatory manifestations, such as distorted figures or projections born from the Empty Man's lore, serving as extensions of its psychological reach without independent agency. These elements tie directly into the central entity's mythology, amplifying its theme of mental invasion.

Film adaptation

Development and pre-production

In February 2016, 20th Century Fox acquired the film rights to the graphic novel The Empty Man from , marking the beginning of the adaptation's development. The studio optioned the property under its with Boom!, aiming to transform the 2014 comic series by and Vanesa R. Del Rey into a . David Prior was attached as writer and director shortly thereafter, tasked with expanding the comic's limited mythology into a full-length screenplay. Prior's script drew from the source material's core premise of a supernatural entity but significantly broadened its scope, incorporating influences from H.P. Lovecraft's cosmic horror and real-world cult dynamics to create a more layered narrative. During revisions, he introduced the concept of a tulpa—a thought-form entity from Tibetan mysticism—as a key element of the Empty Man's nature, inspired by David Ambrose's novel Superstition, which required substantial restructuring of the plot midway through writing. This addition, along with expanded cult elements centered on a secretive organization called the Pontifex Institute, shifted focus toward themes of existential dread and manufactured belief, elements less prominent in the original comic's virus-like outbreak storyline. The project was planned as a mid-budget horror film with an estimated net production cost of $16 million, prioritizing atmospheric tension over high-cost spectacle. Approximately $11 million was allocated to principal photography in South Africa, reflecting constraints that influenced early decisions on visual style and effects. While some subtle CGI was incorporated, such as digital bird formations symbolizing the cult's influence, the approach emphasized practical techniques and in-camera effects to ground the horror in tangible unease, aligning with Prior's vision for a slow-burn procedural thriller.

Casting and crew

David Prior made his feature directorial debut with The Empty Man, having previously directed the AM1200 (2008), which drew influences from filmmakers like and , with whom Prior had collaborated as a production documentarian. The film's cinematography was handled by Anastas N. Michos, known for his work on projects like 13 Hours: The Secret Soldiers of (2016), who employed a deliberate visual style to evoke dread through shadowed compositions and practical lighting. The score was composed by , a veteran of horror soundtracks including (1987), in collaboration with ambient artist (), whose contributions emphasized atmospheric sound design with deep, rumbling drones to heighten the supernatural tension. James Badge Dale stars as James Lasombra, the film's protagonist and an ex-cop investigating eerie occurrences, a role that echoes the hard-boiled archetype from the source comic. Supporting the lead are as Nora Quail, a concerned parent entangled in the mystery; Sasha Frolova as Amanda Quail; as Detective Villiers; and as Arthur Parsons, each bringing nuanced performances to the film's original ensemble.

Filming and post-production

Principal photography for The Empty Man commenced on September 11, 2016, in , , which served as a stand-in for various U.S. settings including Midwestern towns and urban environments. The shoot in lasted approximately 50 days, capturing the majority of the film's exteriors and interiors amid the production's constrained $16 million budget. The film was produced as an international co-production between the , , and the . Additional filming occurred in locations such as Edwardsville and , in August 2017, to complete key American sequences. Key locations included urban streets in doubling as American cities, forested areas for the film's opening Himalayan prologue and supernatural sequences, and interior sets for ritualistic scenes involving the cult's activities. The production emphasized practical effects for the entity's manifestations, utilizing old-school camera techniques and on-set constructions to evoke within the low-budget limitations, supplemented by minimal digital enhancements. Filming faced significant challenges from weather disruptions, including unseasonably warm spring conditions in that clashed with the intended cold, wintry aesthetic, and a severe snowstorm in that halted the final week of shooting. These issues, combined with the modest budget and studio inattention, prompted innovative approaches such as resourceful practical setups and Fincher-influenced on RED Monstro 8K cameras to maximize atmospheric tension. In , director David Prior collaborated with editor Andrew Buckland on a precise, crystalline cut that refined the film's deliberate pacing and thematic depth, extending into late amid test screenings and studio pressures. mixing focused on heightening through layered atmospheric elements, including sinister whispered dialogues and ASMR-like audio cues to immerse viewers in the story's psychological unease. were kept minimal, primarily for subtle manifestations like the entity's form, with Prior personally overseeing some CG integrations to maintain a grounded, tangible .

Release and distribution

The Empty Man received a in the United States on October 23, 2020, distributed by in the wake of Disney's 2019 acquisition of 20th Century Fox. Originally slated for an August 7, 2020, debut, the rollout was postponed amid the , resulting in a subdued launch with theaters operating at reduced capacity. The film marked the final release under the 20th Century Fox banner before the studio's full rebranding. Marketing efforts centered on building intrigue around the film's roots, with an official trailer debuting online on October 16, 2020, that teased an urban legend-inspired mystery involving a group of friends summoning an otherworldly entity through a ritualistic into an empty bottle. Promotional posters prominently featured this motif alongside shadowy, enigmatic imagery to evoke dread and curiosity, though the campaign was hampered by pandemic-related restrictions on and publicity events. The strategy briefly nodded to the of the source series to draw in niche audiences. Post-theatrical distribution shifted to digital and home media platforms, with availability on services like and Amazon Video beginning December 15, 2020. A DVD and Blu-ray edition followed on January 29, , from , offering standard video and audio specifications without confirmed director's commentary or extensive behind-the-scenes extras. Streaming rights led to its premiere on in the U.S. on January 10, , and later integration into Disney+ libraries in international markets such as those under the branding. In select regions outside , the film bypassed wide theatrical windows for or on-demand prioritization due to ongoing cinema closures.

Reception and legacy

Critical response

Upon its theatrical release in October 2020, The Empty Man received mixed reviews from critics, who were divided on its ambitious scope and execution. On , the film holds a 73% approval rating based on 30 reviews, reflecting a generally positive but polarized response. , however, lacks an official score due to fewer than four qualifying reviews, though available critiques indicate a mixed reception overall. Critics frequently praised the film's atmospheric tension and David Prior's assured directorial debut, which builds a pervasive sense of dread through deliberate and . Brian Tallerico of highlighted its "top-notch craft elements," including surreal visuals that evoke unease without relying on jump scares. The movie's philosophical depth was also commended, exploring themes of perception, , and existential in a manner reminiscent of H.P. Lovecraft's cosmic indifference. A review described it as an "existential cosmic epic that questions every pillar upon which we've built our perceptions of reality," noting its layered mythology and intellectual ambition. Comparisons to were common, with emphasizing how the film's eldritch entity embodies incomprehensible otherness, amplified by the opening sequence's ritualistic in the . However, the film's 137-minute drew significant for pacing issues, with some reviewers finding the slow-burn structure meandering and overly protracted in its middle act. Tallerico noted that while is "truly surreal and strange," it is "weakened a bit by a bloated running time and a conclusion that doesn't quite land with the same power." Others pointed to its loose adaptation of Cullen Bunn's comic series, which diverges substantially by reframing the source's pandemic-driven as a more contained investigation, potentially alienating fans of the original's political and societal undertones. ScreenAge Wasteland observed that is "more of an 'inspired by' production" than a faithful translation, shifting focus to elements at the expense of the comic's broader scope. Notable reviews underscored these tensions: Rue Morgue called it an "innovative slow-burn" that goes to "strange, unexpected places," praising its chilling developments despite occasional head-scratchers in the narrative. In contrast, critiqued its "ambitious but uneven" blend of horror subgenres, suggesting the philosophical posturing sometimes veers into pretension without fully resolving its thematic inquiries. Overall, while the comic's influence lent strengths to the film's surreal mythology, the adaptation's interpretive liberties contributed to its divisive critical footprint.

Box office and commercial performance

The Empty Man was produced on a budget of $16 million. The film earned a worldwide gross of approximately $4.8 million, with $3 million from the and and $1.8 million from other territories. Its theatrical release on October 23, 2020, coincided with ongoing lockdowns, resulting in minimal U.S. attendance and limited screenings in select foreign territories such as , , and . Post-theatrical performance saw a significant uplift through and streaming platforms. The film became available on on demand (VOD) in January 2021 via , followed by its addition to later that year, where it contributed to growing viewership amid restricted theater operations. This accessibility helped mitigate initial underperformance by reaching broader audiences through subscription-based services. Over the long term, The Empty Man achieved status, driving ancillary revenue streams including merchandise and related media. The film's release prompted to issue a movie tie-in edition of the original comic series in 2021, boosting sales of Cullen Bunn's graphic novels and expanding the franchise's commercial footprint.

Cultural impact and analysis

Following its muted theatrical release, The Empty Man (2020) has achieved status, particularly through enthusiastic online discourse analyzing its esoteric elements, such as the concept drawn from , where collective belief manifests a malevolent entity. This grassroots appreciation, amplified by enthusiasts on forums and review aggregators, positioned the film as a hidden gem of 2020s by the mid-decade, with pieces highlighting its resonance amid post-pandemic . As of 2025, 5-year anniversary articles have further emphasized its growing influence as an underrated cosmic masterpiece. The film's philosophical underpinnings have drawn analytical essays exploring horror's intersection with and the psychological toll of perceived meaninglessness. Drawing on Nietzsche's metaphor, critics have examined how the Pontifex Institute's rituals embody a seductive void, critiquing modern disconnection and the allure of simulated realities in the era. Further interpretations link the tulpa's manifestations to representations, portraying the protagonist's fractured psyche—marked by grief-induced and obsessive guilt—as a for internalized voids akin to crises or untreated . These readings extend to broader , blending with distorted Buddhist notions of to underscore spiritual surrender and cultural appropriation in Western narratives. Media extensions of the franchise include Cullen Bunn's original comic series, which saw renewed availability through publisher catalogs into the , sustaining interest in its pandemic-themed arcs. David Prior has expressed openness to expanding the universe in interviews, alluding to untapped narrative potential in the lore's cosmic implications, though no sequels have materialized as of 2025. In terms of legacy, The Empty Man has contributed to trends favoring slow-burn over jump scares, influencing a wave of atmospheric films that prioritize existential dread and subtle entity buildup to evoke lingering unease. Its emphasis on mental erosion through belief has echoed in subsequent works exploring collective and reality's fragility.

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