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VAST

VAST (stylized in all caps) is an band formed in the late as the creative project of and . The acronym stands for . Based initially in , and later , the band blends elements of , goth rock, and , with Crosby handling most songwriting, production, and instrumentation. VAST gained recognition with its self-titled debut album, , released on April 28, 1998, by , which featured the single "Touched" and incorporated samples from Benedictine monks for a unique atmospheric sound. Over the years, Crosby has explored various styles, including acoustic and orchestral works, while maintaining VAST as his primary outlet amid independent releases and label changes.

Background

Formation and origins

VAST, an acronym for , was conceived by as a project aimed at blending music with visuals and immersive sensory experiences to create a holistic artistic expression. Born in in July 1976 but raised primarily in the rural areas of Humboldt and Sonoma Counties, , Crosby relocated to in the mid-1990s to advance his musical ambitions amid a lack of local opportunities in his hometown of . There, drawing on his background in , he began developing the VAST project independently, viewing it as a personal exploration of soundscapes that could evoke and emotional depth. In 1996, at age 20, Crosby initiated self-recording sessions in a home studio, where he performed and produced the majority of the material himself using acoustic instruments, , bass, and drum machines, supplemented by sampled organic sounds to build layered compositions. This solitary process allowed him to refine his vision without reliance on a full , completing an extensive tape that he described as a labor he "worked on forever." By late 1997, Crosby circulated these initial demo tapes to record labels in , sparking significant interest and a bidding war that culminated in his signing with , where an A&R representative immediately recognized the project's unique potential. This deal marked the formal launch of VAST as a professional endeavor, setting the stage for its debut without Crosby having performed live gigs at that point.

Jon Crosby's early influences

Jon Crosby was born on July 25, 1976, in , , but spent his formative years in the rural town of in Humboldt County, , where he was raised by a after his parents divorced before his birth. Growing up in a small community of about 7,000 people, Crosby experienced a sense of isolation as a creative outsider amid a conservative, rural environment, which he later described as filled with "total red-neck, hick asshole" peers. His early exposure to music came through his mother's ownership of a local record store, where he spent hours listening to diverse records, fostering a broad appreciation for various genres from an early age. Crosby's musical journey began in childhood, with him gravitating toward the guitar and becoming a self-taught proficient in , , and . By age 13, his talent was recognized when a demo tape from a guitar seminar led to features in magazine, marking him as a promising young guitarist. As a teenager, he developed a fascination with and electronic music, drawing key influences from bands like —his favorite—and , whose one-man-band approach resonated with his own solitary creative process, alongside alternative acts such as , The Cure, Nirvana, and ambient groups like . In his mid-teens, Crosby quit public school for to dedicate more time to , experimenting with equipment using drum machines, , and computers to layer organic sounds like sampled chants and over and foundations. This period of blending , , and ambient textures at age 16 ultimately served as the creative foundation for forming VAST as an outlet for his evolving sound.

Musical style and influences

Core elements of VAST's sound

VAST's sound is characterized by a hybrid genre blending with , , and orchestral elements, often categorized as "ambient electro-rock." This fusion draws from influences like ' stark intensity and Enigma's lush atmospheres, creating tracks that alternate between pounding rhythms and ethereal textures without fully aligning with traditional . The band's signature production relies on layered guitars, synthesizers, and atmospheric soundscapes, largely crafted through Jon Crosby's multi-instrumentalism and use of computers to process organic elements. Crosby performs the majority of instruments himself, incorporating samples of real-world sounds—such as reversed acoustic guitars and looped chants—for a dense, cinematic depth, while employing orchestras sparingly to enhance rhythmic and textural layers. This approach yields a film-like quality, evoking spiritual voyages through contrasting beauty and brutality. Lyrical themes center on , , and emotional turmoil, exploring concepts like , , , nothingness, and personal voids such as fatherlessness or toxic relationships. These ideas are conveyed through Crosby's vocals, which deliver raw emotion with a haunting, resonant tone that amplifies the music's psychological depth. Gregorian chant samples and string arrangements further contribute to the cinematic feel, infusing tracks with a sacred, otherworldly ambiance that underscores the existential undertones. Over time, VAST's core sound has occasionally shifted toward more acoustic expressions, but the foundational blend of electronic and orchestral layers remains distinctive.

Evolution across albums

VAST's musical style began with a dense, experimental sound on its debut album, characterized by goth-influenced fusions of , , elements, and metal, enhanced by elaborate production including an 18-piece orchestra, samples from the Bulgarian Female Choir, and Benedictine Monks. This industrial experimentation created a cinematic, layered atmosphere that defined the project's early identity. By the second album, the sound shifted toward rock-oriented energy, emphasizing guitar-driven arrangements with lingering classical roots but significantly less electronic density, allowing for more direct, introspective expression focused on themes of and . This transition marked a move away from maximalist production toward a rawer, more accessible rock framework while retaining subtle orchestral influences recorded with the New Bombay Recording Orchestra. Subsequent works further explored acoustic and stripped-down approaches, as seen in April, which pivoted to organic infused with Americana, , and elements, featuring acoustic and a troubadour-like simplicity that contrasted the debut's orchestral metal and beats. Nude continued this evolution with warm, vocal-centric songs that minimized machine-like electronics, prioritizing emotional vulnerability through choral atmospherics and structures reminiscent of U2. The Stripped Series in the mid-2010s amplified this intimacy, reworking prior material into bare acoustic renditions using primarily vocals and guitar, underscoring a hybrid of introspective folk- that highlighted raw lyrical depth over dense electronic layers.

Career history

Early independent years (1996–2000)

In the mid-1990s, Jon Crosby, the creative force behind VAST, began sending demo tapes to record labels after developing his project as a solo endeavor in California's Bay Area. These demos, created around when Crosby was 20, generated significant interest, leading to a bidding war among labels and ultimately a signing with in the mid-1990s. The debut album, , was released on April 28, 1998, through Elektra. Crosby handled the majority of the recording himself, playing most instruments and incorporating organic samples such as those from an 18-piece orchestra, the Bulgarian Female Choir, and Benedictine monks, with production assistance from James Lo of Chavez and contributions from session drummers. The album's industrial-tinged sound drew brief comparisons to influences like , emphasizing layered electronics and atmospheric elements. Key tracks included the singles "Touched" and "I'm Dying," which received airplay on alternative radio stations, with "Touched" achieving modest success by charting on Billboard's Modern Rock Tracks. Following the album's release, VAST transitioned to live performances in 1999 and 2000, operating as Crosby's solo project augmented by hired session musicians, including bassist Thomas Froggatt, drummer , and guitarist Rowan Robertson (later replaced by Justin Cotta). These early tours across focused on promoting the debut, featuring innovative staging with unique lighting to complement the music's sensory themes, though Crosby maintained creative control over the arrangements.

Major label period and Turquoise & Crimson (2001–2005)

Following the release of their debut album, VAST entered a more prominent phase under Elektra Records with the September 2000 issuance of Music for People, which shifted toward a harder-edged rock sound incorporating industrial, pop, and world music elements, diverging from the atmospheric electronica of their earlier work. The album benefited from substantial label promotion, particularly through the lead single "Free," which garnered MTV airplay and commercial traction in the alternative rock market. This period marked VAST's peak visibility on a major label, with Jon Crosby leveraging Elektra's resources to expand the project's reach while maintaining his multi-instrumentalist control. However, creative and managerial tensions soon emerged between Crosby and Elektra, stemming from the label's broader mismanagement—such as signing artists without proper support or releases—which Crosby viewed as detrimental to artistic integrity. These disputes resulted in shelved recording sessions and unreleased material from the early 2000s, as the label's priorities clashed with Crosby's vision for evolving the band's sound. By 2003, amid Elektra's corporate restructuring and impending dissolution, Crosby effectively fired the label, severing ties in a mutual but acrimonious split that allowed him greater autonomy. To reconnect directly with fans during this turmoil, Crosby initiated an innovative online release strategy in 2003, sharing demos via VAST's website and inviting audience votes to curate tracks. These efforts led to online bundles released between 2003 and 2004, which were later compiled into the acoustic Nude, issued in February 2004 through the independent label 456 . Nude consisted of remastered demos reflecting Crosby's personal struggles with , a , and excessive drinking during a low point in 2003–2004. Stripped of electronic production, it emphasized raw guitar and vocals, serving as a cathartic outlet for Crosby's emotional turmoil and perfectionism, which had previously stalled projects. By 2005, fully detached from Elektra, VAST transitioned to operations, setting the stage for self-managed releases under Crosby's control and marking the end of their major label era amid both commercial promise and institutional frustrations.

2blossoms independent era (2005–2009)

Following the challenges with major labels, founded the independent label 2Blossoms Records & Media in late 2004 to regain full creative control over VAST's output, allowing him to self-release music without external interference. This shift enabled Crosby to experiment with distribution methods, including direct online sales and downloads via the label's website, marking a period of artistic autonomy that contrasted with prior corporate constraints. The first significant release under 2Blossoms was the rarities A Complete Demonstration in 2005, compiling early demos that had circulated online for years, providing fans with insight into VAST's formative electro-rock roots in a polished . This was followed by the retail Turquoise & in 2006, which compiled and expanded on the online demos from 2003–2004, highlighting the band's dual sonic identities: the acoustic, introspective disc and the electric, rock-driven disc. The fan-voted not only salvaged material from prior sessions but also foreshadowed VAST's pivot toward acoustic explorations, emphasizing emotional depth over polished production. In 2006, VAST released the April EP as a digital download, featuring acoustic tracks recorded live in the studio to capture unpolished energy, with Crosby aiming for simplicity after years of dense production. This EP expanded into a full album later that year, incorporating subtle pop-infused melodies and additional songs for a retail CD edition in October 2007, blending introspection with more accessible arrangements while maintaining the acoustic core. The project highlighted Crosby's evolving sound, drawing from folk influences to explore themes of loss and renewal. Complementing these efforts, 2Blossoms issued the live recording Seattle 2007 in 2007 as a digital release, capturing performances from that year's tour and showcasing the band's dynamic onstage chemistry with tracks spanning their catalog. By 2009, VAST's activity under 2Blossoms began to wane as Crosby grappled with burnout from relentless self-management and creative demands, leading to a temporary slowdown in new material while he focused on recovery and personal recharge, following the release of the album .

Hiatus and return with Evening and Night (2010–2014)

After the release of VAST's 2009 album Me and You, the project entered a four-year hiatus from 2010 to 2013, during which Jon Crosby largely withdrew from public musical endeavors to prioritize personal recovery and family life, including time following the birth of his daughter. Crosby continued composing privately during this period, marking a shift toward more introspective songwriting away from the band's prior touring and release schedule. In October 2013, Crosby resurfaced with a video announcement teasing new VAST material, describing ongoing works in progress for an upcoming record and inviting fan engagement in its development. The project was framed as a conceptual effort, with Crosby sharing early demos via email to fans starting in late 2013, allowing them to vote on tracks for inclusion through an online poll—a novel approach to collaborative album creation. The resulting release, Making Evening and Night, arrived in 2014 as a limited-edition double CD on the independent label 747Audioworks, funded entirely through fan pre-orders that covered production costs. The album compiled 22 raw demos recorded between October and December 2013, with Disc 1 featuring 11 audience-selected songs and Disc 2 the remaining unselected pieces, blending VAST's core with emerging orchestral and atmospheric textures to evoke a narrative arc of twilight themes. Signed and numbered by Crosby, the physical edition was capped at a small run, emphasizing direct fan connection over mass-market distribution. Fans praised the release for its intimate, unpolished insight into Crosby's creative process and the innovative voting mechanism, earning an average rating of 3.7 out of 5 on music databases, though its status and limited availability constrained commercial impact beyond core audiences.

Stripped Series and acoustic explorations (–)

In late , launched the Stripped Series as an acoustic reinterpretation of VAST's catalog, featuring re-recordings of select songs performed solely with acoustic guitar and vocals to emphasize intimacy and . The project built on the stripped-down aesthetic explored in earlier works like the 2004 Nude, shifting focus from layered to bare essentials. This initiative allowed Crosby to revisit material from across VAST's in a fresh, unadorned format, highlighting the emotional core of the compositions. The series comprised six volumes released between 2015 and 2016, each centering on songs from distinct periods of VAST's history to provide a chronological and thematic journey through the band's evolution. Stripped/Black (December 2015) reimagined the 1998 debut with 12 tracks, including "Here" and "Touched." Stripped/Red (January 2016) drew from multiple albums like Music for People (2000) and Turquoise & Crimson (2006), offering 12 songs such as "Free" and "Disappear." Stripped/Blue (early 2016) explored introspective themes with tracks like "I Don't Have Anything" from Nude. Stripped/Orange (August 2016) covered later material from April (2007) and beyond, including "Loneliness Is Fine." The final two volumes, Stripped/Green and Stripped/Violet (both late 2016), incorporated rarities and previously unreleased songs, with Violet debuting five new tracks like "Electric Womb" alongside classics, culminating in a 72-song collection across the series. Distributed exclusively through the 2blossoms online store, the Stripped Series adopted a direct-to-fan model, enabling immediate digital downloads and limited physical editions like and without involvement from traditional labels or distributors. This approach fostered close engagement with dedicated listeners, offering signed copies and exclusive bundles to build a sense of community around the project's personal nature. The acoustic arrangements garnered appreciation for their raw emotional delivery, stripping away the and orchestral elements of prior releases to reveal Crosby's vulnerable songwriting in a stark, intimate light that contrasted sharply with VAST's earlier polished productions. Fans and observers noted how this format amplified the lyrical depth and melodic purity, making feel more immediate and human.

Black Magic and post-2018 developments (2017–present)

In 2017–2018, VAST released several EPs including They Only Love You When You Die, Here I Am, Little Darling, and In Lieu of Flowers, which served as precursors to the announced full-length album . In early 2018, announced through the official shop, offering pre-order options including personalized dedications printed inside the release. The album was positioned as a continuation of the band's rock-oriented sound, with a tracklist revealed including "In Lieu of Flowers," "Sweet ," and "She Is Murder." Accompanying the announcement, VAST released the She Is EP on May 18, 2018, serving as a companion piece and featuring the as the from . The six-track EP blends modern DarkWave with the band's rock roots, incorporating pop, classical, and alternative influences, and delivers haunting, soul-baring lyrics with a darkly sensual edge, as in lines evoking dreams of salvation from ravishment. Tracks such as "I'll Never Be Your Lover Again," "She Must Have Loved Me," and "Lay Down" were reissued from prior EPs, alongside a of the title song. Although Black Magic was promoted with pre-orders and a planned digital format, the full album has not materialized as of November 2025. No subsequent full-length studio albums have followed, marking a period of creative stasis for VAST following the 2017–2018 EPs. The official VAST shop remains active, sustaining sales of merchandise, limited-edition items, and the band's back catalog through digital downloads and as of November 2025.

Band members and collaborations

Core and touring members

VAST is primarily a studio project founded and led by , who has remained the sole constant member since its inception in 1996, handling vocals, guitars, songwriting, and production across all releases. For live performances supporting the debut album (1998), Crosby assembled a touring consisting of bassist Thomas Froggatt, drummer , and guitarist Rowan Robertson. The lineup evolved for the follow-up album Music for People (2000) and its promotional tours, incorporating guitarist Cotter while retaining Froggatt on bass and on drums. Throughout the 2000s, the touring roster rotated frequently to accommodate Crosby's independent releases and schedules, with musicians such as bassist Michael Austinmoore joining in 2004. After the major label era, VAST's live activities became sporadic, with Crosby frequently performing solo acoustic sets or enlisting ad-hoc groups for select shows in the and .

Key collaborators and side projects

Throughout VAST's discography, has frequently collaborated with external producers and session musicians to enhance the band's atmospheric and electronic elements, while pursuing his own ventures outside the core project. A notable early collaborator was producer Blumpy (Michael Tuller), who co-produced the 2000 album Music for People alongside Crosby. Tuller contributed to the album's electronic enhancements, including programming, to infuse industrial textures and dynamic soundscapes that complemented Crosby's songwriting. On the 2006 double album Turquoise & Crimson, string arranger and conductor Suzy Katayama provided orchestral arrangements for several tracks, adding lush, cinematic depth to the record's dual aesthetic—Turquoise emphasizing acoustic introspection and Crimson exploring heavier influences. Katayama's work on strings for such as "" and "" helped realize Crosby's vision of blending classical elements with , drawing from his self-arranged foundations. Beyond VAST, Crosby launched the side project Bang Band SiXXX in 2008, releasing the Relay EP as a more experimental electronic outlet tied to his science fiction novel of the same name. The EP featured Crosby as writer, producer, and performer, with contributions from musicians like Shawn Anderson on drums and Seth Tiberius on guitar, delivering aggressive, synth-driven tracks such as "Relay" that diverged from VAST's rock-oriented sound while echoing its thematic intensity.

Discography

Studio albums

VAST's debut studio album, Visual Audio Sensory Theater, was released on April 28, 1998, by Elektra Records. The album blended alternative rock with industrial and orchestral elements, featuring tracks like "Touched" and "Pretty When You Cry," which gained airplay on alternative radio. The band's second album, Music for People, followed on September 12, 2000, also through Elektra Records. It marked a shift toward more accessible rock sounds and included notable singles such as "Free" and "I Don't Have Anything," which achieved success on Billboard's Modern Rock Tracks chart. Turquoise & Crimson, a , emerged in 2003 via the band's independent label realvast.com, initially released as separate volumes before a combined edition in 2006 under 2Blossoms. This experimental showcased evolving structures and electronic influences, reflecting Jon Crosby's creative control post-major label. Marking an acoustic pivot, Nude arrived on February 24, 2004, self-released through Crosby's 2Blossoms imprint in partnership with 456 Entertainment. The album stripped down arrangements from prior works like Turquoise and Crimson, emphasizing introspective lyrics and minimal instrumentation. April, released on October 16, 2007, by 2Blossoms, expanded upon earlier material with additional tracks and full production. This indie effort captured a raw, live-band energy recorded in , exploring themes of transience through and folk-tinged compositions. The band announced the full-length album in 2018, self-produced and offered as limited edition CDs independently, but it has not been widely released as of 2025. It revisited darker, roots with tracks like "She Is Murder," maintaining Crosby's signature atmospheric production.

Extended plays, singles, and compilations

VAST has issued a number of extended plays, singles, and compilations that expand on their core studio output, often featuring acoustic reinterpretations, live performances, or archival material. Another notable EP is She Is Murder, issued on May 18, 2018, as a limited-edition release tied to the album era, containing the and additional atmospheric pieces blending and elements. Key singles from VAST's catalog highlight their breakthrough sound. "Touched," released as a single on October 25, 1999, by , originated from the 1998 debut Visual Audio Sensory Theater and became a staple on radio with its industrial-tinged melody. Similarly, "Pretty When You Cry," issued as a single on May 31, 1999, via , also drew from the debut and featured brooding lyrics over arrangements, contributing to the band's early commercial momentum. "We Will Meet Again," a poignant track from the 2000 Music for People, has been highlighted in fan discussions and reissues for its emotional depth, though it was not issued as a standalone . Compilations and retrospective releases provide acoustic explorations and live captures. The Stripped Series, released between 2015 and 2016 as a set of six volumes (Black, Red, Blue, Orange, Green, and Violet) through the band's independent channels, reimagines earlier songs in stripped-down acoustic formats, offering intimate versions of tracks like "Touched" and "We Will Meet Again" to showcase Crosby's vocal and guitar work. Live in New York City, a live recording released on April 5, 2011, by The VAST Music Company, documents a performance featuring raw renditions of hits such as "Pretty When You Cry" and "Thrown Away," capturing the band's energy during a transitional period. Making Evening and Night, a limited-edition compilation of demo recordings including Evening... A Tale of Twilight, was released in 2014 through 2Blossoms/747Audioworks, delving into narrative-driven soundscapes blending ambient and rock elements. As of 2025, no further full-length albums have been released following the 2018 limited offerings.

Media appearances and legacy

Film, television, and video game features

VAST's music has been licensed for use in numerous television episodes, films, and other media, with the band's songs appearing in over 20 sync placements that have helped expand their audience beyond album sales. The track "Touched" from the band's debut album (1998) gained notable exposure through its feature in the supernatural TV series , where it accompanied a montage in season 1, episode 2, "Lonely Hearts." The same song later appeared in during season 8, episode 22, "Doomsday," underscoring the episode's climactic scenes. These placements highlighted VAST's atmospheric sound in dramatic contexts, contributing to early career momentum. Other songs, including "Free" from Music for People (2000), have been utilized in additional TV shows and films, such as in Roswell (season 1, episode 3, "Summer of '47") and the film Summer Storm (2004). These sync deals, totaling more than 20 instances, have played a key role in sustaining the band's visibility, particularly through licensing in action-oriented and supernatural genres.

Live performances and tours

VAST's live performances began in 1999 following the release of their debut album , during which the band primarily served as an for other groups to build their audience and fanbase. They supported established acts including Queens of the Stone Age and Unified Theory across various U.S. venues, accumulating over 50 dates in total during this introductory phase with a backing band. In 2000, VAST transitioned to headlining status with a tour supporting their second album Music for People, following an initial European leg that included a notable concert in London. The North American portion featured approximately 30 dates across the U.S. and Canada, starting November 21 in Minneapolis and accompanied by opening acts Cauterize and Lo-Pro. The band continued headlining efforts in 2001 with participation in the "We Suck Live" tour alongside Eve 6 and American Hi-Fi, performing multiple U.S. shows in February, such as in Columbia, Missouri, and Lawrence, Kansas. By 2004, VAST undertook another headlining tour to promote Turquoise & Crimson, including U.S. dates like one in on May 16, with the band lineup expanded to include bassist Michael Austinmoore just prior to the run. Touring scaled back considerably after 2005, with isolated appearances such as a 2008 show in , , alongside on March 30. A brief North American tour occurred in 2009 to support Me and You, encompassing at least seven dates in cities including ; , Colorado; and , from May to June. Post-2014 activity remained minimal, limited to rare one-off performances, including an acoustic set at the in , on September 1, 2016, featuring tracks like "I Don't Have Anything" and "Touched." No major tours have been conducted since, and as of 2025, no upcoming live dates have been announced.

Cultural impact and fan controversies

VAST's music, characterized by its blend of ambient electro-rock, industrial elements, and acoustic influences, contributed to the late 1990s landscape by blending experimental production with accessible melodies. The band's debut single "Touched" from the 1998 self-titled garnered significant airplay on local and rock radio stations, helping to establish VAST as a notable presence in the era despite limited mainstream commercial success. This exposure inspired elements of indie acts that followed, emphasizing layered soundscapes and introspective lyrics in the 2000s scene. The band's emphasis on artistic autonomy prefigured contemporary indie release models, as maintained full creative control after parting ways with following the 2000 album Music for People. In 2004, Crosby founded his own imprint, 2Blossoms Records & Media, allowing direct distribution of works like Turquoise & Crimson (2006) without major-label interference. This approach, including the innovative practice of sharing unmastered demo tracks online for fan feedback—such as those shaping Nude (2004) and April (2007)—fostered a dedicated among enthusiasts during the 2000s. VAST's fan community remains active through online platforms, where discussions and shared demos have sustained engagement even amid the project's relative stasis since 2018. As of 2025, the band's legacy endures through niche appreciation, with ongoing sales via independent channels supporting Crosby's output.

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