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Will Wheaton

Richard William "Wil" Wheaton III (born July 29, 1972) is an American actor, writer, voice actor, and podcaster, best known for his portrayal of Wesley Crusher on the television series Star Trek: The Next Generation from 1987 to 1994. Wheaton began his acting career as a child, making his film debut at age 10 in the 1981 television movie A Long Way Home, but achieved widespread recognition at 13 for playing Gordie Lachance in Rob Reiner's coming-of-age drama Stand by Me (1986), adapted from Stephen King's novella. His role as the prodigious but often polarizing Wesley Crusher on Star Trek: The Next Generation earned him multiple Young Artist Award nominations and two wins (1987 and 1989), and solidified his status as a prominent figure in science fiction fandom. Following his departure from the series in 1991 (with guest appearances until 1994), Wheaton transitioned to a variety of film and television roles, including Toy Soldiers (1991), Flubber (1997), and guest spots on shows like Eureka (2006–2012) and Leverage (2008–2012). In addition to acting, Wheaton has built a successful career as a writer and essayist, chronicling his experiences as a former child star and culture enthusiast in memoirs such as Just a Geek (2004) and the bestselling Still Just a Geek (), which candidly addresses his struggles with anxiety, , and the pressures of early . He has also contributed to publications like and maintained a popular blog at wilwheaton.net since 2001, where he discusses topics ranging from pop culture to advocacy. As a actor, Wheaton has lent his distinctive to numerous animated projects, including , , , and the role of in Teen Titans Go!. Wheaton gained renewed visibility through recurring appearances as a fictionalized version of himself on The Big Bang Theory from 2009 to 2019, often playing a rival to the character . In recent years, he reprised the role of (voice) in the animated series (2021–2024). He also hosts the official Star Trek talk show (2019–present). In June 2024, Wheaton announced his retirement from on-camera acting to focus on writing, voice work, and other creative pursuits, though he continues to engage with fans at conventions. He launched the short fiction podcast It's Storytime with Wil Wheaton in early 2025, featuring original stories and guest narrators. On a personal note, Wheaton has been open about the challenges of his childhood, revealing that his parents pushed him into against his wishes, leading to a strained relationship and lifelong to address resulting . He married Anne Prince on November 7, 1999, and is to her two sons from a previous , Ryan and Nolan, whom he has helped raise since 1995. The family resides in , where Wheaton advocates for awareness, drawing from his diagnoses of chronic depression and .

Early Life

Childhood and Family Background

Richard William Wheaton III was born on July 29, 1972, in , to parents Richard William Wheaton Jr., a medical technician, and Debra "Debbie" Nordean, an actress. As the eldest of three children, with siblings Jeremy and Amy, Wheaton grew up in the area, where his mother's background in provided a direct connection to the entertainment industry. The family's proximity to influenced his early exposure to , though Wheaton later described his entry into as driven by parental pressure rather than personal ambition. Wheaton's childhood was marked by emotional and physical abuse from his parents, which he has publicly detailed as shaping his early years. His father reportedly bullied and physically intimidated him, using insults and aggression, while his mother focused intensely on his auditions and career prospects, often dismissing his reluctance through tactics such as accusing him of being "dramatic" or "twisting things." This dynamic, beginning around third or when his pursuits started, created a where Wheaton felt conditional love was reserved for his siblings, fostering a sense of amid the of the industry surroundings. Despite the family's entertainment ties, Wheaton has emphasized that his involvement in stemmed from , not innate interest. In September 2021, Wheaton publicly elaborated on the fallout from his upbringing in a blog post, revealing that he had severed contact with his parents a few years prior due to their ongoing of the —"that never happened"—contrasting his lived experiences. He described the estrangement as painful yet necessary, preferring the hurt of absence over continued , and noted the absence of parental support in his adult life. This estrangement has continued as of April 2025, with Wheaton stating that he has only ever felt true parental love from his costars. This announcement highlighted the long-term impact of his childhood dynamics, underscoring a deliberate break from the family environment that had propelled him into the spotlight.

Entry into Acting

Wheaton entered the professional acting world at the age of seven in 1979, when his mother accompanied him to meet her own agent, leading to his signing with a talent agency. This step was supported by his family's encouragement in pursuing performance opportunities, though it was initiated under his mother's guidance. His debut professional role arrived the following year at age eight, in a pudding commercial co-starring , which aired in 1980 and marked his initial exposure in national advertising. This early commercial work paved the way for subsequent minor roles, establishing Wheaton as a child performer in . Wheaton's transition to television began with his first on-screen appearance in the 1981 made-for-TV movie A Long Way Home, where he portrayed young Branch in a about separated siblings. He followed this with a guest spot as Amos Cotter in the 1982 episode "The Shooting" of Afternoon Playhouse, a short-lived . In 1983, he starred as Willie in the pilot 13 Thirteenth Avenue, a comedy about life in an apartment building. These roles honed his skills in live-action television before branching into animation. A notable entry into came in 1982 with the animated feature , in which Wheaton provided the voice for the mischievous mouse Martin Brisby, contributing to the film's ensemble of rodent characters in Don Bluth's adaptation of Robert C. O'Brien's novel. This performance, recorded at age nine, introduced Wheaton to the demands of recording sessions and diversified his early portfolio beyond commercials and live TV.

Breakthrough Roles

Stand by Me

In 1986, Wil Wheaton was cast as the introspective protagonist Gordie Lachance in Rob Reiner's film adaptation of Stephen King's novella The Body, from the collection Different Seasons. At age 13, Wheaton's prior acting experience in commercials and small roles helped secure the part after an exhaustive audition process, where Reiner sought young actors who could authentically capture the emotional depth of 1950s adolescence. The film, emphasizing themes of friendship and loss, was released on August 8, 1986, marking Wheaton's breakthrough into leading roles. Filming took place over the summer in , where Wheaton bonded closely with co-stars (Chris Chambers), (Teddy Duchamp), and (Vern Tessio), forming lifelong friendships amid the production's playful atmosphere. Reiner's directing style involved two weeks of rehearsals disguised as games, allowing the boys to goof around in the woods, play baseball, and share experiences like July 4th fireworks at Phoenix's family home, which fostered natural chemistry on screen. Wheaton later reflected that these interactions mirrored the film's narrative of youthful camaraderie, though tensions occasionally arose, such as Feldman's teasing, which Reiner and Phoenix helped resolve. Critics lauded Wheaton's performance for its poignant depiction of adolescent vulnerability, particularly in scenes exploring Gordie's over his brother's and his budding self-doubt as a . Reviewers highlighted how Wheaton conveyed the character's quiet sensitivity and emotional rawness, contributing to the 's overall acclaim as a heartfelt coming-of-age tale. This role immediately elevated Wheaton's profile, drawing and positioning him as a promising young talent in . Stand by Me achieved box office success, grossing $52 million against an $8 million budget, transforming it from a potential studio risk into a sleeper hit. Its cultural legacy endures as a defining coming-of-age classic, celebrated for evoking the bittersweet transition from childhood innocence to maturity through authentic storytelling and nostalgic 1950s Americana.

Star Trek: The Next Generation

In 1987, at the age of 15, Wil Wheaton was cast as Wesley Crusher, the precocious son of Dr. Beverly Crusher (played by Gates McFadden), in the newly launched science fiction series Star Trek: The Next Generation. The show premiered on September 28, 1987, and ran for seven seasons until May 23, 1994, producing a total of 178 episodes. Wheaton appeared in 68 of those episodes, primarily as a series regular during the first four seasons. Wesley Crusher was introduced as a 15-year-old living aboard the -D, often assisting the bridge crew with his technical aptitude despite lacking formal training. Early in the series, during the episode "Where No One Has Gone Before" (stardate 41263.1, set in 2364), Captain promoted Wesley to acting in recognition of his quick thinking during a crisis involving an alien known as the . The character's arc evolved from a youthful grappling with expectations and failures—such as failing the entrance exam in "" (2365)—to a more mature figure. By 2368, in "," granted Wesley a full commission after he prioritized saving the crew over attending his orals. In later seasons, Wesley's development culminated in "" (2370), where he abandoned to join the as a mentor-guided explorer of higher dimensions. Wesley's portrayal as an infallible genius drew significant fan backlash, with many labeling him a ""—a term for an overly perfect, implausible character—who frequently resolved crises in ways that sidelined experienced officers. This criticism contributed to the character's reduced prominence after season 4, as producers responded to audience feedback by limiting his storylines. Wheaton departed the series in 1991 during production of season 5, citing a desire to pursue and other opportunities amid the mounting negativity toward his role.

Film and Television Career

Post-Star Trek Films

After departing from his role as a series regular on in 1991, Wil Wheaton pursued a range of projects in the and , often navigating associated with his earlier fame while transitioning to and supporting roles in comedies and dramas. In 1996, Wheaton starred as Jack in the coming-of-age Pie in the Sky, directed by , where he portrayed a young man grappling with family dynamics and personal aspirations in a suburban setting. The , which premiered at the , received praise for its heartfelt exploration of youth and relationships but achieved limited commercial success as a niche release. Wheaton took on a supporting antagonist role as Bennett Hoenicker in the 1997 Disney comedy Flubber, a remake of The Absent-Minded Professor, playing the scheming assistant to the villainous Wilson Croft opposite Robin Williams' eccentric professor. The family-oriented film grossed over $177 million worldwide, capitalizing on Williams' star power and visual effects, though critics noted its formulaic plot. By the early 2000s, Wheaton shifted toward independent cinema, appearing as Dick Smith in the satirical comedy Jane White Is Sick & Twisted, directed by David Michael Latt, where his character becomes entangled in the delusional world of the titular protagonist's TV-obsessed fantasies. The low-budget , produced by , was described as coarsely campy and received mixed reviews for its outrageous humor, playing at festivals before a limited release. Wheaton continued in indie projects with his role as John in the 2003 dark Neverland, a modern reimagining of directed by Damion Dietz, set in a dystopian where he played one of the Darling siblings kidnapped into a nightmarish adventure. The film, which blended elements with the classic tale, garnered a for its bold twists but struggled with distribution and critical attention due to its unconventional approach.

Recurring Television Appearances

Wheaton made guest appearances on following his departure from the main cast, reprising his role as in reunion-style episodes that highlighted the character's growth. In the 1992 episode "," he portrayed a cadet involved in a cover-up scandal, marking a significant return after leaving the series in 1991. He also appeared in the 1994 episode "," where Crusher confronts ethical dilemmas as a , further bridging his early career with later lore. Wheaton had a recurring guest role on the science fiction series from 2010 to 2012, appearing in five episodes as Dr. Isaac Parrish, the head of Global Dynamics' Non-Lethal Weapons Lab and a rival to Douglas Fargo. One of Wheaton's most prominent recurring television roles came on the sitcom from 2009 to 2019, where he played a fictionalized version of himself as a mischievous rival to . Appearing in 17 episodes across multiple seasons, Wheaton's character often engaged in geek culture antics, such as competing in games or pranks, which boosted his mainstream visibility and endeared him to a new audience. Wheaton also had a recurring guest role on the crime drama from 2008 to 2012, portraying Colin "Chaos" Mason, a quirky and rival to the protagonist Alec Hardison. He appeared in three episodes—"The Two Live Crew Job" (2009), "The Ho Ho Ho Job" (2010), and "The Last Dam Job" (2012)—showcasing his comedic timing in high-stakes heists. In 2020, Wheaton began hosting , an official aftershow for series on Paramount+, where he discusses episodes, interviews cast and crew, and shares production insights. The series premiered alongside and ran through 2024, solidifying Wheaton's role as a key figure in media commentary.

Voice Acting and Narration

Animated Roles

Wheaton demonstrated his versatility in voice acting through his portrayal of , also known as Garth, in the Teen Titans from 2003 to 2006. He voiced the character in six episodes, including "Deep Six" and "Episode 257-494," where serves as a key ally to the , bringing a youthful heroism and underwater expertise to the team. This role highlighted Wheaton's ability to convey confidence and camaraderie in ensemble superhero dynamics, marking one of his most prominent recurring animated parts during the mid-2000s. He reprised the role of /Garth in Teen Titans Go! from 2013 to present, appearing in multiple episodes as the DJ sidekick with a humorous twist. Expanding into the Ben 10 franchise, Wheaton voiced Mike Morningstar, the alter ego of the villain Darkstar, in Ben 10: Alien Force across five episodes between 2008 and 2009. Morningstar is depicted as a charming but energy-draining antagonist who manipulates others for power, allowing Wheaton to shift from heroic tones to a more manipulative and sinister delivery. His performance contributed to the series' exploration of moral ambiguity among teen heroes, with Darkstar appearing in key arcs like "Darkstar Rising." Wheaton further showcased his range in satirical animation with guest voices in , including Dr. Doom in the 2014 episode "Batman Forever 21" and a centaur in the same sketch, blending comic book parody with absurd humor. These appearances in the stop-motion series emphasized his comedic timing in short-form sketches that poke fun at pop culture icons. Similarly, he provided a minor guest voice as a co-worker in the 2020 episode "Businessly Brunette" of , adding to the show's quirky ensemble of supporting characters. In the Transformers universe, Wheaton voiced the scientist Autobot Perceptor in the 2017 miniseries Transformers: Titans Return, where the character aids in battles against cosmic threats like Unicron. This role underscored his adaptability to sci-fi animation, delivering intellectual and strategic lines amid high-stakes action sequences. Wheaton continued his science fiction voice work with recurring roles such as Atlas in Dogs in Space (2021–2022, 4 episodes) and a reprisal of Wesley Crusher in Star Trek: Lower Decks (2023, 1 episode). Most notably, he returned as Wesley Crusher in the animated series Star Trek: Prodigy (2021–2024), voicing the character in multiple episodes across both seasons, including scenes tying into his Traveler arc from Star Trek: The Next Generation, with brief live-action cameos. Through these diverse parts—from aquatic sidekicks and energy vampires to parody villains, robotic intellectuals, and iconic sci-fi reprises—Wheaton's animated work illustrated his broad appeal in voicing complex, genre-spanning characters.

Audiobook and Narration Work

Wheaton has built a substantial as an narrator, specializing in science fiction and geek culture narratives, with credits exceeding 50 titles as of 2025 across major publishers like Audible and Audio. His distinctive voice, infused with enthusiasm for the genres he narrates, has made him a sought-after performer for authors like and , often enhancing the immersive quality of complex, tech-heavy stories. One of Wheaton's breakthrough narrations was Ernest Cline's Ready Player One in 2011, where he brought to life the dystopian quest through a virtual reality universe filled with 1980s pop culture references. The audiobook debuted at number one on the New York Times audio fiction bestseller list upon its launch and has since been lauded for Wheaton's dynamic pacing and authentic geeky inflections that mirror the protagonist's passion. His performance on this title helped establish him as a go-to narrator for nostalgic sci-fi adventures. He later narrated the sequel, Ready Player Two (2020), continuing the immersive style. Wheaton has also narrated his own works, starting with the 2004 audiobook edition of Just a Geek, a memoir compiling his blog posts about transitioning from child stardom to adult geekdom. This self-narration allowed him to infuse personal anecdotes with humor and vulnerability, resonating with fans of his online persona. In 2022, he revisited the material with Still Just a Geek: An Annotated Memoir, an expanded edition he narrated alongside guest voices including Neil Gaiman, adding reflective annotations on his evolving career and life experiences. His collaborations with highlight Wheaton's affinity for satirical and . For Redshirts (2013), a Award-winning novel parodying expendable crew members, Wheaton's narration captured the meta-humor and absurdity with wry timing, earning acclaim for voicing multiple ensemble characters distinctly. Similarly, in 2014, he narrated , Scalzi's thriller exploring a world altered by a neural , delivering a tense, character-driven performance in one of two dual-narrator editions (the other by ). These efforts underscore Wheaton's versatility in handling intricate plots and ensemble dynamics. He continued this partnership with (2023), a comedic sci-fi tale that further showcased his engaging delivery. Wheaton's narration achievements include a Audie win for his reading of John Scalzi's Agent to the Stars, a comedic sci-fi tale about and extraterrestrials, where his delivery was praised for its comedic flair and narrative clarity. His work has earned multiple Earphones Awards from AudioFile magazine, recognizing excellence in audiobook performance. In early 2025, Wheaton launched the short fiction It's Storytime with Wil Wheaton, where he narrates original stories alongside guest narrators, expanding his work in audio storytelling.

Writing and Online Ventures

Published Books

Wil Wheaton entered the literary world with a series of autobiographical and reflective works that drew heavily from his experiences in entertainment, fandom, and personal growth. His books often blend humor, introspection, and geek culture, establishing him as a voice for those navigating fame and identity in the digital age. Dancing Barefoot, published in 2004 by O'Reilly Media, is a collection of five essays originally derived from posts on Wheaton's blog, wwdt d.net. The book delves into themes of fandom, the absurdities of Hollywood, love, and the transition from child actor to adult life, presented with unflinching honesty. At 116 pages, it chronicles Wheaton's journey toward maturity while celebrating geek passions. That same year, Wheaton released Just a Geek through , a 296-page that details his struggles after leaving . The book unflinchingly explores unemployment, family dynamics, the search for purpose, and the redemptive power of online communities and blogging. It portrays Wheaton's evolution from a former to a self-identified "geek" finding fulfillment beyond acting. In 2022, Wheaton updated and expanded this with Still Just a Geek: An Annotated , published by William Morrow, an imprint of . Spanning 464 pages, the revised edition incorporates new annotations, reflections on challenges like anxiety and , and career insights from the intervening decades. It addresses personal growth, the impact of on vulnerability, and enduring themes, building directly on the original's raw narrative. Sunken Treasure: Wil Wheaton's Hot Cocoa Box Sampler, self-published in 2009 via Monolith Press, serves as a compact of selected writings. This 84-page volume compiles favorite essays and short pieces from Wheaton's earlier books and , including a production diary from his 2008 appearance on , offering readers an accessible sampler of his voice.

Blogging and Web Series

Wheaton launched his personal , wilwheaton.net, in 2001, initially using tools like Blogger before transitioning to open-source platforms such as Greymatter and eventually to gain greater control over content. The site served as a space for essays on culture, including , , and , as well as political commentary aligned with his values and concerns about corporate influence on the . The fostered a collaborative in the early , when Wheaton engaged directly with readers and developers, contributing to the era's sense of a smaller, friendlier . Posts from 2001 onward covered personal anecdotes, hobbies like , and broader reflections on life as a former navigating adulthood. This informal digital format complemented his print writing by allowing real-time interaction and unfiltered expression on topics overlapping with his books, such as and identity. Wheaton extended his online writing to other platforms, contributing columns on and pop to sites like TV Squad during the mid-2000s. In , he launched a newsletter, providing subscribers with ad-free essays, audio content, and community features focused on personal stories, activism, and cultural observations. The newsletter built on his blog's legacy, emphasizing direct reader engagement without algorithmic interference. Early in his online career, Wheaton participated in web-based talk shows from 2000 to 2002, exploring geek topics in an emerging landscape. In early 2025, Wheaton launched the short It's Storytime with Wil Wheaton, where he narrates stories, including originals he has written, continuing his tradition of sharing creative content online.

Gaming and Convention Involvement

TableTop and Gaming Advocacy

Wheaton co-created and hosted the web series TableTop in 2012 alongside for the Geek & Sundry network, where episodes showcased gameplay of board and card games with celebrity guests such as and . The series ran for four seasons until 2017, selecting games that balanced accessibility, strategy, and social interaction, typically playable within 60-90 minutes. TableTop profoundly influenced the board gaming hobby by introducing it to mainstream audiences, with episodes amassing millions of views and driving significant sales spikes for featured titles—a phenomenon dubbed the "Wheaton Effect." For instance, the episode on led to 30,000 copies selling out in under two weeks, while Star Fluxx generated an additional $200,000 in profits for its publisher. Wheaton positioned the show as a celebration of gaming's social benefits, emphasizing how it builds connections and counters isolation, particularly for families and newcomers to the hobby. To further promote tabletop gaming, Wheaton launched International TableTop Day in 2013 as an annual global initiative encouraging communal play, with the inaugural event coordinating over 2,250 gatherings across 55 countries. He has served as an ambassador for the hobby, advocating for its role in fostering and fun over competition. Beyond promotion, Wheaton has championed inclusivity in gaming culture, coining "Wheaton's Law"—the maxim "Don't be a dick"—during a 2007 Penny Arcade Expo panel to encourage respectful online interactions and combat gatekeeping that alienates diverse participants. He has criticized the industry's treatment of women as outliers and addressed anonymous trolling's harm to communities, notably in a 2014 Washington Post column urging gamers to deny trolls attention and amplify positive voices, especially amid controversies like Gamergate. Wheaton's efforts underscore a vision of gaming as a welcoming space that expands participation without toxicity. Wheaton continues to engage with gaming through personal play and blog posts, such as revisiting RPGs in 2023 and video games in late 2024, and supported the 2024 Desert Bus for Hope event.

Convention Appearances and Community Building

Wheaton has been a frequent guest at major fan conventions since the 1990s, participating in panels at San Diego Comic-Con International and Star Trek-themed events produced by Creation Entertainment. For instance, he appeared as a special guest at the 2002 Star Trek: The Next Generation 15th Anniversary Convention in Pasadena, where he engaged in readings and discussions with attendees. His convention presence expanded in the 2000s through the annual w00tstock variety show at San Diego Comic-Con, which he co-hosted starting in 2009 alongside performers like Paul and Storm and Adam Savage, blending comedy, music, and geek culture to draw thousands of fans each year. Beginning in 2013, Wheaton hosted live iterations of his series at prominent gaming conventions, fostering interactive community experiences beyond the web show's studio format. At PAX Prime that year, he led a dedicated panel, discussing board games and encouraging audience participation in gameplay demonstrations. Similarly, at 2013, Wheaton performed a stand-up set at the booth and gave interviews highlighting the event's role in promoting tabletop gaming, contributing to the convention's atmosphere of shared enthusiasm. These live events helped bridge online content with in-person fandom, attracting gamers eager to connect over shared hobbies. Wheaton has actively advocated for inclusive gaming communities, particularly through public criticism of toxic online behaviors. In a 2014 Washington Post , he addressed the harassment plaguing spaces during the Gamergate controversy, arguing that anonymous trolls undermine the medium's positive aspects and calling for accountability to protect diverse participants. He reiterated these views in blog posts on his site, emphasizing the need for welcoming environments in gaming culture and distancing himself from elements that shame or exclude newcomers. This stance positioned him as a vocal ally for underrepresented gamers, aligning with his broader efforts to promote accessibility in . Wheaton has continued to appear at conventions into the 2020s, including GalaxyCon Columbus in December 2024 and Missouri Comic Con in February 2025, engaging with fans on and pop culture topics. Wheaton's community-building extends to charitable initiatives, where he has supported streams and events benefiting organizations like since 2008. That year, he promoted the inaugural Desert Bus for Hope marathon on his blog, a multi-day endurance event that raised funds for by delivering toys and games to hospitalized children worldwide. His involvement continued through subsequent years, including plans for charity sessions at conventions in 2009 and tying International TableTop Day promotions to donations for similar causes, using his platform to amplify gamer-driven philanthropy and encourage collective giving.

Personal Life

Family and Relationships

Wheaton met his wife, Anne Prince, in 1995 at a party, where they quickly formed a connection that led to dating and a long-term . The married on November 7, 1999, in a private ceremony, marking the beginning of their shared life together. Prince brought two sons from a previous relationship, and , into the marriage; at the time, Ryan was approximately ten years old and Nolan eight. Wheaton embraced his role as a from the outset, and the family relocated to , shortly after the wedding to establish a stable, low-profile home environment away from the spotlight. They have since emphasized privacy in their family life, with Wheaton occasionally sharing glimpses of domestic routines on his to highlight the grounding influence of home amid his public career. In the late 2000s, Wheaton legally adopted at the young man's request when he turned 19, formalizing their during a heartfelt moment Ryan described as transformative. followed suit a few years later, also at age 19, in a similar legal that Wheaton has recounted as one of the most profound honors of his life. These adoptions underscored the deep familial ties that developed over time. Throughout his career shifts—from acting to writing, voice work, and gaming advocacy—Wheaton has publicly credited his family's unwavering support as a key stabilizing force, noting in personal essays how Anne and his sons provided emotional encouragement during periods of professional uncertainty and reinvention. This support has been particularly vital in maintaining his focus on work-life balance while navigating the demands of public life.

Health Struggles and Activism

Wheaton has been since January 10, 2016, marking nearly ten years of from decades of dependency that began during his adolescence as a coping with emotional . In his personal essays, he described how initially served as a means to numb the pain from childhood experiences, but it escalated into a daily habit that impaired his emotional clarity and relationships. In 2021, Wheaton publicly discussed his diagnoses of complex post-traumatic stress disorder (CPTSD), generalized anxiety disorder, and chronic depression through a series of introspective blog posts, attributing these conditions to unresolved trauma from his early career. He emphasized that achieving sobriety provided the foundation to confront these issues, stating that sobriety revealed the underlying causes of his struggles and enabled therapeutic progress. Wheaton has been an outspoken advocate for awareness, supporting the (NAMI) through keynote speeches, such as his 2018 address at NAMI Ohio's statewide conference, and personal essays that encourage destigmatization and access to treatment. His writings, including contributions to NAMI-affiliated platforms, highlight the importance of sharing stories to foster and urge increased funding for services. Politically, Wheaton endorsed during the 2016 presidential election, campaigning on her behalf in and while criticizing her opponent in blog posts that framed the vote as essential for national recovery. In 2024, he demonstrated support for by participating in a fundraiser alongside other alumni to benefit her campaign and Democratic races.

Later Career and Retirement

Recent Projects

Wheaton hosted The Ready Room, the official aftershow for Paramount+'s series, starting with its second season in January 2020. He conducted interviews and discussions covering seasons 1 and 2 (2020–2022), Star Trek: Strange New Worlds seasons 1 and 2 (2022–2024), seasons 3 through 5 (2022–2024), and other franchise entries like Star Trek: season 4 (2022). Due to the , episodes from July 2020 to October 2021 were produced remotely from Wheaton's home, with guests joining via video conference. The series concluded with a final episode on in December 2024. In March 2025, Wheaton launched It's Storytime with Wil Wheaton, a weekly audiobook where he reads short stories from publications such as Uncanny Magazine, Lightspeed Magazine, and On Spec, which resumed on , 2025, after a hiatus. The inaugural episode, released on March 26, 2025, featured "Rock, Paper, Scissors, Love, Death" by Caroline M. Yoachim. Subsequent episodes have included works by authors like Wiswell and , emphasizing Wheaton's passion for narration. Wheaton provided guest narration for several audiobooks released in the 2020s, including by (2020), by (2022), and Source Code: My Beginnings by (February 2025). These projects highlight his ongoing voice work in science fiction and genres, often collaborating with prominent authors. In , he contributed to the indie multimedia project ProgCore: The Dark Age of Theer, participating in its actual-play sessions and promoting the system-agnostic sourcebook compatible with 5th Edition. These engagements reflect his continued advocacy for tabletop gaming communities through online formats.

Acting Retirement Announcement

On June 5, 2024, announced his from on-camera in a personal blog post titled "happy (on camera acting) retirement to me" on his . In the post, he described the decision as a relief after decades in the industry, emphasizing his exhaustion from the relentless demands of auditions, production schedules, and the competitive nature of on-screen work, while expressing eagerness to redirect his energy toward non-acting creative outlets. Wheaton reflected on his extensive 45-year career, which began as a in films like (1986) and spanned television roles, including his iconic portrayal of on (1987–1991), as well as later in and video games. He noted pride in his contributions to both live-action and voice projects but highlighted the emotional and physical toll of maintaining an on-screen presence as a key factor in his choice to step away. This shift aligns with his earlier comments in a February 2024 interview, where he stated he felt "so good" about retiring from on-camera roles while remaining open to select opportunities, such as potential returns. Post-retirement, Wheaton plans to prioritize writing, narration, and podcasting, continuing his work as a voice actor and having hosted shows like The Ready Room until its conclusion in December 2024. The announcement garnered supportive responses from fans, who expressed appreciation for his career and encouragement for his future endeavors in online communities and media discussions; coverage appeared in outlets such as Screen Rant, which noted his focus on voice work moving forward.

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