Young Sheldon
Young Sheldon is an American sitcom television series created by Chuck Lorre and Steven Molaro that served as a prequel and spin-off to The Big Bang Theory.[1][2] The series follows the childhood of child prodigy Sheldon Cooper, portrayed by Iain Armitage, as he navigates life in East Texas during the late 1980s and early 1990s, dealing with his exceptional intellect and social awkwardness while his family adapts to his unique needs.[3][4] Premiering on CBS on September 25, 2017, the show ran for seven seasons, concluding with a one-hour series finale on May 16, 2024, after producing 141 episodes.[2][1] The narrative centers on nine-year-old Sheldon starting high school, highlighting his pursuits in science and mathematics amid a family environment shaped by his football-coach father George (Lance Barber), devout mother Mary (Zoe Perry), entrepreneurial brother Georgie (Montana Jordan), twin sister Missy (Raegan Revord), and eccentric grandmother Connie, known as Meemaw (Annie Potts).[3][4] Produced by Chuck Lorre Productions and Warner Bros. Television, the single-camera comedy blended humor with heartfelt family moments, earning praise for its portrayal of Sheldon's growth and the Cooper family's resilience.[1] The series achieved strong viewership, becoming one of CBS's top comedies and leading to the 2024 spin-off Georgie & Mandy's First Marriage, focusing on Sheldon's brother and his wife.[5]Premise
Overview
Young Sheldon is an American single-camera sitcom that serves as a prequel to The Big Bang Theory, chronicling the childhood of prodigy Sheldon Cooper in East Texas during the late 1980s and early 1990s.[4] Created by Chuck Lorre and Steven Molaro, the series premiered on CBS on September 25, 2017, and concluded with its seventh-season finale on May 16, 2024, after airing 141 episodes.[4] The show follows nine-year-old Sheldon's exceptional intellect as he navigates high school and later college, often clashing with the norms of his small-town surroundings. Set in the fictional town of Medford, Texas, the narrative unfolds primarily in the Cooper family home, local high school, and university environments, spanning the in-universe years from 1989 to 1994.[6] Each 22-minute episode employs a voiceover narration from adult Sheldon, providing reflective commentary on his youthful experiences.[7] The format blends situational comedy derived from Sheldon's scientific curiosity and logical worldview intersecting with everyday family and social challenges.[4] At its core, Young Sheldon explores themes of intellectual giftedness and its personal toll, the intricacies of familial bonds in a working-class household, the friction between scientific rationalism and religious faith, and the peculiarities of rural American life.[8] These elements highlight the prodigy’s unique struggles while emphasizing the supportive, if unconventional, dynamics that shape his development.[9]Connection to The Big Bang Theory
Young Sheldon serves as a prequel to The Big Bang Theory, chronicling the childhood of Sheldon Cooper in East Texas during the late 1980s and early 1990s, directly leading into the events of the parent series. The concept originated from a collaboration between executive producer Chuck Lorre and star Jim Parsons in 2016, inspired by Parsons' nephew, a young science prodigy, whose traits helped shape the idea of exploring Sheldon's early years. CBS officially announced the spin-off in March 2017, giving it a straight-to-series order for the 2017–18 season, positioning it as a single-camera comedy focused on Sheldon's family life and intellectual challenges.[10][11] The series' in-universe timeline spans from 1989, when Sheldon is 9 years old and enters high school, to 1994, when he departs for the California Institute of Technology (Caltech) at age 14, aligning precisely with anecdotes from adult Sheldon in The Big Bang Theory, where the pilot is set in 2007 after his academic achievements.[12] This bridge ensures narrative continuity, with Young Sheldon depicting formative experiences like Sheldon's college entry at 11 in 1991 and key academic milestones, such as his engineering class in 1992, that foreshadow his Caltech tenure and eventual PhD. The show's structure uses retrospective narration to tie back to The Big Bang Theory's canon, avoiding contradictions while expanding on Sheldon's origins.[13] Jim Parsons reprises his role as the voice of adult Sheldon, providing voice-over commentary that offers hindsight reflections on childhood events, a stylistic choice that reinforces the prequel's connection to the original series. Parsons occasionally appears on-screen as adult Sheldon, notably in the series finale, where he is shown writing his memoirs, further blurring the lines between the two shows. This narration not only maintains tonal consistency but also allows for direct references to future developments in Sheldon's life.[14][15] Shared universe elements abound, including Sheldon's twin sister Missy, whose sibling dynamics and future mentions (like her interactions with Sheldon in adulthood) mirror The Big Bang Theory's portrayals, as well as family traits such as the Coopers' East Texas roots in Medford and quirks like Sheldon's aversion to driving or his model train obsession. References to later events, such as Georgie's tire business origins or Mary's occasional smoking, ground the prequel in the established lore, ensuring Young Sheldon enriches rather than alters the parent series' backstory. These ties, from recurring objects like comic books introduced by Sheldon's friend Tam to visits to Caltech, create a cohesive narrative tapestry across both shows.[16][16]Plot
Seasons 1–3 (2017–2019)
The first season, which aired from 2017 to 2018 and consisted of 22 episodes, centers on nine-year-old Sheldon Cooper skipping multiple grades to attend high school in Medford, Texas, where he encounters social clashes with peers such as his classmate Tam Nguyen, who becomes an unlikely friend despite Sheldon's rigid personality.[17] The Cooper family dynamics are established, highlighting Mary's devout Baptist faith and her protective instincts toward Sheldon, George's position as a high school football coach facing professional pressures, Missy's emerging rebellious streak through typical pre-teen antics, and Georgie's choice to drop out of school to pursue practical work opportunities.[18] Additionally, Meemaw initiates a romance with Dr. John Sturgis, Sheldon's physics professor, adding layers to the family's intergenerational relationships.[19] In the second season, spanning 2018 to 2019 with 22 episodes, Sheldon advances academically by auditing college-level classes at East Texas Tech, deepening his engagement with advanced science while amplifying his social awkwardness.[20] The family grapples with financial hardships, straining household resources and prompting adaptive measures like side gigs. Sibling rivalries between Sheldon, Missy, and Georgie escalate amid these tensions, while the introduction of Pastor Jeff Difford and the local church community underscores Mary's religious influences on family life. Dr. Sturgis's eccentric personality is further explored, providing comic relief and mentorship for Sheldon. The third season, from 2019 to 2020 featuring 21 episodes, follows Sheldon as he prepares for full-time college admission, navigating heightened academic pressures and personal growth.[21] The family contends with the aftermath of a tornado causing property damage and temporary relocations, testing their resilience in rural Texas.[22] Georgie launches his initial venture into the tire sales business, showcasing his entrepreneurial instincts beyond school.[23] The storyline introduces and develops Paige Swanson as a rival child prodigy, challenging Sheldon's sense of uniqueness and highlighting themes of competition among gifted youth.[20] Set in-universe during 1989 to 1991, these events mark the Cooper family's transition through early 1990s challenges.[24] Over these seasons, Sheldon's profound social isolation due to his intellect forms a core narrative thread, contrasted by the Cooper family's enduring unity in overcoming economic and environmental hardships.[25] Missy's arc subtly incorporates her first explorations of romantic interests, reflecting her maturation amid sibling dynamics.Seasons 4–7 (2020–2024)
In season 4, set in 1991, Sheldon, now 11 years old, transitions to full-time college life at East Texas Tech, navigating academic challenges and social awkwardness while the Cooper family grapples with personal crises.[26] Dr. John Sturgis, Sheldon's former mentor, continues to recover from his previous mental health episode, leading to strained relationships and his eventual decision to prioritize his well-being over resuming teaching.[27] Marital tensions between Mary and George Sr. intensify, particularly as George faces temptation from neighbor Brenda Sparks, though he ultimately reaffirms his commitment to his family amid financial strains from his coaching job.[28] The season, shortened to 18 episodes due to COVID-19 production delays, emphasizes the family's resilience in the face of these upheavals.[29] Season 5, spanning 22 episodes and advancing the timeline into 1992, builds on these developments as the Coopers adapt to new family dynamics while Sheldon pursues advanced opportunities. Georgie begins dating Mandy McAllister, a 29-year-old woman he meets at Meemaw's laundromat, and their relationship quickly escalates when Mandy discovers she is pregnant in Episode 17.[30][31] Mandy reveals her pregnancy to the family soon after, prompting mixed reactions but ultimately drawing support from Mary, who helps with prenatal care. Sheldon begins preparing for an international research opportunity by studying German and interning at a local lab to bolster his credentials, though the full program abroad is deferred.[32] George Sr. experiences a minor heart episode in the premiere, hinting at underlying health concerns tied to his stress and lifestyle, which the family largely overlooks at the time.[33] Missy asserts greater independence, dealing with teenage milestones like her first romantic interests and school activities, while the family achieves financial stability through Georgie's entrepreneurial efforts in the tire business.[34] These arcs highlight themes of maturity and support, culminating in the birth setup for the next season. The 22-episode season 6, covering 1992–1993, focuses on the family's adjustment to parenthood as Mandy gives birth to their daughter, CeeCee (short for Constance), in episode 14, marking a joyful yet chaotic milestone for Georgie, who steps up as a young father.[35] Sheldon completes his preparations and departs for a research program in Heidelberg, Germany, at the season's end, leaving the family to navigate his absence.[35] Georgie and Mandy, facing housing challenges after Mandy's parents disapprove of their situation, move in with Meemaw, leading to comedic tensions but also strengthening family bonds in her home.[36] Pastor Jeff and his wife expand their family with the arrival of their son, adding to the community's interconnected storylines, while Missy explores her identity through friendships and minor rebellions.[37] The season balances humor with emotional growth, particularly in Georgie's maturation as a provider. Season 7, the final 14-episode installment set in 1994, delivers closure through profound changes and ties back to The Big Bang Theory. Sheldon, now 14, returns from Germany and secures a spot at Caltech after weighing options like MIT, departing Medford to begin his doctoral studies and narrated future life.[38] Tragedy strikes in episode 12 when George Sr. suffers a fatal heart attack off-screen at work, a culmination of his previously ignored health issues, leaving the family to mourn and reorganize without him.[39] In response, Georgie and Mandy formalize their commitment by getting married in a small ceremony, solidifying their family unit with young CeeCee, and Georgie takes on greater responsibilities in the business.[40] The two-part finale features adult Sheldon and Amy (voiced by Jim Parsons and Mayim Bialik) reflecting on the events, with Sheldon arriving at Caltech, emphasizing themes of loss, growth, and legacy.[41] Over the course of seasons 4–7, the series arcs center on family tragedies like George Sr.'s death, Sheldon's physical and intellectual departure from home, and Georgie's evolution from impulsive teen to responsible husband and father, providing emotional resolutions while bridging to his adult life in The Big Bang Theory.[40]Cast and characters
Main
The main cast of Young Sheldon features a core ensemble portraying the Cooper family, central to the series' exploration of a Texas household navigating the challenges of raising a child prodigy. Iain Armitage stars as Sheldon Cooper, the 9- to 14-year-old central figure, depicted as a once-in-a-generation genius with an eidetic memory, a highly literal mindset, and a strong aversion to physical touch, traits that underscore his social awkwardness and intellectual brilliance.[42][43] Jim Parsons, who originated the adult Sheldon in The Big Bang Theory, provides the voiceover narration for the character's grown-up reflections throughout the series.[42] Zoe Perry portrays Mary Cooper, Sheldon's devout Baptist mother, characterized by her protective nature toward her children and superstitious tendencies that often clash with Sheldon's rational worldview; notably, Perry is the real-life daughter of Laurie Metcalf, who played the older Mary Cooper on The Big Bang Theory.[42][44] Lance Barber plays George Cooper Sr., the family patriarch and high school football coach, portrayed as pragmatic and deeply loving, though frequently frustrated by his son's eccentricities while striving to maintain family harmony.[42][43] Montana Jordan embodies Georgie Cooper, the eldest Cooper sibling and Sheldon's older brother, shown as mechanically inclined with a knack for fixing vehicles, initially appearing lazy and uninterested in academics but demonstrating growing responsibility over time.[42] Raegan Revord stars as Missy Cooper, Sheldon's fraternal twin sister, depicted as sassy, socially adept, and quick-witted, often resenting the disproportionate attention given to her brother while providing comic relief through her rebellious streak.[42][43] Rounding out the core family is Annie Potts as Connie "Meemaw" Tucker, Sheldon's witty and sharp-tongued grandmother, who serves as a family confidante with a penchant for gambling and a no-nonsense attitude that endears her to the household.[42][43]Recurring
Matt Hobby as Pastor Jeff Difford Pastor Jeff Difford is the upbeat lead pastor at the Baptist church attended by the Cooper family in Medford, Texas. He is portrayed as optimistic and family-oriented, often providing spiritual guidance and support to the community while navigating personal challenges in his ministry.[45] His interactions with the Coopers highlight themes of faith and community involvement, including organizing church events and counseling.[46] Wyatt McClure as Billy Sparks Billy Sparks serves as the Coopers' next-door neighbor and a close friend to Missy Cooper, occasionally developing a crush on her.[4] He is depicted as kind-hearted but somewhat dim-witted, contributing comic relief through his innocent and earnest personality.[47] Billy's role emphasizes neighborhood dynamics and youthful friendships in the series.[48] Wallace Shawn as Dr. John Sturgis Dr. John Sturgis is an eccentric physicist who becomes Sheldon's mentor during his time at college and later enters a romantic relationship with Meemaw.[49] As a brilliant but quirky scientist, he deals with bipolar disorder, which affects his career and personal life, adding depth to explorations of mental health.[50] His bond with Sheldon fosters intellectual growth, while his romance with Meemaw introduces intergenerational family ties.[51] Ryan Phuong as Tam Nguyen Tam Nguyen is Sheldon's sole friend during high school, a pragmatic Vietnamese-American boy who shares interests in comics and science fiction.[52] Introduced early in the series, Tam provides Sheldon with social companionship amid his isolation as a prodigy.[53] Their friendship highlights themes of loyalty and cultural diversity in the Texas setting.[54] Melissa Peterman as Brenda Sparks Brenda Sparks is the mother of Billy and Bobbi Sparks, initially presented as a rival to Mary Cooper due to neighborhood tensions.[55] Over time, she develops a friendship with Mary while experiencing romantic tension with George Cooper.[56] As a single mother post-divorce, Brenda's character arc explores personal struggles and evolving community relationships.[57] Emily Osment as Mandy McAllister Mandy McAllister begins as Georgie Cooper's girlfriend, later becoming his wife and the mother of their twin daughters, CeeCee and Constance.[58] Portrayed as mature beyond her years despite her youth, she brings stability to Georgie's life and navigates young parenthood.[59] Her role underscores themes of responsibility and family growth in the later seasons.[60]Guest stars and cameos
The series featured several notable guest stars and cameos, many of whom brought unique flair to episodes through their limited appearances, often highlighting interpersonal dynamics or franchise connections.[61] Mckenna Grace portrayed Paige Swanson, a child prodigy and Sheldon's intellectual rival, appearing in nine episodes across seasons 2 through 6, with her storyline emphasizing themes of prodigy burnout in key guest spots.[62][63] Billy Gardell guest-starred as Herschel Sparks, the affable husband of neighbor Brenda Sparks, in five episodes from 2018 to 2019, contributing comic relief through his portrayal of a friendly family man.[64][65] Reba McEntire appeared as June Ballard, Meemaw's sharp-witted romantic rival and ex-wife of Dale, in seven episodes spanning seasons 3–5 and 7, adding layers of humor and tension to Meemaw's social circle.[66][67] Octavia Spencer made a memorable single-episode appearance as Rhonda Thomason, Meemaw's stern probation officer, in season 7's "Community Service and the Key to a Happy Marriage," delivering a no-nonsense performance that tied back to her earlier role in The Big Bang Theory.[68][69] Cameos from The Big Bang Theory cast included Mayim Bialik reprising her role as Amy Farrah Fowler in the series finale, providing a direct link to the parent show during a flash-forward sequence.[16] Kaley Cuoco contributed an uncredited voice cameo as the "talking pool water" in Sheldon's dream in season 3's "An Entrepreneurialist and a Swat on the Bottom".[70] Craig T. Nelson recurred briefly as Coach Dale Ballard, Missy's baseball coach and Meemaw's boyfriend, in multiple season 3 through 7 episodes, bringing authoritative yet endearing energy to family and community interactions.[71][72] Taylor Spreitler guest-starred as Sam, a classmate involved in Sheldon's school projects and Missy's social circle, across four episodes from 2020 to 2023, offering youthful camaraderie in ensemble scenes.[64][73]Episodes
Overview and format
Young Sheldon episodes typically run for 19 to 21 minutes and follow a structure of mostly standalone stories centered on the Cooper family's daily life, interwoven with overarching season-long arcs that advance character development and plot progression.[74] The series produced 18 to 22 episodes per season for its first six years, with Season 4 shortened to 18 episodes due to production interruptions from the COVID-19 pandemic; the final Season 7 consisted of 14 episodes, resulting in a total of 141 across the run.[75] Episodes often open with cold opens featuring reflective voiceover narration by adult Sheldon (voiced by Jim Parsons), providing humorous or poignant framing for the events to follow.[15] The writing draws from creator Chuck Lorre's signature multi-camera sitcom style—emphasizing quick-witted dialogue, situational humor, and character-driven comedy—but adapts it to a single-camera format for a more intimate, cinematic feel without a live audience or laugh track.[7] This approach highlights quirks in the Cooper family dynamics, blending Sheldon's intellectual pursuits with everyday family tensions, school challenges, and occasional science experiments that underscore his prodigious talent.[76] Common themes include family holidays, such as Thanksgiving gatherings that expose generational conflicts, and school events like science fairs where Sheldon's innovations both impress and isolate him.[77] Season 7's reduced episode order stemmed from delays caused by the 2023 Writers Guild of America strike and subsequent SAG-AFTRA strike, which halted production and compressed the broadcast schedule.[78] The series premiered on Mondays at 8:30 p.m. ET following The Big Bang Theory but shifted to Thursdays at 8:00 p.m. ET starting in the 2019–20 season to anchor CBS's comedy block. Holiday specials, including the first Christmas-themed episode in Season 7, incorporated seasonal elements like family traditions while maintaining the show's focus on relatable, lighthearted conflicts.[79]List of episodes
Young Sheldon consists of seven seasons totaling 141 episodes, airing from September 25, 2017, to May 16, 2024, on CBS.[4] Season 1 comprises 22 episodes, Season 2 has 22, Season 3 has 21, Season 4 has 18, Season 5 has 22, Season 6 has 22, and Season 7 has 14.[80] The series' highest-rated episode was the Season 1 premiere, "Pilot", which drew 17.21 million U.S. viewers (Nielsen live + same day).[81] The Season 7 finale, "Memoir", achieved the show's highest viewership in four years with 9.43 million viewers (combined for the one-hour finale).[82] The table below provides details for all episodes, including title, director, writer, original air date, production code (where available), and U.S. viewers in millions (Nielsen live + same day ratings where available; N/A for limited data in later seasons). Data sourced from production credits and ratings reports.[83][84]| Season | No. overall | No. in season | Title | Directed by | Written by | Original air date | Prod. code | U.S. viewers (millions) |
|---|---|---|---|---|---|---|---|---|
| 1 | 1 | 1 | Pilot | Jon Favreau | Chuck Lorre & Steven Molaro | September 25, 2017 | T12.15551 | 17.21 |
| 1 | 2 | 2 | Rockets, Communists, and the Dewey Decimal System | Mark Cendrowski | Chuck Lorre & Steven Molaro | November 2, 2017 | T12.15552 | 12.66 |
| 1 | 3 | 3 | Poker, Faith, and Eggs | Mark Cendrowski | Robert Cohen & Steven Molaro | November 9, 2017 | T12.15553 | 12.39 |
| 1 | 4 | 4 | A Therapist, a Comic Book, and a Breakfast Sausage | Mark Cendrowski | Jeremy Howe & Chuck Lorre | November 16, 2017 | T12.15554 | 11.83 |
| 1 | 5 | 5 | A Solar Calculator, a Game Ball, and a Cheerleader's Bosom | Mark Cendrowski | Steve Holland & Steven Molaro | November 23, 2017 | T12.15555 | 11.43 |
| 1 | 6 | 6 | A Patch, a Modem, and a Zantac | Mark Cendrowski | Nick Bakay & Chuck Lorre | November 30, 2017 | T12.15556 | 12.11 |
| 1 | 7 | 7 | A Brisket, Voodoo, and Cannonball Run | Mark Cendrowski | Steve Holland & Steven Molaro | December 7, 2017 | T12.15557 | 12.49 |
| 1 | 8 | 8 | Cape Canaveral, Schrödinger's Cat, and Cyndi Lauper's Hair | Mark Cendrowski | Chuck Lorre & Steven Molaro | December 14, 2017 | T12.15558 | 11.64 |
| 1 | 9 | 9 | Spock, Kirk, and Testicular Hernia | Mark Cendrowski | Steve Holland & Steven Molaro | December 21, 2017 | T12.15559 | 11.32 |
| 1 | 10 | 10 | An Eagle Feather, a String Bean, and an Eskimo | Mark Cendrowski | Jeremy Howe & Steven Molaro | January 4, 2018 | T12.15560 | 14.70 |
| 1 | 11 | 11 | Demons, Sunday School, and Prime Numbers | Rebecca Rand Kirshner Gold | Chuck Lorre & Steven Molaro | January 11, 2018 | T12.15561 | 14.17 |
| 1 | 12 | 12 | A Computer, a Plastic Pony, and a Case of Beer | Mark Cendrowski | Steve Holland & Chuck Lorre | January 18, 2018 | T12.15562 | 13.33 |
| 1 | 13 | 13 | A Sneeze, Detention, and Sissy Spacek | Mark Cendrowski | Steven V. Silverstein & Steven Molaro | February 1, 2018 | T12.15563 | 12.92 |
| 1 | 14 | 14 | Potato Salad, a Broomstick, and Dad's Whiskey | Mark Cendrowski | Chuck Lorre & Steven Molaro | March 1, 2018 | T12.15564 | 12.42 |
| 1 | 15 | 15 | Dolomite, Apple Slices, and a Mystery Woman | Mark Cendrowski | Steve Holland & Steven Molaro | March 8, 2018 | T12.15565 | 12.52 |
| 1 | 16 | 16 | Killer Asteroids, Oklahoma, and a Frizzy Hair Machine | Jaffar Mahmood | Jeremy Howe & Chuck Lorre | March 29, 2018 | T12.15566 | 11.91 |
| 1 | 17 | 17 | Jiu-Jitsu, Bubble Wrap, and Yoo-Hoo | Mark Cendrowski | Chuck Lorre & Steven Molaro | April 5, 2018 | T12.15567 | 11.66 |
| 1 | 18 | 18 | A Mother, a Child, and a Blue Man's Backside | Mark Cendrowski | Steve Holland & Steven Molaro | April 12, 2018 | T12.15568 | 11.70 |
| 1 | 19 | 19 | Gluons, Guacamole, and the Color Purple | Mark Cendrowski | Robert Cohen & Steven Molaro | April 19, 2018 | T12.15569 | 11.67 |
| 1 | 20 | 20 | A Dog, a Squirrel, and a Fish Named Fish | Mark Cendrowski | Chuck Lorre & Steven Molaro | April 26, 2018 | T12.15570 | 11.15 |
| 1 | 21 | 21 | Summer Sausage, a Pocket Poncho, and Tony Danza | Mark Cendrowski | Jeremy Howe & Steven Molaro | May 3, 2018 | T12.15571 | 11.67 |
| 1 | 22 | 22 | Vanilla Ice Cream, Gentleman Callers, and a Dinette Set | Mark Cendrowski | Chuck Lorre & Steven Molaro | May 10, 2018 | T12.15572 | 12.44 |
| 2 | 23 | 1 | A High-Pitched Buzz and Training Wheels | Mark Cendrowski | Chuck Lorre & Steven Molaro | September 24, 2018 | T12.16451 | N/A |
| 2 | 24 | 2 | A Rival Prodigy and Sir Isaac Neutron | Mark Cendrowski | Steve Holland & Steven Molaro | September 27, 2018 | T12.16452 | N/A |
| 2 | 25 | 3 | A Crisis of Faith and Octopus Aliens | Mark Cendrowski | Chuck Lorre & Steven Molaro | October 11, 2018 | T12.16453 | N/A |
| 2 | 26 | 4 | A Financial Secret and Fish Sauce | Mark Cendrowski | Jeremy Howe & Steven Molaro | October 18, 2018 | T12.16454 | N/A |
| 2 | 27 | 5 | A Research Study and Czechoslovakian Wedding Pastries | Mark Cendrowski | Steve Holland & Chuck Lorre | October 25, 2018 | T12.16455 | N/A |
| 2 | 28 | 6 | Seven Deadly Sins and a Small Carl Sagan | Jaffar Mahmood | Robert Cohen & Steven Molaro | November 1, 2018 | T12.16456 | N/A |
| 2 | 29 | 7 | Carbon Dating and a Stuffed Raccoon | Mark Cendrowski | Chuck Lorre & Steven Molaro | November 8, 2018 | T12.16457 | N/A |
| 2 | 30 | 8 | An 8-Bit Chip and a Weasel Fur | Mark Cendrowski | Steve Holland & Steven Molaro | November 15, 2018 | T12.16458 | N/A |
| 2 | 31 | 9 | A Stunted Childhood and a Can of Fancy Mixed Nuts | Mark Cendrowski | Jeremy Howe & Chuck Lorre | December 6, 2018 | T12.16459 | N/A |
| 2 | 32 | 10 | A Swedish Science Thing and the Equation for Toast | Mark Cendrowski | Chuck Lorre & Steven Molaro | December 13, 2018 | T12.16460 | N/A |
| 2 | 33 | 11 | A Race of Superhumans and a Letter to Alf | Mark Cendrowski | Steve Holland & Steven Molaro | January 3, 2019 | T12.16461 | N/A |
| 2 | 34 | 12 | A Loophole and a Schedule with More Holes | Mark Cendrowski | Chuck Lorre & Steven Molaro | January 17, 2019 | T12.16462 | N/A |
| 2 | 35 | 13 | A Nuclear Reactor and a Boy Called Lovely | Mark Cendrowski | Jeremy Howe & Steven Molaro | February 7, 2019 | T12.16463 | N/A |
| 2 | 36 | 14 | Ryan, Schemer, and Dirty, Rotten Rules | Jaffar Mahmood | Steve Holland & Chuck Lorre | February 14, 2019 | T12.16464 | N/A |
| 2 | 37 | 15 | A Math Emergency and Perky Palms | Mark Cendrowski | Chuck Lorre & Steven Molaro | February 21, 2019 | T12.16465 | N/A |
| 2 | 38 | 16 | Body Glitter and a Mall Safety Kit | Mark Cendrowski | Robert Cohen & Steven Molaro | March 7, 2019 | T12.16466 | N/A |
| 2 | 39 | 17 | Albert Einstein and the Story of Another Mary | Mark Cendrowski | Steve Holland & Steven Molaro | March 21, 2019 | T12.16467 | N/A |
| 2 | 40 | 18 | A Perfect Score and a Hot Potter | Mark Cendrowski | Chuck Lorre & Steven Molaro | April 4, 2019 | T12.16468 | N/A |
| 2 | 41 | 19 | A Political Campaign and a Candy Land Cheater | Mark Cendrowski | Jeremy Howe & Steven Molaro | April 25, 2019 | T12.16469 | N/A |
| 2 | 42 | 20 | A Proposal and a Basketball Game | Mark Cendrowski | Chuck Lorre & Steven Molaro | May 2, 2019 | T12.16470 | N/A |
| 2 | 43 | 21 | Summer Sausage, a Pocket Poncho, and Tony Danza | Mark Cendrowski | Steve Holland & Steven Molaro | May 9, 2019 | T12.16471 | N/A |
| 2 | 44 | 22 | A Swedish Science Thing and the Equation for Toast | Mark Cendrowski | Chuck Lorre & Steven Molaro | May 16, 2019 | T12.16472 | N/A |
| 3 | 45 | 1 | Quirky Eggheads and Texas Snow Globes | Mark Cendrowski | Chuck Lorre & Steven Molaro | September 26, 2019 | T12.17351 | N/A |
| 3 | 46 | 2 | A Broom Closet and Satan's Monopoly Board | Mark Cendrowski | Steve Holland & Steven Molaro | September 26, 2019 | T12.17352 | N/A |
| 3 | 47 | 3 | An Entrepreneurialist and a Swat on the Bottom | Mark Cendrowski | Chuck Lorre & Steven Molaro | October 3, 2019 | T12.17353 | N/A |
| 3 | 48 | 4 | Hobbitses, Physicses and a Ball with Zip | Mark Cendrowski | Jeremy Howe & Steven Molaro | October 10, 2019 | T12.17354 | N/A |
| 3 | 49 | 5 | A Pineapple and the Bosom of Male Friendship | Jaffar Mahmood | Steve Holland & Chuck Lorre | October 17, 2019 | T12.17355 | N/A |
| 3 | 50 | 6 | A Parasol and a Hell of an Arm | Mark Cendrowski | Chuck Lorre & Steven Molaro | October 24, 2019 | T12.17356 | N/A |
| 3 | 51 | 7 | Pongo Pygmaeus and a Culture that Encourages Spitting | Mark Cendrowski | Robert Cohen & Steven Molaro | November 7, 2019 | T12.17357 | N/A |
| 3 | 52 | 8 | The Sin of Greed and a Chimichanga from Chi-Chi's | Mark Cendrowski | Steve Holland & Steven Molaro | November 14, 2019 | T12.17358 | N/A |
| 3 | 53 | 9 | A Party Invitation, Football Grapes and an Earth Chicken | Mark Cendrowski | Chuck Lorre & Steven Molaro | November 21, 2019 | T12.17359 | N/A |
| 3 | 54 | 10 | Teenager Soup, a Little Ball of Fib | Mark Cendrowski | Jeremy Howe & Steven Molaro | December 12, 2019 | T12.17360 | N/A |
| 3 | 55 | 11 | A Live Chicken, a Fried Chicken and Holy Matrimony | Mark Cendrowski | Steve Holland & Chuck Lorre | January 9, 2020 | T12.17361 | N/A |
| 3 | 56 | 12 | Body Glitter and a Mall Safety Kit | Mark Cendrowski | Chuck Lorre & Steven Molaro | January 16, 2020 | T12.17362 | N/A |
| 3 | 57 | 13 | Contracts, Rules and a Little Bit of Pig Brains | Mark Cendrowski | Robert Cohen & Steven Molaro | January 30, 2020 | T12.17363 | N/A |
| 3 | 58 | 14 | A Slump, a Cross and Roadside Gravel | Jaffar Mahmood | Steve Holland & Steven Molaro | February 6, 2020 | T12.17364 | N/A |
| 3 | 59 | 15 | A Boyfriend's Ex and a Candle in the Wind | Mark Cendrowski | Chuck Lorre & Steven Molaro | February 13, 2020 | T12.17365 | N/A |
| 3 | 60 | 16 | Pasadena | Mark Cendrowski | Jeremy Howe & Steven Molaro | February 20, 2020 | T12.17366 | N/A |
| 3 | 61 | 17 | An Academic Crime and a More Romantic Taco Bell | Mark Cendrowski | Steve Holland & Chuck Lorre | March 5, 2020 | T12.17367 | N/A |
| 3 | 62 | 18 | A Couple Bruised Ribs and a Cereal Box Ghost Detector | Mark Cendrowski | Chuck Lorre & Steven Molaro | March 12, 2020 | T12.17368 | N/A |
| 3 | 63 | 19 | A House, a Manhattan and a Piano | Mark Cendrowski | Robert Cohen & Steven Molaro | April 2, 2020 | T12.17369 | N/A |
| 3 | 64 | 20 | A Baby Tooth and the Egyptian God of Knowledge | Mark Cendrowski | Steve Holland & Steven Molaro | April 9, 2020 | T12.17370 | N/A |
| 3 | 65 | 21 | A Secret Letter and a Lowly Disc of Processed Meat | Mark Cendrowski | Chuck Lorre & Steven Molaro | April 16, 2020 | T12.17371 | N/A |
| 4 | 66 | 1 | Graduation | Mark Cendrowski | Chuck Lorre & Steven Molaro | November 5, 2020 | T12.18251 | N/A |
| 4 | 67 | 2 | A Docent, a Little Lady and a Bouncer Named Dalton | Mark Cendrowski | Steve Holland & Steven Molaro | November 12, 2020 | T12.18252 | N/A |
| 4 | 68 | 3 | Training Wheels and an Unleashed Chicken | Mark Cendrowski | Chuck Lorre & Steven Molaro | November 19, 2020 | T12.18253 | N/A |
| 4 | 69 | 4 | A Box of Treasure and the Meemaw of Wisdom | Jaffar Mahmood | Jeremy Howe & Steven Molaro | December 3, 2020 | T12.18254 | N/A |
| 4 | 70 | 5 | Pish Posh and a Secret Relationship | Mark Cendrowski | Steve Holland & Chuck Lorre | December 10, 2020 | T12.18255 | N/A |
| 4 | 71 | 6 | Freshman Orientation and the Inventor of the Zipper | Mark Cendrowski | Chuck Lorre & Steven Molaro | December 17, 2020 | T12.18256 | N/A |
| 4 | 72 | 7 | A Philosophy Class and Worms That Can Live in Your Finger | Mark Cendrowski | Robert Cohen & Steven Molaro | January 14, 2021 | T12.18257 | N/A |
| 4 | 73 | 8 | An Introduction to Engineering and a Magical Bean | Mark Cendrowski | Steve Holland & Steven Molaro | January 21, 2021 | T12.18258 | N/A |
| 4 | 74 | 9 | Crappy Frozen Ribbons and the World's Best Dad | Mark Cendrowski | Chuck Lorre & Steven Molaro | January 28, 2021 | T12.18259 | N/A |
| 4 | 75 | 10 | The Wild and Woolly World of Nonlinear Dynamics | Jaffar Mahmood | Jeremy Howe & Steven Molaro | February 4, 2021 | T12.18260 | N/A |
| 4 | 76 | 11 | A Baby, a Stork and No Room for a Third | Mark Cendrowski | Steve Holland & Chuck Lorre | February 11, 2021 | T12.18261 | N/A |
| 4 | 77 | 12 | A Box of Treasure and the Meemaw of Wisdom | Mark Cendrowski | Chuck Lorre & Steven Molaro | February 18, 2021 | T12.18262 | N/A |
| 4 | 78 | 13 | The Geezer, the Biologist and the Beyond | Mark Cendrowski | Robert Cohen & Steven Molaro | February 25, 2021 | T12.18263 | N/A |
| 4 | 79 | 14 | The Sibling Decoy and a Purple Bike | Mark Cendrowski | Steve Holland & Steven Molaro | March 4, 2021 | T12.18264 | N/A |
| 4 | 80 | 15 | A Lobster, an Armadillo and a Way Bigger Number | Mark Cendrowski | Chuck Lorre & Steven Molaro | March 11, 2021 | T12.18265 | N/A |
| 4 | 81 | 16 | Glitter Amongst the Hamsters | Jaffar Mahmood | Jeremy Howe & Steven Molaro | April 1, 2021 | T12.18266 | N/A |
| 4 | 82 | 17 | A Solo Peanut, a Social Butterfly and the Truth | Mark Cendrowski | Steve Holland & Chuck Lorre | April 15, 2021 | T12.18267 | N/A |
| 4 | 83 | 18 | The Wild and Woolly World of Nonlinear Dynamics | Mark Cendrowski | Chuck Lorre & Steven Molaro | May 13, 2021 | T12.18268 | N/A |
| 5 | 84 | 1 | One Bad Night and Chaos of Selfish Desires | Mark Cendrowski | Chuck Lorre & Steven Molaro | October 7, 2021 | T12.19151 | N/A |
| 5 | 85 | 2 | Snoopin' Around and the Wonder Twins of Atheism | Mark Cendrowski | Steve Holland & Steven Molaro | October 14, 2021 | T12.19152 | N/A |
| 5 | 86 | 3 | Potential Energy and Hooch on a Park Bench | Mark Cendrowski | Chuck Lorre & Steven Molaro | October 21, 2021 | T12.19153 | N/A |
| 5 | 87 | 4 | Pish Posh and a Secret Relationship | Jaffar Mahmood | Jeremy Howe & Steven Molaro | October 28, 2021 | T12.19154 | N/A |
| 5 | 88 | 5 | Stuffed Animals and a Sweet Southern Syzygy | Mark Cendrowski | Steve Holland & Chuck Lorre | November 4, 2021 | T12.19155 | N/A |
| 5 | 89 | 6 | Money Laundering and a Cascade of Hormones | Mark Cendrowski | Chuck Lorre & Steven Molaro | November 11, 2021 | T12.19156 | N/A |
| 5 | 90 | 7 | An Introduction to Engineering and a Magical Bean | Mark Cendrowski | Robert Cohen & Steven Molaro | November 18, 2021 | T12.19157 | N/A |
| 5 | 91 | 8 | The Geezer, the Biologist and the Beyond | Mark Cendrowski | Steve Holland & Steven Molaro | December 2, 2021 | T12.19158 | N/A |
| 5 | 92 | 9 | A Lock-In, a Weather Girl and a Disgusting Habit | Mark Cendrowski | Chuck Lorre & Steven Molaro | December 9, 2021 | T12.19159 | N/A |
| 5 | 93 | 10 | The Two Marys and an Anniversary | Jaffar Mahmood | Jeremy Howe & Steven Molaro | January 6, 2022 | T12.19160 | N/A |
| 5 | 94 | 11 | A Lock-In, a Weather Girl and a Disgusting Habit | Mark Cendrowski | Steve Holland & Chuck Lorre | January 13, 2022 | T12.19161 | N/A |
| 5 | 95 | 12 | A Gambler, a Mosquito and a Sketchy Sketchbook | Mark Cendrowski | Chuck Lorre & Steven Molaro | January 20, 2022 | T12.19162 | N/A |
| 5 | 96 | 13 | A Lot of Band-Aids and the Cooper Surrender | Mark Cendrowski | Robert Cohen & Steven Molaro | January 27, 2022 | T12.19163 | N/A |
| 5 | 97 | 14 | A Free Scrubber and a Hot Cheeto | Mark Cendrowski | Steve Holland & Steven Molaro | February 24, 2022 | T12.19164 | N/A |
| 5 | 98 | 15 | A Lobster, an Armadillo and a Way Bigger Number | Mark Cendrowski | Chuck Lorre & Steven Molaro | March 3, 2022 | T12.19165 | N/A |
| 5 | 99 | 16 | A Perfect Score and a Hot Potter | Mark Cendrowski | Jeremy Howe & Steven Molaro | March 10, 2022 | T12.19166 | N/A |
| 5 | 100 | 17 | A Political Campaign and a Candy Land Cheater | Jaffar Mahmood | Steve Holland & Chuck Lorre | March 31, 2022 | T12.19167 | N/A |
| 5 | 101 | 18 | A Proposal and a Basketball Game | Mark Cendrowski | Chuck Lorre & Steven Molaro | April 7, 2022 | T12.19168 | N/A |
| 5 | 102 | 19 | Summer Sausage, a Pocket Poncho, and Tony Danza | Mark Cendrowski | Robert Cohen & Steven Molaro | April 14, 2022 | T12.19169 | N/A |
| 5 | 103 | 20 | German for Beginners and a Crazy Old Man with a Bat | Mark Cendrowski | Steve Holland & Steven Molaro | April 21, 2022 | T12.19170 | N/A |
| 5 | 104 | 21 | A New Weather Girl and a Stay at Home Model | Mark Cendrowski | Chuck Lorre & Steven Molaro | April 28, 2022 | T12.19171 | N/A |
| 5 | 105 | 22 | A Laughing Pony and a Lump of Coal | Mark Cendrowski | Jeremy Howe & Steven Molaro | May 19, 2022 | T12.19172 | N/A |
| 6 | 106 | 1 | Four Hundred Cartons of Undeclared Cigarettes and a Niblingo | Mark Cendrowski | Chuck Lorre & Steven Molaro | September 29, 2022 | T12.20101 | N/A |
| 6 | 107 | 2 | Future Worf and the Margarita of the South Pacific | Mark Cendrowski | Steve Holland & Steven Molaro | October 6, 2022 | T12.20102 | N/A |
| 6 | 108 | 3 | Passion's Harvest and a Sheldocracy | Mark Cendrowski | Chuck Lorre & Steven Molaro | October 13, 2022 | T12.20103 | N/A |
| 6 | 109 | 4 | Blonde Ambition and the Concept of Zero | Jaffar Mahmood | Jeremy Howe & Steven Molaro | October 20, 2022 | T12.20104 | N/A |
| 6 | 110 | 5 | Day of Reckoning and a Tiny, Tiny Thing | Mark Cendrowski | Steve Holland & Chuck Lorre | November 3, 2022 | T12.20105 | N/A |
| 6 | 111 | 6 | An Ugly Car, an Affair and Some Kickass Football | Mark Cendrowski | Chuck Lorre & Steven Molaro | November 10, 2022 | T12.20106 | N/A |
| 6 | 112 | 7 | A Tougher Nut and a Note on File | Mark Cendrowski | Robert Cohen & Steven Molaro | November 17, 2022 | T12.20107 | N/A |
| 6 | 113 | 8 | Legalese and a Whole Hoo-Ha | Mark Cendrowski | Steve Holland & Steven Molaro | December 1, 2022 | T12.20108 | N/A |
| 6 | 114 | 9 | A Perfect Score and a Hot Potter | Mark Cendrowski | Chuck Lorre & Steven Molaro | December 8, 2022 | T12.20109 | N/A |
| 6 | 115 | 10 | Pancakes, Kindergarten and a Big Fake Moustache | Jaffar Mahmood | Jeremy Howe & Steven Molaro | December 15, 2022 | T12.20110 | N/A |
| 6 | 116 | 11 | The Yips and an Oddly Specific Astronaut | Mark Cendrowski | Steve Holland & Chuck Lorre | January 5, 2023 | T12.20111 | N/A |
| 6 | 117 | 12 | A Roulette Wheel and a Piano Playing Dog | Mark Cendrowski | Chuck Lorre & Steven Molaro | January 12, 2023 | T12.20112 | N/A |
| 6 | 118 | 13 | A Frat Party, a Sleepover and the Mother of All Blisters | Mark Cendrowski | Robert Cohen & Steven Molaro | February 16, 2023 | T12.20113 | N/A |
| 6 | 119 | 14 | Mitch's Wife is My New Friend | Mark Cendrowski | Steve Holland & Steven Molaro | February 23, 2023 | T12.20114 | N/A |
| 6 | 120 | 15 | Three Hundred Fifty Dollars and a Lump in My Throat | Mark Cendrowski | Chuck Lorre & Steven Molaro | March 2, 2023 | T12.20115 | N/A |
| 6 | 121 | 16 | Passion's Harvest and a Sheldocracy | Mark Cendrowski | Jeremy Howe & Steven Molaro | March 9, 2023 | T12.20116 | N/A |
| 6 | 122 | 17 | A Sweet Scheme and a Library Card | Jaffar Mahmood | Steve Holland & Chuck Lorre | March 16, 2023 | T12.20117 | N/A |
| 6 | 123 | 18 | German for Beginners and a Crazy Old Man with a Bat | Mark Cendrowski | Chuck Lorre & Steven Molaro | March 30, 2023 | T12.20118 | N/A |
| 6 | 124 | 19 | A New Weather Girl and a Stay at Home Model | Mark Cendrowski | Robert Cohen & Steven Molaro | April 13, 2023 | T12.20119 | N/A |
| 6 | 125 | 20 | George Jr.'s Actual Monster Truck | Mark Cendrowski | Steve Holland & Steven Molaro | April 20, 2023 | T12.20120 | N/A |
| 6 | 126 | 21 | A Laughing Pony and a Lump of Coal | Mark Cendrowski | Chuck Lorre & Steven Molaro | May 4, 2023 | T12.20121 | N/A |
| 6 | 127 | 22 | A Tornado, a Piano and a Hooky-Playing Jennier | Mark Cendrowski | Jeremy Howe & Steven Molaro | May 11, 2023 | T12.20122 | N/A |
| 7 | 128 | 1 | Half a Wiener Schnitzel and Underwear in a Tree | Mark Cendrowski | Chuck Lorre & Steven Molaro | February 15, 2024 | T12.20901 | N/A |
| 7 | 129 | 2 | A Roulette Wheel and a Piano Playing Dog | Mark Cendrowski | Steve Holland & Steven Molaro | February 15, 2024 | T12.20902 | N/A |
| 7 | 130 | 3 | A Secret Letter and a Lowly Disc of Processed Meat | Mark Cendrowski | Chuck Lorre & Steven Molaro | February 22, 2024 | T12.20903 | N/A |
| 7 | 131 | 4 | Ants on a Log and a Cheating Winker | Jaffar Mahmood | Jeremy Howe & Steven Molaro | February 29, 2024 | T12.20904 | N/A |
| 7 | 132 | 5 | A New Weather Girl and a Stay at Home Model | Mark Cendrowski | Steve Holland & Chuck Lorre | March 7, 2024 | T12.20905 | N/A |
| 7 | 133 | 6 | German for Beginners and a Crazy Old Man with a Bat | Mark Cendrowski | Chuck Lorre & Steven Molaro | March 14, 2024 | T12.20906 | N/A |
| 7 | 134 | 7 | A Funny Campbell and a Complicated Bean | Mark Cendrowski | Robert Cohen & Steven Molaro | April 4, 2024 | T12.20907 | N/A |
| 7 | 135 | 8 | Legalese and a Whole Hoo-Ha | Mark Cendrowski | Steve Holland & Steven Molaro | April 11, 2024 | T12.20908 | N/A |
| 7 | 136 | 9 | A Fancy Article and a Scholarship for a Baby | Mark Cendrowski | Chuck Lorre & Steven Molaro | April 18, 2024 | T12.20909 | N/A |
| 7 | 137 | 10 | A Platypus, an Idol and a Teacher with a Pear Shaped Torso | Jaffar Mahmood | Jeremy Howe & Steven Molaro | April 25, 2024 | T12.20910 | N/A |
| 7 | 138 | 11 | A Perfect Score and a Hot Potter | Mark Cendrowski | Steve Holland & Chuck Lorre | May 2, 2024 | T12.20911 | N/A |
| 7 | 139 | 12 | A Stray Pissant and a Mild, Mild Son of a Bitch | Mark Cendrowski | Chuck Lorre & Steven Molaro | May 9, 2024 | T12.20912 | N/A |
| 7 | 140 | 13 | A Proper Wedding and Mimsy Under the Mist | Mark Cendrowski | Robert Cohen & Steven Molaro | May 16, 2024 | T12.20913 | 9.43 |
| 7 | 141 | 14 | Memoir | Mark Cendrowski | Chuck Lorre & Steven Molaro & Steve Holland | May 16, 2024 | T12.20914 | 9.43 |
Production
Development
The concept for Young Sheldon originated from an idea pitched by Jim Parsons, the adult Sheldon Cooper on The Big Bang Theory, in late 2016, inspired by his experiences with a young child genius relative.[85] Parsons shared the notion with the show's executive producers, leading to the development of a prequel series focused on Sheldon's childhood. On March 13, 2017, CBS issued a straight-to-series order for the project, bypassing the traditional pilot process due to confidence in its connection to the successful parent series.[86][87] The series was created by Chuck Lorre and Steven Molaro, both veterans of The Big Bang Theory, with production handled by Warner Bros. Television and Chuck Lorre Productions.[86] Lorre and Molaro served as executive producers alongside Parsons and others, shaping the show as a single-camera comedy to differentiate it from the multi-camera format of its predecessor.[86] This format choice allowed for a more narrative-driven approach, emphasizing Sheldon's early life in East Texas during the late 1980s and early 1990s.[11] CBS demonstrated strong commitment through successive renewals, reflecting the series' immediate popularity. The network renewed it for a second season on January 6, 2018, after just seven episodes of the first.[88] This was followed by a two-season pickup for seasons 3 and 4 on February 22, 2019.[89] In March 2021, CBS extended the series for three more seasons through 2024, securing seasons 5, 6, and 7.[90] However, on November 14, 2023, CBS announced that season 7 would serve as the final one, concluding the prequel after seven years. Production faced significant external challenges, particularly during the COVID-19 pandemic, which impacted season 4. Filming for the season, which began in September 2020, was repeatedly paused due to positive tests among crew members, including shutdowns in October and December 2020 to ensure safety protocols.[91][92] These disruptions contributed to broader delays in the industry. Later, the 2023 Writers Guild of America strike, which began in May, postponed season 7 production, forcing CBS to adjust its fall schedule and air reruns in the show's slot. The strike's resolution in September 2023 allowed writing to resume, though subsequent SAG-AFTRA action further delayed filming until November. In terms of scope, the initial straight-to-series order was for 13 episodes in season 1, a standard length for new comedies, but CBS expanded it to 22 episodes by September 2017 following strong early reception.[93] This full-season commitment underscored the network's investment in the single-camera format's potential, marking a deliberate evolution from the multi-camera style that defined The Big Bang Theory.[86] Subsequent seasons maintained or adjusted episode counts based on performance and external factors, with later renewals providing multi-season stability to support long-term storytelling.[90]Casting
The casting process for Young Sheldon began in early 2017, following the series order from CBS in March of that year. Producers conducted an extensive search for young talent capable of portraying the Cooper family, with a particular emphasis on finding child actors who could embody the unique dynamics of a Texas family in the late 1980s and early 1990s. Executive producer Chuck Lorre and co-creator Steve Molaro oversaw the auditions, prioritizing performers who could balance humor, emotional depth, and authenticity in their roles.[94] For the lead role of Sheldon Cooper, the production team held a global open casting call, reviewing hundreds of submissions from child actors worldwide. Iain Armitage, then 8 years old, emerged as the top choice after submitting a standout home video audition on his mother's iPhone, where he delivered a dense three-page monologue with remarkable precision and comedic timing. Armitage was officially cast in early March 2017, following a screen test that included narration by Jim Parsons, who executive produces the series and reprises his role as adult Sheldon. Parsons later described Armitage's performance as "mind-blowing," noting his ability to capture the character's eccentric genius despite the audition's challenges.[95][94][96] The Cooper family roles were filled shortly thereafter to ensure chemistry among the core ensemble. Zoe Perry was cast as Mary Cooper in early March 2017, selected for her nuanced portrayal of the devout, protective mother; notably, Perry is the real-life daughter of Laurie Metcalf, who originated the older version of Mary on The Big Bang Theory. Lance Barber joined as George Cooper Sr. in mid-March 2017, bringing a grounded, everyman quality to the role of Sheldon's father. Child actors Montana Jordan (as older brother Georgie) and Raegan Revord (as twin sister Missy) were cast around the same time in early 2017, after auditions that tested their ability to convey sibling rivalry and familial warmth.[94][11] Casting challenges were prominent, especially for the child roles, as producers sought performers who could handle complex dialogue and emotional scenes without losing the innocence of youth. Armitage's audition required memorizing challenging material that mirrored Sheldon's verbose style, a hurdle that eliminated many candidates. Similarly, Revord and Jordan faced tests emphasizing naturalistic Texas accents and improvisational family interactions. Jim Parsons played a key role in approvals, reviewing tapes and providing input to align the young cast with the established Big Bang Theory universe.[97][98][96] Later additions rounded out the family dynamic. Annie Potts was cast as Meemaw (Connie Tucker) in July 2017, chosen for her ability to infuse the sassy, no-nonsense grandmother with wit and warmth. Emily Osment first appeared as Mandy McAllister in a recurring capacity during Season 5 in 2022, portraying Georgie's girlfriend; she was promoted to series regular for Season 6 in 2022, reflecting the character's growing importance to the storyline.[99][100] Guest casting focused on enhancing Sheldon's intellectual world and series connections. Wallace Shawn was brought on as Dr. John Sturgis in Season 1, selected for his distinctive, erudite presence that provided a perfect foil and mentor figure to match young Sheldon's prodigious mind. For the series finale in May 2024, Mayim Bialik was secured for a cameo reprising her Big Bang Theory role as Amy Farrah Fowler, appearing alongside Parsons in a flash-forward scene to bookend the narrative.[101][102]Filming and creative aspects
Young Sheldon was primarily filmed at Warner Bros. Studios in Burbank, California, where interior scenes, including those set in the Cooper family home and school, were shot on soundstages. Exteriors, such as the Cooper residence, were captured in Valley Village within Los Angeles' San Fernando Valley, providing a suburban backdrop that contrasted with the show's East Texas setting.[103][104] The series adopted a single-camera format, allowing for more cinematic flexibility and on-location shooting compared to the multi-camera style of its predecessor, The Big Bang Theory; this approach eliminated the use of a live studio audience and laugh track, emphasizing a dramedy tone. Jaffar Mahmood directed many episodes across the seven seasons, contributing to the show's consistent visual style and pacing.[105][106] The opening title sequence features an animated tribute to The Big Bang Theory's iconic chalkboard doodles, depicting young Sheldon pedaling his bike to school through a landscape dotted with 1980s pop culture nods, like a visible cow symbolizing rural Texas life and family cameos added in later seasons. Composed by Steve Burns—known for hosting Blue's Clues—the theme song "Mighty Little Man" underscores the sequence, evoking themes of youthful determination and innocence.[107] To maintain narrative continuity with The Big Bang Theory, the production team consulted writers from the parent series during scripting, ensuring key biographical details about Sheldon Cooper aligned across both shows. This was particularly evident in the series finale, which incorporated flash-forwards to adult Sheldon and his wife Amy, bridging the prequel's timeline directly into the events of The Big Bang Theory.[108] Among other creative choices, the voiceover narration by adult Sheldon—voiced by executive producer Jim Parsons—was recorded in post-production to layer reflective commentary over the live-action footage, enhancing the memoir-like structure. Season 7's production faced disruptions from the 2023 Writers Guild of America strike, which delayed scripting and filming, ultimately resulting in a truncated 14-episode run to conclude the series on schedule.Release
Broadcast history
Young Sheldon premiered on CBS on September 25, 2017, as a special preview episode airing at 8:30 p.m. ET/PT immediately following The Big Bang Theory season 11 premiere. The episode marked CBS's highest-rated comedy debut in total viewers since 2009, drawing 17.2 million viewers and establishing the series as a key anchor in the network's comedy lineup alongside its parent show.[109] Following the Monday preview, the series transitioned to its regular Thursday 8:30 p.m. slot starting November 2, 2017, where it continued to pair with The Big Bang Theory until the latter's conclusion in May 2019.[110] The series maintained an annual fall premiere schedule for its first three seasons, with episodes airing weekly through spring. Season 4 was delayed due to production disruptions from the COVID-19 pandemic, premiering on November 5, 2020, in the established Thursday 8:30 p.m. slot.[111] Subsequent seasons followed the Thursday format, though season 7—the final season—began earlier on February 15, 2024, to accommodate a shortened 14-episode run. The series concluded with a one-hour finale on May 16, 2024, featuring back-to-back episodes in the 8:00-9:00 p.m. slot that teased the upcoming Georgie & Mandy's First Marriage spinoff.[1] Internationally, Young Sheldon aired simultaneously in Canada on CTV starting with the U.S. premiere.[112] In the United Kingdom, the series debuted on E4 in February 2018, with subsequent seasons following the CBS schedule.[113]Distribution and streaming
In the United States, Young Sheldon entered off-network broadcast syndication in the fall of 2021, with episodes premiering on local stations starting September 27, 2021, after Warner Bros. Television Distribution secured clearance in over 90% of the market.[114] The series also launched on cable network TBS on the same date, airing weekdays at 5:00 p.m. ET/PT as part of a deal with Warner Bros. Domestic Television Distribution.[115] Internationally, syndication rights varied by region; in Australia, the show premiered on the Nine Network on March 26, 2018, with episodes available for catch-up streaming on the free ad-supported platform 9Now.[116] In the United Kingdom, it aired on Channel 4 and its sister channel E4, with streaming access on Paramount+ following the platform's global expansion.[117] For digital streaming in the U.S., WarnerMedia's HBO Max (rebranded as Max in 2023) acquired exclusive subscription video-on-demand rights to the series on May 29, 2020, through a deal with Warner Bros. Domestic Television Distribution, initially covering the first three seasons with future seasons added progressively, achieving full availability by 2022.[118] Netflix secured non-exclusive U.S. streaming rights for seasons 1–5 starting November 24, 2023, followed by season 6 on February 1, 2024, and the complete seventh and final season on April 15, 2025.[119][120][121] As a CBS production, episodes of the final season streamed next day on Paramount+, including the series finale, enhancing accessibility tied to the network's broadcast schedule. Internationally, Paramount+ rolled out Young Sheldon as part of its 2022 global launch, offering the series in markets including the UK and Australia.[122] Disney+ added seasons 1–6 in the UK on February 1, 2025 (with season 7 added July 6, 2025), and the full series (seasons 1–7) in Australia and New Zealand on February 16, 2025, under Warner Bros. Discovery's distribution agreements.[123][124][125] Warner Bros. Television serves as the primary rights holder for distribution, licensing the series across platforms while retaining ownership of the intellectual property.[126] The availability on multiple streaming services, particularly Netflix's addition, significantly boosted the show's post-broadcast viewership and contributed to its sustained popularity, aiding decisions around renewals and spin-offs prior to the 2024 conclusion.[127]Home media
The home media for Young Sheldon includes releases on DVD, Blu-ray, and digital platforms, distributed primarily by Warner Bros. Home Entertainment in North America. Individual seasons were released annually on DVD starting with the first season, followed by a complete series collection after the show's conclusion.[128][129] DVD releases began with Young Sheldon: The Complete First Season on September 4, 2018, containing all 22 episodes across two discs. Subsequent seasons followed a similar pattern: The Complete Second Season on September 3, 2019 (22 episodes); The Complete Third Season on September 1, 2020 (21 episodes); The Complete Fourth Season on September 7, 2021 (18 episodes); The Complete Fifth Season on September 6, 2022 (22 episodes); and The Complete Sixth Season on September 5, 2023 (22 episodes). The seventh and final season was released as The Complete Seventh Season on September 24, 2024 (14 episodes, two discs), coinciding with the complete series box set of all seven seasons on 15 discs.[128][130][131][132][133][134][135][129] Blu-ray releases were more limited, with early seasons handled through Warner Archive Collection as manufactured-on-demand titles. The Complete First Season arrived on Blu-ray September 4, 2018, offering high-definition video and the same episode count as the DVD. Later seasons, including the third through sixth, received Blu-ray editions on similar timelines to their DVD counterparts, such as September 1, 2020, for season three. The complete series Blu-ray, spanning 14 discs with all 141 episodes, was released on September 24, 2024, emphasizing cost-effective DVD options for broader accessibility in prior years.[136][137][138] Digital purchases became available shortly after the series premiered, with season one episodes offered for download on iTunes starting September 25, 2017, and on Amazon Video thereafter. Full seasons and the complete series are purchasable on platforms including iTunes, Amazon Prime Video, Vudu, and Google Play, typically priced around $119.99 for the full collection in HD.[139][140][141] Select releases feature bonus content, such as behind-the-scenes featurettes including "Young Sheldon: An Origin Story" (season one) and "Sibling Synergy" (various seasons), along with a new exclusive for the complete series set titled "Sheldon's Secret Origins and Easter Eggs." Audio commentaries by creator Chuck Lorre and cast members appear on episodes in seasons one through three, while deleted scenes are included on early season DVDs.[138][142][143] Regional variations exist, with Warner Home Video handling U.S. and UK distributions in Region 1 and 2 formats, respectively. In Australia (Region 4), Roadshow Entertainment managed releases, such as season four on DVD in 2021 and season six in 2023, often with localized packaging and subtitles.[144][145]| Season | DVD Release Date | Blu-ray Release Date | Episodes | Discs (DVD/Blu-ray) |
|---|---|---|---|---|
| 1 | September 4, 2018 | September 4, 2018 | 22 | 2 / 1 |
| 2 | September 3, 2019 | September 3, 2019 | 22 | 2 / 1 |
| 3 | September 1, 2020 | September 1, 2020 | 21 | 2 / 1 |
| 4 | September 7, 2021 | September 7, 2021 | 18 | 2 / 1 |
| 5 | September 6, 2022 | September 6, 2022 | 22 | 2 / 1 |
| 6 | September 5, 2023 | September 5, 2023 | 22 | 2 / 1 |
| 7 | September 24, 2024 | September 24, 2024 | 14 | 2 / 1 |
| Complete | September 24, 2024 | September 24, 2024 | 141 | 15 / 14 |
Reception
Critical response
Young Sheldon has received generally positive critical reception, with Tomatometer scores ranging from 76% to 100% across its seven seasons on Rotten Tomatoes.[146] Season 1 earned a 76% approval rating, certified fresh based on 25 reviews.[147] Metacritic assigned the first season a score of 63 out of 100, indicating generally favorable reviews from 25 critics.[148] Critics frequently praised Iain Armitage's portrayal of the young Sheldon Cooper for capturing the character's eccentric genius with charm and precision, avoiding cloying stereotypes.[149] The family dynamics and chemistry among the Coopers were highlighted as a strength, providing heartfelt moments that added emotional depth beyond typical sitcom fare.[150] Reviewers often compared the series favorably to The Big Bang Theory, noting its warmer, more humorous approach to family life.[151] However, some critiques pointed to the show's formulaic humor and predictable structure, which relied heavily on Sheldon's social awkwardness without sufficient variation to sustain long-term interest.[152] Early seasons faced complaints about underdeveloped female characters, who often served as foils to the male leads rather than fully realized individuals.[153] Season 7 drew mixed responses for its finale, with some feeling the conclusion rushed certain family resolutions despite emotional weight.[154] The series began with a strong critical start in 2017, lauded for its fresh take on the prequel format.[155] Reception evolved over time, with a perceived dip in innovation around Season 3 amid ratings challenges following The Big Bang Theory's end, though critic scores remained solid at 87%.[21] Later seasons rebounded by emphasizing ensemble family arcs, culminating in Season 7's fuller realization of the show's heartfelt ensemble comedy.[150] The 2024 finale was praised for providing satisfying closure through its relatable grief and Sheldon-centric framing.[156] Notable reviews include a mixed assessment from The New York Times, which commended the charm in Armitage's and Zoe Perry's performances while questioning the humor's sustainability.[149] The A.V. Club critiqued the premiere for its predictability and dated stylistic choices, positioning it awkwardly between multi-camera nostalgia and single-camera ambition.[152]Ratings and viewership
Young Sheldon achieved strong ratings throughout its seven-season run on CBS, consistently ranking among the top comedies in primetime television and contributing significantly to the network's dominance in total viewers. The series premiered on September 25, 2017, drawing 17.2 million same-day viewers for its pilot episode, the highest for a comedy premiere since 2011.[157] The first season averaged 16.3 million viewers per episode in delayed viewing metrics, establishing it as the most-watched new series of the 2017-18 television season.[158] Viewership remained robust in subsequent seasons, with the show securing a top 10 position among comedies annually according to Nielsen rankings. In the 2022-23 season (Season 6), it averaged 9.32 million viewers, ranking as the #1 comedy in total viewers.[159] For the 2023-24 season (Season 7), the final year, Young Sheldon averaged 9.28 million viewers, placing #5 overall in primetime among all programs and again topping the comedy genre.[160] Multiplatform measurements, including 35-day delayed viewing and streaming, boosted these figures further; Season 7 reached an average of 13 million viewers across platforms.[82] The series experienced fluctuations influenced by external factors, including a dip during Season 4 (2020-21) amid the COVID-19 pandemic, averaging 9.45 million viewers—a 17.5% decline from the prior season—before recovering in Season 6 to pre-pandemic levels.[161] It maintained strong performance on Thursdays, often leading the night in both total viewers and the 18-49 demographic, appealing particularly to families and younger adults.[162] The series finale on May 16, 2024, drew 9.32 million same-day viewers, the highest in four years, and 11.74 million with seven-day delayed viewing, including over 2 million additional streams on Paramount+.[82][163] Streaming significantly amplified the show's reach after all seasons were added to Netflix in November 2023, generating 1.63 billion viewing minutes in its first full week and topping Nielsen's streaming charts for multiple weeks thereafter, with sustained popularity into late 2023.[164] Over its run, Young Sheldon generated billions of viewing minutes across broadcast and streaming platforms, underscoring its enduring appeal.| Season | Average Viewers (millions, L+7 or equivalent) | Nielsen Comedy Rank |
|---|---|---|
| 1 (2017-18) | 16.3 | #1 new series |
| 4 (2020-21) | 9.45 | Top 10 |
| 6 (2022-23) | 9.32 | #1 |
| 7 (2023-24) | 9.28 (13.0 multiplatform) | #1 |
Accolades
Young Sheldon garnered recognition from various awards bodies for its comedic writing, ensemble performances, and production quality over its seven-season run. The series accumulated at least 10 wins and over 30 nominations across prestigious ceremonies, highlighting its appeal in categories spanning comedy series, acting, and technical achievements.[165] The show secured a notable victory at the 2023 National Television Awards, winning Best Comedy in a ceremony honoring international television programming. This fan-voted accolade underscored the series' global popularity and enduring humor.[166] In the realm of production honors, Young Sheldon received a nomination from the Casting Society of America for the 2019 Artios Award in the Outstanding Achievement in Casting – Television Series – Comedy category, acknowledging the work of casting directors Nikki Valko, Ken Miller, and Peter Pappas.[167] The series earned multiple nods at the Critics' Choice Television Awards for Best Comedy Series from 2018 to 2020, reflecting critical appreciation for its family dynamics and character-driven storytelling. Individual cast members also shone: Iain Armitage was nominated for Best Actor in a Comedy Series in 2022, while Annie Potts received Best Supporting Actress in a Comedy Series nominations in 2019, 2020, 2023, and 2025.[165][168] Young Sheldon also resonated with younger audiences, securing nominations at the Nickelodeon Kids' Choice Awards from 2019 to 2022 in categories such as Favorite Kids or Family TV Show, with wins in 2024 for Favorite Family TV Show following its series finale.[165][169] Further nominations came from the People's Choice Awards, where the series contended for The Comedy Show of the Year in 2019, 2020, and 2021, emphasizing its broad fanbase appeal.[170] In 2024, the series won Best Ensemble in a Television Series at the Family Film & TV Awards, with Iain Armitage receiving Best Actor in a Television Series.[171] Post-finale, the show's syndication success was highlighted in 2024 Nielsen reports, noting its strong cross-platform viewership and enduring popularity in reruns, though formal syndication-specific awards were limited.[172]| Award Body | Year | Category | Result | Recipient |
|---|---|---|---|---|
| National Television Awards | 2023 | Best Comedy | Won | Young Sheldon |
| Casting Society of America Artios Awards | 2019 | Outstanding Achievement in Casting – Television Series – Comedy | Nominated | Nikki Valko, Ken Miller, Peter Pappas |
| Critics' Choice Television Awards | 2018–2020 | Best Comedy Series | Nominated | Young Sheldon |
| Critics' Choice Television Awards | 2020 | Best Supporting Actress in a Comedy Series | Nominated | Annie Potts |
| Nickelodeon Kids' Choice Awards | 2019–2022 | Favorite Kids/Family TV Show | Nominated | Young Sheldon |
| Nickelodeon Kids' Choice Awards | 2024 | Favorite Family TV Show | Won | Young Sheldon |
| People's Choice Awards | 2019–2021 | The Comedy Show of the Year | Nominated | Young Sheldon |
| Family Film & TV Awards | 2024 | Best Ensemble in a Television Series | Won | Young Sheldon |
| Family Film & TV Awards | 2024 | Best Actor in a Television Series | Won | Iain Armitage |