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3860

3860 is a collaborative by American rappers and , released on November 25, 2022, through and . The project comprises 16 tracks spanning and genres, with a total runtime of 44 minutes, and features guest appearances including Lul Timm. Produced as a joint effort between the labelmates—Quando Rondo signed to YoungBoy's imprint—it follows their respective prior releases, Quando Rondo's Still Taking Risks in 2021 and YoungBoy's in October 2022. The mixtape garnered attention for its raw street narratives and interpersonal tensions within , particularly the track "Want Me Dead," where delivers lines perceived as dissing the late , referencing the 2020 shooting death outside an nightclub allegedly involving Quando's associate Lul Timm. This content fueled online debates amid ongoing rivalries tied to gang affiliations and past violence, including the 2020 killing of King Von's associate during an altercation linked to . YoungBoy later distanced himself, stating he opposed the release due to personal reservations about the timing and content. Despite the controversy, 3860 debuted at number 62 on the and moved approximately 14,000 equivalent album units in its first week.

Background

Artists' Profiles and Prior Collaborations

Tyquian Terrel Bowman, professionally known as Quando Rondo, was born on March 23, 1999, in Savannah, Georgia. He began his music career in 2017 with the viral single "I Swear to God," which led to a signing with Never Broke Again and Atlantic Records, marking his entry into the trap rap scene characterized by street narratives and melodic hooks. Bowman's persona has been shaped by early legal troubles, including his involvement as a witness in a 2020 fatal shooting incident linked to rapper King Von, which heightened his association with gang-related conflicts in Savannah's street culture. Kentrell DeSean Gaulden, better known as NBA YoungBoy (or ), was born on October 20, 1999, in . He founded the imprint in 2016 following his debut mixtape 38 Baby, which established his prolific output of raw, introspective amid personal hardships like his grandmother's passing and early arrests. Gaulden's career trajectory has been intertwined with frequent legal entanglements, including multiple firearm possession charges and a 2019 federal gun case stemming from a shooting, reinforcing his image as a resilient yet embattled figure in . As labelmates under , Quando Rondo and NBA YoungBoy shared aligned and influences, with Rondo crediting YoungBoy for early financial and artistic support without direct profit from his releases. Their partnership culminated in the 2022 3860, preceded by collaborative singles like "It's On" that showcased their chemistry in aggressive, street-coded flows. This joint project extended their mutual endorsements and stylistic synergies, rooted in regional Southern rap traditions rather than prior full-length collaborations. The mixtape's title, 3860, derives from street numerology fusing YoungBoy's "38" affiliation—tied to Baton Rouge's N. 38th Street and his 38 Baby origins—and Rondo's "60" connection to Savannah's 60s crew, symbolizing their factional unity without glorifying violence.

Recording and Production

The mixtape 3860 was recorded in 2022 ahead of its November 25 release, with every track handled by engineers Jason "Cheese" Goldberg and Jacoby "CxbGoCrazy" Cherry, who also managed mixing and mastering duties. Production credits reflect contributions from multiple beatmakers associated with and melodic styles, including , Bankroll Got It, Pooh Beatz, Synco, Yakree, and TJ Produced It for select songs, emphasizing synthesized bass, sparse patterns, and layered effects typical of the artists' outputs. The project proceeded under the creative direction of and , facilitating joint sessions where and structured tracks around alternating verses and unified hooks, as documented in the final track sequencing and performer listings.

Content and Style

Track Listing

The standard edition of 3860 comprises 16 tracks with a total runtime of 44:39. Tracks are primarily written by Tyquian Bowman () and Kentrell DeSean Gaulden (), with additional songwriting credits for featured artists and samples where applicable; production credits vary per track and include contributors such as CxbGoCrazy, , Xclusive, J. Thrash, Ayo Bleu, Lonis, 17OnDaTrack, , and others.
No.TitleFeaturingDuration
1Lul Timm2:36
2It's On2:28
3Casket Talk3:07
42:49
5Want Me Dead3:09
6
7No Switch
8You & Me (Tap In)
9Double Up
10
113860
12Right or Wrong
13Can't Compare
14Trophies
15Heart Tucked
16Running Away from Home
Durations sourced from official streaming platforms; "It's On" and "You & Me (Tap In)" served as promotional singles.

Musical Composition and Themes

The mixtape 3860 primarily employs a framework infused with influences, characterized by heavy basslines, skittering hi-hats, and sparse, ominous synths that underscore its aggressive sonic palette. Production emphasizes rhythmic drive over melodic complexity, with beats often built around sliding 808 glides and rapid percussion patterns typical of Southern 's evolution into harder-edged styles. processing on vocals creates a polished yet gritty texture, enabling melodic choruses amid rapid-fire verses, as heard in tracks blending assertive energy with occasional introspective slowdowns. Lyrically, 3860 recurrently explores themes of street loyalty and survival pressures, with both artists detailing alliances forged through shared legal troubles and interpersonal bonds tested by . Personal hardships emerge in reflections on the burdens of and criminal entanglements, such as the constant vigilance against betrayal, while rivalries fuel confrontational narratives of retaliation and dominance. Materialism surfaces indirectly through boasts of wealth accumulation amid peril, though the core motifs prioritize raw accounts of over aspirational excess. Vocal interplay between and highlights synergy through contrasting deliveries: Rondo's memorable, hook-driven melodies complement YoungBoy's versatile flows that shift per verse, creating layered dynamics on shared tracks. This approach yields effective call-and-response structures, yet some patterns reveal formulaic rhyme schemes reliant on repetitive street vernacular, limiting rhythmic innovation despite the artists' chemistry. Contrasts appear in assertive cuts like "," with its urgent pleas and melodic refrains, versus more ruminative pieces examining internal conflicts.

Personnel and Contributions

The primary performers on the mixtape 3860 are rappers Quando Rondo (Tyquian Terrel Bowman) and YoungBoy Never Broke Again (Kentrell DeSean Gaulden), who provide vocals across the majority of the 16 tracks, with both appearing together on tracks 1–5, 7–8, and 11–13. Quando Rondo handles solo performances on tracks 6, 9–10, 14, and 16. The sole featured guest is Lul Timm (also known as Lul Tim), contributing vocals to the opening track "I Swear". Production responsibilities are distributed across multiple beatmakers, reflecting the independent, track-by-track collaborative approach common in contemporary Southern rap mixtapes. Notable producers include Swirv and 808 Melo for "My Friend", as well as 17OnDaTrack, D-Roc, and others for "Loaded". For "It's On", recording engineering was handled by and CxbGoCrazy. also served as mixing and mastering engineer on multiple tracks, including "It's On", "Loaded", and "My Friend", underscoring his central role in the project's audio polish. The mixtape was executive-produced under the imprints of , LLC and , with distribution managed by , highlighting the entrepreneurial structure of as a founded by in partnership with Atlantic. Phonographic copyright is held jointly by , LLC, , and . Additional contributions, such as artwork design, are credited to Provence, though full remain limited in public documentation.

Release and Marketing

Announcement and Singles

The collaborative mixtape 3860 by and was promoted through pre-release singles that announced the project to fans in November 2022. These singles generated initial buzz via digital streaming platforms and social media shares, capitalizing on the artists' established audiences. Four singles supported the rollout: "Give Me a Sign", "Cream Soda", "Keep Me Dry", and "It's On". "It's On" functioned as the final single, appearing as the second track on the mixtape and contributing to the hype with its aggressive production and lyrical content focused on street resilience. The earlier singles like "Cream Soda" and "Keep Me Dry" were released ahead of the full project, teasing the collaborative dynamic between the two rappers. Teasers and snippets of these tracks circulated on platforms such as , where and posted updates to engage their fanbases and signal the impending November 25, 2022 release date. This strategy aligned with common practices in mixtape culture, using targeted campaigns to amplify anticipation without extensive traditional press.

Promotion and Artwork


The mixtape employed a digital-first promotion strategy, emphasizing streaming platforms such as Apple Music and Spotify for its November 25, 2022, release through Atlantic Records and Never Broke Again. Pre-release teasers included social media previews, with Quando Rondo sharing the cover artwork on Instagram on February 26, 2022. Official visualizers for select tracks, such as "It's On," were distributed via YouTube to build anticipation.
The cover artwork depicts and in prominent positions, overlaid with the numeric title "3860" as a central motif. This visual design was highlighted in promotional shorts and fan-shared images on platforms like , aligning with the project's branding without elaborated symbolic intent in official announcements. Promotional efforts remained constrained by the artists' ongoing legal constraints, limiting traditional media appearances and favoring online dissemination.

Commercial Performance

Sales and Certifications

The collaborative mixtape 3860 by Quando Rondo and YoungBoy Never Broke Again achieved 14,397 equivalent album units in its first week of release on , 2022, according to tracking . This figure encompassed a mix of pure , track equivalent albums, and streaming equivalent albums, reflecting the artists' reliance on digital platforms amid limited physical distribution. Early projections had estimated around 15,000 units, highlighting the project's modest commercial footprint despite the artists' established fanbases in the scene. Subsequent sales data remains sparse, with no publicly reported cumulative units surpassing initial benchmarks, underscoring challenges in crossover appeal beyond core streaming audiences loyal to independent releases from labels like . The mixtape has not received any RIAA certifications as of October 2025, distinguishing it from higher-profile projects by the artists that have attained or status through sustained streaming and sales. This outcome aligns with patterns in YoungBoy's , where fan-driven digital consumption sustains relevance but often yields lower traditional sales compared to mainstream pop-rap counterparts.

Chart Achievements

"3860" debuted at number 62 on the US chart for the tracking week ending December 10, 2022, representing its peak position and sole week on the ranking. The project did not register entries on subsidiary rap or R&B/hip-hop album charts. No singles from the album achieved positions on the Hot 100. In comparison to the artists' prior solo releases, such as YoungBoy Never Broke Again's "The Last Slimeto" which peaked at number 2 and charted for multiple weeks, "3860" demonstrated limited longevity on major US charts. The album saw no reported peaks on international charts in urban or markets.

Reception and Analysis

Critical Reviews

Critical reception to the collaborative mixtape 3860 has been sparse among major music publications, with available assessments indicating a negative . aggregates a critic score of 40 out of 100, derived from a single review that praises the project's "hard as nails" musicality driven by drill-influenced production and ruthless lyrics, yet awards a low overall mark reflecting perceived shortcomings in . This aligns with broader aggregator data, such as Rate Your Music's average user-contributed score of 2.4 out of 5 from 130 ratings, underscoring a formulaic approach heavy on and conventions without substantial deviation. Reviewers have acknowledged technical strengths in energy and melodic elements, particularly Quando Rondo's hooks on tracks like "" and "Keep Me Dry," which provide catchy, contrasts amid aggressive beats. YoungBoy Never Broke Again's flows contribute to the mixtape's relentless pace, with featuring emotional southern elements that maintain momentum across its 16 tracks. However, these are tempered by critiques of lyrical superficiality and overreliance on tropes, such as repetitive bravado and narratives lacking deeper or , resulting in a project that feels derivative within the artists' established styles. The limited scope of formal critiques—absent from outlets like or —suggests 3860 did not garner widespread attention from mainstream reviewers, potentially due to the artists' niche appeal in Southern rap subgenres and the mixtape's unpromoted drop on November 25, 2022. Where evaluated, the emphasis remains on execution over artistic advancement, with no reviews elevating it beyond competent but unremarkable collaborative fare.

Public and Fan Response

Fans demonstrated strong initial engagement with 3860, particularly through streaming platforms and , reflecting support from core audiences in urban demographics. Individual tracks from the amassed millions of streams on , with "Want Me Dead" surpassing 10.8 million plays and "" exceeding 10.9 million, indicating sustained playback among young male listeners drawn to the artists' trap-influenced style. On , the official audio for "Want Me Dead" garnered over 3.6 million views shortly after release, while fan reaction videos, such as full breakdowns, accumulated hundreds of thousands of views, highlighting grassroots enthusiasm for the collaboration's high-energy delivery. Public discourse revealed polarization, with fans debating the project's authenticity amid revelations that opposed its release, accusing his label of prioritizing commercial gain over artistic control. Social media users on platforms like amplified these concerns, trending discussions around YoungBoy's statement labeling executives as "evil" for dropping the tape without his full consent, which some interpreted as undermining the raw, street-rooted ethos both rappers embody. On Reddit's r/NBAYoungboy, supporters countered by praising the mixtape's unpolished vibe as a testament to genuine camaraderie, with one thread calling it "AMAZING" for recapturing the immediacy of earlier works like YoungBoy's Colors. Additional contention arose from perceptions that Quando Rondo dissed the late on "Want Me Dead," fueling fan backlash tied to ongoing gang affiliations and real-world feuds, yet core listeners defended the content as authentic from their lived experiences. Despite such divides, the bolstered the artists' street credibility among devotees, who lauded tracks for their "boisterous, cocky, confident" tone evoking unfiltered bravado, even as broader critiques of formulaic surfaced in comment sections. This resilience in fan loyalty underscored 3860's appeal as a product of uncompromised regional narratives, separate from mainstream polish.

Controversies

The opening track of 3860, "I Swear," features Lul Timm (Timothy Leeks), who was arrested by police on December 17, 2020, and charged with felony murder and aggravated assault in the fatal shooting of rapper (Dayvon Bennett) on November 6, 2020, outside the Monaco Hookah Lounge in . reports indicate the shooting occurred during an altercation between King Von's entourage and members associated with , with Leeks identified as firing multiple shots at Von in apparent defense of Rondo. Leeks, a known associate of Quando Rondo, was released on $100,000 bond in March 2021, and the charges were dismissed by Fulton County prosecutors in August 2023 after further review of evidence, including video footage. YoungBoy Never Broke Again (Kentrell DeSean Gaulden) has a documented history of arrests tied to firearms and violence, including a September 2020 federal indictment in for possessing firearms as a convicted felon following a where officers recovered two guns from his vehicle and recording studio. He faced additional federal gun charges in in 2024 stemming from a separate fraud investigation, pleading guilty in December 2024 to receive a 23-month sentence, much of which was credited as . The King Von incident has been linked to subsequent violence involving Quando Rondo's circle, including the August 19, 2022, shooting death of his cousin Saviay'a Robinson (known as Lul Pab) at a Los Angeles gas station, which federal prosecutors in October 2024 described in court filings as retaliation orchestrated by associates of and . Robinson, a member of Rondo's entourage, was killed alongside another associate in the targeted attack.

Accusations of Glorifying Crime

Critics have accused the mixtape 3860 of glorifying criminal lifestyles through that frequently reference affiliations, firearms, and retaliatory , potentially normalizing such behaviors among young listeners in vulnerable communities. For instance, tracks like "Want Me Dead" include lines dissing deceased rivals and boasting about opposition's demise, which detractors argue romanticizes retribution rather than condemning it. Similar themes appear across the project, with verses depicting street survival involving weapons and crew loyalty, echoing broader critiques of Southern and subgenres for embedding illegal acts as aspirational narratives. Even NBA YoungBoy, one of the collaborators, expressed reservations about the release, stating in a November 2022 Instagram Live that he opposed dropping the project because it could "promote" violent lifestyles, referencing his prior "stop the violence" pleas amid ongoing street conflicts. This internal critique underscores accusations that such content, while commercially successful, contributes to a cultural loop where real-world dangers are stylized for , influencing impressionable youth to emulate depicted hardness over . Defenders, including the artists themselves in past interviews, counter that the lyrics represent autobiographical realism drawn from their upbringings in high-crime areas like Baton Rouge and Savannah, where gang involvement and with weapons stem from environmental necessities rather than fabricated glorification. They argue this mirrors journalistic chronicling of harsh realities, not endorsement, akin to how earlier eras documented crack epidemics without inventing them. Empirical studies support a distinction between and causation: while lab experiments show violent lyrics can temporarily heighten aggressive thoughts in listeners, broader analyses find no direct link to rising rates, as in profiled communities predates the subgenres' popularity and persists independently of musical trends. Claims of correlation with "drill-related incidents" often rely on anecdotal proximity rather than rigorous stats, with free speech advocates emphasizing that artistic expression, even provocative, does not equate to absent explicit calls to action. Kentrell Gaulden, known as NBA YoungBoy, faced multiple federal indictments between 2021 and 2024, including a 2021 charge for possessing an unregistered firearm as a felon, which led to and delayed music promotions. In August 2024, he received an additional federal gun charge tied to a fraud scheme involving and across 63 counts. These cases culminated in guilty pleas, resulting in a 23-month prison sentence with credit for in December 2024, alongside a $25,000 fine for the fraud ring, severely limiting his capacity to tour or release new material amid ongoing requirements. Tyquian Bowman, performing as , pleaded guilty in August to conspiracy to possess and distribute marijuana as part of gang-related activities, drawing from federal investigations into drug trafficking networks. He was sentenced to 33 months in prison and a $40,000 fine in December , further complicating collaborative projects like "3860" by restricting his public appearances and recording opportunities. Such convictions underscore institutional scrutiny on artists whose personal conduct intersects with their professional output, raising questions about in sustaining careers built on street narratives. Ethical critiques highlight the potential for such music to erode personal responsibility among young listeners, with Gaulden himself acknowledging in 2023 that his work has exerted a negative influence, prompting calls for artists to prioritize moral guidance over provocation. Advocacy perspectives emphasize vulnerability, as fan bases skew toward adolescents aged 16-20, a demographic prone to emulating unfiltered depictions of hardship without contextual safeguards. Groups concerned with media effects argue this fosters a , where glorification of evasion from consequences diminishes incentives for lawful choices, though empirical causation remains debated amid confounding socioeconomic factors. Conservative commentators critique rap's frequent endorsement of high-risk behaviors as cultivating dependency on external excuses rather than , viewing it as a cultural vector that normalizes without imposing ethical reckoning on creators. In contrast, libertarian advocates defend the genre's raw expression as essential to free speech, cautioning against prosecutorial overreach like using as proxies for intent, which they see as eroding individual in favor of state . These debates pivot on whether artistic absolves performers from modeling , particularly when legal entanglements mirror the very cycles their platforms amplify.

Cultural Impact

Influence on Hip-Hop Subgenres

The mixtape 3860, released on November 25, 2022, exemplifies the raw, emotive delivery central to modern Southern , blending 's Rouge-rooted aggression with 's melodic Savannah flows. This hybrid approach, featuring auto-tuned hooks over sparse beats and occasional drill-like percussion, has reinforced stylistic elements in collaborative projects within the collective, prioritizing street authenticity over experimental production. Subsequent Baton Rouge acts, such as those affiliated with YoungBoy's label, have adopted similar rapid-fire cadences and confessional lyricism, evident in their adoption of producers from 3860 sessions for tracks emphasizing personal turmoil and resilience. In Savannah's scene, Rondo's contributions to the have echoed in local emerging rappers' emphasis on vulnerable narratives layered over instrumentation, fostering a regional that merges Georgia's melodic sensibilities with Louisiana's . This manifests in metrics like shared credits and stylistic in post-2022 releases, though critics argue the formulaic rawness limits subgenre beyond iterative . While 3860 did not pioneer trap-drill fusions, its commercial execution—16 tracks with minimal features—solidified the viability of unpolished, high-output collaborations, impacting subgenres by validating prolific, label-driven outputs that prioritize delivery intensity over sonic innovation. YoungBoy's own assessment of Rondo's superior skills underscores the project's role in elevating versatile flows within these hybrids, influencing artists to balance melody and aggression without veering into mainstream polish.

Broader Societal Discussions

The portrayal of interpersonal and gang affiliations in gangsta rap tracks has prompted debates on their contribution to , with empirical studies identifying correlations between such lyrics and youth emulation of criminal behaviors. Research analyzing rap's functions within gangs concludes that it facilitates conduct by glamorizing , thereby reinforcing cycles of retaliation observed in high-crime communities. Similarly, analyses of gangsta rap's thematic emphasis on link it to heightened black-on-black rates, suggesting a cultural beyond mere socioeconomic factors that perpetuates community instability. The 2020 U.S. surge, which saw rates increase by approximately 30% to 7.8 per 100,000 people—the sharpest single-year rise in decades—has intensified scrutiny of cultural influences like and , particularly as diss tracks amplified real-time conflicts mirroring song narratives. Statistical correlations between rising popularity in cities and elevated metrics further underscore potential causal pathways, challenging attributions solely to or policing disruptions. Opposing perspectives emphasize rap's role in economic uplift, as independent labels enable artists to amass wealth—exemplified by operations like , which have facilitated multimillion-dollar careers and entrepreneurial ventures, countering narratives that absolve individual agency in favor of structural determinism. Policy discussions reflect this tension, with proposals to ban or restrict lyrics glorifying violence facing First Amendment challenges, as seen in legislative efforts to limit their evidentiary use in trials while critics advocate parental oversight to mitigate media effects on delinquency. Public surveys consistently assign substantial blame to inadequate parental discipline for juvenile offenses, prioritizing family accountability over blanket media censorship.

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