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Alienoid

Alienoid (Korean: 외계+인 1부) is a 2022 South Korean written and directed by . The film features an ensemble cast including as the Taoist Mureuk, as the warrior Ean, as the alien Guard, as Detective Moon, as Madam Black, Jo Woo-jin as Mr. Blue, and as Jajang. It blends elements of fantasy, , and conflict, following two interconnected timelines: one set in the Dynasty where a Taoist seeks a legendary divine knife, and another in 2022 where alien enforcers pursue escaped prisoners hidden within human hosts. A mysterious time portal links these eras, leading to clashes between historical warriors, modern agents, and advanced robots. Released theatrically in on July 20, 2022, Alienoid runs for 142 minutes and was distributed by . It premiered to strong domestic box office performance, topping the Korean charts on its opening day with over 158,000 admissions and ultimately grossing approximately $11.2 million in . Internationally, it earned a limited U.S. release on August 26, 2022, generating $168,300 in . The film serves as the first installment in a planned series, with its sequel, Alienoid: The Return to the Future, released in 2024. Critically, Alienoid received positive reviews for its ambitious visuals, elaborate sequences, and fusion, earning an % approval rating from critics on based on 30 reviews. Audiences also praised its spectacle, with an 89% score from verified viewers, though some noted its complex and ending as divisive. Choi Dong-hoon's direction draws from his previous works like (2012), emphasizing high-stakes ensemble dynamics and innovative in a narrative that merges historical with sci-fi tropes.

Plot

Prologue: 1380 A.D.

In 1380 A.D., during the late Dynasty in , the prologue establishes the origins of the Divine Blade, a legendary sword endowed with mystical properties enabling time manipulation and travel. This artifact becomes the focal point of conflict among Taoist monks and other factions vying for its power. The narrative introduces Mureuk, a Taoist swordsman characterized by his clumsiness and initial , who pursues the Divine Blade to exploit its abilities. As Mureuk closes in on the sword, alien prisoners from an extraterrestrial race—whose criminals are incarcerated within human hosts on —flee their confinement by breaching a temporal door into this era. Their escape disrupts the historical setting, prompting immediate pursuit and capture attempts by human and robotic forces. A fierce erupts as various parties converge on the Divine Blade, including Mureuk, masked warriors, and the robots and Thunder, who materialize from the future to recapture the escaped . During the chaos, and Thunder eliminate the by slaying its host—a mother—leaving her infant daughter orphaned and later transported to the modern era. Mureuk intervenes decisively, wielding the Divine Blade to seal one of the aliens within it, demonstrating the sword's capacity to contain threats and foreshadowing a broader invasion. This event underscores the blade's dual role as both a mystical relic and a defensive tool against interdimensional incursions.

Modern Era: 2012–2022 A.D.

In the portion of Alienoid, the narrative unfolds in , centering on the efforts of guardians to contain dangerous prisoners on . The primary characters include Ean (played by ), a resourceful pilot tasked with safeguarding critical artifacts; Thunder (voiced by ), a multifunctional that shapeshifts and provides while enforcing containment protocols; and human ally Moon Do-seok (portrayed by ), who becomes entangled in the events through his investigations into bizarre incidents. The storyline traces events back to the baby Ean being transported from 1380, with fragments of the divine sword scattered across via time rifts from its shattering in the past, prompting a prolonged search amid rising threats from the Paro aliens, who have imprisoned their criminals by possessing human hosts as a form of exile. Guard (), Ean's partner in oversight, and Thunder patrol urban to prevent breaches, but the sword parts' locations draw opportunistic forces, including escaped isomorphs seeking to reassemble the artifact for their liberation. This quest intensifies human-alien interactions, with Ean navigating moral dilemmas over her protective duties and Do-seok allying with them after witnessing possessions that disrupt everyday life, such as a overtaking a civilian's body to pursue the fragments. Time travel activations occur via a pivotal "key" device, a compact artifact that opens unstable portals between eras, inadvertently pulling Goryeo-period figures—like and —into contemporary settings. These sequences generate widespread chaos, as medieval combatants clash with modern vehicles and technology in crowded cityscapes; for instance, a swordsman from 1391 materializes during a high-speed chase, mistaking Thunder for a demonic entity and sparking a multi-vehicle pileup. The intruders' confusion amplifies the disorder, forcing Ean and her team to contain both historical arrivals and opportunistic prisoners who exploit the rifts to evade capture. Central plot points revolve around the Paro prisoners' coordinated escape attempts, spearheaded by the cunning Controller, who manipulates possessed hosts to target the hidden within a vessel. The , essential for control, becomes a focal point of skirmishes, with Thunder deploying energy shields and disguises to thwart infiltrations at secure facilities. Partial activation of the reassembled divine sword—triggered during a climactic confrontation in an abandoned warehouse—unleashes temporal rifts that warp reality, overlaying landscapes onto Seoul's skyline and accelerating the prisoners' breakout. This escalation culminates in 2022's tense standoff, where Ean's piloting skills and Moon Do-seok's tactical insight converge to stabilize the anomalies, though lingering instabilities foreshadow further cross-era entanglements.

Goryeo Era: 1391 A.D.

In 1391 A.D., eleven years after the events of the 1380 prologue where the Divine Knife—a legendary time-bending —was shattered during a confrontation involving escaped aliens, the narrative shifts to the ongoing quest in the late Dynasty to reassemble its fragments. Mureuk has grown into a skilled flying swordsman, honing his abilities with the aid of magical talismans and two shape-shifting companions that transform into human allies during combat. Accompanied by his mentor Hwa-ryeong and rival factions of Taoists, Mureuk pursues the sword's pieces across feudal landscapes, driven by prophecies of its power to seal otherworldly threats. The era's conflicts escalate through intense battles against the escaped alien parasites, known as "Paro," which possess human hosts and wreak havoc in a bid for freedom from their robotic captors. Mureuk clashes with antagonists like the masked warrior Ja-jang, who seeks the Divine Knife for her own purposes, leading to choreographed fights blending and aerial maneuvers. These encounters are complicated by the arrival of time-displaced modern characters, including a sharp-shooting from the future who wields a , forging uneasy alliances amid the chaos of temporal intrusions. As the quest culminates, Mureuk attempts a final forging of the Divine Knife in a ritualistic effort to restore its full power, aiming to contain the alien menace. This partial success repels the immediate threat but leaves unresolved temporal rifts, hinting at lingering dangers and the aliens' potential resurgence across eras. The arc emphasizes themes of destiny and interdimensional warfare, resolving the first film's medieval conflicts while establishing setups for broader confrontations.

Cast and Crew

Cast

Alienoid features an of prominent South Korean actors, blending established stars with versatile performers to bring its time-spanning narrative to life. leads as Muruk, a swordsman in the era driven by a quest for the Divine . portrays Ean, an alien pilot whose mission centers on retrieving her daughter from a crashed while safeguarding advanced technology. plays Guard, the human disguise of Thunder, a protective robot designed to shield its young charge. appears as Moon Do-seok, a detective pursued by forces in the modern timeline. The supporting cast includes as Heug-seol (Madam Black), a formidable from the Samgaksan aiding in conflicts. Jo Woo-jin plays Cheong-woon (), another entangled in the pursuit of ancient artifacts. Kim Eui-sung as Jajang, a shaman involved in the quest for the divine sword. Ha-nee portrays Gae-in, a pregnant time-traveler from the future whose arrival complicates the unfolding events across eras. The ensemble nature of the casting draws on actors known for their , with director assembling a group of top talents for this genre-blending epic, though marking first-time collaborations for many in his .

Crew

directed and wrote Alienoid, drawing on his established reputation for blending genres, as seen in his 2012 film , which combined , and elements to achieve commercial success with over 12.9 million admissions. In Alienoid, Choi expanded this approach by integrating , fantasy, and across multiple timelines, resulting in a narrative that juxtaposes alien invasions with Goryeo-era swordplay and modern-day pursuits. His direction emphasized high-stakes action sequences and visual spectacle, contributing to the film's distinctive style that merges Eastern mysticism with Western sci-fi tropes. Cinematography: Kim Tae-kyeong. Editing: Shin Min-kyung. Jang Young-gyu composed the score, delivering a sci-fi orchestral soundtrack that incorporated electronic motifs for alien elements alongside traditional Korean instrumentation to underscore the historical sequences, creating an auditory bridge between the film's disparate worlds. His work, which built on prior collaborations with Choi such as Jeon Woo-chi: The Taoist Wizard, amplified the epic scale of battles and emotional stakes. The production was overseen by Caper Film, with a reported net production cost of 33 billion KRW (approximately $25 million USD) allocated to support the ambitious two-part saga's visual effects and set designs.

Production

Development and Pre-Production

The inception of Alienoid traces back to 2018, when director began developing the project after postponing his previous film, Wiretap, due to the lead actor's serious health issues. Motivated by a desire to explore underrepresented narratives, Choi drew inspiration from time-travel concepts and historical elements of the Dynasty, envisioning a story that intertwined ancient Taoist wizards with modern alien encounters and robotic elements. Choi penned the original screenplay himself, completing the first draft in approximately one year by 2019 after undergoing multiple revisions—around three to four drafts in total. Initially conceived as a single feature, the script's expansive scope, blending sci-fi action with fantasy and period drama, led to its restructuring as a two-part during development to accommodate the narrative's complexity and runtime. This genre fusion aimed to create a thrilling, time-bending that merged contemporary settings with Goryeo-era swordplay and threats. Pre-production commenced shortly after the initial scripting phase, with deliberations integrated into the to ensure character alignment. Key roles were assigned to actors including as the shaman Mureuk, as the warrior Ean, and as the alien Guard, with announcements highlighting their involvement prior to filming. Additional , such as the of Boy, involved auditions around 2020, selected based on the performer's natural fit. The planning phase faced significant hurdles from the , which disrupted logistical preparations and contributed to overall delays in the project's timeline spanning 2018 to 2022. allocation posed another challenge, with the film's VFX-intensive sequences requiring careful financial structuring; the total net production cost reached 33 billion won (approximately $25 million USD), necessitating strategies to balance ambitious visual demands against ticket sales targets exceeding 7 million admissions. These elements underscored the high-stakes for what would become one of South Korea's most costly sci-fi endeavors.

Filming

for Alienoid began in March 2020 and concluded in April 2021, spanning a total of 387 days to accommodate the simultaneous filming of both parts of the . This extensive schedule, exceeding 200 days on set, enabled Choi Dong-hoon to capture the film's intricate multi-timeline narrative in a cohesive manner. The production encountered significant challenges due to the , which caused multiple delays before commenced in late March; strict health protocols were enforced on set, occasionally pausing shoots to mitigate risks. Filming primarily occurred in , with key Goryeo-era sequences shot at historical sites such as Gyejeong, an annex of Dokrakdang House in , to authentically recreate the period's aesthetic. Weather conditions, including monsoons, further complicated outdoor action scenes in these locations. To bring the film's blend of historical and sci-fi elements to life, the crew utilized practical effects for dynamic fights, emphasizing physical in ensemble sequences involving multiple actors. Green-screen techniques were employed for fantastical elements like time portals and ships, allowing seamless integration of the dual eras. The production's dual-timeline structure demanded meticulous and set designs, with period attire and props contrasting sharply against modern settings to maintain visual clarity across the ensemble cast's coordinated action.

Visual Effects

The visual effects for Alienoid were led by Dexter Studios. Key techniques included full for the Thunder's transformations from a humanoid form to a and for the intricate designs, which featured bioluminescent features and otherworldly anatomies to emphasize their origins. Sword effects in the Goryeo-era sequences utilized a practical- hybrid approach, combining on-set wire work and with digital enhancements for enhanced fluidity and impact during combat scenes. A notable innovation was the seamless blending of historical accuracy—such as period-accurate architecture and costumes—with futuristic elements like energy shields and temporal distortions, achieved through meticulous and environment extensions. This integration was particularly optimized for sequences, allowing expansive time rift portals and large-scale battles to immerse audiences in the film's multitemporal world. The allocated a significant portion of its overall to VFX, underscoring the scale required to realize the ambitious sci-fi spectacle while complementing green-screen captures from .

Release and Distribution

Theatrical Release

Alienoid was released theatrically in on July 20, 2022, distributed by across 1,959 screens, including premium formats such as and to enhance the film's time-travel and action sequences. The film had its North American premiere as the closing film of the 21st on July 31, 2022, at the Asia Society's Lila Acheson Wallace Auditorium. It was also selected for screening at the 2022 in , further highlighting its international festival circuit presence. Internationally, Alienoid received limited theatrical releases in select Asian markets, including and on July 27, 2022, and in 2022, alongside a limited rollout in starting August 26, 2022, handled by . These distributions focused on key urban theaters, with additional releases in regions like and in 2022. Marketing efforts centered on trailers that showcased the film's time-travel spectacle, blending futuristic alien elements with Goryeo-era swordplay, as seen in official promotions by and Well Go USA. The campaign generated strong initial interest, contributing to the film's opening weekend gross of approximately $5.19 million in .

Home Media and Streaming

Following its theatrical release, Alienoid became available for streaming on worldwide starting December 28, 2022. In , the film received a release on Blu-ray and DVD in 2023, featuring bonus content such as behind-the-scenes documentaries and director commentary. By 2023, Alienoid expanded to international streaming platforms, including availability on in select regions.

Reception

Critical Response

Alienoid received mixed to positive reviews from critics, who frequently praised its ambitious and high-energy sequences while critiquing the film's intricate and often bewildering narrative structure. On , the film holds an 87% approval rating based on 30 critic reviews, with the consensus stating, "For viewers with the appetite to indulge its sheer spectacle, Alienoid is often an otherworldly feast." In contrast, assigns it a score of 54 out of 100 from seven reviews, indicating "mixed or " reception. Korean critics were somewhat more favorable, with Cine21 awarding an of 6.2 out of 10 from six professional reviewers. Much of the praise centered on the film's genre-blending prowess, merging , fantasy, , and time-travel elements into a visually dazzling spectacle. Roger Ebert's review highlighted the "elaborate (and expensive) magic trick" of its production design and set pieces, describing it as a "rush" that captivates despite its excesses. Similarly, Cinema Crazed lauded the "breathtaking" visuals and entertainment value, noting that the nearly 2.5-hour runtime "doesn't feel that long" due to its packed spectacle. Performances also drew acclaim, particularly Kim Tae-ri's portrayal of the fierce warrior Ean, which critics like those at High On Films described as a standout in blending " with Taoist fantasy" through her commanding presence. Criticism predominantly focused on the convoluted plot and timeline confusion, which many felt undermined the film's strengths. Simon Abrams of noted that the story is "as dorky and overstuffed as the plot tends to be," potentially alienating viewers who struggle to track its multiple threads across eras. HanCinema echoed this, praising individual elements like the visuals but concluding that the film "does not make much sense as a whole." Geek Vibes Nation pointed out the "lot of moving parts, not all of them work," attributing the narrative density to overambition. Post-sequel retrospectives from 2023 to 2025, following the release of in 2024, have offered a more nuanced view, with some critics suggesting the follow-up resolves lingering confusions from the first film, enhancing its conceptual boldness. For instance, a 2024 review in Film Combat Syndicate described the original as the start of a "time-blazing two-part " that gains clarity when viewed in tandem with its conclusion. Overall, the appreciates Alienoid's innovative risks and technical achievements, even if its narrative divides audiences.

Box Office Performance

Alienoid achieved a domestic gross of approximately 14 billion KRW (US$10.9 million) in , drawing 1,539,362 admissions. This figure represented a modest performance for a high-budget production, with the film's theatrical run in its home market concluding without substantial late surges. The majority of earnings came from the opening weeks, where it topped the charts briefly following its July 20, , release. Internationally, the film generated limited revenue, earning just $168,309 in through a limited release starting August 26, 2022. Overall worldwide gross was $12.1 million, falling short of the reported ₩30 billion (approximately $23 million) production budget, marking it as an underperformer relative to expectations for a star-studded sci-fi epic. No significant international expansions or re-releases contributed to additional earnings beyond initial markets like and , where totals remained under $50,000 combined. Several market factors influenced this outcome, including the ongoing post-COVID recovery in attendance, which limited audience turnout despite promotional hype around director Choi Dong-hoon's return after a seven-year hiatus. Intense competition from blockbusters such as Minions: The Rise of Gru and Thor: Love and Thunder further fragmented the audience during the summer season, preventing sustained momentum. Final figures were confirmed in 2023, with no notable re-releases or revivals reported through 2025.

Legacy

Sequel

Alienoid: Return to the Future serves as the direct sequel to the 2022 film Alienoid, written and directed by Choi Dong-hoon, and was released in South Korea on January 10, 2024, in formats including IMAX, 4DX, and ScreenX. The story picks up on the unresolved threads from the original, with characters traveling back to 2022 and the Goryeo period (circa 10th-14th centuries) to confront lingering threats and focus on rescuing souls trapped within alien technology. This continuation emphasizes the time-travel mechanics and interdimensional conflicts introduced in the first installment, aiming to tie together the sprawling narrative across historical and futuristic settings without resolving all elements in isolation. Key returning cast members reprise their roles, including as Muruk, as Thunder, and as Ean, bringing continuity to the ensemble's dynamic interactions amid the chaos of time jumps and battles. The production maintained the high-stakes visual style of the predecessor, blending , swordplay, and CGI-enhanced alien encounters to advance the toward on the central mystery.#tab=summary) Critics offered mixed responses to the , appreciating its ambitious scope, inventive action , and visual spectacle while critiquing the overly complex ting and pacing issues that sometimes overshadowed character development. On aggregate sites, it holds a 69% approval rating on based on limited reviews and a 6.5/10 average on from over 3,000 user ratings. Financially, the film grossed approximately 13.9 billion KRW (US$10.3 million) in its home market, underperforming relative to the franchise's substantial budget and positioning the two films as a cohesive yet commercially challenging two-part .#tab=summary) The sequel received a nomination for Best Supporting Actress (Yum Jung-ah) at the 60th in 2024. Its visual effects work by Dexter Studios won an award at the Special FX Festival in January 2025.

Accolades

Alienoid garnered recognition primarily for its technical accomplishments at major South Korean film awards ceremonies in 2022. At the 58th , the film won Best Art Direction for Ryu Seong-hie and Lee Ha-jun, praised for the intricate fusion of historical and futuristic set designs. It also secured Best for Je Gal-seung of Dexter Studios, highlighting the seamless integration of elements like creatures and time portals. The film received further nominations in technical categories at the 43rd , including Best Technical Award for Je Gal-seung's visual effects work. At the 31st , Alienoid was nominated for Best Technical Award (Je Gal-seung) and Best Supporting Actress (). Internationally, Alienoid earned two nominations at the 16th in 2023: Best Visual Effects for Jung Seung-oh and Best Costume Design for Ryu Hyun-min and Oh Jung-geun, underscoring its innovative production values. Overall, the film accumulated 2 wins and 8 nominations across 2022–2023 award seasons, with no significant accolades reported after 2024.

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