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Antithesis

Antithesis is a rhetorical and literary device that involves the juxtaposition of contrasting ideas, words, or phrases, often arranged in a balanced or parallel grammatical structure to emphasize opposition and heighten persuasive or artistic effect.^[1]^[2] The term originates from the Greek antitithenai, meaning "to place against," reflecting its core function of setting elements in direct contrast.^[2] In ancient Greek rhetoric, antithesis emerged as a key stylistic figure, with Aristotle describing it in his Rhetoric (circa 4th century BCE) as a method to clarify arguments through opposition, linking it to dialectical reasoning where a thesis meets its counterpoint.^[3] This device evolved through Hellenistic and Roman traditions, integrating philosophical elements from Stoicism, and persisted into Byzantine rhetoric as a tool for both invention and elaboration in oratory.^[3] By the classical period, it was taught as part of the five canons of rhetoric, particularly under elocutio (style), where it served to balance clauses and amplify emotional impact.^[3] Antithesis remains a staple in modern discourse, literature, and speeches for its ability to create memorable contrasts that reinforce themes or arguments.^[1] Notable examples include Barry Goldwater's 1964 Republican National Convention address: "Extremism in the defense of liberty is no vice, moderation in the pursuit of justice is no virtue," which parallels vice and virtue to underscore ideological commitment.^[1] In literature, William Shakespeare's Julius Caesar features Brutus's line: "Not that I loved Caesar less, but that I loved Rome more," contrasting loyalty to Caesar with devotion to Rome to justify the assassination.^[1] Biblical usage, such as in 2 Corinthians 3:6—"for the letter killeth, but the Spirit giveth life"—demonstrates antithesis in religious texts to contrast legalism with spiritual vitality.^[4] These applications highlight its versatility in enhancing clarity, rhythm, and persuasion across genres.

Etymology and Definition

Etymology

The word antithesis derives from the ancient Greek noun antíthesis (ἀντίθεσις), meaning "opposition" or "a setting against," formed from the verb antitíthēmi (ἀντιτίθημι), which combines antí (ἀντί, "against" or "in opposition to") and títhēmi (τίθημι, "to place," "to set," or "to put").^[5] This etymological structure underscores the rhetorical device's emphasis on juxtaposing contrasting elements to heighten emphasis or clarity. In classical Greek rhetoric, the term was employed as early as the 4th century BCE, notably in Aristotle's Rhetoric, where it describes a figure of speech that arranges parallel phrases or clauses in opposition to amplify persuasive effect. The concept entered Latin as antithesis through rhetorical treatises, influencing its adoption into European languages. The English term antithesis first appears in the Middle English period, with the Oxford English Dictionary recording its earliest use around 1450 in translations of theological and rhetorical texts, initially denoting philosophical opposition before broadening to literary contrast.^[5] By the Renaissance, it was firmly established in English rhetorical theory, as seen in works like Henry Peacham's The Garden of Eloquence (1577), which defines it as "the ioyning together of contrarie or repugnant wordes or phrases."

Core Definition

Antithesis is a rhetorical and literary device characterized by the juxtaposition of contrasting ideas, words, phrases, or clauses within a balanced or parallel grammatical structure to highlight opposition and create emphasis. This figure of speech, often referred to as contentio in Latin or antitheton in some classical contexts, derives its effect from the deliberate placement of opposites to sharpen clarity, persuasion, or emotional resonance in discourse.^[6]^[7]^[1] The core function of antithesis lies in its ability to exploit semantic or conceptual contrasts—such as antonyms, contraries, or opposing viewpoints—while maintaining structural symmetry, which makes the expression more memorable and rhetorically powerful. For example, it draws on the topic of invention known as "contraries," where proving one idea often involves negating its opposite through parallel phrasing. This parallelism not only reinforces the contrast but also aids in argumentation by making abstract differences concrete and vivid.^[6]^[1] In practice, antithesis serves to elevate ordinary statements into persuasive or poetic forms, as seen in Abraham Lincoln's observation: "It has been my experience that folks who have no vices have very few virtues," where the balanced opposition between vices and virtues underscores a philosophical insight on human nature. Unlike mere contradiction, antithesis requires this harmonious opposition to achieve its stylistic and intellectual impact, distinguishing it from related devices like oxymoron or paradox.^[6]^[1]

Rhetorical Usage

Characteristics

In rhetoric, antithesis is fundamentally a figure of speech that juxtaposes two contrasting or opposing ideas, often within parallel grammatical structures, to create balance and highlight their differences. This opposition is not merely oppositional but structurally balanced, typically involving clauses, phrases, or words of similar length and form to produce a rhythmic effect that aids memorability and persuasion. The device derives from the Greek term antitithenai, meaning "to place against," and serves to sharpen arguments by placing ideas in direct confrontation, making abstract concepts more concrete and impactful.^[8]^[9] Aristotle, in Book III of his Rhetoric, emphasizes the antithetical form's appeal due to its ability to facilitate quick comprehension, as the contrast throws one idea into relief against another, allowing the audience to seize the point promptly without excess elaboration. He illustrates this with examples such as "the peace common to all the rest was a war against the interests of Athens," demonstrating how antithesis generates vividness by partially shading one idea to spotlight the other. This characteristic makes antithesis particularly effective in deliberative and forensic oratory, where it heightens emotional engagement and logical precision.^[10] Cicero further refined antithesis in Roman rhetoric, integrating it into the canons of style (elocutio) to achieve grandeur (grandiloquentia) and emotional resonance, often employing it to present stark choices or convey the magnitude of contrasts in speeches like those against Catiline. For instance, his use of balanced oppositions, such as "not only... but also" constructions, underscores moral dilemmas and reinforces persuasive force without overwhelming the listener. Overall, antithesis's rhetorical power lies in its economy: it distills complex oppositions into concise, harmonious expressions that enhance rhythm, underscore irony or paradox, and foster audience reflection, distinguishing it from mere parallelism by its inherent tension.^[2]^[11]

Literary and Oratorical Examples

Antithesis has been a staple rhetorical device in literature since ancient times, employed to heighten dramatic tension, underscore thematic contrasts, and illuminate character motivations through the juxtaposition of opposing ideas. In prose and poetry, authors often structure antithetical phrases with parallel syntax to amplify their impact, creating memorable lines that encapsulate broader philosophical or social tensions. For instance, in Charles Dickens' A Tale of Two Cities (1859), the opening passage famously declares: "It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity." This series of antitheses mirrors the novel's exploration of revolutionary upheaval in England and France, contrasting prosperity with chaos to set a tone of profound duality.^[12] William Shakespeare masterfully wielded antithesis to delve into human psychology and moral ambiguity. In Hamlet (c. 1600), the titular character's soliloquy begins with the iconic line: "To be, or not to be: that is the question," pitting existence against oblivion in a meditation on suicide and endurance. This antithesis not only propels the play's central dilemma but also employs cognitive contrast to engage audiences with the soliloquy's philosophical depth. Similarly, in Macbeth (c. 1606), the witches' chant "Fair is foul, and foul is fair" inverts moral categories to foreshadow the tragedy's theme of deceptive appearances and ethical inversion.^[13]^[14] In Othello (c. 1603), Emilia's defense of Desdemona heightens moral contrast through: "O! the more angel she, / And you the blacker devil," juxtaposing purity and malevolence to challenge Othello's tragic error. These examples illustrate Shakespeare's use of antithesis to drive plot and reveal inner conflict.^[12]^[15] Poetry offers concise yet potent antitheses that encapsulate universal truths. Alexander Pope's An Essay on Criticism (1711) states: "To err is human; to forgive, divine," balancing human frailty against transcendent mercy in a couplet that underscores the poem's advocacy for compassionate judgment. Likewise, in William Blake's "The Clod and the Pebble" (from Songs of Experience, 1794), love is antithetically portrayed as selfless in the clod's view—"builds a Heaven in Hell's despair"—versus selfish in the pebble's—"builds a Hell in Heaven's despite"—to critique romantic idealism. Oscar Wilde, in his epigrammatic style, quipped in The Picture of Dorian Gray (1890): "Some cause happiness wherever they go; others whenever they go," using antithesis to satirize social superficiality.^[16]^[17]^[12] In oratory, antithesis serves to persuade and inspire by crystallizing choices or ideals in stark opposition, often within parallel structures for rhythmic emphasis. Patrick Henry's 1775 speech to the Virginia Convention culminates in: "Give me liberty or give me death," framing colonial independence as an existential binary to rally support for revolution. This device, rooted in classical rhetoric, amplifies urgency and moral clarity. John F. Kennedy's 1961 Inaugural Address employs it memorably: "Ask not what your country can do for you—ask what you can do for your country," inverting civic duty to foster national unity amid Cold War tensions.^[18]^[19] Abraham Lincoln's Gettysburg Address (1863) uses antithesis to honor sacrifice and affirm democratic resilience: "The world will little note, nor long remember what we say here, but it can never forget what they did here," contrasting ephemeral words with enduring deeds to elevate the Union's purpose. Martin Luther King Jr.'s "I Have a Dream" speech (1963) draws on biblical echoes for: "We must learn to live together as brothers or perish together as fools," opposing harmony and destruction to advocate civil rights. Neil Armstrong's 1969 moon landing transmission—"That's one small step for man, one giant leap for mankind"—antithetically scales personal achievement against collective progress, marking a historic milestone. These oratorical instances demonstrate antithesis's power to mobilize audiences through concise, oppositional framing.^[20]^[18]^[16]

Biblical Context

Antitheses in the Gospel of Matthew

The Antitheses form a central section of the Sermon on the Mount in the Gospel of Matthew, specifically Matthew 5:21–48, where Jesus presents a series of contrasts between traditional interpretations of the Mosaic Law and his own authoritative teachings.^[21] These passages are structured around the recurring formula "You have heard that it was said to those of ancient times" (referring to scriptural commandments or common Jewish interpretations) followed by "But I say to you," which introduces Jesus' escalation or reinterpretation of the law's intent.^[22] Scholars identify six distinct antitheses, each addressing ethical and relational dimensions of righteousness, emphasizing internal attitudes over mere external compliance.^[23] This structure underscores Jesus' role as the fulfillment of the Torah (Matthew 5:17), not its abrogation, while asserting his eschatological authority to clarify its deeper meaning.^[21] The first antithesis, on murder and anger (Matthew 5:21–26), contrasts the prohibition against killing (Exodus 20:13) with Jesus' extension to include unrighteous anger, insults, and unresolved conflicts, equating them to murder in their potential for judgment.^[24] He urges immediate reconciliation, even prioritizing it over temple offerings, to highlight relational harmony as essential to righteousness.^[23] The second, concerning adultery and lust (Matthew 5:27–30), builds on the commandment against adultery (Exodus 20:14) by prohibiting lustful gazes, describing them as adultery in the heart; Jesus employs hyperbolic imagery, such as cutting off a hand or plucking out an eye, to stress radical avoidance of sin's root causes.^[24] This is followed by a brief note on divorce (Matthew 5:31–32), which limits permissible grounds to sexual immorality (porneia), viewing remarriage otherwise as adulterous, thus tightening Mosaic allowances (Deuteronomy 24:1–4).^[23] The remaining antitheses shift toward broader social ethics. On oaths (Matthew 5:33–37), Jesus counters prohibitions against false swearing (e.g., Leviticus 19:12) by advocating simple yes-or-no speech, deeming all oaths unnecessary and potentially evasive, to foster unswerving integrity.^[24] The fifth addresses retaliation (Matthew 5:38–42), rejecting the lex talionis principle of "eye for eye" (Exodus 21:24) in favor of nonresistance—turning the other cheek, giving cloaks, and going the extra mile—modeling generosity amid injustice.^[23] Finally, the sixth antithesis on love for enemies (Matthew 5:43–48) expands the command to love one's neighbor (Leviticus 19:18) by including love for enemies and prayer for persecutors, imitating God's impartial provision for the just and unjust, culminating in the call to "be perfect, as your heavenly Father is perfect."^[22] Interpretations of these antitheses vary among scholars. Some view them as intensifications of the law's demands, targeting superficial Pharisaic or Qumranic applications to promote a "higher righteousness" (Matthew 5:20), while others see elements of revision or even revocation, particularly in the later sections, as Jesus establishes a new ethical framework aligned with the kingdom of heaven.^[21] For instance, the use of composite scriptural citations and expansions from external acts to internal dispositions reflects halakhic argumentation techniques common in first-century Judaism, positioning Jesus as a authoritative interpreter who transcends traditional exegesis without nullifying the Torah.^[24] This enigmatic tension—affirming the law's permanence (Matthew 5:18) while correcting its application—highlights the antitheses' role in portraying Jesus as the new Moses, delivering a renewed covenant from the mountaintop.^[22]

Interpretations and Significance

The antitheses in Matthew 5:21–48 represent a pivotal section of the Sermon on the Mount, where Jesus articulates a series of contrasts between traditional interpretations of the Mosaic law and his own authoritative teachings, emphasizing a deeper, internalized righteousness. Scholars interpret these six statements—addressing anger and murder (5:21–26), lust and adultery (5:27–30), divorce (5:31–32), oaths (5:33–37), retaliation (5:38–42), and love for enemies (5:43–48)—as illustrations of Jesus' fulfillment of the Torah rather than its abolition, as stated in the preceding foundational declaration (Matthew 5:17–20). This fulfillment involves intensifying the law's ethical demands to target the heart's intentions, transforming external prohibitions into calls for spiritual transformation; for instance, equating anger with murder and lust with adultery underscores that true obedience begins inwardly, surpassing the superficial righteousness of the scribes and Pharisees.^[25]^[22]^[26] Theologically, the antitheses employ halakhic argumentation, a Jewish interpretive method, to reveal the Torah's true intention as divine perfection and holistic love, positioning Jesus as the ultimate interpreter akin to a new Moses. Eric D. Huntsman notes that the first three antitheses expand prohibitions from the Ten Commandments, while the latter three reform permissions, collectively guiding disciples toward maturity (teleios, Matthew 5:48) through heart-level adherence rather than legalistic compliance. Francois P. Viljoen highlights how this structure counters contemporary Jewish understandings, demanding a righteousness that internalizes the law (e.g., limiting divorce to cases of porneia and rejecting oaths to foster unswerving truthfulness), thereby distinguishing Jesus' followers in a persecuted context. Andries G. van Aarde emphasizes the antitheses' role in affirming the law's enduring validity until the eschaton, encouraging the Matthean community to embody this heightened ethic amid opposition.^[25]^[22]^[26] The significance of these antitheses extends to their foundational impact on Christian ethics and soteriology, serving as a template for discipleship that prioritizes reconciliation, purity, and non-retaliatory love, even toward adversaries. By linking old covenant precepts to gospel imperatives, they underscore Jesus' divine authority to reinterpret scripture, fostering a community ethic of radical obedience that anticipates kingdom perfection. This framework has influenced patristic and modern theology, reinforcing themes of repentance and grace, as the unattainable ideal of the antitheses reveals human inadequacy and the need for divine empowerment.^[25]^[22]^[26]

Philosophical Applications

Dialectical Framework

In the dialectical framework of philosophy, antithesis represents the second stage of the dialectical process, where an initial concept or thesis encounters its inherent contradictions and transitions into its opposite, revealing the limitations of the original position. This negation is not arbitrary but arises necessarily from the internal instability or one-sidedness of the thesis, as the concept develops through self-contradiction. In Georg Wilhelm Friedrich Hegel's system, this phase is termed the "dialectical" or "negatively rational" moment, emphasizing the role of opposition in advancing thought toward a higher unity.^[27] Hegel's dialectic operates as a triadic movement: an affirmative thesis gives way to a negating antithesis, which is then resolved in a synthesizing third moment known as Aufhebung (sublation), where the opposition is both preserved and transcended. The antithesis functions as the "setting over against" (entgegensetzen) of the thesis, exposing its abstractness or incompleteness by embodying what the thesis excludes or denies. For instance, in Hegel's Science of Logic, pure Being as the initial thesis—empty of all determination—immediately passes over into Nothing as its antithesis, since Being without content is indistinguishable from non-being; this contradiction then resolves into Becoming, the dynamic synthesis.^[27]^[27] This framework underscores the immanent logic of concepts, where antithesis drives progress by dialectically negating the prior stage without external imposition. Hegel describes this as the concept's "self-sublation," wherein the antithesis cancels the thesis while retaining its essential content in a more concrete form. A common misconception attributes to Hegel the rigid formula of "thesis-antithesis-synthesis," but as philosopher Gustav E. Mueller clarified, Hegel avoided these exact terms, using instead a fluid process of determination, dialectical reversal, and speculative unity to avoid implying mechanical opposition.^[27] Beyond Hegel, the dialectical framework influenced subsequent thinkers, such as Karl Marx, who adapted it into historical materialism. Here, antithesis manifests in class struggles, where the thesis of bourgeois society negates itself through proletarian opposition, leading toward a synthesized communist order—though Marx emphasized material conditions over pure ideality. This extension highlights antithesis as a motor of historical change, rooted in concrete antagonisms rather than abstract logic.

Key Philosophers and Concepts

In philosophical applications, antithesis functions primarily as a mechanism of opposition within dialectical reasoning, highlighting contradictions that propel conceptual development toward higher synthesis. This usage traces back to Immanuel Kant's Critique of Pure Reason (1781/1787), where he introduces the antinomies of pure reason as paired arguments of thesis and antithesis that expose the limits of speculative metaphysics.^[28] In the first antinomy, for instance, the thesis posits the world as finite in space and time, while the antithesis asserts its infinity, demonstrating reason's inevitable conflict when applied beyond sensory experience.^[28] Kant resolves these oppositions through transcendental idealism, arguing that both sides hold in the realms of appearances and things-in-themselves, respectively, thus preventing dogmatic assertions about the noumenal world.^[28] Building on Kant, Johann Gottlieb Fichte formalized the triadic structure of thesis-antithesis-synthesis in his Wissenschaftslehre (1794/95), marking a pivotal advancement in post-Kantian idealism. Fichte's dialectic begins with the absolute I positing itself as thesis, encountering an external check (Anstoß) as antithesis in the form of the non-I, which limits self-consciousness and introduces finitude.^[29] This opposition resolves in a synthesis where the I recognizes its freedom through reciprocal limitation, establishing ethical and intersubjective relations—such as the summons from another I—as foundational to selfhood.^[29] Fichte's method emphasized practical reason over Kant's theoretical antinomies, influencing subsequent German Idealists by framing antithesis not as mere contradiction but as a productive force for moral autonomy.^[29] Georg Wilhelm Friedrich Hegel refined these ideas in his dialectical logic, as outlined in the Encyclopedia Logic (1817) and Science of Logic (1812–1816), where antithesis emerges as the "negatively rational" moment that negates the one-sidedness of an initial concept (thesis).^[27] Unlike Fichte's explicit terminology, Hegel's process involves three moments—abstract understanding (fixing a concept), dialectical negation (antithesis revealing its instability), and speculative unity (synthesis via Aufhebung, or sublation, which preserves and elevates the opposites).^[27] A classic example is the transition from Being (thesis) to Nothing (antithesis), resolving in Becoming, illustrating how antithesis drives historical and logical progress toward absolute spirit.^[27] Hegel's approach critiqued Kant's resolution as overly subjective, applying dialectics to reality itself and influencing later thinkers like Karl Marx, who adapted it into materialist terms for social analysis.^[27] Central concepts in these philosophical uses include negation (as determinate opposition rather than mere cancellation) and sublation (Aufhebung), which encapsulate antithesis's role in conserving contradictions while transcending them.^[27] In Fichtean terms, the check (Anstoß) represents antithesis as an empirical spur to idealism's infinite striving, while Kant's antinomies underscore dialectical illusion—reason's tendency to generate irresolvable antitheses from transcendental principles.^[28] These elements collectively establish antithesis as a cornerstone of dialectical philosophy, enabling the reconciliation of opposites in ethics, logic, and history.^[29]

References

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Glossary of Rhetorical Terms | University of Kentucky College of Arts ...
Roosevelt. *Aeschines, Against Ctesiphon 198. Antithesis: opposition, or contrast of ideas or words in a balanced or parallel construction. *Extremism in ...
[2]
Rhetorical Terms - Dickinson College Commentaries
antithesis: literally 'a placing against'; the (balanced) juxtaposition ... praeteritio: a Latin term that means 'passing over'; as a rhetorical figure ...Missing: definition | Show results with:definition
[3]
Theory and teaching of rhetorical antithesis in Greece from ... - Cairn
The history of the theorisation of the antithesis shows joint contributions of both Philosophy and Rhetoric. The Aristotelian definition of the antithesis ...
[4]
Linguistics 230 - Rhetorical Figures
Nov 19, 1998 · ANTITHESIS: words or phrases that contrast in meaning. "for the letter killeth,. but the Spirit giveth life" (2 Cor 3:6). AUXESIS: a series ...
[5]
https://www.oed.com/dictionary/antithesis_n?tl=true
[6]
antithesis - Silva Rhetoricae - BYU
Antithesis is the juxtaposition of contrasting words or ideas, often in parallel structure, related to contraries.
[7]
RHETORICAL TERMS | Dickinson College Commentaries
antithesis: literally 'a placing against'; the (balanced) juxtaposition of contrasting ideas. Etymology: from Greek antitithenai, 'to place (tithenai) ...
[8]
Definition and Examples of Antithesis in Rhetoric - ThoughtCo
Mar 17, 2019 · Antithesis is when opposite ideas are placed together to highlight their differences. · Famous quotes and literature often use antithesis to ...<|control11|><|separator|>
[9]
Antithesis - Definition and Examples | LitCharts
For example, "love is the antithesis of selfishness." This guide focuses only on antithesis as a literary device. The word antithesis has its origins in the ...Antithesis Definition · Antithesis Examples · Antithesis Function
[10]
https://classics.mit.edu/Aristotle/rhetoric.3.iii.html
[11]
[PDF] PECULIARITIES OF THE ANTITHESIS IN THE LITERARY TEXT
Antithesis is a stylistic device of contrast, creating sharp contrasts of concepts, positions, and images, using antonyms and other oppositions.
[12]
The cognitive potential of antithesis: 'To be, or not to be' in Hamlet's ...
Aug 9, 2025 · This paper investigates the working of antithesis in Shakespeare's most famous soliloquy “To be, or not to be” and its three Ukrainian ...
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What is antithesis? A guide with examples - Semantix
Antithesis in speeches · “That's one small step for a man – one giant leap for mankind” – Neil Armstrong, 1969 · “We must learn to live together as brothers or ...
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How to Use Antithesis in Your Writing: Definition and Examples of ...
Sep 29, 2021 · As a rhetorical device, antithesis pairs exact opposite or contrasting ideas in a parallel grammatical structure. Consider William Shakespeare's ...
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Antithesis Examples, Definition, and Meaning - Fictionary
Jun 6, 2024 · A Tale of Two Cities by Charles Dickens ... It would be remiss of me not to start with the most famous example of antithesis in literature because ...
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Feb 20, 2019 · "The sunlight that brought light and healing to you has brought stripes and death to me." – Frederick Douglass, using antithesis in his powerful ...
[17]
[PDF] Inaugural Address: The Use of Rhetoric to - Bemidji State University
He said, "ask not what your country can do for you, but what you can do for your country." This is an example of how powerful antithesis can be.
[18]
A brief literary linguistic analysis of the Gettysburg Address
Jan 19, 2025 · Antithesis: "The world will little note, nor long remember what we say here, but it can never forget what they did here".
[19]
The Enigma of the Antitheses | New Testament Studies
Mar 8, 2023 · Matthew does something similar when he introduces the revisionist Antitheses with a programmatic statement about the unchangeableness of the Law ...
[20]
Jesus' halakhic argumentation on the true intention of the law in ...
In this article I argue that the author of the first Gospel presents Jesus' antithetical arguments about the meaning of the Torah (Mt 5:21−48) to demonstrate ...
[21]
None
### Summary of Antitheses in Matthew 5:21-48
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https://verbumetecclesia.org.za/index.php/ve/article/view/682/1228
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The Six Antitheses - BYU Religious Studies Center
A thesis, or proposition, was met with an antithesis, or counterproposition. Through reasoned discussion, the goal was to arrive at a synthesis, or compromise, ...
[24]
[PDF] The foundational statement in Matthew 5:17-20 on the continuing ...
The antitheses that follow in Matthew 5:21-47, demonstrate this interpretation of the meaning of the law.
[25]
Hegel's Dialectics - Stanford Encyclopedia of Philosophy
Jun 3, 2016 · On this reading, Being is the positive moment or thesis, Nothing is the negative moment or antithesis, and Becoming is the moment of aufheben or ...Hegel's description of his... · Applying Hegel's dialectical... · Bibliography
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Kant’s Critique of Metaphysics (Stanford Encyclopedia of Philosophy)
### Summary of Kant's Antinomies and Their Relation to Antithesis or Dialectical Opposition
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Johann Gottlieb Fichte (Stanford Encyclopedia of Philosophy)
### Summary of Fichte's Dialectical Method and Thesis-Antithesis-Synthesis