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Bender

Bender may refer to a slang term, a fictional character, a place name, musical works, or various other uses. For further details, see the relevant sections below.

Slang

Drinking binge

In slang usage, a "bender" refers to a prolonged episode of excessive consumption, typically lasting several days and involving repeated , in contrast to a single instance of heavy drinking known as a . This pattern often includes periods of passing out followed by resuming drinking upon waking, leading to a of impaired judgment and physical depletion. The term originated in mid-19th-century , with the earliest recorded uses around , deriving from a sense of the verb "bend" meaning to drink heavily or indulge in a spree. Its is uncertain but commonly linked to the repetitive motion of bending the to raise a , emphasizing the aspect of sustained imbibing. By the early , "bender" had become widespread in and vernacular to describe such extended sprees, often implying a temporary from . The slang appears in various works of literature and media depicting alcohol-fueled escapades, such as in ' The Pickwick Papers (1836), where characters engage in multi-day revelries akin to early uses of the term, though not explicitly named as such until later. In modern media, it features prominently in the 1945 film , which portrays a writer's desperate four-day drinking binge in , highlighting the term's association with self-destructive excess. Benders carry significant health risks, including acute alcohol poisoning, severe hangovers, and , as well as long-term dangers like liver damage and increased susceptibility to . Socially, they can lead to relationship breakdowns, job loss, and legal issues due to impaired . According to the Centers for Control and Prevention, as of 2024 binge drinking—a core component of benders—occurs among approximately 57 million U.S. adults monthly, contributing to over 178,000 annual deaths from excessive use.

Derogatory term

In , "bender" functions as an offensive and derogatory term for a homosexual man, originating in mid-20th-century gay subculture. The word likely derives from "bent," an adjective recorded by the as early as 1959 to describe someone homosexual, implying moral corruption or deviation from heteronormative "straightness." This usage positioned "bender" as a noun form, evoking stereotypes of physical or behavioral "bending" associated with same-sex activity. From the through the , "bender" appeared in and , often normalizing homophobia through casual insults in TV shows and stand-up routines. Slang lexicographer Tony Thorne recalls it as a common generational slur alongside "poofter," used in playground taunts and comedic sketches that perpetuated anti-gay sentiment during an era of widespread societal stigma. The term's prevalence waned in the amid rising LGBTQ+ , including efforts and cultural shifts toward inclusivity, rendering it largely archaic and taboo today. Its lingering cultural impact manifests in contemporary backlash, such as the 2012 rebranding of the American indie band to after UK fans highlighted the slur's offensiveness, sparking debates on global linguistic sensitivity. This incident underscores "bender's" role in broader patterns of English evolution, where outdated homophobic terms face scrutiny in diverse contexts.

Fictional characters

John Bender

John Bender is the archetypal "criminal" character in the 1985 coming-of-age film , portrayed by as an arrogant, swaggering tough guy with a rebellious demeanor. He exhibits traits of , defiance, and verbal aggression, often using his wit as a weapon to challenge authority and peers alike, while concealing a deeper vulnerability shaped by personal hardships. Iconic lines like "Does know that you raid his wardrobe?" exemplify his sharp-tongued mockery, directed at the more affluent students during their shared detention. In the film's plot, Bender serves as a catalyst for among the five detained high school students, breaking the initial silence through provocative interactions that force others to confront their stereotypes. His family background reveals a , including physical punishment from his father—such as a burn for spilling —which fuels his behavior and leads to his eight-week for . Throughout the detention, Bender's progresses from isolated antagonism to reluctant ; he shares his vulnerabilities, distracts the vice principal to aid the group, and forms a tentative romantic connection with Claire Standish, culminating in a symbolic that signifies budding . Created by writer-director John Hughes, Bender embodies 1980s teen stereotypes of the working-class rebel, drawing from Hughes' observations of suburban youth cliques to critique social divisions. Hughes encouraged improvisational collaboration on set, allowing Nelson's to infuse the role with authentic edge, nearly leading to the actor's dismissal for staying in character off-camera. Bender's cultural legacy endures through his influence on portrayals of troubled antiheroes in media, with memorable quotes like his Christmas gift monologue about abuse echoed in parodies such as Family Guy's "The Breakfast Bunch" episode, where Tony the Tiger delivers a similar line. The character's name inspired the robot Bender in Futurama.

Bender Bending Rodríguez

Bender Bending Rodríguez is a fictional robot character from the animated science fiction sitcom Futurama, designed as a Bending Unit 22 manufactured by Mom's Friendly Robot Company in Tijuana, Mexico, in the year 2996. Intended for industrial tasks such as bending girders and pipes into specified angles, Bender's primary function was quickly abandoned in favor of criminal activities, hedonistic pursuits, and comedic misadventures as a delivery crew member for Planet Express. His serial number is 2716057, and he lacks a standard backup unit, making him uniquely vulnerable to permanent data loss—a defect overlooked during quality inspection by bureaucrat Hermes Conrad. Bender exhibits a brash, misanthropic personality marked by , (with serving as his primary fuel source), and profound self-loathing, often expressing disdain for while forming unlikely bonds. Voiced by actor since the series' debut, his gravelly delivery amplifies these traits, delivering iconic catchphrases like "Bite my shiny metal ass!" as retorts to annoyance or defeat. Despite his abrasive demeanor, Bender occasionally reveals vulnerability, such as in moments of existential doubt about his purpose as a machine. In the show's lore, Bender's factory origins tie into his defective nature, revealed in episodes exploring his past, where he grapples with being an unintended creation without essential safeguards. He forms a central with human delivery boy , whom he meets on December 31, 2999, while both wait in line for a suicide booth; their bond endures through shared escapades, with Fry providing Bender emotional support amid his self-destructive tendencies. Key adventures highlight this dynamic, such as in the episode "The Lesser of Two Evils," where Bender encounters his near-identical counterpart Flexo, leading to jealousy, mistaken identities, and a heist gone awry that tests their loyalty. Bender's character has driven significant cultural impact, inspiring merchandise like action figures, apparel, and collectibles that emphasize his cigar-chomping, bottle-wielding persona. He appears in , including the 2008 Futurama: Bender's Game, a fantasy where he role-plays as a , and a 2023 Fortnite collaboration featuring Bender as a playable alongside Fry and Leela. The 2020s revival on , including seasons 11 and 12 (2023–2024) and the binge-released season 13 premiering September 15, 2025, further explores Bender's "" through plots delving into his emotions and identity, with 20 additional episodes planned through 2026. His name pays homage to John Bender, the rebellious character from the 1985 The Breakfast Club.

Ostap Bender

Ostap Bender is a charismatic con artist and antihero central to the satirical novels The Twelve Chairs (1928) and The Golden Calf (1931) by Soviet authors Ilya Ilf and Yevgeny Petrov. Portrayed as a witty, eloquent, and resourceful trickster, Bender embodies opportunism and disdain for bureaucratic constraints, pursuing wealth through elaborate scams in the chaotic landscape of 1920s Soviet Russia. In the first novel, he partners with the down-on-his-luck nobleman Ippolit Vorobyaninov to hunt for hidden diamonds; in the sequel, he assembles a ragtag crew including Shura Balaganov to target the underground millionaire Koreiko Koreiko, only to navigate a web of betrayals and absurdities. His sharp humor and disdain for ideological conformity make him a picaresque rogue, often compared briefly to figures like Ostap Veresayev in world literature for his blend of charm and cynicism. The character's literary origins lie in Ilf and Petrov's collaboration, drawing partial inspiration from real-life criminals encountered by Petrov during his stint as an investigator, infused with Odessan wit to critique Soviet society's hypocrisies. Bender's escapades satirize the era's contradictions, exposing greed, inefficiency, and the clash between individual ambition and collectivist ideals through exaggerated, humorous vignettes that function as an "" of contemporary . Initially celebrated for their bold humor, the novels faced postwar bans as anti-Soviet libel before being rehabilitated during the as exemplars of permissible , though later critiques accused them of complicity with Stalinist conformity. Bender has inspired numerous adaptations across film, theater, and international translations, cementing his versatility as a cultural . Key Soviet-era versions include Mikhail Shvaytser's 1968 The Golden Calf and Leonid Gaidai's 1971 The Twelve Chairs, both praised for capturing the novels' comedic timing and social commentary. More recent efforts feature the 2021 Russian prequel trilogy directed by Igor Zaytsev, beginning with Bender: The Beginning—set in 1919 and exploring Bender's formative years—and continuing with Bender: Gold of the Empire, which follows his pursuit of imperial treasure amid revolutionary turmoil, and concluding with Ostap Bender: The Final Hustle, in which young Ostap and Bender seek a golden rod hidden in one of three coffins while facing rivals. Bender endures as an icon of Russian satirical humor, with his catchphrases like "the millionaire Koreiko" embedded in everyday language and , influencing modern media from to branding. Monuments to the character dot cities, symbolizing his status as a quintessential Soviet , while his legacy persists in 2025 amid geopolitical tensions, such as efforts to deem references to novel elements like Lieutenant Schmidt as .

Places

Bender, Moldova

Bender, also known as Tighina, is a city situated on the right bank of the River in the eastern part of , within the internationally recognized territory of the country but under the de facto control of the unrecognized Pridnestrovian Moldavian Republic (). The city serves as a major urban center in the region, with a population of approximately 91,000 as of the 2015 census. Its demographics reflect the multi-ethnic character of Transnistria, featuring a mix of , , and , shaped by historical migrations and Soviet-era policies. The city's origins trace back to a medieval Genoese settlement, but it was significantly developed in 1538 when Ottoman Sultan conquered the area from the and rebuilt the local fortress in stone, renaming the town Bender. Bender played a pivotal role in the of the 18th and 19th centuries, enduring multiple sieges, including the notable 1770 assault by Russian forces under Count Petr Ivanovich Panin, which highlighted its strategic importance as a fortress town. During the Soviet era, as part of the , Bender grew as an industrial hub with a diverse population, benefiting from centralized planning and efforts that increased the presence of Russian and Ukrainian communities. The 1992 marked a turning point, with intense fighting in Bender from June 19 to 21, where Russian intervention on the side of Transnistrian forces led to a Moldovan withdrawal and the city's effective incorporation into the breakaway entity, culminating in a that established separation. Today, Bender functions as a key administrative and economic hub in , second only to the capital , with its economy heavily reliant on Russian subsidies, particularly for energy supplies. The cutoff of Russian deliveries effective January 1, 2025—following the expiration of the Ukraine transit deal on December 31, 2024—has triggered an ongoing , leading to industrial shutdowns, an economic emergency declaration in June 2025, and heightened budgetary shortfalls. This has prompted appeals for financial aid from and strained local resources, while the EU has provided a €250 million aid package to in 2025 to counter the crisis and support reintegration efforts. 's progress toward EU integration, including candidate status in 2022 and accession negotiations starting on June 25, 2024, has indirectly pressured the region through enhanced Western aid to Chisinau—totaling €1.9 billion planned for 2025-2027—and diplomatic efforts to resolve the , though Russian hybrid threats continue to complicate reintegration prospects. This broader Moldova-Transnistria dispute underscores Bender's precarious geopolitical position. Bender is renowned for its cultural and historical sites, most prominently the Bender Fortress, a well-preserved 16th-century structure designed by architect , featuring robust ramparts, towers, and casemates that once defended against invasions. The fortress now houses a historical museum showcasing artifacts from its Genoese, , and Russian periods, alongside a museum of medieval torture instruments that illustrates the site's role in regional conflicts. These attractions, combined with memorials to the 1992 war, emphasize Bender's enduring significance as a symbol of contested heritage in .

Bender in the United States

, is a located in Laurens County in . It originated as a rural settlement in the late , with a established on November 18, 1891, and discontinued on August 31, 1905, after which mail was redirected to the nearby town of . The community likely derived its name from local settlers bearing the surname Bender, a common German-American family name brought by 19th-century immigrants to the American South during waves of European migration seeking agricultural opportunities. In , Bender refers to an unincorporated community in Kay County, situated near the town of Newkirk in the northern part of the state. This small rural locale emerged amid 19th-century pioneer expansion into the , again tied to Bender family homesteads established by descendants migrating westward via land grants and railroad development. Local landmarks may include remnants of early Bender family farms, reflecting the agrarian roots of such settlements. Historical Bender in , was a defunct community associated with early industrial development in the area during the late 1800s. Named for Charles Bender, a immigrant who acquired a and townsite around 1886 to support operations, it functioned as a with a commissary and worker housing before fading into obscurity as nearby Humble grew with the . These U.S. places named Bender typically arose from 19th-century activities, embodying history through farming, milling, and community building in rural frontiers. As of 2025, all these Bender locations remain rural or entirely vanished, with negligible populations—Bender, , and Bender, , having no recorded residents, while Bender, , supports only a handful of households amid Kay County's sparse density of under 50 people per . Their cultural significance lies in illustrating settlements, where immigrant families like the Benders contributed to westward expansion, land cultivation, and early economic ventures such as timber and .

Music

Artists and bands

DJ Bender, an music artist based in , rose to prominence in the through his residency at Pacha NY, where he performed alongside international DJs and built a reputation for high-energy sets blending and influences. By 2016, he had amassed a substantial catalog of tracks emphasizing groovy basslines and eclectic sampling, contributing to the evolution of underground electronic scenes in the U.S. In 2025, Bender expanded his reach with a residency at UNVRS, delivering extended six-hour performances that explored immersive soundscapes, further solidifying his impact on experiences. Bender, the Milwaukee-based alternative rock band active from the mid-1990s to early , emerged from the local metal and scenes, with founding members Matt Scerpella on guitar and on bass meeting in the late 1980s before forming the group around 1994. Signed to , they released their debut album in 1995, followed by Jehovah's Hitlist in 2000, tracks from which like "Isolate" garnered significant streams on , highlighting their fusion of heavy riffs, rap elements, and aggression that influenced midwestern rock acts. The band's raw, groove-oriented sound earned cult status, with Jehovah's Hitlist achieving niche acclaim for its experimental edge in the nu-metal-adjacent landscape. Other notable groups include a Chicago indie-punk-rock outfit named Bender from the early 1990s, featuring members like cartoonist Jessica Abel, which contributed to the city's vibrant DIY scene through raw, energetic performances. Similarly, a Sydney-based Bender active in the mid-1990s delivered guitar-driven rock with vocalist Ron and bassist Mark, adding to Australia's alternative circuit. The Bender Jamboree, an annual festival held in since the 2010s, has become a key event for improvisational music, relocating to the Resort & Casino for its 2024 and 2025 editions. The 2025 lineup features headliners like for three nights, alongside moe., , , and Daniel Donato's Cosmic Country, drawing thousands for multi-day sets that emphasize , , and fusions. Institutions like the Bender School of Music in , founded in 1996, support performing artists by offering instruction in instruments such as guitar, , piano, and , fostering local talent in and genres through private lessons and community coaching. Similarly, the Bender Conservatory in , provides foundational private music education for over nine years, emphasizing performance skills for aspiring musicians across styles including and production. Collectively, these artists and events have shaped niche influences in electronic and rock music, with Bender-related streaming exceeding 12 million plays across platforms, underscoring their enduring appeal in underground and festival circuits.

Songs and albums

Several songs titled "Bender" or "The Bender" have been released across genres, frequently centering on themes of wild nights out, drinking, and revelry. One prominent example is "The Bender" by Norwegian DJ Matoma and American singer Brando, released in April 2020 as the lead single from Matoma's EP Rytme. The track interpolates the iconic bassline and chorus from Earth, Wind & Fire's 1978 hit "September," transforming it into an upbeat dance-pop anthem about losing oneself in a euphoric party atmosphere, with lyrics like "Do you remember the 21st night of September?" recontextualized for a modern club vibe. It peaked at number 13 on the Billboard Dance/Electronic Songs chart and garnered over 28 million streams on Spotify as of November 2025. In the realm, "Bender" by The Paradox featuring Blink-182 drummer emerged as a breakout hit in 2025, released on July 25 via . The high-energy track depicts a chaotic night of excess and camaraderie, with driving guitars and Barker's signature fast-paced drumming propelling lyrics about blacking out and waking up to unexpected adventures. It quickly went viral on , amassing millions of views through user-generated content tying into party challenges and footage, and was performed live with Barker at the 2025 Vans in . The song's infectious hook and nostalgic nod to early 2000s punk helped it climb playlists, emphasizing themes of youthful indulgence. Ska-punk outfit Big D and the Kids Table contributed to the theme with their 2004 track "Bender" from the album How It Goes on . This rowdy number humorously chronicles a multi-day drinking spree, blending horns, rapid-fire vocals, and lyrics poking fun at the physical toll of overindulgence, such as stumbling home after endless rounds. It became a staple in the band's live sets, resonating with fans for its raw portrayal of party culture without romanticizing the aftermath. Albums titled Bender are rarer but include the self-titled debut EP by alternative rock band Grave Waves, released in 2024. The six-track release mixes and influences, with the titular song "Bender" serving as a fuzzy, riff-driven closer evoking disorientation and through swirling guitars and hazy vocals. Critics praised its cheeky energy, likening it to a blend of and modern , and it received positive reviews for capturing the blurred edges of a night gone awry. Another example is the self-titled album by American mountain rock band 6 Day Bender, issued in 2008 on Eastham Music. This 10-track effort draws from and roots, featuring twangy guitars and on songs about rural and hard-living, with tracks like "Gettin' Gone" echoing themes of temporary relief through revelry. The album's raw production and earned it a in regional scenes, highlighting excess as a fleeting escape from everyday struggles. Overall, these works reflect a recurring motif in music where "bender" symbolizes uninhibited partying, often with a mix of celebration and cautionary undertones, and in 2025, The Paradox's track amplified this through social media virality on platforms like TikTok.

Other uses

Surname

The surname Bender is primarily of German origin, deriving from the occupational name for a cooper or barrel maker, a shortened form of Fassbender. It also appears as an English variant, functioning as a metonymic occupational name for an archer or bow maker, stemming from Middle English bender, an agent derivative of benden meaning "to bend." Among Jewish Ashkenazi communities, Bender is adopted as a variant of Bander or a habitational name from the town of Bendery (now Bender, Moldova). Bender is most prevalent in the United States, where it ranks 881st among surnames and is borne by ,551 individuals according to the , placing it among the top 1,000 American surnames. In , it remains common, particularly in regions like and , reflecting its historical roots in the country's southwestern and western areas. The surname's spread to and other communities largely traces to 19th-century , including waves following the failed , when many artisans and families sought economic opportunities abroad. Notable bearers include (born 1957), an American film producer renowned for collaborating with on films such as Reservoir Dogs (1992), (1994)—which earned him an Academy Award nomination for Best Picture—and (2009); his productions have collectively garnered multiple Oscar nominations. (born 1969) is an acclaimed American author of surreal fiction, best known for novels like The Particular Sadness of Lemon Cake (2010) and short story collections such as The Girl in the Flammable Skirt (1998), which was named a New York Times Notable Book. Historically, Charles Albert "Chief" Bender (1884–1954) was a Hall of Fame pitcher of descent, who played for the and contributed to their 1911 victory with a career record of 212 wins. Variations of the surname include Bander, Bennder, Bendder, and occasionally Benders or Benderr, often arising from regional phonetic adaptations or anglicization during immigration.

Tools and devices

A bender, in the context of mechanical and industrial tools, refers to a device designed to shape pipes, tubes, bars, or other materials by applying controlled force to curve them without causing excessive deformation or weakening. These machines are essential in manufacturing and construction for creating precise bends in metals and alloys. Common types include pipe and tube benders, which come in manual, hydraulic, and computer numerical control (CNC) variants, often used in plumbing and fabrication to handle materials like copper, steel, or aluminum tubing. Manual versions rely on human force via levers or ratchets for small-scale work, while hydraulic models use fluid pressure for greater power in bending larger diameters, and CNC types automate the process for repeatability. Bar benders, particularly for reinforcing bar (rebar) in construction, include manual, electric, hydraulic, and automatic models that bend steel rods up to several inches in diameter to form structural elements like hooks or stirrups. The development of industrial benders traces back to the late , coinciding with the rise of mechanized manufacturing during the , when early sheet metal bending brakes—also known as folding benches—emerged around 1875 to replace labor-intensive hammering techniques. As steam power and early hydraulic systems proliferated in the 1800s, these machines evolved to handle heavier workloads, enabling efficient shaping of and steel plates for boilers and machinery. By the early , electrification improved control over clamping and bending operations, setting the stage for precision tools. Modern CNC benders, introduced in the 1970s with numerical control advancements and fully realized in bending applications by the 1990s, incorporate computer systems for programmable angles, radii, and sequences, achieving tolerances as fine as 0.1 degrees. In applications, benders are widely used in the to fabricate exhaust systems, where rotary draw or roll bending shapes tubing into complex manifolds and pipes to optimize and emissions control. In , CNC benders form high-strength or aluminum tubes for lines, hydraulic systems, and structural frames in , ensuring lightweight yet durable components that withstand extreme pressures and . standards govern their operation to mitigate risks like pinch points and flying debris; the (OSHA) incorporates ANSI B11.15 guidelines for pipe, tube, and shape bending machines, requiring guards, emergency stops, and operator training to prevent injuries. As of 2025, advancements in electric benders emphasize and smart integration, with AI-driven systems optimizing bend parameters in based on material properties and sensor data, reducing setup times by up to 30% and minimizing waste in high-volume production. These fully electric CNC models, powered by servo motors rather than , offer quieter operation and precise control, particularly in and automotive sectors where and demands are increasing.

Psychological assessment

The , developed by child psychiatrist Lauretta Bender in 1938, serves as a projective psychological assessment instrument designed to evaluate visual-motor integration, perceptual organization, and developmental maturity through the reproduction of geometric figures. The test draws its figures from psychologist Max Wertheimer's work on perceptual principles, adapting nine all-white card designs to assess neurological integrity and cognitive processing without reliance on verbal instructions, making it suitable for diverse age groups and those with language barriers. Originally published as a , it has become a staple in for identifying deviations in formation that may signal underlying dysfunction or developmental delays. The procedure involves presenting the examinee with nine stimulus cards, each featuring a simple geometric shape such as lines, circles, or dots, which they copy freehand onto plain paper using a , typically in a quiet setting without time limits to minimize anxiety. Scoring focuses on qualitative and of the reproductions, penalizing distortions like (e.g., 80–180 degrees from the original axis), fragmentation, , or addition/omission of elements, which can indicate impaired function, perceptual immaturity, or specific disorders such as through patterns of regression or motor overflow. The second edition (Bender-Gestalt II, 2003) expands to 16 cards and includes supplemental motor and recall tasks for enhanced reliability, but the core copying method remains unchanged. In child psychology, the test is applied to screen for learning disabilities and developmental disorders by measuring visual-motor skills essential for academic tasks like writing and reading, with error patterns correlating to conditions such as dyslexia or ADHD. For adults, it aids in diagnosing neurological impairments, including dementia and brain injury, where increased errors reflect cognitive decline or visuospatial deficits. Validity studies, including systematic reviews and meta-analyses through 2025, affirm its moderate to high sensitivity (e.g., 70–85% for detecting organic brain damage) and utility as a screening tool when combined with other assessments, though it performs best in non-verbal contexts. Despite its longevity, the test faces limitations including subjective scoring variability among examiners and cultural biases, as norms derived primarily from Western samples may overestimate errors in non-Western or low-socioeconomic groups due to differences in perceptual experiences or educational exposure. To address these, contemporary applications increasingly incorporate digital adaptations, such as tablet-based versions with automated analysis for scoring of distortions, enhancing reliability and reducing in multicultural settings.

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