Borgore
Borgore, whose real name is Yosef Asaf Borger, is an Israeli electronic dance music producer, DJ, singer-songwriter, and rapper born on October 20, 1987, in Holon, Israel.[1] Renowned for pioneering the aggressive "gorestep" subgenre of dubstep—characterized by heavy bass drops, provocative lyrics, and genre-blending elements like trap, hip-hop, and electro house—he rose to prominence in the early 2010s through viral tracks and high-energy live performances.[2][1] Borger's musical journey began with classical training on saxophone at Thelma Yellin High School of the Arts in Tel Aviv, followed by a stint as a drummer in the Israeli deathcore band Shabira.[1][3] Transitioning to electronic music around 2009, he self-released early dubstep tracks that gained underground traction, leading to the founding of his own label, Buygore Records, in 2011, which quickly became a hub for bass-heavy artists like Rusko and Kennedy Jones.[3][1] His breakthrough came with remixes of tracks like Britney Spears' "Womanizer" and Metallica's "Master of Puppets," showcasing his ability to fuse metal influences with EDM.[1] In 2012, Borgore achieved mainstream recognition with the collaborative single "Decisions" featuring Miley Cyrus, which blended dubstep with pop and heavy metal elements, amassing millions of streams and propelling him to major festival stages.[3][1] He has since headlined events including Ultra Music Festival, Electric Daisy Carnival (EDC) Las Vegas, Tomorrowland, and Made in America, delivering theatrical sets with live vocals, multiple CDJs, and outrageous visuals.[1][2] Notable collaborations extend to artists like Juicy J, G-Eazy, Waka Flocka Flame, and Diplo, while his 2014 debut album #NEWGOREORDER, released via Buygore and Dim Mak Records, solidified his reputation with tracks like "Ratchet."[2][1] Beyond music production, Borgore has hosted the SiriusXM radio show The Borgore Show and engaged in philanthropy through his Electric Family initiative supporting the Keep a Breast Foundation.[1] Based in Israel since 2023, he continues to evolve his sound, incorporating hip-hop songwriting and touring extensively.[4][3]Personal life
Early life and education
Yosef Asaf Borger, known professionally as Borgore, was born on October 20, 1987, in Holon, Israel.[5] He was raised in nearby Tel Aviv, where he developed an early passion for music.[6] From a young age, Borger showed exceptional talent as a classically trained saxophone player, attending the prestigious Thelma Yellin High School of the Arts in Tel Aviv, often compared to Juilliard for its rigorous program.[7] There, he honed his skills in jazz and classical music, emerging as a saxophone prodigy who not only performed but also composed pieces for big band ensembles, laying a strong foundation in musical theory and performance.[2][8] During his teenage years, Borger expanded his musical exploration by joining the Israeli deathcore band Shabira as their drummer, contributing to the local heavy music scene before shifting focus to electronic production.[9] Although he received no formal higher education beyond high school, Borger began teaching himself electronic music production around 2009, marking the start of his transition into EDM.[10]Family and later residences
Borgore, whose real name is Yosef Asaf Borger, relocated to Los Angeles in September 2012 to advance his music career, and lived there until November 2023.[11] In 2022, he married his longtime partner Sonia, a Hungarian native with whom he had been in a relationship for over five years.[12] The couple announced their first pregnancy in May 2023, followed by the birth of their daughter, Ellie Borger, in August 2023.[13][14] In November 2023, shortly after Ellie's birth, Borgore and his family left Los Angeles to return to Israel after more than a decade abroad, motivated by a desire to raise their daughter near her grandparents and prioritize family stability.[4] Borgore has shared limited details about his personal relationships beyond these milestones, emphasizing privacy while noting that fatherhood has profoundly reshaped his priorities, including adjustments to his international touring schedule to accommodate family time. As of November 2025, no further public updates on their residence have been reported.[4]Musical career
Beginnings in music
After departing from the Israeli deathcore band Shabira in the late 2000s, Asaf Borger, known professionally as Borgore, shifted his focus to solo electronic music production.[1] Drawing on his drumming background in heavy genres, he began experimenting with bass-heavy electronic sounds, blending elements of death metal's aggression with emerging electronic styles.[1] Self-taught in digital production techniques, Borgore primarily utilized Ableton Live as his digital audio workstation to craft tracks, allowing him to layer intense rhythms and distorted elements without formal electronic training.[15] His early influences extended to drum and bass, which informed the rapid, breakbeat-driven percussion in his initial works, alongside the horror-themed aesthetics reminiscent of metal subcultures.[16] This experimentation culminated in his debut EP, Gorestep Vol. 1, released in 2009 on Shift Recordings.[17] The five-track collection, featuring songs like "Saturday Night" and "Mama's Boy," marked the introduction of his "gorestep" aesthetic—heavy metal riffs fused with dubstep wobbles and macabre sound design—setting it apart from mainstream electronic fare at the time.[18] By 2010, Borgore had founded his own label, Buygore Records, which became a platform for his burgeoning catalog.[19] One of the label's inaugural releases was the Borgore Ruined Dubstep EP, Pt. 1, including the track "Nympho," a gritty, sexually charged dubstep cut that showcased his provocative lyrical style over pounding basslines.[20] This period solidified his transition from band member to independent producer, laying the groundwork for his distinctive sound through raw, unpolished experimentation.Rise with dubstep and Gorestep
Borgore's ascent in the dubstep scene during the early 2010s was marked by his development and popularization of "Gorestep," a subgenre he coined to describe his provocative fusion of dubstep's wobbling basslines with explicit, often misogynistic lyrics, aggressive heavy drops, and horror-inspired themes that evoked depravity and shock value.[21] This style drew from his background in deathcore drumming, infusing metal-like intensity into electronic music, and quickly distinguished him from the UK's more atmospheric dubstep origins.[22] His breakthrough came with the Delicious EP, released in June 2011 on Buygore Records, which exemplified Gorestep through tracks like the titular "Delicious," featuring relentless drum and bass-influenced beats paired with crude, sexually charged vocals that blended melody with filth.[23] The EP's success, including remixes and widespread play in underground sets, helped solidify Borgore's reputation as a pioneer pushing dubstep toward a more hedonistic, brostep-adjacent territory.[16] In 2010, Borgore founded Buygore Records as an independent platform dedicated to aggressive bass music, allowing him to self-release and curate material that aligned with his unfiltered vision, free from mainstream label constraints.[24] The label's inaugural output included Borgore's own Borgore Ruined Dubstep EP, Pt. 1 and subsequent releases like the Delicious EP, which amplified Gorestep's explicit edge with horror-tinged samples and pounding drops.[20] Early signings were sparse but strategic, featuring like-minded producers such as xKore for tracks like "Full Russian" and Document One for contributions to compilations, establishing Buygore as a hub for raw, experimental dubstep variants. These self-releases and initial artist outputs, distributed through digital platforms, enabled rapid iteration and built a cult following among fans seeking music that defied dubstep's purist norms.[19] Between 2011 and 2013, Borgore's key releases further entrenched his status as a dubstep innovator, with The Filthiest Hits...So Far (2011, Sumerian Records) compiling his earlier Gorestep anthems and introducing broader audiences to his chaotic sound via tracks blending pornographic samples with seismic bass.[25] The 2012 compilation Borgore's Misadventures in Dubstep on Buygore showcased label talent alongside his own "Flex," a track with Japanese vocals and explosive drops that became a staple in sets. Accompanying this output were extensive international tours, including over 90 U.S. dates in 2011 alone and headlining slots at festivals like Ultra Music Festival in 2013, where he performed to massive crowds and exported Gorestep globally, cementing his role in the genre's American explosion.[26][27] Borgore's rise was not without controversy, as his explicit content—often featuring derogatory references to women and simulated violence—drew sharp criticism for promoting objectification and toxicity in electronic music.[28] Tracks like "Nympho" and "Act Like a Ho" sparked debates, with detractors labeling his work as emblematic of dubstep's misogynistic underbelly, while supporters viewed it as satirical provocation.[29] This backlash earned him the moniker "enfant terrible of bass culture," a title he embraced, positioning himself as the self-proclaimed "man who ruined dubstep" through unapologetic boundary-pushing.[7]Mainstream collaborations
Borgore's entry into mainstream music began prominently in 2012 with his collaboration with Miley Cyrus on the single "Decisions," a track that blended dubstep production with pop vocals and marked an early example of pop-dubstep fusion. Released via Buygore Records, the song featured provocative lyrics and Cyrus's guest appearance, which helped introduce Borgore's sound to a broader pop audience. The collaboration gained significant attention, including coverage in major music outlets, highlighting Cyrus's willingness to experiment with electronic genres during her transitional career phase.[11] Expanding into hip-hop crossovers, Borgore worked with prominent rappers in the mid-2010s, further diversifying his appeal beyond electronic music circles. In 2013, he teamed up with Waka Flocka Flame and vocalist Paige on "Wild Out," a high-energy track combining trap-influenced beats with rap verses, released as part of the Wild Out EP on Dim Mak Records. This partnership exemplified Borgore's ability to merge aggressive dubstep drops with hip-hop's swagger. By 2015, he collaborated with G-Eazy on "Forbes," produced alongside Styles & Complete, which showcased boastful lyrics over gritty basslines and was featured on the Keep It Sexy EP via Buygore. Additionally, in 2016, Borgore joined forces with Juicy J on "Magic Trick," a trap-dubstep hybrid emphasizing party themes and heavy drops, distributed through Buygore under license to Armada Music. These hip-hop integrations allowed Borgore to tap into rap's commercial infrastructure while infusing it with his electronic edge.[30][31][32] Borgore also secured releases on major electronic labels, enhancing his visibility in the global dance music scene. Tracks like "Incredible" with Carnage (2013) and "Unicorn Zombie Apocalypse" with Sikdope (2014) appeared on Spinnin' Records, a leading imprint known for high-profile EDM output, exposing his productions to wider festival and radio play. His debut full-length studio album, #NEWGOREORDER (2014), released on Dim Mak Records, featured a roster of guest vocalists including Miley Cyrus and Dan Farber, spanning dubstep, trap, and experimental elements across 13 tracks. The album's eclectic collaborations underscored Borgore's shift toward more accessible, feature-heavy compositions.[33][34] These mainstream partnerships played a key role in broadening dubstep's reach, bridging underground electronic scenes with pop and hip-hop listeners during the genre's commercial peak. By remixing pop hits such as Britney Spears's "Womanizer" into a dubstep format around 2010, Borgore demonstrated early potential for genre fusion, influencing subsequent crossovers that popularized bass-heavy sounds in mainstream contexts. Overall, these efforts helped elevate dubstep from niche raves to broader cultural conversations, though they also sparked debates on the genre's commercialization.[35]Recent activities and tours
In 2019, Borgore released his third studio album, The Art of Gore, through Buygore Records, marking a return to music production after a period of relative inactivity and incorporating elements of hip-hop and trap alongside his signature bass-heavy style.[36] This was followed by the Slaughterhouse EP in December 2021 on Armada Music, which showcased a pivot toward bass house production with tracks like "Shadows" featuring Iván Reich and Jonathan, "Sexy Boi," and "FYPM" featuring Jonathan, emphasizing groovy, dancefloor-oriented sounds over pure dubstep aggression.[37] By 2024, he issued CHIAROSCURO via Buygore, further evolving his sound into a broader electronic dance music (EDM) palette that blended mid-tempo bass, melodic drops, and experimental textures, reflecting adaptation to the post-dubstep landscape. Borgore maintained momentum into 2025 with several singles, including "FIX ME UP" in May and his Monstercat debut "Palm of Your Hand" on October 10, a collaboration with LEVEL UP and vocalist Eloise Keeble that fused uplifting basslines with pop-infused vocals.[38][39] These releases highlighted his genre fluidity, incorporating house and melodic bass influences while retaining high-energy live performance potential.[40] As of November 2025, no additional major releases have been announced. Throughout 2024 and 2025, Borgore sustained an active touring schedule, headlining festivals and club shows across North America and Europe to deliver dynamic live sets that mixed recent material with dubstep classics.[41] Key appearances included Ubbi Dubbi Festival in Fort Worth, Texas, on April 26-27, 2025, where he performed on the main stage amid a lineup of bass music acts.[42] He followed with Forbidden Kingdom Music Festival in Orlando, Florida, on May 30-31, 2025, contributing to the event's all-bass and dubstep focus.[43] In August 2025, Borgore took the stage at Nibirii Festival in Dürren, Germany, from August 22-24, blending his sets with the event's trance, techno, and drum & bass vibes.[44] His North American run continued with a headline slot at Terminal 5 in New York City on November 7, 2025, alongside Adventure Club, Paper Skies, and Switchblades, underscoring his enduring draw in club environments.[45] These performances demonstrated Borgore's ability to evolve with the EDM scene, prioritizing immersive, crowd-engaging productions in the post-dubstep era.[46]Musical style and influences
Development of Gorestep
Gorestep emerged as a subgenre of dubstep pioneered by Borgore, characterized by its fusion of heavy metal riffs, horrorcore-inspired lyrics, explicit sexual and violent themes, and aggressive bass drops that emphasize shock value and raw energy.[21] This style draws from Borgore's background in the Israeli deathcore band Shabira, where he honed skills in death metal drumming, integrating those aggressive elements with dubstep's electronic framework to create a provocative sound often described as a "horror movie in electronic music form."[21][47] Key sonic features of gorestep include distorted, grimy wobbles and filthy basslines that deliver sudden, hard-hitting drops, often at a half-time rhythm around 140 BPM, evoking dubstep's core tempo while amplifying intensity through heavy metal hooks.[21][48] The genre incorporates gore-inspired samples such as screams, pig squeals reminiscent of chainsaw-like effects, and animalistic sounds to heighten its horrorcore aesthetic, alongside high-pitched synths, chip-tune elements, and hip-hop influenced intros or build-ups that transition into drum & bass-style patterns.[49][48] These components distinguish gorestep from traditional dubstep by prioritizing visceral, explicit content over atmospheric subtlety, with lyrics frequently delving into raunchy, taboo subjects like sex and depravity voiced in a gritty, suggestive manner.[21] Gorestep debuted with Borgore's 2009 EP Gorestep Vol. 1.1 on Shift Recordings, marking the genre's formal introduction through tracks like "Saturday Night" and "Love (The Gagging Version)," which exemplified its experimental blend of tempos and thematic extremity.[50] While influenced by dubstep pioneers such as Noisia for their heavy, intricate bass designs and by contemporaries like Skrillex for shared hard rock-infused performance energy, gorestep set itself apart through its unapologetic emphasis on shock-value provocation rather than melodic accessibility.[21][48] The development of gorestep had a notable cultural impact, igniting debates within the EDM community about the genre's boundaries, particularly regarding explicit content and its alignment with "brostep" aesthetics that prioritized aggression and machismo over underground subtlety.[51] Critics accused it of "ruining" dubstep's purist roots, yet it inspired variants in the brostep movement by influencing upcoming artists with its bold fusion of metal, hip-hop, and electronic elements, ultimately expanding dubstep's mainstream appeal through polarizing, high-energy innovation.[21][52]Evolution and genre shifts
Following the peak of dubstep's popularity in the early 2010s, Borgore began transitioning away from a pure dubstep focus around 2014, incorporating elements of trap and big room house to broaden his appeal. This shift was evident in releases like his collaboration on "Incredible" with Spinnin' Records, which marked a move toward more festival-oriented trap and house sounds. By blending heavy bass drops with mainstream electro structures, Borgore adapted to the evolving EDM landscape, where dubstep's dominance waned due to oversaturation and shifting audience preferences toward hybrid genres.[53][54] In his 2024 album CHIAROSCURO, Borgore further diversified into midtempo bass and melodic EDM territories, fusing briddim and tearout influences with trap production for a more eclectic bass music palette. Tracks on the album experiment with atmospheric builds and hybrid rhythms, reflecting a maturation in his sound that prioritizes dynamic textures over aggressive wobbles. This evolution allowed him to maintain relevance amid dubstep's decline by embracing festival-friendly hybrids that resonate in live settings.[55][56][57] Borgore's incorporation of rap and songwriting elements became prominent through hip-hop influences, notably in his 2015 collaboration "Forbes" with G-Eazy, which toned down his earlier intensity for slick, lyrical flows over bass-heavy beats. His classical training on saxophone and piano, rooted in early studies at Thelma Yellin Music Academy, has since informed live integrations, such as piano performances in his 2018 jazz EP Adventures in Time and subsequent sets. By 2025, this manifested in tracks like "Palm of Your Hand" featuring pop vocals from Eloise Keeble, showcasing a melodic, vocal-driven approach that sustains his festival presence.[5][58][59][60]Buygore Records
Founding and growth
Buygore Records was founded in 2010 by Israeli EDM producer and DJ Borgore (real name Asaf Borger) in Tel Aviv, Israel, as an independent label dedicated to bass-heavy electronic music.[19][61] The label emerged from Borgore's desire for greater artistic autonomy and financial independence after experiencing restrictions from major labels during his early career, allowing him to release provocative, uncensored tracks that aligned with his signature "Gorestep" style.[62] Initially, Buygore focused on self-releases from Borgore himself, including early EPs like the 2012 Flex EP featuring collaborations with artists such as Dev and Shay, which helped establish the label's reputation for aggressive, bass-driven dubstep.[63] As the label grew, it expanded digital distribution partnerships to broaden its reach, enabling global streaming and sales through platforms that catered to independent electronic imprints. By 2012, following Borgore's relocation to Los Angeles, operations shifted to the U.S., facilitating international signings and a more robust roster of emerging bass music talent.[62] The business model emphasized artist freedom, explicit lyrical content, and creative experimentation, positioning Buygore as an incubator for boundary-pushing producers in a competitive EDM landscape. Key milestones included the 2014 release of Borgore's collaborative album #NEWGOREORDER through a partnership with Dim Mak Records, which amplified the label's visibility and showcased its commitment to high-impact bass releases.[7][64] In the 2020s, Buygore navigated the broader shifts in the streaming era, where algorithm-driven platforms demanded adaptation to maintain artist visibility and revenue for independent labels. Despite these hurdles, the label continued to prioritize raw, unfiltered bass music, solidifying its niche as a haven for unconventional electronic artists.[62]Key artists and releases
Buygore Records has signed several prominent artists in the bass music genre, including Bommer, who featured on the label's Fresh Blood Vol. 3 compilation with the track "Hollup" alongside JPhelpz.[65] Other notable signings include Document One, known for their dubstep contributions, and Habstrakt, who released heavy-hitting tracks like those on early label compilations.[24] Collaborations have also been key, such as Borgore and Sikdope's "Unicorn Zombie Apocalypse" in 2014, a high-energy dubstep track that exemplified the label's aggressive sound.[66] Flagship releases on Buygore include compilation albums like Borgore's Misadventures in Dubstep from 2012, which showcased a variety of dubstep artists and helped define the label's early direction.[67] The Fresh Blood series of compilations, starting in 2014 as a sublabel dedicated to emerging talent, highlighted new bass music artists with volumes featuring Bommer and TRAWMA, serving as platforms for innovative sounds.[68][69] EPs such as the Gorestep series by Borgore, including volumes like Delicious EP (2011), established the label's core "gorestep" aesthetic through intense, filthy basslines. The 2021 Slaughterhouse EP by Borgore marked a milestone, shifting toward house-influenced bass with tracks like "FYPM (feat. Jonathan)," released under exclusive license from Buygore to Armada Music.[37] By 2024-2025, Buygore's output evolved to incorporate midtempo and hybrid bass elements, blending slower tempos with dubstep aggression, as seen in Borgore's "Fix Me Up" (2025), a 80 BPM dance/pop track with emotional synths and deep bass.[70] Similarly, "Airplane Mode" by Borgore and ABBY M. (2025) fused hybrid bass with 145 BPM drops, reflecting the label's adaptation to broader electronic trends.[71] The label has significantly impacted the bass music scene by launching careers of artists like Bare Noize and Fytch, providing a platform for innovative dubstep and trap productions that influenced the genre's development.[24] With dozens of releases cataloged across platforms like Discogs and Beatport by 2025, Buygore has solidified its role as a key player in electronic bass music.[24]Discography
Studio albums
Borgore's debut studio album, #Newgoreorder, was released on July 8, 2014, via Buygore and Dim Mak Records. Comprising 14 tracks, it marked a bold entry into full-length production with a mix of brostep and trap elements, highlighted by high-profile features including Miley Cyrus on "Decisions" and G-Eazy on "Forbes." The album debuted at number 2 on the iTunes Dance Albums chart and number 39 on the overall iTunes Albums chart, reflecting its immediate commercial impact in the electronic music scene.[72] Following a period of EPs and singles, Borgore released his second studio album, The Art of Gore, on September 27, 2019, through Buygore. The 13-track project shifted toward more introspective and narrative-driven content, with Borgore delivering verses that delved into personal growth and relationships, moving beyond his earlier explicit style. Notable collaborations include uicideboy on "Petty" and Tommy Cash on "Forever in My Debt," blending hip-hop influences with bass-heavy production.[73][74] Borgore's third studio album (commonly regarded as such, though described by the artist as his fourth), CHIAROSCURO, arrived on March 29, 2024, exclusively via Buygore. Featuring 14 tracks, it represents a melodic evolution incorporating live instrumentation and emotional depth, diverging from pure aggression toward atmospheric and hybrid soundscapes in genres like briddim and tearout. Key features include cupcakKe and Chase Icon on "ABRACADABRA," Tima Dee on "DISSOCIATED," and Cromatik on "TORTURE," emphasizing collaborative experimentation.[75][76][77]Extended plays and mixtapes
Borgore's extended plays represent key milestones in his evolution from underground dubstep to broader electronic genres, often showcasing experimental production and thematic cohesion in shorter formats. His EPs typically feature 3 to 5 tracks, emphasizing heavy basslines, vocal manipulations, and provocative samples that define his signature "gorestep" style. These releases, released primarily through his Buygore label or independent imprints, served as testing grounds for ideas that later influenced full-length albums.[78] The debut EP, Gorestep Vol. 1, released in 2009 on Shift Recordings, consists of 5 tracks including "Saturday Night," "Love," "Mama's Boy," "Sunday Morning," and "Borgore Ina Trouble." This digital release laid the foundation for Borgore's dubstep sound, blending gritty wobbles with humorous, irreverent elements that characterized early gorestep.[79][80] In 2011, Delicious EP followed on Buygore, featuring 5 tracks: "Delicious," "Delicious (Instrumental)," "Gloryhole," "Gloryhole (Instrumental)," and "Someone Else's" (featuring Adi Ulmansky). Clocking in at around 30 minutes including instrumentals, it highlighted early gorestep hits like the titular "Delicious," known for its explicit lyrics and aggressive drops that solidified Borgore's notoriety in the bass music scene.[23][81] After a period of relative inactivity in EP production, Borgore returned with Slaughterhouse in 2021 on Armada Music, a 3-track EP comprising "Shadows" (featuring Iván Reich and Jonathan.), "Sexy Boi," and "FYPM" (featuring Jonathan.). Marking his shift toward bass house and tech influences post-hiatus, the release emphasized floor-ready energy with crisp production, diverging from pure dubstep while retaining heavy bass elements that resonated at events like EDC Las Vegas.[82] Borgore's mixtapes are primarily promotional efforts tied to his label, with no major standalone series post-2010. Notable examples include The Buygore Mixtape, Vol. 1 (2012), a compilation-style release featuring tracks from Buygore artists like ETC!ETC!, Yakz, and Kultivate, curated by Borgore to promote the label's roster. Later promotional mixes, such as the 2017 Dubstep Mix exclusively featuring Buygore tracks, continued this tradition but remained non-commercial and event-focused, with no significant mixtape output after 2015.[83][84][85]Singles and remixes
Borgore's standalone singles often feature collaborations with vocalists and rappers, blending his dubstep roots with trap and bass influences to achieve mainstream appeal. His 2012 single "Decisions", featuring Miley Cyrus, marked a significant crossover moment, with its provocative lyrics and heavy drops drawing widespread media coverage; the official music video has exceeded 29 million views on YouTube.[86] Released via Buygore Records, the track highlighted Borgore's ability to merge EDM production with pop sensibilities.[87] In 2013, Borgore teamed up with producer Carnage for "Incredible", a collaborative single emphasizing aggressive synths and rapid builds, distributed through Fool's Gold Records.[88] This release solidified his presence in the brostep subgenre during its peak popularity. Later, in 2019, "911" featuring adult film actress Abella Danger emerged as a bold, party-oriented track under Buygore, noted for its explicit theme and intense basslines.[89] Borgore's 2025 output demonstrated a resurgence, with multiple singles dropping throughout the year. "Fix Me Up", a solo production released in May via Buygore, featured gritty trap elements.[90] This was followed by "Airplane Mode" in July, collaborating with vocalist ABBY M. for a melodic yet heavy-hitting vibe.[91] Rounding out the year, "Palm of Your Hand" in October, featuring LEVEL UP and Eloise Keeble, was issued through Monstercat and incorporated emotional vocals over pulsating drops.[39]| Year | Single | Collaborators | Label | Notes |
|---|---|---|---|---|
| 2012 | Decisions | Miley Cyrus | Buygore | Breakthrough crossover hit; 29M+ YouTube views[86] |
| 2013 | Incredible | Carnage | Fool's Gold | High-energy dubstep collaboration |
| 2019 | 911 | Abella Danger | Buygore | Explicit party anthem |
| 2025 | Fix Me Up | — | Buygore | Solo trap-infused track (May release) |
| 2025 | Airplane Mode | ABBY M. | Buygore | Melodic bass single (July release) |
| 2025 | Palm of Your Hand | LEVEL UP, Eloise Keeble | Monstercat | Vocal-driven bass track (October release)[39] |